Category: Top Story

Pendleton’s iconic wool wear now available at Seattle Premium Outlets

6-year-old Udora and 5-year-old Yuliana model the latest in Earth-toned Pendleton accessories. 

By Micheal Rios, Tulalip News

Uniquely woven into Native communities, Pendleton Woolen Mills continues to partner with and share traditional Native design and artistry with the world. Known for their vibrant colors and distinctive patterns, Pendleton blankets and jackets have been embraced by the Tulalip Tribes for generations. From graduation gifts to burial shrouds, from decorative wall hangings in tribal member homes to staple items in gift shops of both the Tulalip Resort and Hibulb Cultural Center, Pendleton is synonymous with Native pride and heritage. 

The connection with Tulalip will continue to grow and evolve now that a Pendleton store has officially opened at Seattle Premium Outlets. The iconic wool wears have never been more accessible to the local community with huge discount savings and exclusive tax exemption for Tulalip citizens.

Seventeen-year-old tribal member and soon to be Marysville Getchell graduate, Alaqua Spencer, visited Pendleton on its ceremonial grand opening. She perused many of the store’s offerings before falling in love with a signature zip-front wool jacket. She shared, “This was my first time ever inside a Pendleton store. Seeing all the cool Native designs on so many different items was amazing. I bought a gray and black jacket that I absolutely love.”

Alaqua Spencer shows off her new Pendleton jacket made sustainably from sheep’s wool. 

Fellow Tulalip citizen Udora Ceja was excited to visit the outlet’s latest addition as well, while her 6- and 5-year-old daughters scurried around, checking out all the colorful purses and handbags. They could be heard arguing over which bag was prettiest, but before coming to an agreement, the 5-year-old darted off after catching a glimpse of a cute pair of baby booties. 

“We were walking around the Outlet and saw the sign saying ‘Pendleton: Now Open’ and we had to check it out,” shared Udora after coming away happy with several purchases. “It was a good opportunity to pick up some cool Father’s Day gifts. I was surprised to see they have so many nice designs and stunning graphics. I didn’t know Pendleton made so many products outside of blankets and jackets. And the prices are really good, too.”

Pendleton has long held connections with wool ranchers across the nation, with some providing wool to Pendleton for nearly a century now. Not only is much of their wool grown in the U.S., it’s also milled in Pendleton’s Oregon and Washington factories. Adding another layer of connectiveness to past Tulalip generations that wove every day garments from mountain goats and the legendary wooly dogs.

Wooly dogs were a specialty breed that the Coast Salish held in high regard, to the point their caretakers kept the coveted source of fur on nearby islands to prevent crossbreeding. The dogs were sheared every summer and their warmth generating wool was used to make protective layers during the winter months. According to local historians, the wooly dog breed went extinct in the early 1900’s. 

In the absence of the wooly dog, sheep quickly became the alternative wool of choice as it’s a natural, durable fabric that can better withstand the natural elements associated with the Pacific Northwest.  Modern wool is one of the most sustainable sources for textile use as fleece regrows every year. Plus, sheep wool naturally resists odor, stains and soiling. 

Tulalip women carding & spinning wool, 1898. 
Photo by Edward Curtis.

Since 1909, Pendleton has produced Native-inspired blankets, robes and shawls for tribes across the continent. Today, Pendleton maintains its connection to the Native American population by uplifting Native artists and supporting a variety of Native causes that make a real-world impact. 

In partnership with the American Indian College Fund, Pendleton creates wool blankets whose proceeds are collected and disbursed as college scholarships for the next generation of Native scholars. In fact, Pendleton has provided nearly $1.65 million in higher education support for Native students to date.

Self-taught ledger artist, beader, graphic designer and painter from Montana’s Fort Peck Reservation, Chelysa Owens (Fort Peck Assiniboine & Dakota Sioux) is an American Indian College Fund scholar and 2021 Tribal College Blanket Contest winner. Her art is represented by Pendleton’s ‘Unity’ pattern.

“Pendleton is one of my favorite brands,” she said. “They work with the artist to get the work as close to our vision as possible. I’m living the dream at such a young age because I have always wanted to be a graphic artist. This just adds to my art journey, which is a good feeling. I would like to give a huge thank you to Pendleton Woolen Mills and the American Indian College Fund for giving this amazing opportunity to tribal college students and allowing others and me to showcase our talents and share our visions with you.”

Pendleton is also tied to the Water Is Life movement with their most recent Native artist collaboration. Emma Robbins (Diné) is an artist, community organizer, and Executive Director of the Navajo Water Project. This community-managed utility alternative brings hot and cold running water to homes without access to water or sewer lines. The blanket she designed, the Gather Blanket, costs $279 on the Pendleton website. A portion of each sale goes to support the Navajo Water Project. 

“This is a dream of mine, to work with a company like Pendleton. We grew up with Pendleton all around us, and even though the company isn’t necessarily traditional, it’s such a big part of our tradition,” said Emma to the Navajo Times. “And it’s exciting that we’re working with Pendleton because not only is it good to get those proceeds and get them back home to do running water systems, but also spread the word about the project and water issues and solutions that are being implemented by our people.”

The Northwest based manufacturer of everything wool offers a variety of products that prominently feature Native-inspired designs. Pendleton elevates the voices, work, and representation of tribal college students, artists and impact makers, while providing scholarship opportunities and a variety of products associated with important events.

For the Tulalip community, the long-awaited arrival of a Pendleton store at the local outlet mall means the highest grade of locally sourced, sustainable woolen blankets and jackets will continue to be associated with ceremonial giveaways and rites of passage. Like the tradition of gifting newly minted Tulalip seniors a Pendleton blanket or gifting a high school graduate a Pendleton jacket to rep with pride. This is a relationship sure to thrive even more going forward. 

“We remember so we don’t forget”

By Shaelyn Smead; photos by Kalvin Valdillez

Memorial Day is often a heavy day remembering the lost lives of fallen soldiers and veterans, but it also brings a sense of pride and honor to families and friends who once knew them. Much like years in the past, Tulalip community members gathered at the Priest Point Cemetery and the Mission Beach Cemetery to show respect for all the heroes that sacrificed and laid their lives on the line for our people and our country. 

As family and friends arrived at the services, some stopped to surround the gravesite of their loved one; some placing down flowers and mementos representing their life, reflecting on the person that once stood side-by-side with them. American flags were put on display at gravesites to those that have served.

The services were held by the Tulalip Veterans Department, with Board of Director Mel Sheldon guiding those in attendance. 

Mel reflected on the importance of recognizing Memorial Day saying, “When I think of this weekend, I think of all the men and women who served. Whether it be World War 1, World War 2, the Cold War, the Korean War, Vietnam, Iraq, or Afghanistan. We always come together to remember those who made the ultimate sacrifice. Tulalip has a rich history of men and women who have served this country, and we are proud of all our veterans. We remember so we don’t forget.”

Chairwoman Teri Gobin paid special thanks to everyone in attendance, to the fallen soldiers, the veterans who have served, and to those who are still serving. She spoke about her father being a proud Marine, and the admiration for service members he instilled in her. She also paid a special thank you to the groundskeepers and cemetery maintenance crew that prepared the cemeteries for this month.   

Tulalip Veteran Angela Davis spoke and shared her experience of being a veteran, and the bond that she shares with others, “With my uncles, father, and grandparents all being a part of the military, I knew from an early age that I wanted to serve. Being in the military, for some of us it’s a choice to join, but for others, it chooses them. There’s many different paths that you can choose from, whether it’s to be a politician, or a police officer, education, or preserving culture, we all have a servant’s heart. We want to give to our community and to our people.”

Many notable moments took place to pay tribute to the Gold Star mothers, fathers, families, and friends of fallen soldiers and veterans, acknowledging the sacrifice they too have made, and the pain that they have endured. 

Native American culture has always encompassed a warrior identity. Tulalip veteran Cyrus “Cy” Hatch III exemplified this culture by holding roll call of the 247 fallen soldier and veteran names. A sense of honor and esteem swept over the tribal community members in attendance.

Ending the service was the Tulalip Honor Guard with a 21-gun salute, representing that Tulalip will always remember, so we don’t forget.

Following the Salmon Ceremony Part 6: Crafting Shawls & Vests

By Kalvin Valdillez, Tulalip News

Aside from the important spiritual work that is conducted at the Tulalip tribe’s annual Salmon Ceremony, one of the most captivating and spectacular aspects of the event is viewing all the regalia. Donning cedar hats and headbands, ribbon skirts and beautiful Indigenous accessories such as cedar-woven cuffs and beaded earrings, tribal members showcase their traditional gear at the ceremony, in which the local fishermen are blessed for a safe and plentiful season and yubəč, the first king salmon to arrive at local waters, is honored in a good way, as a means to pay respect to the entire species for providing nourishment for the people of Tulalip.

Much more than a fashion statement, the regalia serves an important role in the Salmon Ceremony. Shawls, which display family crests and colors, are visible as the dancers enter the longhouse.  As the singers bellow songs and chants in traditional Lushootseed, the dancers depict the stories within the songs to onlookers. 

During a number of songs, including the Eagle/Owl Song (Tribute to Kai Kai), the Happy Song and the New Beginning Cleansing Song (Glen Gobin’s Song), the dancers utilize their shawls to perform the traditional work. Spreading their arms out wide as if soaring through the air, while turning in complete and semi-circles, the fringe of their shawls swooshes in the air to the drumbeats as the dancers work their way around the longhouse. During the ceremony, the boys and men wear vests. Similar to the shawls, the vests also showcase family emblems and often times, miniature cedar-carved paddles are arranged in multiple rows and dangle from the vests.

 Creating your own regalia is an important experience for tribal members, whether it’s your first time participating at Salmon Ceremony or if you are returning to the tradition from a personal hiatus. Deciding the color and designs that your regalia will display helps create a strong connection to the official attire of the ancestors, and from that point on, a sense of pride is created each time you wear your regalia.  

Traditionally, regalia was made exclusively from materials found locally in the natural world, namely cedar and the fur from the now extinct wooly dogs. A lot of time, attention and detail goes into crafting regalia and because of the effort put into making the shawls, headbands and vests, the regalia holds a special place in the hearts of each drummer, singer and dancer. 

Although most tribal members craft their regalia within their families, there are numerous first timers this year, and like big chief yubəč, several returnees. Many of these Salmon Ceremony participants do not own any regalia whatsoever, and for this reason the Tulalip Tribes Events Manager, Malory Simpson, decided to host a weekly crafting circle. 

Held every Tuesday at various locations throughout the reservation, but mainly at the Tulalip Gathering Hall, the crafting night allows Salmon Ceremony participants the opportunity to learn how to make their own shawls and vests. Malory explained that the budget, specifically for regalia, was quite a small amount, considering all the materials that needed to be purchased in order to make the regalia. She reached out to her community and recruited a small group of people to help raise funds to purchase fabric and all the tools needed to create shawls and vests for those in need of regalia. 

“We decided to do a fundraiser because it frees-up money to be spent more freely on other items we may need such as shells, smaller paddles, or maybe a vest or velour dress for different options of regalia,” Malory explained. “I was approached by a few different people about when we would be hosting a culture night or regalia making night. It was my understanding that the Events Manager never really coordinated that, but I felt the need to reach out to those who I knew were savvy in sewing and creating regalia. I have never done something like that before, so I knew I needed help. After a Salmon Ceremony practice, it was brought up by Glen Gobin that we needed to get a craft night going. Tuesday seemed to work for the majority, so we went with that day. We have ten shawls made as of now and I think twenty more to go.”

With only a few weeks before Salmon Ceremony, it is important for dancers and singers to have their regalia ready to go for the special day of honoring. Tribal leaders are inviting the entire community to come out to the remaining practices, held at 5 p.m. every Thursday at the Tulalip Gathering Hall, to learn about the revival of the ceremony and its importance to the tribe, as well as to immerse in the culture and learn the meaning behind the traditional songs and dances that are offered at the Salmon Ceremony. The last practice on June 9th will be held at the Tulalip Longhouse, where the Salmon Ceremony will also be hosted two days later on June 11th starting at 10:30 a.m. 

In a Facebook post following the first regalia crafting circle, tribal member Lena Hammons shared, “Awesome night of making shawls for Salmon Ceremony. I got two done and had to learn [how to operate] this sewing machine. Awesome dinner and great company! Much needed community time after two years of isolating.” 

If you are interested in crafting regalia for this year’s Salmon Ceremony, please contact Malory at (360) 716-4399 for more information. 

Celebrating Tulalip Wetlands

By Micheal Rios, Tulalip News

May is American Wetlands Month. A time to celebrate one of nature’s most productive ecosystems. Join us as we take this opportunity to give our readers a gentle reminder to take time to recognize the wonderful way wetlands enrich the local environment and our Tulalip way of life. 

There are many types of wetlands, including coastal wetlands, potholes, vernal pools, bogs, and swamps, and each provide unique ecosystem benefits. Unfortunately, wetlands face numerous challenges, such as global warming and rising sea levels, as well as drainage, fill and excavation. These factors and more drive the critical need for wetland conservation and restoration.  

In fact, wetlands are among the most valuable but least understood of all natural resources. They provide rich habitat for wildlife. They are place in which many animals and birds build nests and raise their young. Migrating birds stop over in wetlands to rest and to feed. We unknowingly celebrate wetlands each May when they are teeming with new animal and plant life.

Wetlands benefit our communities as well. They replenish and clean water supplies and reduce flood risks, provide recreational opportunities and aesthetic benefits. They serve as sites for scientific research and education, and provide massive benefits to our beloved Salmon runs.

Unfortunately, wetlands have been misunderstood for many years, often viewed as wastelands to be drained and converted to other uses. But if wetlands disappear, water will not be as clean, fish and bird populations will suffer, and the frequency and severity of floods will increase. In recent years, there’s been a push by the scientific community and environmentalists to get mainstream America to recognize the value of wetlands.

Fortunately, for the Tulalip community, we have a dedicated Natural Resources team working diligently to protect and preserve our wetlands for future generations through various programs. One such member of that team is wetland biologist Michelle Bahnick. She recently spoke with Tulalip Media & Marketing’s resident documentarian, Justin Salva, at length about the importance of celebrating our Tulalip wetlands.

“We have over 500 wetlands on the Reservation, alone, and they make up approximately 20% of the Reservation,” explained Michelle. “We have wetlands connected to rivers, lakes, estuaries along the shorelines. We have depressional wetlands that just kind of may appear in your backyards. We have forested wetlands. We have wetlands that are predominately shrubs. We have ones that are basically grass fields that get wet. 

“Wetlands are important for a bunch of different reasons. One easy one is that they recharge about 8% of the wells that are on the Reservation. Additionally, they provide habitat for anything from butterflies and birds to salmon and all sorts of insects. They also clean water by acting as sponges during storms and flood events. They help capture a bunch of water, hold onto it for a while, and then slowly releases the water back into the ground table or into streams and rivers. They also serve to help the water nice and cool during the summer for the salmon, as well as keeping river and stream flows consistent for salmon, too. 

“Historically, in Washington State alone, over 50% of the wetlands have been diked or drained for the purpose of letting people use those areas for agriculture, for production and for developing housing. Luckily on the Reservation we’ve actually done a really good job, and since 1974 we’ve only lost about 2% of the wetlands. But we are still losing wetland area, and every time we lose wetland area we’re losing the flood protection, we’re losing water quality, and we’re losing habitat.

“Hopefully, in the future, we’ll have opportunities to create more wetlands or find ways to expand and enhance the existing wetlands that are here. Having a month dedicated to protecting wetlands is a good way to show that they’re beautiful areas and they are worth protecting.”

For more information on how you can help protect America’s wetlands, please visit https://www.epa.gov/wetlands Or if you’re interested in learning more about  how our local Natural Resources team is working every day to sustain our traditions and culture, please visit their website: https://nr.tulaliptribes.com

Following the Salmon Ceremony Part 5: The Songs of the Ceremony

By Kalvin Valdillez, Tulalip News

“The elders taught us that we always need to be listening because some day you’ll be tapped on the shoulder to say something, to take over or lead something, and you need to be prepared,” said Tulalip tribal member, Glen Gobin. “Back in 1968, before the revival, they wanted the youth, which at the time included myself and my siblings, to start to learn some of the songs that we still use as part of the Salmon Ceremony today – the welcome song, the happy song. We were taught those songs at early age and I always felt honored to be a part of that.”

With less than a month to go, the tribal community of Tulalip continues to prepare for their annual Salmon Ceremony gathering, which will be held this year on Saturday June 11, beginning at 10:30 a.m. at the Tulalip Longhouse. Over the past four weeks, dancers, drummers and speakers have been getting reacquainted with their traditional songs by participating in weekly practice sessions, starting at 5:00 p.m., every Thursday.

The practices have been hosted at the Tulalip Gathering Hall, however, the final practice on June 9th will be held at the longhouse. During the approximate two-hour practice session, the tribe takes time to walkthrough the entire Salmon Ceremony from top to bottom, so the people can really get an understanding about what the songs and dances mean to the tribe, and why they are offered each year. 

“I love being at the center of the longhouse when we’re all in there together and we all sing [The Prayer Song] for the first time,” Glen expressed. “The power of song with all our voices is very moving, you can feel it inside you. I try to get the kids to feel that – the power of our voices. It gives you strength and encouragement and it also makes you feel that you belong, that you fit in.”

Revived back in the mid-70’s, the Salmon Ceremony has become a staple tradition at the start of each fishing season for the people of Tulalip. During the ceremony, the tribe welcomes and honors the first king salmon to arrive at local waters. The ceremony also serves as a way to provide the fishermen of the tribe with a blessing before they hit the Salish Sea to harvest salmon for their people. 

Prior to the assimilation era, the Salmon Ceremony was practiced by the Snohomish people since time immemorial. The ceremony was brought back in an historic effort by Harriette Shelton Dover and a handful of elders who were able to recall the songs and dances that were performed at the event. Those songs and dances were then passed on to the next generation. And ever since, the tribe has passed down the teachings year by year to the future of Tulalip.

Many Salmon Ceremony participants will be the first to tell that the practices leading up to the actual ceremony are equally important as the special day of honoring itself. Tribal leaders are welcoming the entire community out to the remaining practices, four in-total before the big day. 

In 2020, for the first time since the revival, the Salmon Ceremony and all the practices were canceled due to the pandemic. In 2021, the tribe brought the ceremony back, but in an effort to limit the spread of COVID, there were no practices leading to the event. These important practices, where traditions are handed down to the next generations, were canceled for two straight years in a row, and the participants felt as if a significant piece to the ceremony was left out. Now with the return of the practices, the people feel a stronger connection to the songs, dances and stories that will be shared at the ceremony.

Said Glen, “It’s about giving respect to those that come from nature. But it also teaches about giving respect throughout life and honoring those gifts that we get and respecting our way of life in a good way. Part of that is making sure how we sing the songs, how we conduct ourselves, it teaches how to carry yourself in life. All of the songs have meaning, everything is connected. The songs encourage the people to carry themselves in a good way.”

In anticipation of the Salmon Ceremony, Tulalip News has been featuring a weekly mini-series focused on the all the important work that goes into the annual event. Over the past four weeks, we took a deeper look into the ceremony, highlighting its history and stories. This week, we sat down with Glen, the official Salmon Ceremony Leader, a title handed down from the late Stan ‘Scho-Hallem’ Jones and Bernie ‘Kai Kai’ Gobin, to go over the eleven songs, blessing and chants that are offered at the ceremony each and every year.

The Welcome Song

Glen: “The Welcome Song is well-known and it is Harriette Shelton Dover’s song. For a long time, when we sang her song, Harriette was the only one in front of everyone, with the strongest drummers and singers following behind her. Now we have four elders leading us, typically two times around the longhouse, to start the ceremony.”

Sduhubš War Song

“This is where all our young warriors line up with their spears. A while ago, I was back at D.C. at the National Archives building. In some of the writings there is a record of this song, the sduhubš war song. And it tells what the meaning is: I am Sduhubš, I am a fierce warrior. I have nothing but friends, for I have already killed all our enemies.”

Eagle/Owl Song (Tribute to Kai Kai)

“You know, Stan always called it the Eagle/Owl song, but nowhere in the song do we sing about the eagle. But anyway, it’s a Jones family song and he gave it to the ceremony. Scho-Hallem gathered Kai Kai, because they grew strength from each other and prayed for each other. Kai Kai was my father, him and Scho-Hallem were very close friends. They were very strong leaders for our tribe. They worked together as a team for our tribe to help us move forward to where we are today.”

Blessing Song

“The blessing of the fishermen! This was a song that was gifted to Stan and my dad by a lady named Bev Tom. It is about remembering your ancestors and remembering where you come from. It’s a blessing of the fishermen to wish them good luck and a safe season.”

Listen to our Prayers

“I love being at the center of the longhouse when we’re all in there together and we all sing this for the first time. The power of song with all our voices is very moving, you can feel it inside you.”

hikw siyab yubəč

“This song is one of the primary Salmon Ceremony songs. These are all prayer songs. We sing this all the way down to the beach, once yubəč is here. We sing this to greet our visitor. Once the canoe has landed, and he’s unloaded, he now leads the way. From this point for the rest of the ceremony, he’s at the front, nobody goes in front of him. We sing this all the way to the longhouse and then again when we take him back to the water. We recognize him, give thanks. He is the scout, he comes to see how well we are doing and if we treat him correctly, he’ll tell his people that the Tulalip’s are good people.”

Happy Song

“This is a crowd favorite where the Shawl Dance is performed. Back in 1968, before the revival, they wanted the youth, which at the time included myself and my siblings, to start to learn some of the songs that we still use as part of the Salmon Ceremony today – the welcome song, the happy song. 

We were taught those songs at early age and I always felt honored to be a part of that. All of the songs have meaning, everything is connected. The songs encourage the people to carry themselves in a good way. And that goes back to the sduhubš people, we were always considered high class. But not high class like I’m better than you. Others viewed our people as siyab, high class people, because the way we carried our people.”

Table Blessing Song

“The table blessing song is thousands of years old, it’s been around that long and that’s how it was shared with us. It’s a very powerful song. It’s not often that you have a prayer song that has that fast of a beat, that you sing it that loud. Maybe it’s a joyous prayer. We all take a small piece of fish and eat the guest at the same time. Then we all take a drink of a half-glass of water together at the same time.”

Canoe Song (Kenny Moses Jr.’s Song) & New Beginnings Cleansing Song (Glen’s Song)

“Through the years we added some songs at the end. It used to end to stop at hikw siyab yubəč, but then the canoes still had to paddle out. That’s when Kenny’s song came. We started singing Kenny’s song for the canoe returning to the shore once more. 

But then the girls wanted another song that they could dance to, because they didn’t want to leave, so I shared my song at the end. It’s a song of cleansing and new beginnings. It’s about, as you walk through life, you gather up all these things and you hang on to them. At different times you need to start to release them, because either some of those things start to bother you or you no longer need them so you release those things and only keeps what gives you strength and keeps you going. So you’re starting over again, that new beginning and you’re cleansing by releasing what doesn’t serve you.

When that song came to me, it was weird because I never thought I would receive a song. We were doing some spiritual work, canoes were put away for a year, we brought them back out and brushed them off and put them in the water. We were coming back by the longhouse and I was coming up the hill and the song started coming to me like a ton of bricks. I got home and sang it for about two hours. I drove around all week, singing it all the time. It wouldn’t leave. So finally I called Kenny Moses Jr. He came up to my dad’s house and I sang it there. He asked me about what I was thinking of and feeling at the time. It’s kind of a cleansing song about new beginnings.”

It’s for the kids! 24th Annual B&GC Auction raises over $560,000

Chairwoman Gobin and Josh Fryberg pose with an autographed Bon Jovi guitar that went for a pretty penny during the live auction. 

By Micheal Rios, Tulalip News

During the evening of Saturday, May 14, the Tulalip Resort Casino’s orca ballroom was home to the 24th Annual Tulalip Boys and Girls Club Auction. The signature fundraising event of the season was all about giving gracious donors and committed community members an opportunity to paint a brighter future for Tulalip kids.

Kenzie Thompson-Sheldon entices someone to bid $5,000 for a Tyler Lockett jersey.

“As a former club kid, I personally know the positive impacts of having a Boys & Girls Club in my community,” shared auction chairwoman Belinda Hegnes. She also serves her tribe as executive vice president of Quil Ceda Creek Casino. “The club was a safe place to meet friends, hang out after school and during the summer. As a child, there was always something fun to do. One of my earliest memories was learning to shoot a basketball by then club director, Terry Freeman.

“We wanted this year’s auction theme to send a positive message to our youth that even when times are tough to keep moving forward and focus on the future,” she continued. “This past year the pandemic continued to impact our communities and our youth. We all at some point experienced a little fear, uncertainty, social restrictions and isolation from loved ones. Tonight, we finally get to come together to paint a bright future and make a positive impact for the children!”

‘The Club’, as it’s affectionately been dubbed by the hundreds of children who attend daily, is a safe place where kids can just be kids. While there, children are routinely exposed to healthy food choices, learn many useful skills, create an abundance of happy memories, and make relationships that last a lifetime.

A cohort of Tulalip tribal members welcomed auction attendees with a prayer and traditional song. 

The Club is the first of its kind to be built on tribal land in Washington. Established over twenty-five years ago, 2022 marks nearly three decades worth of commitment to the community. Through before and after school programs, our local club aims to help young people improve their lives by building self-esteem, developing core values, and teaching critical skills during opportune periods of growth.

“What an amazing evening to be together with all of you for our signature event that supports the Tulalip Boys and Girls Club,” said Tulalip Chairwoman Teri Gobin. “The funds raised from this one event truly makes a huge impact on the lives of so many of our kids. We have so many leaders who grew up as club kids and now are professionals working in management positions at both our casinos, Quil Ceda Village, and in many departments of our tribal government. That’s a significant impact the boys and girls clubs has had on our people, and that’s the impact we are all here to support.”

Club Director Shawn Sanchey sharing details of an all new golf academy available to our kids.  

Serving as a model for those working to improve the lives of young people in the surrounding communities, the Club is the primary beneficiary of the annual fundraising auction. With each auction building off the success of the previous years, the Club has not only been able to sustain services, but to complete much needed campus expansions that add additional learning and activity space. 

Funds raised from the annual actions are dedicated for capital improvement, not operating costs. Previous auction funds have paid for a state-of-the-art music studio, a multi-media room with twenty-plus computers, several transportation vehicles, roof repairs, upgraded kitchen equipment, and even a 4,000-square-foot technology-filled extension to better accommodate an ever-growing teenaged membership. This teen center was invaluable over the past two years. In such a tumultuous time, local teenagers were able to depend on access to this tech-driven space to meet their computer access and internet needs to complete schoolwork.

Mother/daughter trio Natosha, KT and Lizzie, wearing 
matching ribbon skirts, were excited to bid on a number of silent auction items.

“It’s so funny looking back because I didn’t realize how much the Club meant to me as a kid, but really it was everything,” shared Club Director, Shawn Sanchey. The 26-year-old Tulalip tribal member has come full circle after he himself grew up a Club kid and now manages the same facility so many kids depend on every day. “It’s amazing being able to witness these kids learn and grow in the same way staff once did for me. It really is unique how dedicated our staff are to the youth in our community.

“Thanks to our generous supporters we are able to alleviate costs associated with team and individual sports, which anyone who knows anything about Tulalip can tell you, we have a ton of aspiring athletes,” he added. “Some highlights from the past year are having 150 kids play tackle football, 70 kids playing select level basketball, and we started an exciting golf academy that already has 25 kids actively participating. Our dedication to give our kids access to high level sports goes hand-in-hand with our mission to let our kids know we care about them and we care about their future.”

In total, there were over 600 generous individuals in attendance at this year’s 24th annual auction. Many of the attendees have never been inside Tulalip’s reservation-homed boys and girls club. However, the uplifting faces of Club kids were ever-present on actual table centerpieces and projected onto screens bordering the ballroom. There were also a number of Club teenagers who volunteered at the auction and helped generate support by sharing their stories.

One such teenager was 17-year-old Kenzie Thompson-Sheldon who, during the live auction segment, strutted on the main stage with an autographed Tyler Lockett jersey. When auctioneer Mark Schenfeld asked her how much she thinks the Seahawks wide receiver jersey should go for, Kenzie said nonchalantly “Five-thousand dollars.” And $5,000 it went for.

Malory Simpson shows off a beautiful skirt she won. 

With such an amazing turnout to support the kids came some delightful fundraising numbers. A record $104,200 was raised exclusively for Kids Kafé, which is an essential part of the Club’s services. Kids Kafé addresses the very basic fact that often the meals provided to club members are the most nutritious part of their daily diet. This year, our club transformed into a virtual school site and during this time provided breakfast, mid-morning snack, lunch and afternoon snack. Over the course of the last year, Kids Kafé served an astounding average of 1,280 meals a day.

When the 24th annual action finally came to an end, a whopping $563,646 was raised between the silent and live auctions, including the enormous amount of support for Kids Kafé. There are so many generous contributors who played a critical role in making the 2022 auction one for the history books.

“The auction is really about building relationships with the community and continuing to build upon the strong foundation of support we have with the Tulalip Tribes, Snohomish County, the school board, and the Tulalip Resort Casino,” explained Terry Freeman, Assistant Director of Development for the Boys & Girls Clubs of Snohomish County. “For twenty plus years now, our goal has remained the same – to create more and more partnerships off the reservation to achieve our goals on reservation. Thanks to our tribal leadership team, we continue to meet and exceed this goal.”

Local legend Terry Freeman is embraced by James Madison after gifting
him a paddle and many kind words. 

In an emotional moment shared by all that know him, Terry was honored by artist James Madison with a hand-carved, WSU inspired paddle. Terry has dedicated more than 50 years of his life working on behalf of the Boys and Girls Club, where he’s impacted the lives of countless Tulalip tribal members. His limitless energy and enthusiasm for making the lives of today’s youth better is downright contagious, which is why he’s been the perfect behind-the-scenes organizer of twenty-four straight auctions. 

“I’ve known Terry since I was just 8-years-old and he ran the Everett Boys and Girls Club. He’s always been a stand-up guy and looked out for us Tulalips, making sure we had what we needed to thrive,” said James. “Now, as an adult, I’m fortunate to call Terry a friend. He deserves all the accolades and more for what he’s done for us. It meant so much to make sure he got his due respect and admiration in front of all these people he brings to our land every year to benefit our kids.” 

Thanks to everyone who contributed and gave generously, the 24th annual action was a major success. The generosity and heartfelt support received each year from sponsors and volunteers is overwhelming. As in years past, all funds raised will ensure the local Club continues to provide and improve upon quality programs in a fun, safe and positive environment for our kids.

Red dresses raise awareness for MMIWP epidemic 

By Kalvin Valdillez; photos by Sarah Jean Hart and Monie Ordonia

Red dresses and shirts hauntingly waved in the wind on MMIWP Awareness Day throughout the reservation of Tulalip. Hanging up on road signs, fences, and even on the Tulalip reader board, the red garments were placed in highly visible areas for local traffic and pedestrians to see, bringing attention to the nationwide epidemic.

“I felt like it was work that had to be done,” said organizer and Tulalip tribal member, Sarah Jean Hart. “I started last year and knew it was something I wanted to do every year. I feel like today, May 5th, is more than just the education piece and the prevention piece, but more so an opportunity to uplift our families and let them know that we’re here for them and that we love them, and to honor the ones who have not come home.”

Inspired by a 2010 art exhibit, called the REDress project, red dresses have become a nationally known symbol for the Missing and Murdered Indigenous Women movement. The empty articles of clothing provide a powerful image. The dresses are often displayed in an upright position, giving off the illusion that they are in current use, but the people wearing them appear to be missing. 

Since their first art exhibit, the REDress project helped raise awareness about the devastating epidemic over the past decade, while also providing a new and creative way for the Indigenous population to bring attention to the MMIWP movement in their respective tribal communities throughout Canada and the U.S. 

Sarah first brought the project to Tulalip in 2021, and after multiple people approached her and inquired about the dresses, she decided to make this an annual tradition in commemoration of MMIWP Awareness Day. With the help of fellow tribal member, Monie Ordonia, Sarah spent over six hours the day beforehand hanging the dresses and shirts along Marine Drive and in Tulalip neighborhoods. 

The red dresses and shirts were accompanied with hand-painted signs that read messages such as: No More Stolen Sisters & Brothers, Rise Up and Protect Our Brothers and Sisters, Remember Them and Say Their Names. A few pieces of clothing also displayed messages – in white paint were the names of those individuals who fell victim to this MMIWP epidemic and called Tulalip home – including Kyle Van Jones, Jr. Lacy, Bridgette Simpson, Jessica Jones and May Ellen Davis. 

Sarah shared, “A few years ago, it started to really hit home – how many of our own women, not only our women but our brothers too, started going missing. There was no justice for my cousin and so I just knew that we needed to do something. For me to light a candle wherever I put a dress, that’s me letting them know that this is your way home and we’re here waiting for you and we love you.”

In a Facebook post following MMIWP Awareness Day, Sarah also shared, “Our hearts are always in prayer for our MMIW & MMIP. Our loved ones taken too soon. We remember, honor and love you always.”

Following the Salmon Ceremony part 4: MMIWP Candlelight Vigil

By Kalvin Valdillez, Tulalip News

Another week closer to this year’s Salmon Ceremony, the Tulalip community met once again on Thursday May 5, to practice their traditional songs and dances before the first yubəč, or king salmon, arrives at local waters. The festivities for the honored guest will be held on June 11 this year, beginning at 10:30 a.m., at the Tulalip Longhouse. 

The Tulalip Gathering Hall’s acoustics highlighted the fact that the drumbeats were louder and the vocals were stronger this week, as the number of participates continues to grow with each practice. In addition to more drummers and singers, there are notably more shawls and vests on the floor while dancers utilize the entire space of the hall, dancing along to the Tribe’s ancestral songs. Nearly everybody at the third practice session wore red this week, and a couple of people showcased a painted red handprint across their face. 

During the weekly gatherings, the people practice an entire walkthrough of the Salmon Ceremony, taking time to explain each song, dance, chant, and blessing. After the revival in 1976, the tribe makes sure to teach the upcoming generation about how Harriette Shelton Dover and a number of Tulalip elders brought the ceremony back following the boarding school era. Almost completely wiped away from existence due to forced assimilation, the Salmon Ceremony is now celebrated at the start of every fishing season.

The ceremony honors the salmon for providing nourishment to the tribal community, while also blessing the local fisherman before they begin harvesting salmon for their families and community this year. 

“We honor the gift of our visitor, yubəč, Big Chief King Salmon,” said Tulalip tribal member, Glen Gobin. “We’re harvesting from nature again, it’s how we honor and respect that, to ensure that he’s always going to be there. Him and his people will always be there, returning to take care of our people as they always have.”

As a reminder, Salmon Ceremony practices are held every Thursday at the Tulalip Gathering Hall, beginning at 5:00 p.m. The last practice, on June 9th, will be held at the Tulalip Longhouse. Several tribal leaders, including Chairwoman Teri Gobin, wish to extend a warm welcome to the entire community of Tulalip to the practice sessions to learn about the Salmon Ceremony and all that the traditional event entails, so it can be passed on to the generations of tomorrow.

Said Teri, “We’ve come a long way and we’ve been practicing for a lot of years. What is most important now is that we are making sure the young ones are learning the songs, the dances and about those elders who brought it back again.”

Before the last song was performed, Glen explained that this week’s practice was scheduled to end a little bit sooner than usual, while also inviting those in attendance to stay behind for a special candlelight vigil, in remembrance of all the missing Indigenous women and people. The majority of Salmon Ceremony participants did not leave after this week’s practice, but instead spread out from the drum circle in the middle of the floor to seats, also arranged in a circle, placed along the outer edges of the Gathering Hall. 

What followed next was a moving tribute held in honor of national MMIWP Awareness Day. Powerful words and heartbreaking stories were shared during the special candlelight vigil and the ceremony provided a safe space for the families of survivors, those individuals missing and those who have passed on, to open up about the national epidemic. 

Multiple survivors of domestic violence took the opportunity to warn the young people about the dangers of an abusive relationship, noting that toxic relationships can escalate quickly to unsafe situations. Many of these survivors expressed the difficulty of leaving a dangerous relationship. They also stated that they felt that if they didn’t leave when they did, they might not be here today.

Tribal member, Shawnee Sheldon shared, “Everybody who was in domestic violence, brought awareness tonight. Even though I didn’t speak, I’m a victim of domestic violence. At the age of 17, I was abused by my boyfriend. He isolated me and I was beaten pretty bad. I feared for my life. And at the time, I called my best friend and told her to come and get me and bring me home because I was all the way down in Muckleshoot. She came and got me and I’m forever grateful for her. If she didn’t come for me, I don’t think I would be alive. It sometimes still triggers me. I don’t speak publicly about it, but I can talk individually with people about it, because I know there are people who are put it in the darkness. So just bringing that awareness is huge.”

A number of speakers also urged the youth to be aware of their surroundings at all times, and to reach out for help when it’s needed. Several speakers reiterated to the future generation to be safe and communicative with their families about where they are going, who they are with, and how they are doing because the rate at which Indigenous people go missing continues to climb throughout the nation. 

Tribal member and QCT teacher, Margie Santibanez shared, “I came out for the MMIW vigil because I have friends who started out in domestic violence relationships and two of them almost lost their lives to it. Some of my students were murdered, as I worked at the school which is now known as Heritage. My heart has always been heavy. This is my way of being a voice for them, helping the families heal if I can by doing the prayers and teaching the kids what it is to be respectable to each other. That’s my goal, that’s why I came.” 

As the candles were lit, the people held an extended moment of silence for the survivors and those we lost due to the epidemic. Tears were shed, hugs were shared, and prayers and songs were offered as the community gathered with heavy hearts on National MMIWP Awareness Day and took an important step towards healing. 

Showcasing the wide-range of artistic skills among our Native American students

By Micheal Rios, Tulalip News

Creative inclined Native American students of the Marysville School District sauntered through a makeshift art gala that was the Don Hatch Youth Center on Thursday May 5 and Friday May 6 for the 2022 Art Fest. Accompanied by their families, friends and teachers, the emerging artists ranging from 1st to 12th grade wowed Art Fest patrons and judges with a variety of imaginative works that centered around a communal Tulalip experience.

“Our annual Art Fest is an opportunity for each Native student within the District to express themselves in a creative way. We increased the event this year, going from one day to two days, to provide a more family friendly environment that was both safe and welcoming,” explained event coordinator, Deyamonta Diaz. “All the work that goes on behind the scenes to make this event possible, it’s like an all-hands-on-deck effort, is so worth it for our community to witness the pride and joy every student puts into their art. The end result surpassed all our expectations because we got over 900 total submissions. That’s more than double what we’ve averaged the last couple years.”

For more than two decades now, Marysville School District has partnered with the Tulalip Tribes to dedicate an evening to the art scene embraced by emerging Tulalip artists and other Native students within the District. The Art Fest gives fledgling creatives an opportunity to show off their awe-inspiring talents to the community, while also getting a chance to take home a coveted 1st place blue ribbon and all the bragging rights that come with it.

Such was the case with Northwest Academy 1st grader Ellie Fryberg. She radiated pure joy while leading her family and multiple peers to her 1st place winning drawing of a rose. Delicately drawn in colored pencils and shaded with red and green, Ellie took one picture after another with her adoring fans in front of her framed art piece. She shared roses are her favorite flowers because rose is her middle name. “It took me a day to draw it at school. My teacher helped me a little bit. I draw roses all the time on the weekends,” shared the very happy 7-year-old.

Ellie and her fellow student culture bearers were able to win 1st, 2nd or 3rd place, plus honorable mention, in a variety of artistic mediums. Categories included culture, drawing, painting, writing, mixed media, sculpture, digital art, and pure heart. The top four from each grade and category received a ceremonial ribbon recognizing their talents and a monetary prize.

“It was amazing to see just how talented our Native students are. The new ideas and concepts they come up with every year continue to surprise us judges,” shared Native Advocate Doug Salinas while admiring the middle school painting section. “I think every kid has the capability to be an artist because their imagination has no limits.”

This year’s Native Art Fest received over 900 submissions, with the most popular category by far being painting. There were many young artists who showed off their diverse talents by submitting artwork in as many categories as they could. Eleventh grader Samara Davis and sixthgrader Cora Jimicum were two such powerhouses that claimed top honors in multiple categories.

“I like creating art because it’s fun,” said Cora while pointing out all her art pieces that earned ribbons. “Creative writing is my favorite art category because I can create all kinds of characters and have them go through one adventure after another. They can grow and change and just be happy.” 

Meanwhile, Art Fest veteran Samara has wowed event attendees for years with her established creative talents. She routinely collects a handful of blue ribbons for entering one-of-a-kind art in as many categories as she can. She admitted to challenging herself more this year by trying mediums she hadn’t in the past, like sculpting and delving into mixed media. For her efforts she was once again rewarded with a number of 1st place ribbons and a stack of prize money. Her little sister, Abigail, has been biding her time, watching and learning from her big sister, to develop her own creative style. 

“Growing up and watching my sister and brother both create all kinds of art for this festival, it has made me a better artist because I do try to compete with them, sometimes,” shared 14-year-old Abigail who was most proud of her mixed media ceramic nail set she won 2nd place for. “For me, art is all about expressing yourself and having a creative outlet to process whatever you are going through emotionally. I recommend all students, not just the Native American ones, take art classes because you never know which medium or category you may be super talented at and develop a real passion for.”

Interwoven through the thought-provoking pieces were not so subtle tie-ins to ongoing equality awareness campaigns, human rights issues and demands for social justice. There was a definite spotlight on the Missing and Murdered Indigenous Women’s crisis, declarations of the Native-inspired rally cry Water Is Life, and a poem by a young boy that pulled at the heart strings as he detailed his experience of growing up without a dad.

The message being sent loud and clear is that yes, in fact, the youngest among us are paying attention to current events and culture related protests. More importantly, they are capable of channeling their inner turmoil and personal experiences into unique art products.

“When our kids create artwork for this event they are able to mix in elements of their personality, culture, family values, and what matters to them as individuals. It’s really incredible to see how even when there are twenty entries of the same type, each is different and unique in its own way because they reflect the artist who created it,” said Courtney Jefferson, Positive Youth Development manager.

“Witnessing our kids get inspired from cultural pillars like Billy Frank Jr. is nice to see because that means they are learning about these foundational figures in school and retaining the information,” she added. “This proves how powerful it is to educate our people about our shared culture. Especially for the elementary aged children it’s so important they learn about the legacy of those who came before us and made it possible for us to thrive today.”

Overall, this year’s two-day Art Fest showcased the wide-range of artistic skills among our Native American students, while once again confirming the limitless imagination of authentic Native art brought created by the next generation. 

Raising awareness for Missing and Murdered Indigenous People

By Micheal Rios, Tulalip News

“First of all, thank you all for being here and taking part in this movement to raise awareness. Together we will make our voices heard. Today, as we honor missing and murdered Indigenous people, I want to mention the importance of building up our young people and being sure they have a voice. Some of us adults are still looking for ours.

“We have been historically underrepresented. Our people have been oppressed for far too long. We have to work to address the white, colonized, patriarchal systems that this country is founded on. We have to make sure that we count at the local, state and federal levels. We cannot tolerate being underrepresented any longer. We have to show up to spaces and represent for those who do not have a voice. Times are changing and evolving. We are strong, resilient and have a foundation that we have to hold onto and carry with us. The foundation of being Native; Indigenous to this land.

“Rematriation is a fairly new word. So new it’s not even in the dictionary, yet, but it is the opposite of patriarchy. Rematriation means to return the sacred to the mother; it’s a means to restore balance to the world. We will continue to reclaim and restore our natural and traditional ways of knowing and being in order to help strengthen our roots for future generations. We need to be sure that our children can walk firmly in their identity, be proud of their culture, and know where they come from. We need to be sure they know the importance of protecting one another. That’s what it means to be a tribe.

“We need to be sure that women, children and all Indigenous people have a safe space to own who they are. I believe we can do it, but its going to take every single one of us working together. Only together can we protect our communities and ensure we have no more stolen sisters and brothers.”

Those eloquent, heartfelt words were shared by Tulalip’s own Jessica Bustad as she welcomed some two-hundred community members as they assembled in the bleachers and courtside seating of the Youth Center’s main gymnasium on Tuesday, May 3. Friends and relatives from both near and far respectfully dawned an assortment of red clothing, red regalia, and red handmade signs in a united effort to recognize the national crisis of Missing and Murdered Indigenous People (MMIP).

 Our women, girls, and young men are being taken from us in an alarming way.  As of 2016, the National Crime Information Center has reported 5,712 cases of missing American Indian and Alaska Native women and girls. Strikingly, the U.S Department of Justice missing persons database has only reported 116 cases.  The majority of these murders are committed by non-Native people on Native-owned land. The lack of communication combined with jurisdictional issues between state, local, federal, and tribal law enforcement, make it nearly impossible to begin the investigative process.

Sobering Statistics

  • Indigenous women are murdered and go missing at a rate higher than any other ethnic group.
  • Indigenous women are murdered at a rate 10x higher than all other ethnicities.
  • Murder is the 3rd leading cause of death for Indigenous women.
  • More than 4 out of 5 Indigenous women (84.3%) will experience violence in their lifetime.
  • More than half of Indigenous women experience sexual violence (56.1%).
  • More than half of Indigenous women have been physically abused by their intimate partners (55.5%).
  • Nearly half of all Indigenous women have been stalked in their lifetime (48.8%).
  • Indigenous women are 1.7 times more likely than white American women to experience violence. 
  • Indigenous women are 2x more likely to be raped than white American women. 
  • Murder rate of Indigenous women is 3x higher than white American women. 

*source: National Indigenous Women’s Resource Center

To understand the complex and ongoing MMIP crisis one must first admit the current systemic response to violence against Native people is immensely inadequate. Then one must realize the rate at which Tribes are losing their life-giving women is devastating to not just the tribal communities, but to the entire nation as a whole. Insufficient resources on the state level and lack of clarity on jurisdictional responsibilities on the federal level combine to severely hinder efforts to locate those who are missing. 

Furthermore, the current legal framework for persecuting crimes committed on Native citizens by non-Natives is exceedingly complicated and creates many barriers for victims and Tribes working to protect their membership. 

Despite a federal trust obligation to protect Native American communities, violence against Indigenous women in the United States continues at epidemic proportions. It greatly exceeds that of any other demographic of women across the country. While many issues need to be addressed to confront this human rights issue, it is clear that limitations placed on tribal government jurisdiction by the federal government are a contributing factor. Often resulting in non-Native perpetrators falling through the cracks in the system time and time again.

“A huge thank you to each and every one of you joining us in the circle here today. We know that we come with our prayers and that’s the strongest medicine we have. The thoughts we have in our mind create reality,” previously shared Deborah Parker, board of director for the National Indigenous Women’s Resource Center. She is nationally renowned for her critical role in the passage of the Violence Against Women Act (VAWA). “When I was a young girl I witnessed violence in our community, and I said a prayer then that when I get older I’d like to be a person to help change the laws to protect our people. 

“If we speak forward with our voice and with our truth and with all of our strength, then we can move mountains. And truly there are others who believe in our words and will stand beside us,” she continued. “These are our lands. We’ve been taught we are caretakers of these lands. That’s a big responsibility for us as Indigenous people. Each and every person in this circle, from youth to elder, can fulfill this responsibility and bring about change that benefits us all. We need our women to be safe. We need our young people to be safe. We need our future generations to be safe. By standing together and working together we will make this prayer a reality.”

By learning from the experiences of surviving family members, the MMIP movement can work to achieve the changes needed to safeguard the lives of Indigenous people and strengthen the authority of Native nations to protect their citizens. Exemplifying this notion are Tulalip tribal members Udora Andrade, Veronica Jimicum and Lynette Jimicum who sat unified at Tuesday night’s MMIP awareness event. They serve as constant reminder of the ongoing search for Mary E. Johnson, a Tulalip woman who went missing on December 1, 2020.

Police Chief Sutter expressed to Mary’s family and those gathered in community, “We are very actively working on Mary’s case. We want to bring her home and give her justice. Its grassroots activism and events like this happening all across the country that put immense pressure on the legislators in Washington, DC. Here in Tulalip we’ve developed a tribal response plan with four components to help curb this crisis locally. It includes a victim’s liaison that strengthens family support and opens better lines of communication, tribal-led community resources spearheaded by concerned Tulalip citizens, use of local and regional media to increase awareness, and developing better protocols to serve our community as best as possible.”   

Following a series of speakers from all levels of Tulalip leadership and enrichment programs, Josh Fryberg and Antone George led a large contingent of singers and drummers in coming together for a spirit enriching coastal jam, which well into the twilight hours.

“Our hands go up to each and every one of you who attended and helped make this moment possible,” said event coordinator Josh Fryberg. “Our thoughts and prayers go out to all in need. It will take each and every one of us to continue to be the difference, not just for us but for our future generations. By living in a good way that honors our ancestors we will continue to bring unity, to raise awareness, and strengthen our culture, together.”