Quinault Indian Nation hosts crude oil protest rally

When tribes stand together is when we are strongest

 

Quinault Indian Nation President Fawn Sharp, along with many tribal members and Grays Harbor community member rally in protest of crude oil in their county. Photo/Kalvin Valdillez, Tulalip News 

 

By Kalvin Valdillez, Tulalip News

Grays Harbor County is the vacation destination for Washingtonians who are looking for a relaxing affordable getaway. Grays Harbor is the home to popular beach towns like Ocean Shores, Seabrook, and Westport. Hikers and nature lovers who visit the Hoh Rainforest and Lake Quinault frequently admire the northern borders of the county because it shares the Olympic Peninsula with Jefferson and Clallam Counties. This county with breathtaking views almost everywhere you look is in danger of jeopardizing its greatest tourist attraction: it’s natural resources.

Westway Terminal is seeking to build and operate oil terminals in Grays Harbor. The company wants to bring in large amounts of oil via train, store it on the shoreline, and ship it out of the harbor in tanker vessels. Westway is the third company attempting to bring crude oil business into the Grays Harbor community in recent years. Imperium Terminal Services and Grays Harbor Rail Terminal have both attempted and failed largely due to the communities’ opposition. Westway argues that the company will create thousands of job opportunities in a community that is economically struggling, and that Washington State has one of the best oil spill prevention and response teams in the country, so if a spill were to ever occur, the damage would be significantly less than other states.

 

Photo/Kalvin Valdillez, Tulalip News
Photo/Kalvin Valdillez, Tulalip News

 

Grays Harbor recognizes the point the company is trying to make and although some citizens find the possibility of an economic boost appealing, the majority of Grays Harbor feel the risk is greater than the reward. The Quinault Indian Nation (QIN) is the most prominent among the many active voices in the community regarding this issue.

QIN hosted a march and rally in the city of Hoquiam on Friday July 8, protesting crude oil in Grays Harbor County. Hundreds of tribal and community members united in an effort to save the county from Westway’s purposed oil terminals. The rally began when traditional canoes docked at the Hoquiam River. Once everybody was ashore the protesters, with banners raised high, marched onto Hoquiam City Hall.

 

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Photo/Kalvin Valdillez, Tulalip News

 

“Our ancestors gave up so much when signing the treaties. They worked to ensure that our generation, and we are the seventh generation since the Quinault Nation signed our treaty in the 1800’s, would be secured by treaty rights. This generation is standing up for our treaty rights to ensure that our natural resources are preserved for the next seven generations to come,” stated QIN President, Fawn Sharp, as the large crowd began to chant “No crude oil!”

 

Photo/Kalvin Valdillez, Tulalip News
Photo/Kalvin Valdillez, Tulalip News

 

President Sharp commissioned an economic study in regards to what would happen to the community if the county approves the oil terminals. The study found that in the case of an oil spill, approximately 10,000 jobs would be threatened including 700 tribal fisherman, 400 non-tribal fisherman, and over 4,000 tourism based jobs. According to the study, more jobs would be lost in the community in the event of a spill than the jobs that would be created by approving Westway’s move to the harbor. Not to mention the damage a spill would cause the environment.

Sharp stated, “We are at a critical place in Grays Harbor. A decision is going to be made soon. The future of this harbor is going to go in one direction or the other. We need it to go in the direction of no crude oil forever!”

Several community leaders gave testimonies opposing Westway at Hoquiam City Hall that afternoon. Tribal leaders from Lummi, Neah Bay, and Quileute were in attendance to show support for Quinault. With the majority of the community on the same page, the purposed oil terminal seems to facing a losing battle. The QIN’s effort to preserve its natural resources for it’s future tribal members is a battle that the Nation is always prepared for. The protection of treaty rights is a fight that all tribes throughout Native America are familiar with, and when tribes stand together is when we are strongest. No crude oil!

 

Photo/Kalvin Valdillez, Tulalip News
Photo/Kalvin Valdillez, Tulalip News

 

Photo/Kalvin Valdillez, Tulalip News
Photo/Kalvin Valdillez, Tulalip News

A sign of progress for the recovery of salmon habitat

Billy Frank Jr. stands on top of a culvert in 2008. photo/Northwest Indian Fisheries Commission
Billy Frank Jr. stands on top of a culvert in 2008. Photo/Northwest Indian Fisheries Commission

 

U.S. 9th District Court of Appeals rules in favor of the tribes in culvert case 

 

By Kalvin Valdillez, Tulalip News 

A culvert is a tunnel carrying a stream or open drain under a road or railroad. Currently, there are hundreds of culverts in the state of Washington that are in need of repairs. This issue has been an on-going problem for the tribes of Washington State for a large amount of time. The reason this is an issue for northwest Native Americans is because the blocked culverts are preventing salmon from swimming into spawning areas and from swimming back to the ocean, thus diminishing the salmon runs in Washington.

The original case began over 15 years ago; in 2001 the 21 federally recognized tribes of Washington filed a complaint against Washington State in the U.S. District Court regarding the damaged culverts. In 2007 the court ruled that building the culverts put the state in violation of the treaties the state signed with the tribes, and in 2013 the court made it a requirement for the Department of Transportation to replace the culverts with more efficient and salmon friendly culverts. The court gave Washington 17 years to replace the culverts making this the second victory for the tribes regarding this issue.

Washington State found this ruling a bit harsh and filed an appeal stating that the ruling was too expensive. The estimate given by The Department of Transportation was around $1.9 billion for the replacement of approximately 800 estimated culverts over the next 17 years. The court did find these estimations to be over-calculated for both the cost as well as the number of culverts that need to be replaced.

Washington agrees that blocked culverts are one reason why salmon runs are on the decline. The state corrected 23 culverts since the ruling in 2013, and looks to fix several more before the year ends. However, the state did file the appeal claiming that the treaties did not require the state to restore the salmon habitat, there is no minimum requirement of salmon for the tribes, and that the project is too time consuming and expensive. The states appeal was heard in October of 2015.

On Monday June 27, 2016 the U.S. 9th District Court of Appeals ruled yet again in favor of the tribes. The state can still file for a rehearing and petition for the U.S. Supreme Court. Washington State attorneys are currently reviewing the case and deciding whether or not they would like to proceed with a rehearing,

Once the culverts are replaced they will open over 1,000 miles of streams for salmon to pass through. Tribal leaders are looking to Washington for a sit-down to create a co-management plan that is financially realistic as well as time efficient. The decision is definitely a sign of progress for the recovery of the salmon habitat. However, many believe that there is still much work to be done, citing the culverts as just one of many problems. John Sledd, the primary attorney for the tribes believes that this is a major step in the right direction.

“Treaty fishing rights mean nothing without fish to catch, and you can’t have fish if they can’t get to their habitat to reproduce.  The Court of Appeals made it absolutely clear – the treaties promised the tribes more than the right to set their nets and bring them up empty.  They promised enough fish to meet the people’s needs.  This decision is a big step to fulfilling that promise. It’s a great decision for the tribes, the fish, and everyone who values wild salmon.”

Annual cedar pulling event showcases cultural traditions and departmental coordination

Cedar Pull - Lance_Taylor

 

By Micheal Rios, Tulalip News ; Photos courtesy of Ross Fenton

Over the weekend of June 17, the Tulalip Tribes membership was once again afforded the opportunity to participate in the cultural upbringings of our ancestors; specifically by journeying into the woodlands and using traditional methods of pulling, gathering, and harvesting cedar.

“Tulalip Natural Resources Department (NRD) always works as a premier team annually to coordinate this culturally significant opportunity,” says Ross Fenton of the Tulalip Tribes Forestry Program. “The Tulalip Natural Resource’s Timber, Fish, and Wildlife Program (TFW) generally arranges a cedar site for the upcoming season by utilizing existing relationships with off-reservation landowners.

“This year, and in years past the Washington State Department of Natural Resources (DNR) was very cooperative in providing a good quality cedar and land access that favors children, elders, and all the types of vehicles as well.”

 

Cedar Pull 1

Cedar Pull 2

 

Our Tulalip NRD education and outreach coordinator plays a key role in providing all the contact personnel information as well as any other special requests that the landowner may have to Tulalip Forestry staff and others involved. Tulalip Forestry staff then reviews the site boundaries and any other special requests from the DNR/landowner (i.e. no cedar pulling within stream buffers, etc.) in order to provide guidance to the tribal membership before and during the cedar bark harvest event. Leading large caravans of tribal members to the site, obtaining access through locked gates, and securing gates after the event are some of the roles that Forestry performs.

Tulalip Forestry staff also assists the membership by helping pull and/or separate inner bark, carrying bark up steep inclines for elders, and has also donating bark to tribal members who were not able to attend, if their time allows.

As Ross puts it, “the main goal and function of Forestry staff is primary oversight and logistical planning of this season’s event to ensure successful cedar procurement for many future Tulalip generation to follow.”

 

Cedar Pull 4

Cedar Pull 3

 

During the cedar pulling event’s first day, tribal members braved some seriously wet weather to harvest a staple commodity of their ancestors. On the second day, those who returned were joined by even more tribal members and were rewarded with beautiful weather and pristine conditions for cedar pulling.

“There were three generations of family members pulling cedar bark together on the second day,” adds Ross. “It was a great experience to witness old traditions and teachings being shared.”

 

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Tulalip Amphitheatre sold-out for vocal talents of Rhonda and Diana Ross

Photo courtesy of  John Lappen
Photo courtesy of  John Lappen

 

By Micheal Rios, Tulalip News

“If you want to understand electricity, get yourself a seat anywhere Rhonda Ross performs!” – NightLife Exchange

 

Singer-Songwriter, Rhonda Ross is an African Diasporic Woman of the World. Bilingual in French and English (and raising her son to be fluent in four languages), Rhonda knows how to communicate with audiences around the world. Her original music lives in the gap between Jazz, Neo-soul, Funk and Gospel. Her lyrics live in the pause between life’s most important questions and their answers. Rhonda is one of the rare artists today using her music to examine the society she lives in – from racism to sexism to homophobia to the need for self-love and spirituality, Rhonda’s songs look through all of it and ask “In the midst of THIS, how can I still live the best life possible?

Rhonda has great power on stage and her refreshingly personal and moving performances set her apart from other vocalists of her era. Rhonda’s music flows straight from her essence and her bright spirit uplifts everyone in the room. With a crown of natural hair, Rhonda graces the stage with the gravitas and glamour of a modern-day queen. As the only child of Diana Ross and Motown Founder Berry Gordy, it has become evident that Rhonda not only has the talent, but the significance to carry on her parents’ legacy, all the while establishing her own unique musical destination.*

Through Rhonda’s individual and creative expression, the legendary Ross influence continues to live on and expand. While gearing up for the long-awaited release of her newest CD, expected to launch in July, Rhonda is currently touring the U.S. with her mom. The Tulalip Amphitheatre was fortunate enough to book the talents of Rhonda Ross as part of the Tulalip Resort Casino’s summer concert series. Rhonda will be sharing the stage with her mother Diana Ross on Saturday, July 2 in front of a sell-out crowd of faithful fans.

Rhonda took some time out of her busy schedule to answer a few questions for the Tulalip News readers:

Where does this interview find you today?  

RR: I’m in my Harlem apartment. It’s a gorgeous new summer day and there’s a breeze blowing in the window! So wonderful! Reminds me of my song Summer Day; ‘Walking out of a deep freeze. My heart is healing and I finally feel at ease. The sun is breaking through the trees. Like the first summer day in the park. Like the first summer day in the park”. Ha!

How has your spring/summer tour shaped up thus far? What has been the highlight of the tour?

RR: Our summer tour hasn’t officially started yet. The first day is Friday June 24 in Aspen and I can’t wait! Touring as part of my mother’s show is a very new occurrence and it provides me with not only wonderful opportunities to share my music and message with audiences across the country, but also it affords my mother and me special family time. So I can’t wait!

When did you know you wanted to be a performer in the music industry? How did that decision come about?  

RR: I have known all my life that I wanted to be a performing artist. Perhaps it is in my DNA or perhaps it’s because it’s what I witnessed, but I have been singing all my life, all the way through high school and college. It was during my last couple years of Brown University that I joined a jazz quartet and started performing professionally. I never looked back.

When you are backstage preparing to perform what motivates you? Any superstitious rituals a part of your preparation? 

RR: I like to quiet myself, align with the Spirit of God. The Spirt of Truth. I remind myself that none of this is about me. I am just a vessel for that energy and I relinquish to it and prepare to be danced and sung by it. It’s so fun. I feel beyond blessed to have that opportunity night after night.

Who were some of your biggest role models that you looked up to in the beginning of your career? 

RR: Of course my parents, my mother and my father. They are trail-blazers. They believed in themselves when no one else did. They were single-focused. They stuck to their values and kept their eyes on the prize. They have work ethic like I have never seen before and I believe it’s because they love what they do. They both created careers that they enjoy so much, they don’t need to take vacations away from them! Even from a young girl, I knew I wanted to create a career that was organic and authentic to who I am so that it lifts me up, not burdens me, so that I can pursue it, joyfully, for the rest of my life.

 

Photo courtesy of  John Lappen
Photo courtesy of  John Lappen

 

You will be performing at the Tulalip Amphitheatre on Saturday, July 2 opening for you mom. Can you tell us what audiences can expect from this performance?

RR:My mother’s show is a high-energy, feel good 90 minutes. All the songs that people love from the Motown days through her film career, and her hits from the 80s, 90s and 2000s. People will be on their feet for the entire time!

And my part of the show begins in the evening. I’m a singer-songwriter and I write songs that help me to live. They are about life, how to navigate it, and how to digest so much of what we see around us. I like to say that my music is for “Grown Folk”, adults. There is meaning and there are messages. That said, it’s also fun. I got a grooving band behind me and we have a ball! All told, it’s a fun, meaningful night.

Think you will find time to play some slot machines or table games at the Tulalip Resort Casino while you’re in town?

RR: I’m not much of a gambler, but I do love to explore. I will definitely be walking around seeing all the new things there is to see and experience.

Who would you love to collaborate with musically that you haven’t yet had the opportunity to do so?

RR: Oh my! There are so many. I’d love to work with Jill Scott, Kendrick Lamar, Erykah Badu! Right now I (like the rest of the country) am completely obsessed with Hamilton: The Musical. Lin-Manuel Miranda is one of our geniuses. It would be incredible to collaborate with him one day.

What is the most outrageous fan interaction you’ve ever had?  

RR: My mother’s and my fans are the best! The most loyal! Truly! When we go “on tour” they go “on tour” too. It’s remarkable! And truthfully, I have learned so much from them, they really know how to enjoy their lives. They pursue the things that bring them joy. It’s fantastic! Nothing is too outrageous if it brings joy into our lives. In this day and age, we need all the joy we can get.

Who is currently in your music playlist? Any artists or genres we would be surprised to find there?

RR: Like I just wrote I am obsessed with the Hamilton Soundtrack. I listen to it (from beginning to end) almost every day (I was just listening before I started this interview). I think people would be surprised to know how much I like musical theater, but it’s because I am a storyteller at heart, a poet. I am really turned on by smart lyrics.

What’s on tap next for you? What are you most excited about?  

RR: My new CD should be out in July and that has got me really excited. Been working on it about a year and I’m really proud of how it’s turned out. So stay tuned for that. It will be everywhere; iTunes, Spotify, you name it. Of course, I’ll be selling (and signing) it after my shows!

*source: www.TheRhondaRoss.com

Co-Stewardship Ensures Tulalip Cultural Traditions Live On

Picking huckleberries at Tulalip Mountain Camp 2015
Tulalip Mountain Camp 2015

 

By Kalvin Valdillez, Tulalip News; Photos Courtesy of Libby Nelson, Tulalip Tribes Natural Resources

 

Annually, the Tulalip Tribes and the U.S. Forest Service hold a meeting regarding the Memorandum of Agreement (MOA) the two parties signed in 2007. The aforementioned MOA was created so that the Tulalip Tribes and the U.S. Forest Service can collaborate on the decision-making, planning, and counseling for the conservation of Tulalip’s resources on off-reservation ancestral lands in the Mt. Baker-Snoqualmie National Forest. This year the meeting was held on May 12, 2016.

 

Tulalip Tribes Chairman Mel Sheldon and Forest Supervisor Jamie Kingsbury sign an historic and important agreement, the swədaʔx̌ali Co-Stewardship Plan, 2016-2026.

 

During 2016’s MOA meeting Chairman Sheldon and Forest Supervisor Jamie Kingsbury signed an historic and important agreement, the “swədaʔx̌ali Co-Stewardship Plan, 2016-2026”. The agreement, a provision to the MOA, is a culture resource management plan that covers the swədaʔx̌ali  area over the next ten years. swədaʔx̌ali  or “Place of Mountain Huckleberries” is a 1,280-acre parcel in Tulalip ancestral lands in the upper Skokomish watershed that the Tulalip-Forest Service Co-Stewardship looks to enhance. One of the many reasons this is important to the tribe is the huckleberry.

Northwest huckleberries are generally picked in the late summer/early fall seasons, and grow in the damp areas of mountains. The huckleberry, known for boosting the immune system, has always had a strong relationship to the indigenous peoples of the northwest. Coastal Native American ancestors considered the huckleberry to be of the utmost importance because of the medicine the plant contains.

Inez Bill, Tulalip Tribes Rediscovery Program Coordinator, provided a foreword for the swədaʔx̌ali Co-Stewardship Plan. In the foreword Inez spoke of the significance huckleberries and the spiritual connection Natives have with the berry.

Inez writes, “Huckleberry is a food and medicine to our people. Our ancestors visited certain areas for gathering these berries. They knew where the berries were growing, and what companion plants were growing there too and how to utilize them.” Like fishing and hunting the huckleberry is essential to the Native American culture. Preserving these plants requires a lot of love and care. Inez stated that caring for the swədaʔx̌ali area offers a chance to pass on the knowledge of the huckleberry and it’s harvest to Tulalip’s future generations.

“Through the teachings of how we value, take care of and utilize our environment, we pass down our history and traditions, and what is important to the cultural lifeway’s of our people, said Inez. ‘This connection to the land enables us to know who we are as a people. It is a remembrance.”

 

Tulalip Mountain Camp 2015
Tulalip Mountain Camp 2015

 

Tulalip Tribes Natural Resources Environmental Policy Analyst, Libby Nelson, agrees that passing the knowledge to the youth is essential to preserving Tulalip’s natural resources. The co-stewardship between the Tribe and the Forest Service is a way to ensure that Tulalip cultural traditions live on.

Libby states, “Treaty rights encompass more than an opportunity to pick berries, hunt game or harvest fish. Having a meaningful role on the ground, in the stewardship of these resources, helps reconnect tribal peoples to these lands and the teachings of their ancestors”.

Last year the Tulalip Tribes hosted it’s first Tulalip Mountain Camp at swədaʔx̌ali  for the youth of the Tulalip community, and looks to make it an annual trip. Inez detailed the trip stating that the youth were able to experience a connection to the mountains and ancestral lands, which in turn allowed the youth to bond with their families and community members by sharing what they learned and observed during their experience.

Tulalip’s Natural Resource Department and the Tulalip Youth workers will manage the swədaʔx̌ali area incorporating both traditional practices passed down from the ancestors and western science while nurturing the plants.

Libby stated that the forestry department is set to begin work on the swədaʔx̌ali area this summer. “As part of this plan, Forestry will be working on one of the major huckleberry areas this summer because it is threatened with getting shaded-out by conifers, which are small now and easier to move as opposed to two to three years from now when they start to vault out and will be more difficult to get out.”

The Natural Resource Department is looking to engage both summer youth workers and Tulalip Mountain Camp attendees to help remove the small conifers that are now about two-feet tall and have has many as 22,000 per acre.

According to a Seattle Times article from 1946, families camped, sometimes for the whole picking season, while gathering huckleberries. Gathering huckleberries was considered a fun social event where families from different tribes would travel to take part in the festivities including games, dances, and singing. Ceremonies were also held thanking the creator for the vitamin packed berry and asking for a blessed harvest.

 

vame harlan

 

Often referred to as a superfood, huckleberry offers an abundance of benefits to its consumer. For example, these berries contain large amounts of antioxidants, which help aid in the prevention of many diseases such as cancer, diabetes and heart diseases. In today’s society diabetes is a prevalent disease in communities all across Native America. The huckleberry is a reliable food that diabetics can enjoy without elevated blood sugar levels. Huckleberries are used in a variety of recipes including tea, pie, and jam. When used for medicinal purposes the huckleberry can be applied to treat pain, heart conditions, and infections.

The swədaʔx̌ali Co-Stewardship Plan is an imperative provision to the MOA between the Tulalip Tribes and U.S. Forest Service, as evidenced by Inez in her conclusion. “Today, it is not only important that we continue the struggle to uphold our treaty rights, but we need to be involved in taking care of those resources our culture depends on so that they will be available for our future generations. This work at swədaʔx̌ali is an expression of Tulalip’s sovereignty regarding our foods, and our commitment to support the dietary needs and the life ways of our people.”

 

 

Native films ‘Mekko’ and ‘Before the Streets’ premiere at Seattle Film Festival

Siff-Mekko poster art

 

By Micheal Rios, Tulalip News

 

The Seattle International Film Festival (SIFF), the largest and most highly attended film festival in the United States, had a massive lineup in its 42nd annual 25-day run from May 19 through June 12. This year SIFF screened 421 films representing 85 countries: 181 features, 75 documentaries, 8 archival films, and 153 shorts. The films included 54 World premieres and 27 U.S. premieres.

Among those hundreds of films, two (Mekko and Before the Streets) were made with North American indigenous issues central to their theme. Prior to their Seattle premieres, SIFF publicists and media relations staff reached out to local tribal media about covering the films and meeting the directors for potential publications. According to festival publicist Sophia Perez, the staff of Tulalip News were the only tribal media who responded to the SIFF invitation.

 

Mekko director Sterlin Harjo (Seminole/Creek) at his film’s SIFF premiere.
Mekko director Sterlin Harjo (Seminole/Creek) at his film’s SIFF premiere. Photo/Micheal Rios, Tulalip News

 

Mekko is the product of director/writer Sterlin Harjo who is a member of the Seminole nation with Muskogee heritage. Born and raised in the small town of Holdenville, Oklahoma, Sterlin studied film and art at the University of Oklahoma. Sterlin is a founding member of the Native American comedy troupe, the 1491s, whose bold stylings have garnered millions of views on YouTube.

Mekko is a film that explores the rarely seen slice of life about marginalized homeless Native Americans. Mekko is an uncompromising thriller set against the streets of Tulsa, Oklahoma wherein a Muscogee Native is released from prison and falls in with the homeless “street chiefs” at the edge of the city, struggling to find shelter, hope, and redemption among the local Native population.

“People walk past or drive past the homeless all the time and never think about where they came from and how they ended up where they are. In making this film I wanted to humanize the Native homeless population in Tulsa while giving them a voice,” says Director Sterlin. In writing the film Sterlin spent a lot of time among the Native homeless population in order to ensure his story line was an accurate portrayal of their struggle. “While doing my research I was also recruiting them to be in my film. They were very open to the idea and I could tell how excited they were to have someone tell a story about them.

“For those you watch the film, I hope they come to realize that we are all just a few decisions away from ending up on the streets,” adds Sterlin. “Whether it’s through alcohol or drugs or anything else that alienates you from your family, once you lose that support it’s easy to end up on the streets.”

 

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Award winning film and television actor Zahn McClarnon plays the character Bill in Mekko. Photo courtesy of Sterlin Harjo.

 

 

Mekko paints the portrait of a homeless Native American parolee in Tulsa. As he struggles to find his way in the outside world after two decades behind bars, the titular Mekko discovers a chaotic yet occasionally profound and beautiful community of impoverished natives which now includes Bunnie, one of his old carousing buddies from his wilder youth. Though Mekko finds some peace in this society that exists on the fringes of our modern world, he also uncovers a darkness that threatens to destroy it from within. After a tragic series of events, Mekko dedicates himself to a quest for revenge which he believes will cleanse the sickness from this collective of marginalized individuals and perhaps atone for the sins that landed him in jail so many years ago.

 

 

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Making its United States premiere, Before the Streets is a gripping and spiritual film set among the Atikamekw communities of Quebec, Canada. Featuring an indigenous cast speaking in their native tongue, it’s a redemptive story of a young man who returns to his Native traditions after a robbery ends in tragedy.

The lead character, young Shawnouk kills a man during a robbery and flees into the forest. Deciding to return to his Atikamekw village in Quebec, he tries to return to his everyday life, but is haunted by his past. Covering gritty, everyday issues of Native life on reservations from hunger and poverty to less talked about social issues of teen suicide and struggling family dynamics, Shawnouk must overcome his despair and redeem himself using traditional cleansing rituals.

Before the Streets celebrates a revival of the Native culture and its traditions, as embodied by the very actors who participated in the film. The first dramatic feature shot in the native language of Atikamekw, the film boasts a cast composed almost entirely of non-professionals living and working in the villages where the film was shot. The story takes place in Manawan, while a forest fire closes in on the nearby village of Wemotaci.

 

Director, producer and writer Chloe Leriche set out to highlight First Nations resilience and how it manifests itself.
Director, producer and writer Chloe Leriche set out to highlight First Nations resilience and how it manifests itself. Photo/Micheal Rios, Tulalip News

 

First-time feature director Chloe Leriche made Before the Streets with the collaboration of Quebec’s three Atikamekw communities, in drawing on all the vitality they embody. By following the pacing of her non-professional actors, she created a distinct style that goes beyond notions of the North American indie genre and recent media reports on the dismal conditions in Canada’s Native communities.

“I was working for Wapikoni Mobile, a project that involved traveling to Native communities in a trailer equipped with video cameras and editing tables. The idea was to encourage young people to express themselves through cinema,” says Director Chloe of how the inspiration for her film came about. “The first time I went to Obedjiwan, an Atikamekw community in northern Mauricie, I met a young man in the street and suggested he make a documentary on whatever subject he wanted. We went to look for two of his friends to hold the camera and record sound. I told his friends to ask him questions, and we filmed in different places around the village. Speaking to the camera, he talked about friends and relatives of his who had taken their own lives. The longer we shot, the longer the list of names grew. It was harrowing. After that, of the different scripts I was developing, Before the Streets forced itself on me like a scream. I felt compelled to make it, it became a necessity. The project grabbed hold of me and wouldn’t let go.

 

Lead character Shawnouk undergoes traditional cleansing ceremonies in order to move forward with his life.
Lead character Shawnouk undergoes traditional cleansing ceremonies in order to move forward with his life. Image courtesy of Chloe Leriche

 

I spent a lot of time in different native communities. I visited Obedjiwan several times; in all I must have spent six months there,” continues Chloe. “I took part in many traditional ceremonies and pow wows, I lived with different families and made many friends. I also did research and read about the Native concept of restorative justice. I attended councils of elders, where village elders meet to discuss different issues and question solutions. In my film, the resolution, with the return to tradition, grew out of these exchanges.”

We know that there is a large group of people in America that are going unnoticed and often, unappreciated. Filmmakers like Sterlin and Chloe, bringing Native films to the table, are allowing their audience to be exposed to Native culture and see that the marginalized have something important to say. While installing themselves in a genre often thought reserved only for the rich and upper-class, whether it’s Native filmmakers breaking out onto the circuit or just films in general portraying Native life in today’s modern times, the presentation of Native films is a significant shock to the system. They help to shed an accurate light on so many Native issues, like homelessness and teen suicide on reservations, commonly hidden in the shadows.

 

 

Contact Micheal Rios, mrios@tulaliptribes-nsn.gov

Culture-filled weekend at Tulalip

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by Kalvin Valdillez, Tulalip News 

The Tulalip Tribes had a busy culture-filled weekend. The Annual Veteran’s Pow Wow, held at the Don Hatch Youth Center, kicked off on Friday June 3 and lasted until late Sunday June 5.

During all three days of the event the gym was over-flowing as dancers and drum circles honored the Veterans of Native America. Boye Ladd held the title of MC for the weekend, and the Arena Director was Randy Vendiola. Outside, the weather reached a high 90 degrees which allowed event-goers a chance to step out and admire the beautiful bay, skate park, new field, and of course the many art, craft, and food vendors that came for the pow wow.

On the last day of the pow wow, as the Veterans stood up for recognition, one Vet asked the gym if anybody made their way down to the Slahal Tournament that was simultaneously happening the same weekend at the Tulalip Amphitheatre. He went on to say that he had dropped by the Stick Game event and was pleasantly surprised with the large turnout.

“It’s beautiful. All these Natives living clean and sober having fun at these drug and alcohol free events, it’s beautiful. Thank you Tulalip!” The Stick Game Tournament had a $63,000 total payout, with multiple games played throughout the weekend.

Lushootseed: Preserving a legacy, teaching a new generation

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by Micheal Rios, Tulalip News 

The “7th generation” principle imbedded in Native culture says that in every decision, be it personal, governmental or corporate, we must consider how it will affect our descendants seven generations into the future. Long before environmentalists got us thinking about “carbon footprints” and “sustainability”, indigenous peoples lived in balance with the world around them. But then hundreds of years of colonization happened that nearly drove our population to extinction. Yet, still we remain.

Then came the decades and decades of federal policy aimed at forced assimilation for the remaining Native population who were confined to reservations. Policy after policy required children to be removed from their homes and communities, and enrolled in boarding schools where many were punished or beaten for speaking their Native languages. As a result, generations of Native people either never learned their language or lost their fluency in it. Thus, many links to traditional culture and knowledge were broken. Still we remain.

 

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From the ashes of the colonial fire that ravished our people, we endured even though much was lost. The language of our region, Lushootseed, once spoken by thousands of Coast Salish people in Washington State clings to life by the small number of people dedicated to preserving it. Lushootseed’s territory extends from north of present-day Mount Vernon to south of Olympia.

Recent decades have seen a cultural resurgence in Puget Sound tribal communities, including carving, weaving, canoe making, and efforts to revitalize Lushootseed. New tribal museums and long houses have been constructed, and events such as the annual Canoe Journey involve hundreds of participants and thousands of spectators.

Today, on the Tulalip reservation, few elders remain who learned Lushootseed as a first language. In fact, Lushootseed Department Manager Michelle Balagot says there may be only 30-40 tribal members who can speak Lushootseed with some degree of conversational skill. She adds that although that number is incredibly low, the department is working hard to make sure that the language survives, and the next few years will be critical if the language is to be revitalized to the point that children become and remain fluent speakers.

The biggest advancement in preserving and revitalizing Lushootseed amongst Tulalip tribal members has been building an essential staff of Lushootseed teachers whose love for their language and culture can easily permeate through the young minds and spirits of our most precious resource, our children.

 

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This past school year the Lushootseed Department had full access to teach our ancestral language to the kindergarten classes and one 1st grade class at Quil Ceda Tulalip Elementary School. It was the return back to a curriculum that had been paused in 2011 when the old Tulalip Elementary was closed.

“We have noticed an increase in student engagement when students have the chance to learn the language that connects them to their heritage. It certainly makes education more meaningful for our students,” says Cory Taylor, Quil Ceda Tulalip Elementary Principal. “While the Lushootseed program serves many Native students, it also benefits non-Natives, too. These students have the unique opportunity to develop skills to be culturally responsive. These skills will be beneficial throughout their lives. As students learn about other cultures and languages they are more likely to honor diversity and appreciate cultural awareness.”

Lushootseed language teachers Maria Martin and Nikki St. Onge, known respectfully as Miss Maria and Ms. Nikki to their students, were selected to initiate the language revival at the elementary. They taught three classes individually and one “immersion” class jointly, for a grand total of seven classes.

For Miss Maria and Ms. Nikki, it was an opportunity to perpetuate the many Lushootseed stories and phrases they learned as children, and build upon the legacy of those who came before them.

“My year teaching at Tulalip Quil Ceda was wonderful. I didn’t get a chance to learn Lushootseed in school after I left the Montessori, so being able to go back to the school I attended as a child and teach Lushootseed is amazing,” said Miss Maria. “This means we are growing as a language department and spreading our culture in places we weren’t able to before. Growing up I had a yearning to know and learn my culture, but it wasn’t offered in the schools. For the students that are enrolled in Tulalip or surrounding tribes, Lushootseed is their language, and my hope is they’ll be filled with the same kind of pride I have to know the words of our ancestors.”

“I really enjoyed teaching at Tulalip Quil Ceda. I am very grateful to have the opportunity to work with some of my students, since they were babies when I worked at the child care center in 2011. Then again at Montessori when I first started in the Lushootseed department in 2012, and now moving up with them to kindergarten,” marvels Ms. Nikki. “Not a lot of people get the opportunity to have this experience. It’s really rewarding to watch them grow and develop their own personalities and characteristics, and also teach them such an important part of our culture.

 

 

“Growing up at my Grandma Rachel’s house, I was exposed to Lushootseed a little bit with words or phrases like: x̌ʷubiləxʷ (be quiet), gʷəƛ̕əlad (stop it, behave), spuʔ (fart/blow wind), ʔaləxʷ k̓ʷid (what time is it?), hədʔiw (come in), č̓ut̕əp̓ (flea), sp̓əc̓ (feces), sqigʷəc (deer), yəx̌ʷəlaʔ (eagle), sqʷəbayʔ (dog), and pišpiš (cat). I was always interested in learning to speak Lushootseed, but it was never offered in school. When I saw the job advertisement within the Lushootseed Department I was excited. I have always wanted to learn Lushootseed and I love working with kids, so it was a perfect opportunity for me to grow as a person and to give back to the Tribe and community.”

Both Miss Maria and Ms. Nikki having taught Lushootseed at the Tulalip Montessori meant a strong familiarity and trust with their Tulalip students in their kindergarten classes at the elementary. All of their former students remembered them and were very excited to have them as Lushootseed teachers again. The excitement was shared by both teachers as they were able to create their own curriculum and teaching plans for students they knew very well. They knew what teaching methods would work and wouldn’t work with their students already.

Throughout the school year the students learned to play games, some of their favorites being təs-təs  (matching game), ɬiʔɬdahəb (fishing), stab kʷi ʔəsx̌ʷil̕ (what’s missing?), xʷiʔ gʷadsx̌ək̓ʷud (don’t turn over), ʔuc̓əlalikʷ čəd (I win/bingo), go fish, and tic-tac-know. Students completed daily work sheets that taught them how to read and write in Lushootseed while reinforcing many of the vocabulary words they learned at Montessori and the new Early Learning Academy.

Some of their favorite songs they learned are: ʔi čəxʷ syaʔyaʔ (hello friend), kʷədačiʔb čəɬ syaʔyaʔ (ring around the rosy), huyʔ syaʔyaʔ (good bye friend), ʔə tə tib, ʔulub miʔman pišpišpiš (ten little kittens), šəqild st̕ilib (respect song), sʔacus sʔilalubid (head, shoulders), baqʷuʔ stubs (Frosty the Snowman), and waq̓waq̓ st̕ilib (frog song). The students were able to hear stories that were translated into Lushootseed and traditional stories such as “tsiʔəʔ bəšč̓ad” (Lady Louse), “tsi sxʷəyuq̓ʷ” (The Basket Lady), and “Clamming with Lizzie.” They learned to count up to 25 and were exposed to 30 and 40. They have also learned verbs, farm animals, woodland animals, body parts, clothing and so much more.

As the year progressed and the Lushootseed curriculum continued to evolve, so did the students. They developed such a good working knowledge with certain phrases and words that it became common place to hear the young students speaking Lushootseed even when Miss Maria and Ms. Nikki weren’t around.

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“It’s difficult to put into words because it’s such an amazing experience to witness, this ownership of language and seeing themselves reflected in their school. It feels like this belongs to them between the drumming, the dancing and morning messages, then coming into class and starting our day with Lushootseed,” stated Mrs. Poyner, Kindergarten teacher and host to the immersion class taught by both Lushootseed teachers. “Having both Miss Maria and Ms. Nikki in the class at the same time I’ve really noticed the students are picking up the language much more quickly. They are using it in other parts of the day, like when we’re teaching math they’ll start counting in Lushootseed instead of English. When we’re doing letters of the alphabet and brainstorming words that start with a specific letter they’ll come up with Lushootseed words. When we are learning new stories with animals in it they’ll call the animals by their Lushootseed name. It’s so exciting to see them apply what they’ve learned into other pieces of their day.”

The teachers are even hearing numerous stories about their students using Lushootseed at home with their parents.

“I have heard stories of the students going home and singing the songs they learned in class and using their Lushootseed words,” says Miss Maria. “Running into parents of my students and hearing that they are reinforcing their Lushootseed at home makes my heart glow.”

Ms. Nikki echoes the sentiment, “Hearing from parents and teachers that students are reinforcing Lushootseed outside of their time spent with me in classroom is probably the most rewarding feeling. It means the students are not just learning a curriculum, they are learning a language, their language.”

Being able to demonstrate what you’ve learned is the basis of knowledge, and the young students using Lushootseed when the teachers aren’t around is proof positive the internal flame to connect with our culture and ancestors through language is being rekindled. It’s all part of an essential process to carry on our ancestors’ legacy by keeping the language alive. Because seven generations from now, we want Lushootseed to be the common language of all Tulalip people, like it was for our ancestors.

 

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Contact Micheal Rios: trios@tulaliptribes-nsn.gov

Edmonds School District seeks Tulalip input on new Native curriculum

Edmonds School District staff meets with Tulalip tribal leadership. Photo/Kalvin Valdillez
Edmonds School District staff meets with Tulalip tribal leadership.
Photo/Kalvin Valdillez

 

By Kalvin Valdillez, Tulalip News

“He took my sacred place and ripped it in half! I knew it was going to happen, but it still made me sad,” stated a third grade student from Edmonds School District (ESD). The student was referring to an assignment from her teacher where she had to create a ‘Sacred Place’ with all of her favorite things, and with all her favorite people. The student drew her sacred place, which included a rare one-of-a-kind tree that grew sideways at a secluded campsite with her family and friends. As she passionately explained her assignment, it was obvious to see she was extremely excited and attached to her sacred place.

Once the student was finished with her assignment her teacher looked at her drawing, admired it and then tore it in half. “It just made me really sad and a little mad because it was mine.” This emotional scene was a video clip from a presentation to the Tulalip Board of Directors (BOD) on May 18, 2016, one of many exercises that were shown in the presentation provided by the ESD. After the video clip finished, a look around the boardroom showed how emotional the video made everybody feel, the little girl was visibly distraught. Which is when the room was informed that the teacher taped up the drawing for the student.

“That is exactly like where we are now, as sovereign nations, we are trying to tape back together our sacred place,” stated board member Bonnie Juneau. The purpose of the assignment was to show young students how it felt to have their sacred place taken from them and destroyed. With Governor Jay Inslee recently signing Senate Bill 5433 into law, making it mandatory for Washington State Schools to teach the history and governance of the 29 federally recognized tribes of Washington State, ESD is taking a step forward by implementing a curriculum that covers elementary through high school students.

Other clips showed students talking about The Boldt Decision, colonization, and religion. “The book I read stated that the Natives were converted to Christianity,” said a Fifth Grade student, “but then I read that the Natives were forced into Christianity. The first one sounds like they had a choice, the second one sounds like they didn’t have a choice at all.”

Prior to Senate Bill 5433, House Bill 1495 only encouraged schools to teach of the indigenous nations in Washington. Tulalip’s John McCoy, who wrote both Bill 5433 and HB 1495, believes Senate Bill 5433 will be a relationship-builder between different cultures, and will provide a more engaging approach to students who will potentially become our future leaders.

Since Time Immemorial: Tribal Sovereignty in Washington State, or STI for short, is the curriculum created by The Office of Superintendent of Public Instruction (OSPI). STI was pilot tested for the past five years, in fourteen different Washington State schools. Now, it is being implemented by Edmonds Office of Native Education, headed by Program Supervisor Michael Vendiola. Michael explained that STI is a free online curriculum and available to all school districts.

“I think this is great. Growing up I remember checking all of my history text books for Tulalip Tribes, and I never once found anything about our people in those books,” said Chairman Mel Sheldon.  “All of it was Plains Indians, and even then, it wasn’t much. It’s heartbreaking that our youth can’t identify themselves in our schools.”

It is no secret that Indigenous Peoples are misrepresented in U.S. History and the media. On a national level, Coastal Native Americans specifically are nearly non-existent in the history courses being taught in schools. The Chairman continued, “I remember being asked, and I am sure everyone in this room at some point has been asked, if I lived in a Tee-Pee when I told somebody I was a Native American.”

Vendiola pointed out that change won’t happen overnight. “This is like our  ‘Zero Year’ where we are still seeing what works, what doesn’t, and how we can improve the curriculum.” One of the ways ESD looks to improve STI is to provide the history of the nearest federally recognized tribe. This is a huge change.

“Partnering with The Tulalip Tribes allows us to involve the community in [the] culture close to home. This is our opportunity to change the future.”

The presentation not only showed how concerned and shocked students were, but also showed that most students reacted positively to learning the history and culture of Native People. One mother was astounded by her son’s enthusiasm, stating that he has never talked about what was going on in school, but could not hold in his excitement when learning about the culture. The mother, who at the time was finishing law school at Gonzaga University, continued stating that she was able to have a full discussion with her fifth-gradestudent about fishing rights.

An ESD instructor gave a teacher’s perspective on STI. “I think at first teachers were hesitant to teach this subject because of how harsh the reality is, and also because we didn’t know where to begin. With STI, I believe teachers are discovering how fun and easy this can be.”

He then stated that his students were disappointed when the lesson was over and were not excited to move on to the usually popular Medieval Times lesson.

Although STI does mainly focus on the history of both local and national tribes, it also touches on where the tribes are today as far as culture and self-governance.Tulalip Board member Marie Zackuse spoke about changing the perception of tribes in today’s world, and why it is important to update what’s being taught about tribal communities in a contemporary point of view.

Marie stated, “Racism is still very alive and well in communities that are nearby reservations. Most of the history taught about our people is in a pre-1900 context.” She believes that the racism stems from the misunderstanding of our treaty rights. For example, many non-native citizens believe Native Americans receive privileges not granted to others, rather than seeing Treaty Rights as the rights that a tribe negotiated to keep while giving up other rights.

 

“I thought Indians were just people who were discovered and who hunted a lot, but now I know that there are many different tribes and the tribes here fish, dance and carve beautiful masks!” 

– Fourth-grade student from Edmonds

 

The curriculum itself is extensive, incorporating information of the history, governance and culture of federally recognized tribes in elementary, middle, and high school lesson plans. What an elementary school student can expect to take away from STI is a basic understanding of tribal sovereignty, the history of tribal sovereignty, as well as the ability to identify the names and locations of the tribes in their area. A middle school student will comprehend that tribal sovereignty has cultural, political, and economic basis. And a high school student will be able to explain the governmental structure of at least one tribe in their community.

The Tulalip Board briefly explained to ESD that Tulalip is proactive about teaching Tulalip’s culture, history and language in The Betty J. Taylor Early Learning Academy, and Heritage High School. However, the Board also expressed that high school students who choose to go to different high schools in the Tulalip/Marysville area are not exposed to the culture, history and language. This is why both Senate Bill 5433 and STI are vital in today’s society, so both tribal and non-tribal students have a better understanding of Native America.

ESD is looking to Tulalip for consultation to ensure that Tulalip’s perspective is represented appropriately. “Every tribe is different. Look at how different we are compared to tribes on the other side of the mountains,” stated Bonnie Juneau.  “We have so much history and we want to share our story.”

The tribe and ESD are looking to meet once a month to continue to build upon the STI model. Chairman Sheldon closed by stating, “We raise our hands to you. This is something we feel is needed, and it’s great to see your school district implementing this curriculum. It’s a long awaited step in the right direction and it’s very healing to see.”

The impact of just the pilot curriculum is beautiful and promising, as evidenced by the reaction of one fourth-grade student from Edmonds, “I thought Indians were just people who were discovered and who hunted a lot, but now I know that there are many different tribes and the tribes here fish, dance and carve beautiful masks!” she exclaimed.

 

Contact Kalvin Valdillen, kvaldillen@tulaliptribes-nsn.gov

Training for a better tomorrow

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Commander Johnson of Tulalip Police Department recognized Michael Pablo with a Good Samaritan Award for his aiding of an elder. Photo/Micheal Rios

 

By Micheal Rios, Tulalip News

On Monday, May 16, twenty-one Native students were honored with a graduation banquet at the Hibulb Cultural Center for their commitment to training for a better tomorrow. The 21 students, 10 of whom are Tulalip, were the latest cohort to complete an intensive three-month pre-apprenticeship construction trades program offered by our TERO Vocational Training Center (TVTC).

As far we know, the program, which is managed by the Tulalip TERO department, is the first and only state and nationally recognized Native American pre-apprenticeship program in the country. The program is accredited through South Seattle Community College and Renton Technical College, while all the in-class, hands-on curriculum has been formally approved by the Washington State Apprentice and Training Council.

The three-month program provides curriculum that teaches a variety of construction trades and skills that can last a life time. Upon completion, the graduate’s dedication to a better future is rewarded with a wide-range of new employment opportunities now available to each graduate as they navigate the construction trades career path. In addition, students are trained and awarded certifications in flagging, first aid/CPR, and OSHA 10-hour safety training. Upon completion of the program students are ready to safely enter the construction work environment and demonstrate everything they’ve learned.

During the Hibulb graduation ceremony, Tulalip tribal member and TVTC graduate Michael Pablo received a TERO Good Samaritan Award for making a difference in our community by going above and beyond for his courageous efforts in running to the aid of an elder. At the last General Council there was an elder choking on her food. Pablo recognized the emergency situation and used the Heimlich maneuver he learned in class to successfully remove the food. After the incident Pablo stated he was able to take action only because of the first aid skills he learned as a part of the TVTC program.

Under the supervision of instructors Mark Newland and Billy Burchett, the students constructed four tiny houses for their final class project. These houses, which are approximately 120-square-feet, are being donated to residents of Nickelsville, a system of homeless encampments located throughout Seattle. The insulated houses will be a major upgrade for their soon-to-be residents as they offer electricity, heat, a much safer environment and, most importantly, a measure of stability for their new residents.

 

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Native design doors by Tulalip tribal member Ty Juvinel. Photos/Micheal Rios
Native design doors by Tulalip artist Ty Juvinel.
Photos/Micheal Rios

 

The tiny houses also feature a very Native American touch, as Tulalip artist Ty Juvinel added a tribal design to the doors of each tiny house.

“Some homeless people have nothing, really nothing at all, not even self-worth and if I can make some art or donate some items to help build another person’s self-worth then of course I will,” says Juvinel of his decision to contribute to the tiny houses. “The homeless are at our mercy and we have been neglectful towards their needs. I hope the people who inhabit these tiny homes can find themselves all over again. I hope the work the TERO students have sweat and bled over will be appreciated and help the homeless as they get back on their feet.”

The TVTC construction trades pre-apprenticeship program is a unique, nationally known model that supports tribal members from sovereign nations across the United States. The program is not dependent on tribal hard dollars. In fact, zero hard dollars are used to fund it. Instead, due the dedication and commitment of so many individuals the TVTC program continues to grow and gain more recognition while being funded by the graciousness of the W.K. Kellogg Foundation, Ladder of Opportunity, Tulalip Charitable Fund, and the Washington State Department of Transportation (WDOT).

Since the Fall of 2013, when TERO took over the program, 94 students have graduated the pre-apprenticeship program. Of those 94 graduates, 38 have been Tulalip Tribal members, and 10 have either been Tulalip spouses or parents. That’s 48 graduates from Tulalip and 46 fellow Native Americans from all over the region who have opted to train for a better tomorrow and complete the construction training program.

Among this graduating class is Gabriel Demarrias (Fort Peck Sioux) from northeastern Montana. Gabriel shared his story about how he was attending a Pow Wow close to his home in Montana when he came across a previous graduate of the TVTC program. Gabriel was amazed to learn of a pre-apprenticeship program for Natives, by Natives. He packed up what he could and moved in with family in Federal Way just so he could participate in the program. Every day for three-months he woke up at 4:00 a.m. in order to catch five buses to Tulalip and attend class. Following class he’d catch another five buses back to Federal Way and usually get home at 7:30 p.m. That’s a 13.5-hour day, $19.75 worth of bus fare per day, and one monster commute in order to attend the one of a kind class offered by Tulalip TERO.

“The time and commitment I made was definitely worth it. I’ve graduated the class, learned so much, and made some really cool friends. Packing up and leaving home was a challenge, but well worth it,” says Gabriel with a huge grin on his face. “My immediate plans are to start a career in construction, get into the Union, and not look back. It’s time to get paid!”

 

Photo/Micheal Rios
Photo/Micheal Rios

 

Contact Micheal Rios, mrios@tulaliptribes-nsn.gov