Elwha gnaws away at a century of sediment

There’s more sediment and more wood than expected coming out of the Elwha River as the Elwha dams are taken down — causing more than a few surprises.

By Lynda V. Mapes, Seattle Times

Greg Gilbert / The Seattle TimesGlines Canyon Dam is two-thirds down, with the Elwha River pouring through the gap. Elwha Dam, 8.6 miles downstream, is already gone.
Greg Gilbert / The Seattle Times
Glines Canyon Dam is two-thirds down, with the Elwha River pouring through the gap. Elwha Dam, 8.6 miles downstream, is already gone.

A mother lode of mud is making its way down the Elwha River, and with it, an armada of floating and waterlogged debris.

Contractors are taking two dams out of the Elwha River as part of a watershed and fishery recovery project that is the largest of its type ever in the world. The first, Elwha Dam, came out a year ago. Glines Canyon dam is about two-thirds gone.

Scientists recently learned there was about 41 percent more sediment trapped behind the dams than originally thought — and that the river is transporting more mud and wood than they expected.

As the river, dammed for 100 years, comes back to life, the other surprise is a forest of waterlogged wood and other organic debris the Elwha is muscling out of the former lake beds of the reservoirs.

All that wood is interacting with the sediment in the river with unpredictable results, said Andy Ritchie, restoration hydrologist for the National Park Service, which is running the Elwha recovery project. He was surprised this winter to see the river building fences and jams of wood that trapped sediment in places where it wasn’t expected, such as at Elwha Campground, or causing erosion in others, such as at the historic Elwha ranger district.

There have been other surprises.

Dam removal was put on hold last October until contractors make more than $1.4 million in emergency retrofits to the new $71.5 million Elwha Water Facilities plant.

It was built as part of the dam-removal project, to clean sediment from the water supply to an industrial pulp and paper plant, a fish-rearing channel and a hatchery. But the plant failed during the first fall rains last October, when fish screens and pumps became clogged with leaves, twigs, branches and sediment.

What the total cost to the project of the breakdown will be — on a plant that was already the single most expensive piece of the $325 million Elwha restoration — and what caused it to fail are still being sorted out, said Barb Maynes, spokeswoman for the park service.

The agency hopes to get contractors back at work taking down Glines Canyon Dam by mid-April. Meanwhile, taxpayers are paying $245,000 to contractor Barnard Construction for the project delay (on top of the repair costs, paid to contractor Macnac Construction of Lakewood) while the water plant is fixed.

Contractors are taking the rest of Glines Canyon Dam down ten feet at a time, and only three whacks remain. The park service still expects to complete dam removal by September 2014, as originally planned.

But even with dam removal on hold, restoration is not standing still.

After a 100-year hiatus, the Elwha is back at work moving sediment, carrying some of it all the way to the river mouth, where a whole new world is emerging.

Surveys both by airplane and by an underwater video camera show a kelp armageddon is under way. The amount of floating kelp at the river mouth and east to the Ediz Hook has already been reduced by 44 percent in the year since dam removal began, said Helen Berry, marine ecologist at the state Department of Natural Resources.

Underwater video also shows a dramatic shift on the sea floor, with a transition in one year from lush pastures of seafloor plants to a war zone of tattered vegetation and large areas nearly denuded.

The reason is sediment. It is blocking light in the water column, and smothering the rocky seafloor with soft mounds of fine material transported by the Elwha, making it unsuitable for the holdfasts which kelp species need to affix themselves to the seafloor.

But scientists think the kelp’s demise is a gain for other species, in a reset of the nearshore ecology to a more normal state. Old maps show no kelp at the river mouth and east to the Ediz Hook.

The accretion of soft sediment is expected to provide habitat for sea grasses that nurture salmon, said Anne Shaffer of the Coastal Watershed Institute in Port Angeles. Soft, sandy beaches also could provide spawning grounds for a chrome tide of sea smelt and sand lance.

“I see it as a return to how things are supposed to be,” Shaffer said. “And we are only at the beginning of these ecological effects.”

Closest to the river mouth, the resumption of the river’s delivery of sediment is also hoped to slow erosion that has claimed up to 100 feet a year in some parts of the tribe’s reservation, east of the river.

Just how much of a difference will be made long term isn’t known, especially when, in about 10 years, the amount of sediment the Elwha delivers annually resumes to its new normal.

But for now, at the river mouth the results are dramatic as the river plays catch-up, gnawing at 100 years of entrapped sediment, and moving it out to sea.

Jonathan Warrick, a scientist at the U.S. Geological Survey Pacific Coastal and Marine Science Center at Santa Cruz, Calif., is helping to map a new sand spit that has formed at the west side of the river mouth. It’s already about one-third of a mile long, and growing.

“I thought it would happen this year,” Warrick said. “But I am a little blown away at how big the bar is.”

McCoy’s measures salute veterans and military families

Armed-forces training, experience recognized in legislation sent over to Senate

Clint Robbins, Legislative News, March 13, 2013

OLYMPIA — Here’s a definitive “no-brainer” we can all recognize: Men and women who have come out of the Armed Forces honorably should certainly receive respect and recognition for their service when they are pursuing a college education or professional licensing.

The House of Representatives today passed House Bill 1858 and House Bill 1859, sponsored by state Rep. John McCoy, to write this recognition into state policy.

“Colleges and universities should have a policy in place by December 31, 2014, to recognize and award academic credit for military-training courses or programs,” McCoy said of his HB 1858. “The policy must be submitted to the Prior Learning Assessment work group for evaluation. Schools must provide a copy of their policy to award academic credit for military training to enrolled students who have listed prior or present military service in their application.”

McCoy’s HB 1859 directs that military training and experience should satisfy requirements for professional licensing if the training or experience is documented and substantially equivalent to the requirements in state law.

“The Department of Defense is thrilled with the House passage of HB 1858,” said Mark B. San Souci, Northwest Regional State Liaison, Defense State Liaison Office, Office of the Deputy Assistant Secretary of Defense, Military Community and Family Policy.

“There has been good progress with the Washington State Prior Learning Assessment Group established in 2010 legislation,” San Souci added. “Passage of this measure continues that progress by requiring our college and universities to develop policies to provide earned academic credit for our new veterans when we have already paid for their training with our hard-earned federal-tax dollars. We are extremely grateful for Representative McCoy’s proactive approach to this issue to aid our new veterans and American heroes.”

“The Department of Defense is also thrilled with the passage of HB 1859 because it complements House Bill 1858 which has also already passed the House,” San Souci said. “This second bill leverages what Washington state regulatory agencies and boards are working hard to make possible — specifically, that newly separated military members should receive occupational-license credit, where deserved, for their military education and training. After all, this previous education and training has already been paid for by people’s federal tax dollars. If passed in the Senate and signed by the governor, Representative McCoy’s efforts on this issue and other, similar matters will greatly help our new veterans reach their academic goals — and then secure rewarding employment. We are extremely grateful for Representative McCoy’s proactive approach to this issue to make sure there are reasonable programs and policies for our new veterans and American heroes.”

The American Indian Warrior Way in Words: Code Talker Chester Nez’s New Memoir, Plus: ‘Warriors in Uniform’ and ‘America’s First Warriors’

www.facebook.com/pages/Code-Talker-Memoir-of-WWII-Navajo-Marine-Chester-Nez/130983513645672Chester Nez, the last surviving Original 29 Navajo Code Talker
www.facebook.com/pages/Code-Talker-Memoir-of-WWII-Navajo-Marine-Chester-Nez/130983513645672
Chester Nez, the last surviving Original 29 Navajo Code Talker

Source: Indian Country Today Media Network

One way to honor the service and sacrifice of our American Indian Warriors is to carry forth their stories.  Introduced here are three tremendous recent books presenting these stories, including those of Original 29 Navajo Code Talker Chester Nez.

THE LIFE AND TIMES OF THE CODE TALKER

By Chester Nez, with Judith Schiess Avila

Penguin, 2012

After the publication of his acclaimed book, Code Talker, Navajo Code Talker Chester Nez reflects on the path that took him to where he is today—from growing up on the New Mexico reservation steeped in the traditions of his Native American ancestors, to his days fighting alongside other Code Talkers, to his hardships and triumphs after the war. Here are stories of his family, then and now, tales of his close relationship to nature and her creatures, accounts of how his life and legacy have changed since publishing his memoir, and a tribute to his fallen friends.

For further information, clickhere.

To purchase, clickhere.

 

AMERICA’S FIRST WARRIORS: NATIVE AMERICANS AND IRAQ

By Steven Clevenger

Museum of New Mexico Press, 2010

A timely and moving book that beautifully documents the service of Native Americans in the armed forces. Interviews with Pueblo, Apache, Navajo, Osage, and other Native American service men and women give insight into the warrior spirit. Striking images capture stirring moments of war, grief, community, family bonds, and homecoming.

For an NPR interview with the author, clickhere. For a slide show of photos by the author from the book, clickhere.

To purchase, clickhere.

 

WARRIORS IN UNIFORM

By Herman J. Viola

National Geographic, 2008

Native Americans have served in the U.S. military during each of this country’s wars, and their stories encompass heroism, tragedy, humor, stoicism, loyalty and conflict. This illustrated history tells the exploits of the last Confederate general—a Cherokee—to lay down his arms, the code talkers who used tribal languages to thwart the enemy in World War II, the first Native American woman to give her life as a soldier, and those serving in Iraq today. Spiritual, poignant, gripping, even shocking (warriors still took scalps in Vietnam), it reveals how ancient traditions of war persevere and how the warrior designation is a great honor to the Native American community. Packed with first person accounts and sharing little-known insights into a culture that is still misunderstood, this page-turning epic includes a stunning gallery of never-before-seen artifacts from personal collections.

For more info, clickhere.

To purchase, clickhere.

 

Read more athttp://indiancountrytodaymedianetwork.com/2013/03/18/american-indian-warrior-way-words-code-talker-chester-nezs-new-memoir-plus-warriors

U.S. Rep. Colleen Hanabusa, New Ranking Member of Indian Subcommittee, Talks Indian Idealism, Gaming Threats, and Cranky Congressmen

Courtesy Rep. Colleen Hanabusa’s office
Courtesy Rep. Colleen Hanabusa’s office

By Rob Capriccioso, Indian Country Today Media Network

U.S. Rep. Colleen Hanabusa (D-Hawaii), elected to the House in 2010, has quickly found herself appointed the new ranking member of the House Subcommittee on Indian and Alaska Native Affairs, and she’s set to become a strong force on American Indian, Alaska Native, and Native Hawaiian issues in the months to come. In an interview with Indian Country Today Media Network, she shared her thoughts on being idealistic on a clean Carcieri fix, dealing with the tough Rep. Don Young (R-Alaska), and overseeing the Department of the Interior, which she says has “blown it” on some tribal issues.

What excites you about your new leadership position on the House Subcommittee on Indian and Alaska Native Affairs?

As you know, we’ve recently lost our two senators from Hawaii [Sen. Daniel Akaka retired in January and Sen. Daniel Inouye passed away in December], and they were big advocates for Indian country and Alaska Natives and Native Hawaiians. It is so thrilling to continue in their footsteps. There is also a very humbling part to all this. How it works in the House, for someone like myself, basically just in my second term—there are many others with seniority. I came in during the 112thCongress, so I was 13thin terms of seniority on the committees. Some of my colleagues stepped aside so that I could be ranking member of this subcommittee. They felt that these issues were so important to me that they stepped aside. That is an amazing and humbling experience.

Was this a role you planned on having so soon?

The only way I got an idea that this could happen was when Congressmen Lujan and Boren came up to me one day and said to me that they felt I should go for this position. I was stunned, because I don’t really have the seniority in the committee to be able to say it’s mine. They said they would help in any way, and they did. In addition, I had the support of Chairman Don Young (R-Alaska), who has also been very supportive of me during my time in Congress.

Rep. Young has a reputation of sometimes being quite tough, especially toward Democrats—it sounds like you have a strong relationship?

You know, I believe it is [a strong relationship]. I believe that when you look at not only Congressman Young, but at the history of Alaska and Hawaii, there’s always been a special bond there. I don’t know whether it’s because we’re the two non-contiguous states, or whether it’s the timing of when we both became states, or if there is some unwritten rule that we would work together, but it has not been a challenge, as others have had, to work with Congressman Young. Even as a new kid on the block, he always welcomed me. He’s been supportive.

Do you see Indian issues as being able to continue to be bipartisan in this politicized Congress?

I would like to think that, but the issue gets a bit cloudy when there’s the interjection of gaming into the equation. Whenever a tribe has issues with land exchanges and issues of tribal recognition – and of course we still haven’t cured theCarcieriissue – I always see somewhere lurking, a township, a county, or someone else objecting. The reason for their objection has tended to be on the gaming rights issue. When you see theCarcieri[2009 U.S. Supreme Court] decision, and the lacking ability the Department of the Interior now has to take land into trust for tribes, I feel like gaming is one of the issues that breaks it away from bipartisan consideration.

Since the 1988 Indian Gaming Regulatory Act, tribal gaming has been the law of the land, but some politicians on both sides of the aisle want to tinker with that law. How do you personally feel about Indian gaming?

I feel that Indian gaming is part of the rights, which are inherent to the tribes and the recognition of them. I do not feel that we, Congress, should in any way step in or limit or redefine those rights.

You mentionedCarcieriand the gaming-related component there, but the case actually involves the Narragansett Tribe’s ability to get lands placed into trust for non-gaming related housing development. You recently sponsored a bill for aCarcierifix—what makes you confident that your legislation will overcome the gaming-related hurdles?

I don’t know if confident is the exact word. It’s the same basic bill that Sen. Akaka offered when he chaired the Senate Committee on Indian Affairs, and I am hoping it will carry. The concern I have is that we have seen otherCarcieribills offered from the other side of the aisle, and they also haven’t been able to be successful. I am confident that my bill is the right version of the bill. Other versions have had elements of Native Alaskans also in there, and I think that that muddies the situation. There is still discussion on whether that would be the appropriate way to assist the Native Alaskans. I think what we need to do is join hands both on the Democratic and Republican sides, and move it out of committee—that will rely on Congressmen Markey, Young, and Doc Hastings. I think a cleanCarcierifix is the version that everyone can get behind and move forward.

Clarify for me, if you will, the Alaska Native provisions of your bill—what does it do there?

It doesn’t mention them. You have seen versions in the 112ththat said aCarcierifix would not apply to Alaska Natives. When I say my bill is a cleanCarcierifix, it just addresses the 1934 [Indian Reorganization Act] issue and what the Secretary of Interior has done subsequent to that.

There have been some folks who say if this is going to move, it might have to be compromised—maybe gaming will need to be limited for tribes in a particular region to appease certain politicians or other big-gaming tribes, or maybe off-reservation gaming will need to be limited. How do you feel about going down the compromise route?

I’m of the opinion that it should be clean and not compromised. I don’t believe it’s Congress’ place to impose that on any Indian tribe. The [Indian Reorganization Act] was never intended to be limited to applying to tribes only recognized after 1934. I don’t believe Congress should be able to dictate how tribes are going to be able to have their lands.

So if someone said Rep. Hanabusa is being too idealistic, that the perfect might be the enemy of the good here for many tribes, what would you respond?

I would say that if the tribes come forward and say they want their rights limited, then Congress would have the obligation to look at that. But that’s different than if we in Congress oppose it, trying to impose our will on the tribes.

In your role, you will be overseeing the Department of the Interior and what they do on Indian affairs—are there concerns on your radar that you want the Department to address?

I’ve always been someone who believes that Departments require strong oversight. This Department has a trust relationship with tribes, so Congress must work to ensure that it is carrying out its fiduciary duties properly. I have been concerned – even on the issues involving theCobellsettlement – you wonder, how did this come to be? And is this being executed properly? Because of the unique obligation the government has to Indian country, we have the obligation to ensure that the Department is acting in the right manner. If they hadn’t blown it in the past, we wouldn’t be in this position. They have brought the scrutiny upon themselves.

Do you think Democrats should be critical of the Obama administration, pushing for improvements for Indian country, such as increased economic development tribal initiatives?

I believe Democrats should be. I don’t think this needs to be a partisan issue. I’d like to think if the administration is incorrect on an issue, we should be there asking for accountability and transparency.

Sens. Akaka and Inouye spent much of their time in Congress working to achieve Native Hawaiian recognition, but they did not succeed. Are you going to be successful in that area?

We are going to have to hope that they have laid a sufficient groundwork to build on. A political relationship between Native Hawaiians and the United States is necessary in order for various entitlements and trusts, such as in education, at home to survive. I hope that the other Native peoples in the United States will assist us in moving it forward. I think we should ask for the recognition, and ask for the right of self-determination. We’ve had insertions in the legislation to prohibit gaming because that was necessary to get some support. We are different than Native Americans because we do not have the same historical treaty relationships with the federal government. So we do not have the same gaming rights, like those we discussed earlier. But we are a Native people, and we are entitled to the recognition.

 

Read more athttp://indiancountrytodaymedianetwork.com/2013/03/18/us-rep-colleen-hanabusa-new-ranking-member-indian-subcommittee-talks-indian-idealism

St. Pat’s, plant sale, wine tasting, more weekend fun

Source: The Herald

Luck o’ the Irish: Get in the mood for St. Patrick’s Day with this roundup of events coming up this weekend. There’s food, drink, music, dance and a lot more.

Plant sale: Get ready for spring gardening with Seattle Tilth’s edible plant sale. The free sale is Saturday from 9 a.m. to 3 p.m. in Seattle. Seattle Tilth is well-known as an authority on gardening. You’ll find plenty of plants, selected to grow well in our area. There will also be classes to help you learn more about growing food. Click here for all the details, including a list of plants that will be available for sale.

Quilt show: The Quilters Anonymous Quilt Guild annual show is 10 a.m. to 5 p.m. Friday and Saturday from 10 a.m. to 4 p.m. Sunday at the Evergreen State Fairgrounds. The theme is “Out of this World.” More than 500 quilts, ranging from traditional to innovative, will be on display. There will also be demonstrations about quilting techniques. Admission is $7 and includes entry for all three days. For information, click here.

Taste wine: Chateau Ste. Michelle is offering a rare barrel tasting event from 11 a.m. to 5 p.m. on Saturday and Sunday. The winery only offers the barrel tastings once a year. You can taste several wines that are still barrel-aging and speak with the winemakers. The event is $20 and includes tastings and a glass of a finished wine. Buy tickets the day of the event at the wine shop. Click here for more information.

Outdoors: Cabela’s is getting ready for spring with Spring Great Outdoor Days from 10 a.m. to 4 p.m. on Saturday and Sunday. Attendees can participate in lots of free activities such as youth and adult turkey call contests. Other events include a laser shoot, wooden bow-making, and duck decoy carving and painting. There will also be a spring fashion show and a variety of free seminars and workshops with topics that include the basics of reloading, bear-proofing your campsite and preparing Dutch oven meals. Read more in our story here.

Visit Wonderland: The students from the Farraige Mhor Academy of Irish Dance journey down a rabbit hole to follow Alice on her whimsical trip. The musical show is at 7:30 p.m. Saturday at the Tim Noah Thumbnail Theatre, 1211 Fourth St., Snohomish. Tickets are $15 general, $10 for students and seniors, free for children younger than 5. Go to www.brownpapertickets.com or buy at the door if available.

What is that thing? Got a strange artifact? Bring it here. The Monroe Historical Society invites the community to its annual membership meeting and program, 10:30 a.m. Saturday at the Monroe Library, 1070 Village Way. Laura Phillips, archaeology collections manager at the Burke Museum of Natural History and Culture, will speak about local archaeology followed by an artifact identification session. Residents are encouraged to bring up to two items for identification, including American Indian artifacts from the Pacific Northwest made from bones, antlers, rocks and shells. No appraisals will be given. The experts do not authenticate items for sale.

Fill out your bracket: The NCAA men’s basketball pairings will be announced at 3 p.m. Sunday. If you’re not busy celebrating St. Patrick’s Day, you can spend the afternoon filling out your bracket.

Ballet for kids: Pacific Northwest Ballet is presenting a family-friendly version of “Hansel & Gretel” to help introduce children to ballet. The ballet is performed as an hourlong matinee and is narrated. The ballet shows twice Sunday. Click here for the details.

Music for all: The Hometown Hootenanny presents its “Family Ties” concert on Saturday in Everett. The performance plays on the theme that families that play together, stay together, and the songs celebrate the strength of families, whether it’s good or bad or special moments in family life. Read more in our story here.

Art walk: Wander through Everett, from one art studio to the next, on Saturday from 4 to 7 p.m. Galleries and studios will be open and snacks and drinks will be available. Local restaurants will also be displaying art. Click here for more details, including a map of participating locations.

‘The Sapphires’ Tells the Story of the Aboriginal Supremes

By Eisa Ulen Richardson, Indian Country Today Media Network

source: hopscotchfilms.com.au
source: hopscotchfilms.com.au

Too often, movies about brown people devolve very quickly into movies about a single white person surrounded by brown people. It’s not just that a white person is in the film – it’s that a white person becomes the film. The white, usually male, lead overwhelms the narrative, privileging the privileged, and disappointing those of us who paid the price of a ticket and a bucket of popcorn to see ourselves onscreen.

Finally, an unexpectedly delightful story featuring indigenous people has been produced for the big screen. Like magic, this movie does not show us the story through the lens of the white male lead, and so does not distort the image of the four beautiful brown women to whom the story belongs. It does not cater to the fantasy of white people dancing with wolves. Instead, this heartwarming, wonderful, joyous Australian film tells the story of four Aboriginal women from the point-of-view of the women themselves.

The Sapphires is a triumph.

It is also true. In the 1960s, a real-life quartet of sisters and cousins, one of whom had been ripped away from her family as one of the 100,000 Aboriginal children that formed Australia’s “Stolen Generation,” reunited and formed a soul-singing girl group. Styled and billed like The Supremes or The Shirelles of the same era, these women traveled to Vietnam to perform for American troops stationed there during the war.

Based on a hugely successful 2004 stage play of the same name, The Sapphires was written by Tony Briggs, whose mother was the youngest member of the group. The director, Wayne Blair, is also Aboriginal. Chris O’Dowd, who held his own as the good cop that almost got away in the estrogen-packed 2011 hit Bridesmaids, is just as charmingly flawed in The Sapphires. A reluctant manager with a drinking problem and a string of personal and professional misses haunting his heart of gold, O’Dowd’s character transforms into an unlikely hero. He plays the frog that needs a perfectly placed kiss to transform into a scruffy prince.

But the movie, of course, is not about him.

The four women who sing and dance their way through this film also transform. From country western singers who “love Charley Pride” to soul-singing divas who dominate the stage for increasingly larger audiences throughout Vietnam, the women experience a kind of coming-of-age as witnesses to the horrors of war and participants in their own liberation from the racism of mid-20th century Australian society.

Styled in sequins, go-go boots, and miniskirts, these women shine. Their wardrobe expresses their characters’ growing sense of empowerment without positioning them as hyper-sexualized “exotic others.” Though thrilling, their performances do not titillate or play to stereotypes about brown girls and white male access to their bodies. Indeed, their sexuality is expressed in relationships — affirming, sensual relationships, with black men whose romantic gestures are sure to make hearts swoon.

Intimacy grows between O’Dowd’s character and one of the four Sapphires, Gail, the “Mamma Bear” played by Deborah Mailman, who leads the group with loving command that remains unflinching even as the other three women find their own paths to personal power. The friendship and mutual respect expressed by these two characters offers a compelling counter-narrative to the myth of blond, blue-eyed desirability. Rather than detract from the women as the central focus of the film, this relationship only reinforces that focus.

Jessica Mauboy plays Julie, who fights hardest for the chance at something greater than her everyday life. Shari Sebbens plays Kay, the whitest looking of the girls, the one who was stolen, and the one who has the longest journey to make to get back home, and Miranda Tapsell is Cynthia.

Tapsell, whose great grandmother was taken from her family as one of the Stolen Generation, says the authenticity of the film is matched only by the enthusiastic response of the Aboriginal community. The experience of indigenous audiences is unsurprising. From the opening sequence, where four young girls sing in the Aboriginal language of their ancestors to an audience of family and friends, to the final scene, The Sapphires is a film that honors the original people of Australia and life in the missions where they are forced to live.

The Sapphires manages to examine the dispossession of Aboriginal people, the fragmentation of family, cultural dislocation, poverty, the particular plight of women who are also mothers, and the horrors of the Vietnam War — all without losing its upbeat tone, its rhythmic joy, its hopeful expression of uplift. Perhaps because the filmmaker, writer, and four lead actresses are Aboriginal, The Sapphires celebrates the beautiful, flawed, imperfect, glorious humanity of the indigenous people this film showcases.

Aboriginal people, an entire diverse community of the original people of Australia, are on the stage with The Sapphires each and every time they perform, and every round of applause, every cheer, every whistle and shimmy and shake, is for them — for the great-grandmothers who were stolen, and their descendants, the children who grow up to write the stories of their people’s ultimate triumph.

Home, Aboriginal home, though situated on the margins of Australian society, occupies center stage in this glorious film. Grab a batch of tissues, clutch hands with the one you love, and run. Go see it. Go and see yourself.

 

Read more at http://indiancountrytodaymedianetwork.com/2013/03/15/sapphires-tells-story-aboriginal-supremes-148213

American Indian College Fund to Administer Cobell Scholarship Fund

Courtesy American Indian College FundDr. Cheryl Crazy Bull is the president and CEO of the American Indian College Fund.
Courtesy American Indian College Fund
Dr. Cheryl Crazy Bull is the president and CEO of the American Indian College Fund.

Source: Indian Country Today Media Network

The Cobell Education Scholarship Fund will be administered by the American Indian College Fund with a fifth of the annual scholarships awarded by the American Indian Graduate Center, announced Secretary of the Interior Ken Salazar on March 12.

“This scholarship fund for Native American students will be a lasting, meaningful legacy of the Cobell Settlement that will help strengthen Indian communities, advance tribal progress and secure a better future for the first Americans,” Salazar said in a press release.

As part of the Cobell settlement a copy.9 billion land buy-back program was established to purchase land for tribal governments. For each purchase, a donation will be made to the scholarship fund. The Interior is authorized to set aside up to $60 million for fund from these purchases. According to the Bureau of Indian Affairs, for land purchases less than $200, copy0 will go to the scholarship fund; for land purchases between $200 and $500, $25 goes to the fund; and for any land purchases over $500, five percent of the purchase price is donated to the fund.

“My mother, Elouise Cobell, cared deeply about the next generation of Native people and she insisted on this scholarship as part of the settlement,” said Turk Cobell in the release. “It is a fitting tribute to her courageous work and will be a longstanding and appropriate legacy of her extraordinary perseverance and vision.”

Salazar named the American Indian College fund after receiving nominations from the lead plaintiff and evaluating them through a selection committee. The committee recommended the college fund as the recipient organization saying the money it receives should be devoted to scholarships for vocational certificates and four-year accredited colleges, including tribal colleges. The graduate center will provide 20 percent of yearly scholarships to encourage Native graduates to continue their education and get professional and doctoral degrees.

“We are honored to have been selected to administer the largest scholarship fund ever established on behalf American Indian and Alaska Native students,” said Dr. Cheryl Crazy Bull, president and CEO of the American Indian College Fund, in the release. “I look forward to working with the American Indian Graduate Center to provide greater opportunities for higher education to the next generation of Indian leaders and professionals.”

The graduate center is looking forward to fulfilling its end of the scholarship fund as well.

“We congratulate our colleagues at AICF on the award of this historic scholarship fund to their administration. AIGC is humbled and honored to be part of it. Elouise Cobell’s legacy will live on through our future scholars,” said Sam Deloria, director of AIGC, in a press release.

Now comes the task of appointing a Board of Trustees to oversee the college fund. The board will consist of no more than five members—two to be selected by the secretary, two to by the lead plaintiff and one to be selected by the college fund.

Board members will serve an initial four-year term and can be reappointed for an unlimited number of successive terms.

Tribal nominations for board members should send a curriculum vitae, letter of intent which indicates willingness to serve and a 250-word statement to:

Lizzie Marsters

Chief of Staff to the Deputy Secretary

Department of the Interior

1849 C Street NW

Room 6118

Washington, DC 20240

Nominations should be postmarked no later than April 11, 2013.

 

Read more at http://indiancountrytodaymedianetwork.com/2013/03/13/american-indian-college-fund-administer-cobell-scholarship-fund-148157

Photos: Remembering the First Known Pow Wow Held in a U.S. Combat Zone by Native Americans

Source: Indian Country Today Media Network

Drum circle during the 120th Engineer Combat Battalion pow wow at Al Taqaddum Air Base, Iraq, 2004. Photo by Master Sergeant Chuck Boers (Lipan Apache/Oklahoma Cherokee, b. 1964). Gift of Sergeant Debra K. Mooney and members of the 120th Engineer Combat Battalion. Smithsonian National Museum of the American Indian
Drum circle during the 120th Engineer Combat Battalion pow wow at Al Taqaddum Air Base, Iraq, 2004. Photo by Master Sergeant Chuck Boers (Lipan Apache/Oklahoma Cherokee, b. 1964). Gift of Sergeant Debra K. Mooney and members of the 120th Engineer Combat Battalion. Smithsonian National Museum of the American Indian

In 2004, U.S. Army Sergeant Debra Mooney, Choctaw, and the 120th Engineer Combat Battalion staged the first pow wow held in a U.S. combat zone by Native Americans. The Native American Inter-Tribal Pow Wow was held in Al Taqaddum, Iraq, during Operation Iraqi Freedom.

According to the National Museum of the American Indian, the two-day event, held at the Al Taqaddum Air Base near Fallujah,  featured Native regalia, dancing and singing, and traditional games and foods, including genuine frybread. Participants made their pow wow drum from a discarded 55-gallon oil barrel and canvas from a cot. The goal of the pow wow was to bring a piece of home to Native Americans serving in Iraq while sharing their cultural heritage with fellow soldiers, marines, and sailors.

American Indians have served in the U.S. military since the American revolution, before they were allowed U.S. citizenship, and by percentage they serve more than any other ethnic group. The 120th Engineer Combat Battalion has its headquarters in Okmulgee, Oklahoma, also home to the Muscogee (Creek) Nation.

Lower: Drum, stand, and drumsticks, 2004. Metal, canvas, wood, commercially tanned leather, plastic, nylon cord, adhesive tape, metal nails. Made by members of the U.S. Army's 120th Engineer Combat Battalion, headquartered in Okmulgee, Oklahoma, and used during their Al Taqaddum Inter-Tribal Powwow, September 17–18, 2004, in Al Taqaddum, Iraq. Gift of Sergeant Debra K. Mooney and members of the 120th Engineer Combat Battalion. (Smithsonian National Museum of the American Indian)

Lower: Drum, stand, and drumsticks, 2004. Metal, canvas, wood, commercially tanned leather, plastic, nylon cord, adhesive tape, metal nails. Made by members of the U.S. Army’s 120th Engineer Combat Battalion, headquartered in Okmulgee, Oklahoma, and used during their Al Taqaddum Inter-Tribal Powwow, September 17–18, 2004, in Al Taqaddum, Iraq. Gift of Sergeant Debra K. Mooney and members of the 120th Engineer Combat Battalion. (Smithsonian National Museum of the American Indian)
US Army (USA) Soldiers of Native American Indian heritage, participate in a game of Native American Indian Stick Ball during the Native American Inter-Tribal Pow Wow held at Al Taqaddum, Iraq, during Operation IRAQI FREEDOM. The Pow Wow was held to honor all past, present, and future Native American Veterans, and this events marks the first time that a Pow Wow was held in a Combat Zone by Native Americans (Smithsonian National Museum of the American Indian)

US Army (USA) Soldiers of Native American Indian heritage, participate in a game of Native American Indian Stick Ball during the Native American Inter-Tribal Pow Wow held at Al Taqaddum, Iraq, during Operation IRAQI FREEDOM. The Pow Wow was held to honor all past, present, and future Native American Veterans, and this events marks the first time that a Pow Wow was held in a Combat Zone by Native Americans (Smithsonian National Museum of the American Indian)
 Native American Indians came from all over Iraq to play a game of Native American Indian Stick Ball during the Native American Inter-Tribal Pow Wow that was held on Al Taqaddum near Fallujah on the 17-18th of September 2004 during Operation Iraqi Freedom. The Pow Was planned from start to finish in less than five weeks, and all the items from the tomahawks to the drum was hand-made by the Native Americans in Iraq. The Pow Wow was held to honor all past, present, and future Native American Veterans, this was the first time that a Pow Wow was held in a Combat Zone by Native Americans. Photo by SFC Johancharles Van Boers (Apache/Cherokee), 55th Signal Company, Combat Camera, Fort Meade, Maryland. "Released for Public Use"
Native American Indians came from all over Iraq to play a game of Native American Indian Stick Ball during the Native American Inter-Tribal Pow Wow that was held on Al Taqaddum near Fallujah on the 17-18th of September 2004 during Operation Iraqi Freedom. The Pow Was planned from start to finish in less than five weeks, and all the items from the tomahawks to the drum was hand-made by the Native Americans in Iraq. The Pow Wow was held to honor all past, present, and future Native American Veterans, this was the first time that a Pow Wow was held in a Combat Zone by Native Americans. Photo by SFC Johancharles Van Boers (Apache/Cherokee), 55th Signal Company, Combat Camera, Fort Meade, Maryland. “Released for Public Use”
Soldiers from the U.S. Army's 120th Engineer Combat Battalion (headquartered in Okmulgee, Oklahoma) participating in a tomahawk throwing contest. Man throws a tomahawk at a wooden post while others look on (NMAI object 265139.000) . Photo taken during the powwow events held at Camp Taqaddum, Iraq in 2004.  (National Museum of the American Indian)
Soldiers from the U.S. Army’s 120th Engineer Combat Battalion (headquartered in Okmulgee, Oklahoma) participating in a tomahawk throwing contest. Man throws a tomahawk at a wooden post while others look on (NMAI object 265139.000) . Photo taken during the powwow events held at Camp Taqaddum, Iraq in 2004. (National Museum of the American Indian)

 

Read more at http://indiancountrytodaymedianetwork.com/2013/03/13/photos-remembering-first-known-pow-wow-held-us-combat-zone-native-americans-148144

Coast Salish Art Programs at the Burke

April 2013
Burke Museum of Natural History and Culture
Seattle, WA

First Woman. Yellow Cedar.By Luke Marston. Photo by Armstrong Creative.
First Woman. Yellow Cedar.
By Luke Marston. Photo by Armstrong Creative.

Seattle – The Burke Museum is pleased to offer a variety of programs featuring the groundbreaking artwork of Coast Salish artists. In April, attend a discussion panel with practicing artists, see art demonstrations and talk to artists about their work, and view Coast Salish art from the Burke Museum collections.

Discussion Panel: Coast Salish Art in the 21st Century
Friday, April 5, 2013 • Kane Hall 120, UW Campus • 7 pm

Coast Salish artists are using computer graphics, laser cutters, and glass hot shops, as well as adzes, knives, and looms to bring traditional forms into the 21st century. Join a panel of artists lead by Shaun Peterson as they share the challenges and rewards of transporting the vision of their grandparents into the modern world.

Panelists include artists Heather Johnson-Jock, lessLIE, Luke Marston, and Danielle Morsette.

FREE for all and open to the public. Pre-registration recommended. Reserve your seat today at www.burkemuseum.org/events.

Special Event: Coast Salish Art & Artists Day
Saturday, April 6, 2013 • Burke Museum • 10 am – 3 pm

Explore artwork and demonstrations by notable Coast Salish artists in mediums such as weaving, sculpture, and print-making. Attend film screenings, and try your hand at a communal weaving piece on a large loom.

Art demonstrations include:

  • Coast Salish weaving on tabletop and upright frame looms
  • Cedar bark basketry weaving
  • Hand spinning yarn with a spindle whorl
  • Acrylic on paper pieces
  • Film screenings of Teachings of the Tree People: The Work of Bruce Miller and Killer Whale and Crocodile

Participating artists include Bill and Fran James, Heather Johnson-Jock, lessLIE, Luke Marston, Danielle Morsette, and Karen Reed.

Included with museum admission; FREE for Burke members.

Coast Salish Art programs are supported in part by the National Endowment for the Arts and 4Culture.

Weekend Activities @ the Burke: Coast Salish Art
Saturdays & Sundays in April • Burke Museum • 11 am – 3 pm
Every weekend in April, enjoy Coast Salish art activities at the Burke. See Coast Salish weaving pieces not normally on display, and try your hand at a large weaving loom. Also enjoy guided exhibit tours every Saturday at 1 pm.

Included with museum admission; FREE for Burke members.

The Burke Museum is located on the University of Washington campus, at the corner of NE 45th St. and 17th Ave. NE. Hours are 10 am to 5 pm daily, and until 8 pm on first Thursdays. Admission: $10 general, $8 senior, $7.50 student/ youth. Admission is free to children four and under, Burke members, UW students, faculty, and staff. Admission is free to the public on the first Thursday of each month. Prorated parking fees are $15 and partially refundable upon exit if paid in cash. Call 206-543-5590 or visit www.burkemuseum.org. The Burke Museum is an American Association of Museums accredited museum.

To request disability accommodation, contact the Disability Services Office at: 206.543.6450 (voice), 206.543.6452 (TTY), 206.685.7264 (fax), or email at dso@u.washington.edu. The University of Washington makes every effort to honor disability accommodation requests. Requests can be responded to most effectively if received as far in advance of the event as possible, preferably at least 10 days.