Tribal Labor Sovereignty Act moves forward after markup session

capitol hill, congress

By Kim Morrison, World Casino News

H.R.511 gains momentum as members of the House Committee on Education and the Workforce attend the July 22, 2015 markup session which was packed with members of the National Indian Gaming Association in Washington, D.C., for a legislative summit.

The Act which exempts tribes and their casinos from the National Labor Relations Act (NLRA), the Tribal Labor Sovereignty Act was passed on Wednesday at the short markup session on Capitol Hill.

According to the Chairman of the Committee, Rep. John Kline (R-Minnesota) who introduced the bill, “it’s not about big business versus big labor and it’s not about Republican versus Democrat.”

Kline went on to add that “the bill we are considering today is about whether Native Americans should be free to govern employee-employer relations in a way they determine is best for their workplace.”

In what Rep. Todd Rokita (R-Indiana) described as a “bipartisan, commonsense proposal that will provide legal certainty to the Native American community,” the Act would exempt tribes and their casinos from the National Labor Relations Act (NLRA), and prohibit the National Labor Relations Board from asserting jurisdiction at those businesses.

Rokita also went on to state that the Act would give authority back to tribal leaders and end the National Labor Review Board’s (NLRB) overreach, and restore the standard that was in place long before the National Labor Relations Board made the misguided decision to change course. An amendment in the nature of a substitute to clarify that tribal governments are also exempt from the NLRA, was offered by Rokita.

Opposition to the Sovereignty Act was voiced by the only Democrats present, Rep. Mark Pocan (D-Wisconsin), Rep. Joe Courtney (D-Connecticut) and Rep. Ruben Hinojosa (D-Texas), who accused Republicans and their allies of using tribal sovereignty as a smokescreen to attack the NLRB.

Representative Pocan accused proponents of the bill, such as the U.S. Chamber of Commerce, of endorsing the bill in an attempt to help destroy the NLRB rather than support for the sovereignty of the tribes.

The three also noted that most employees of tribal casinos are non-Indians and argued that the bill will degrade labor standards Indian Country.

Although it hasn’t been taken up by the full Senate, on June 10th the Senate Indian Affairs Committee approved S.248, its version of the bill which is gaining traction among lawmakers from both parties.

At that legislative summit which opened Tuesday on Capitol Hill (hosted by the National Indian Gaming Association (NIGA)), Sen. Heidi Heitkamp (D-North Dakota) stressed that every conversation about gaming should begin by stating that gaming is not something that the federal government authorized you to do, but a sovereign right.

She added that, “If the Indian Gaming Regulatory Act went away tomorrow, you would still be able to conduct gaming,”

Exemption from the NLRA has been sought after by the tribes ever since a 2004 ruling in which the NLRB asserted jurisdiction over Indian Country for the first time in decades, but efforts to address the issue ran into serious opposition from Democrats and their labor union allies at that time.

Since that 2004 ruling, tribes have won support from key Democrats by pitching the issue as one of parity with other governments, and with Republicans in control of the House and Senate, the bill has moved quickly in the 114th Congress.

The bill would resolve uncertainties like the one that arose in early June when the NLRB declined to assert jurisdiction at the WinStar World Casino and Resort, a casino owned by the Chickasaw Nation of Oklahoma, citing the tribe’s treaty-protected right to self-governance.

Less than a week later, the 6th Circuit Court of Appeals backed the NLRB’s jurisdiction over the Little River Casino and Resort, a casino owned by the Little River Band of Ottawa Indians in Michigan, and three weeks later, expressing serious doubts about the application of the NLRA in Indian Country, the same court rejected the treaty claims of the Saginaw Chippewa Tribe, also in Michigan.

The U.S. federal law that establishes the jurisdictional framework that governs Indian gaming, the Indian Gaming Regulatory Act (IGRA), has been a source of extensive controversy and litigation since it was passed in 1988.

Christina Fallin’s band sparks controversy with performance at Norman Music Festival

By Jerry Wofford, Tulsa World

Christina FallinA performance by Christina Fallin, daughter of Oklahoma Gov. Mary Fallin, at the Norman Music Festival Saturday drew criticism from many, including the governor herself.

Many interpreted the provocative performance by her band Pink Pony, which included a cape or shawl with the word “sheep” drawn on the back, as offensive to Native Americans. It comes less than two months after Christina Fallin drew criticism from several groups for a photo of her wearing a Native American-style headdress.

“On Saturday night, while performing at the Norman Music Festival, my daughter acted in a way that I believe was inappropriate,” Gov. Fallin said in a statement Monday. “While she will always be my daughter and I love her very much, I don’t approve of her behavior on that night or that of her band. I have communicated that to Christina.

“I have great respect for Oklahoma’s tribal members and I celebrate their traditions and culture. As governor, I work in hand in hand with tribal leaders on everything from disaster response to economic development. Tribal governments are important partners to our state government, and I value the good relationships my administration has cultivated with them.”

Fallin spent most of Monday touring tornado damage in Quapaw, where one person was killed when an EF-2 tornado struck the town Sunday.

The band posted a lengthy statement Monday afternoon saying “nothing about our performance was connected in any way to Native American culture” and apologized to those who were offended.

Christina Fallin’s band, Pink Pony, performed at midnight Saturday and posted earlier in the day on the band’s Facebook page: “I heard Pink Pony was wearing full regalia tonight.” The band clarified it was meant as a response to the rumors they themselves were hearing, though nothing was planned.

Samantha Crain, a singer based in Shawnee, said the earlier photo and what she felt like was a “non-apology” to the headdress stir led to her and others wanting to express frustration with the actions.

“What I was originally hoping could happen was we could talk to them and let them know how we felt before it even happened,” Crain said.

With the offending photo and the Facebook post the day of the show, Crain said that the Native American community needed to peacefully respond.

“Whether it was a publicity stunt or not, we needed to rally together,” Crain said.

Several people gathered to the side of the stage as the show began holding signs that read, “Don’t tread on my culture” and “I am not a costume” among others, according to accounts. According to the website reddirtreport.com, which posted one protester’s account of the protest, and video posted to YouTube of the performance, the author said it appeared Fallin was wearing a Native American-inspired “shawl” with the word “Sheep” written on the back.

The statement from Pink Pony read that it was “in no way a Native American shawl. It was not designed to look like one.” The word “sheep” on the back refers to those who “blindly follow sensationalist yellow journalism rather than the truth,” the statement read.

Norman Music Festival chair Gene Bertman said in a statement Monday that the festival was unaware of what the band’s performance would include.

“The Norman Music Festival does not support the actions of Pink Pony, and in particular Christina Fallin, at our festival on Saturday night. We had no prior knowledge of the performance content, and we oppose her use and depiction of American Indian artifacts and symbols,” Bertman said. “We certainly understand that these actions do nothing but promote racism, cultural discrimination and religious discrimination. The Norman Music Festival is here to support artists and bring people together — not divide them. We apologize to anyone who was offended.”

The band said in the statement that “it was not our intention to offend anyone.

“Nothing about our performance at the Norman Music Festival was in any way designed to offend anyone,” the statement read. “We hope that people will do their own research before jumping to conclusions or believing the lies being fed to them.”

Crain said the protesters tried to remain to the side of the stage as to not disrupt the show, but at some points the crowd began to taunt them.

“It was very clear from the beginning we were there for a silent protest,; we weren’t there to disrupt the show in any way,” Crain said. “The beginning of it was fine. But they kind of started taunting us from the stage and got the crowd to flip us off and yell at us.”

At the end of the performance, Crain said she felt that overall their presence had some positive aspects.

“I felt like it was positive,” Crain said. “People were looking at the signs and asking questions.”