Suquamish Museum newest of many impressive tribal cultural displays in Washington, Oregon

By Terry Richard, The Oregonian

Six life-size wood figures shouldering a 300-year-old canoe command the most attention among  the exhibits at the new Suquamish Museum and Cultural Center on the west shore of Puget Sound.

Carved from cedar, the figures morph from a pair of sea otters in the rear to tribal ancestors in the middle and to modern people up front. The sculpture symbolizes the carrying of the tribe’s canoe culture forward through time.

The second new tribal museum in Washington to open in two years, the $7.5 million Suquamish Museum is on the Port Madison Indian Reservation near Poulsbo on the Kitsap Peninsula. Its opening last September followed the 2011 opening of the Tulalip Tribe’s Hibulb Cultural Center near Marysville.

The Northwest tribal museums, which include showcase displays in Oregon near Pendleton and at Warm Springs, offer travelers the chance to connect with the rich native culture that predated exploration and settlement by European Americans.

The Suquamish Museum is a short walk from the gravesite of Chief Sealth, the tribal elder who cooperated with Americans when they settled Puget Sound in the 1850s. Seattle is named for the Suquamish chief.

The museum’s small but impressive exhibits feature woodworking, baskets and beadwork. The 9,000-square-foot building, in the style of a traditional longhouse, has a performance space, museum store, plus an art gallery that features the work of 20 tribal artists, including intricate masks in the coastal Salish style.The surrounding grounds are landscaped with native plants. Nearby houses will be removed when leases expire to further enhance the tribe’s cultural district as a learning center. The tribe’s Suquamish Clearwater Casino Resort is one mile south.

The House of Awakened Culture, an indoor tribal event center, is just north of the museum on the waterfront. Seattle’s highest buildings are in view across the Salish Sea, the name bestowed recently on all the inland waters of Washington and lower British Columbia.

The new museum is three times the size of the tribe’s previous cultural display.

The Suquamish Museum address is 6861 N.E. South St., on the east side of S.R. 307 just north of its intersection with S.R. 305 (the highway with the only bridge to Bainbridge Island). The museum is open daily (except some holidays) from 10 a.m. to 5 p.m.; 360-394-8499,  suquamishmuseum.org.

TR.MuseumatWarmSprings2_0009.JPG
A traditional salmon bake outside the Museum at Warm Springs. Terry Richard/The Oregonian

Other tribal museums in Oregon and Washington Warm Springs: The Museum at Warm Springs features the Wasco, Walla Walla and Paiute tribes of central and eastern Oregon and the Columbia River Gorge. The 25,000-square-foot building opened in 1993. It is located along U.S. 26 in Warm Springs, between Mount Hood and central Oregon, with the relocated Indian Head Casino across the highway; 541-553-3331,  museumatwarmsprings.org.

Umatilla: Tamástslikt Cultural Institute tells the story of the Cayuse, Umatilla and Walla Walla tribes of northeast Oregon and southeast Washington in a 45,000-square-foot building that opened in 1998. It also has an outdoor living-history exhibit during summer. The museum is near Wildhorse Resort and Casino, just east of Pendleton; 541-966-9748,  tcimuseum.com.

Makah: Most artifacts in the Makah Museum at Neah Bay, Wash., come from a nearby archaeological dig on the Olympic Peninsula coast at Ozette. The 24,000-square-foot Makah Cultural and Research Center was built as the repository and display site for the 11-year dig, from 1970 to 1981, which uncovered 55,000 artifacts from a 500-year-old village preserved by a massive mudslide; 360-645-2711, makah.com.

Squaxin Island: The 15,000-square-foot Squaxin Island Museum opened in 2002 with an exhibit of the Salish tribes of southern Puget Sound, the “people of the water.” The museum is just off U.S. 101 near Shelton, Wash.; 360-432-3839, squaxinislandmuseum.org.

Tulalip: The 23,000-square-foot Hibulb Cultural Center, which opened in 2011, tells the story of the Snohomish, Snoqualmie and Skykomish tribes of the northern Puget Sound area. Its location is Tulalip, Wash., not far off Interstate 5; 360-716-2600, hibulbculturalcenter.org.

Yakama: The Yakama Nation Museum opened in 1980 with a 12,000-square-foot exhibit hall that tells the story of central Washington tribes, as well as famous chiefs from other tribes. The museum is along U.S. 97 at Toppenish, Wash.; 509-865-2800,  yakamamuseum.com.

 

IHS signs pact for sanitation development in tribal communities

Source: Indian Health Services

The Indian Health Service and several other federal agencies plan to improve interagency coordination in providing safe drinking water and basic sanitation to tribal communities. The IHS, which is in the U.S. Department of Health and Human Services, signed a memorandum of understanding with the Environmental Protection Agency, the Department of Housing and Urban Development, the Department of the Interior, and the Department of Agriculture.

In 2007, these agencies and tribal representatives assembled an infrastructure task force to improve access to safe drinking water and basic sanitation in Indian Country. The memorandum of understanding formalizes federal cooperation toward the task force’s goal of reducing the number of tribal homes lacking access to safe drinking water and basic sanitation by 50 percent by 2015.

The agreement will help to coordinate available funding, programs, and
expertise for access to basic sanitation as federal officials work with tribal officials to develop successful sanitation programs in Indian Country.

Since 2007, substantial progress has been made to improve access; for instance, the number of American Indian and Alaska Native homes lacking safe drinking water has been reduced from 12 percent in 2007 to 7.5 percent in 2013.

The IHS provides essential sanitation facilities, including water supply and sewage disposal systems, to American Indian and Alaska Native homes and communities. Safe sanitation facilities improve public health in many ways, including by lowering the incidences of gastrointestinal disease and infant mortality.

The IHS works in partnership with tribal communities to provide a comprehensive health service system for approximately 2.1 million American Indian and Alaska Natives who are members of 566 federally recognized tribes.

Tulalip welcomes two new board members

Chairman Mel Sheldon swears in Marie Zackuse and Theresa Sheldon for the Tulalip Board of Directors
Chairman Mel Sheldon swears in Marie Zackuse and Theresa Sheldon to the Tulalip Tribes Board of Directors
Photo: Monica Brown

By Monica Brown, Tulalip News Writer

TULALIP, Wash.- Family and friends arrived early Saturday morning, April 6th, at the Tulalip Administration building to witness the swearing in of Marie M. Zackuse and Theresa Sheldon to the Tulalip Tribes Board of Directors.

Tulalip Board of Directors
Tulalip Tribes Board of Directors, Chuck James, Theresa Sheldon, Glen Gobin, Melvin R. Sheldon Jr, Marlin Fryberg Jr, Marie M. Zackuse, Deborah Parker
Photo: Monica Brown

 

Marie M. Zackuse thanks the board for welcoming her back as she takes her seat on the Services Committee of the Board
Marie M. Zackuse thanks the board for welcoming her back as she takes her seat on the Services Committee of the Board
Photo: Monica Brown

As Zackuse was welcomed to take her seat on the Services Committee along side Deborah Parker and Marlin Fryberg Jr, she responded,  “I want to thank each and everyone that came today, my family and my elders.”

“I’m very grateful today that the Creator provided this opportunity once again for me and I will do the best that I can with what I know and what I have. I want to thank everybody who helped me”

 

 

New board member Theresa Sheldon thanks the board as they welcome her on the Business Committee of the board
New board member Theresa Sheldon thanks the board as they welcome her on the Business Committee of the board
Photo: Monica Brown

“There are just so many inspirational elders and people in our community who helped encourage me to get to this point where I am today” said Sheldon as she took her seat along side Glen Gobin and Chuck James on the Business Committee.”It ‘s the beginning of a new journey and I am truly honored to be here and assist with this board of directors.”

“I’m very thankful for this and I’m excited to get work done”

 

Zackuse and Sheldon were elected March 16th 2013, at the Annual General Council meeting, they will both serve three year terms.

 

 

Tribal college fundraiser features real Coast Salish art

This year’s TL’aneq’ benefit dinner includes a live fashion show by international designer Dorothy Grant

Ryan Key-Wynne, Public Information Officer, Northwest Indian College
 
International designer Dorothy Grant, who is Kaigani Haida from Alaska, will host a live fashion show at Northwest Indian College’s biggest fundraiser of the year. Grant’s unique style combines traditional Haida artwork with contemporary clothing for an effect that has gained her worldwide acclaim. Photo courtesy of Dorothy Grant
International designer Dorothy Grant, who is Kaigani Haida from Alaska, will host a live fashion show at Northwest Indian College’s biggest fundraiser of the year. Grant’s unique style combines traditional Haida artwork with contemporary clothing for an effect that has gained her worldwide acclaim. Photo courtesy of Dorothy Grant

On April 12, Northwest Indian College (NWIC) will host its 5th Annual TL’aneq’: Gathering for a Celebration benefit dinner and Native cultural arts and experiences auction from 5 p.m. to 9 p.m. at the Swinomish Casino & Lodge. The event is the college’s biggest fundraising event of the year and – this year – will also celebrate NWIC’s 30th anniversary.

 
“I am truly looking forward to this year’s TL’aneq’ benefit dinner. This is a great opportunity to celebrate Coast Salish art and culture and share a meal and laughter, all while raising money to support our students,” NWIC President Justin Guillory said. “This has been a successful event, and we want to continue to build on that success by bringing friends and supporters of NWIC together in a good way for a good cause.”
 
The evening will begin with a silent auction, during which attendees will have a chance to bid on Coast Salish art – including paintings, carvings, jewelry and woven pieces – and they can speak directly with artists who have donated their work for the event. After that, a four-course dinner featuring fresh salmon, storytelling, a live fashion show and live auction will begin.
 
“You never know what will happen during the live auction,” said Ryan Key-Wynne, NWIC’s public information officer. “Last year, one of our supporters commandeered the mic and pleaded with others in the room to bid with her on a cultural experience. She said the experience would be a good opportunity to make new friends.”
 
Key-Wynne explained that bidding is usually competitive, with people bidding against each other, not with each other.
 
“Our auctioneer just stood there laughing, waiting for her to hand the mic back,” Key-Wynne said. “It was unprecedented, but very funny and the combined bid raised more than she would have contributed on her own.”
Coast Salish artists are the backbone of the TL’aneq’ fundraiser. Art, including this carving by Steven Charlie of the Squamish Nation, is donated by the artists each year and all of the profits help support a selected NWIC project or program. This year, all funds raised will go toward scholarships for NWIC students. Photo courtesy of NWIC
Coast Salish artists are the backbone of the TL’aneq’ fundraiser. Art, including this carving by Steven Charlie of the Squamish Nation, is donated by the artists each year and all of the profits help support a selected NWIC project or program. This year, all funds raised will go toward scholarships for NWIC students. Photo courtesy of NWIC
 
This year’s live auction will be preceded by a fashion show by international designer Dorothy Grant, who is Kaigani Haida from Alaska. Grant’s unique style combines traditional Haida artwork with contemporary clothing for an effect that has gained her worldwide acclaim.
 
“We are honored that Dorothy Grant will be joining our efforts at the college’s premier gala. Her fashion show willbe a lot of fun, especially with our student models,” said Greg Masten, director of NWIC’s Development Office, which organizes the event.
 
Last year, the event raised nearly $100,000, which helped NWIC match a $500,000 award from the National Endowment for the Humanities for the college’s new Coast Salish Institute Building.
 
Funds from this year’s event will go toward supporting NWIC student scholarships. NWIC, which is the only tribal college in Washington and Idaho, has a student body that represents more than 120 tribes from across the nation.
 
“It’s a misconception that Native students get their education paid for.Scholarships mean a lot to our students, many of whom are the first in their families to attend college and who are working toward four and two year degrees so they can help their tribal communities,” Masten said.
 
Individual tickets are available for $250 or table sponsorships are available from $2,500 to $20,000.
 
NWIC would like to thank sponsors for the 5h Annual TL’aneq:
·         Premier Sponsor: Lummi Indian Business Council
·         Host Sponsor: Swinomish Tribe
·         Exclusive Reception Sponsor: Tulalip Tribes
·         Lengesot Patron Sponsors at the $5,000 level: the Sycuan Band of the Kumeyaay Nation, and the Snoqualmie Tribe
·         Cedar Sponsors at the $2,500 level: The Boeing Company, Puget Sound Energy, Morgan Stanley, and the Jamestown S’Klallam Tribe
 
NWIC would also like to acknowledge and thank Judy Mich for her continued generosity of a $15,000 sponsorship, and give a special thanks to the generosity of the Twenty-Nine Palms Band of Mission Indians.
 
For more information, to donate to the event or to buy a ticket or sponsor a table, contact Development Office staff Mariah Dodd at (360) 392-4217 or mariahd@nwic.edu or Colleen Baker at (360) 392- 4305 or cbaker@nwic.edu.
 

Important Cultural, Religious and Historical Resources Threatened by Drilling

By Tanya Lee, Indian Country Today Media Network

(Courtesy Dakota Goodhouse/TheFirstScout.blogspot.com)Killdeer Mountain, home of the Singing Butte, looms on the edge of the North Dakota Badlands. (Courtesy Dakota Goodhouse/TheFirstScout.blogspot.com)
(Courtesy Dakota Goodhouse/TheFirstScout.blogspot.com)
Killdeer Mountain, home of the Singing Butte, looms on the edge of the North Dakota Badlands. (Courtesy Dakota Goodhouse/TheFirstScout.blogspot.com)

The Hess Corporation’s development of oil resources on Taĥċa Wakutėpi (Killdeer Mountain) on the edge of the North Dakota badlands threatens to destroy the integrity of a site sacred to tribes and important to historians, wildlife biologists, archaeologists and local landowners.
In a June 2010 report on the preservation of North Dakota battlefields, the National Park Service wrote, “Each of North Dakota’s battlefields remains a good candidate for comprehensive preservation, but Killdeer Mountain is most at-risk. While exploratory oil well drilling has had little effect on the battlefield’s condition so far, industrial scale extraction of the sub-surface resources at Killdeer Mountain could destroy the landscape and associated view-sheds in the near future.”

Killdeer Mountain was the site of an attack by U.S. Army Brigadier General Alfred Sully against a traditional summer gathering of American Indians for trading, socializing and ceremonies. On July 28 and 29, 1864, the general’s troops killed an estimated 150 Dakota and Lakota warriors and executed uncounted women and children. They destroyed as many as 1,800 lodges, 200 tons of buffalo meat and dried berries, clothes and household utensils, tipi poles, travois, and piles of tanned hides and slaughtered horses and perhaps 3,000 dogs. It was the final significant battle in the Dakota-U.S. War of 1862, but its deliberate brutality led to other conflicts. Among the survivors of the Battle of Killdeer Mountain were Sitting Bull and his lieutenant, Gall, who would fight again at the Battle of Little Big Horn in 1876.

The mountain was a sacred site long before the battle. Dakota Goodhouse, an enrolled member of the Standing Rock Sioux Tribe, says, “Killdeer Mountain is a place people still go to pray, [and there are] still people at Fort Berthold who visit the site for vision quests.”

Gerard Baker, an enrolled member of the Three Affiliated Tribes and a former National Park Service superintendant, is 59. As a child, he learned the ceremonial importance of Taĥċa Wakutėpi from his father, who learned it from tribal elders. “He told us the stories of Singing Butte, where Earth-naming ceremonies once took place. Many of the ceremonies are lost because of time, but they are still extremely important. Medicine Hole is associated with lost ceremonies. Many were lost during the smallpox epidemic of 1837.” Baker explains that unless a ceremony’s owner sells or gives away the ceremony before he dies, it can no longer be performed. So many Indians died so quickly during the smallpox epidemic that they did not have time to ensure the survival of their ceremonies.

Sioux leader Sitting Bull, left, and Hunkpapa Chief Gall survived the Battle of Killdeer Mountain. (AP; Courtesy National Archives)
Sioux leader Sitting Bull, left, and Hunkpapa Chief Gall survived the Battle of Killdeer Mountain. (AP; Courtesy National Archives)

But the spirits still live on Singing Butte. “The spirits live in different areas throughout the Dakotas in various buttes from Canada to the South Dakota line. The Hidatsa consider that their ancestral territory,” says Baker. Other lifeways that once took place on Killdeer Mountain included burials, fasting, trapping to get eagle feathers, deer-hunting and dressing.

A fundamental problem—and one of the challenges in opposing oil drilling on the mountain—says Baker, is that “not enough people know about the ceremonies. Even though people know the site is sacred, not so many know about the ceremonies.” He has a very pragmatic approach to dealing with Hess’s current oil drilling proposals. “I wish we could say ‘No drilling,’ but that’s not going to happen. They’re going to get that oil one way or the other.… We could hold up protest signs, but I think education would work better,” says Goodhouse. “I feel the issue is people don’t care because they don’t know” about Killdeer Mountain’s cultural or historical significance. “In an ideal world, there would be no wells near that area, but I have to be a realist. My suggestion is to drill laterally” for four miles, instead of the two miles of lateral drilling Hess is planning.

Opponents have won two concessions. “They have agreed that if they come across artifacts they will cease operations. But I know from experience that road companies do not stop development to save what’s there. They call in salvage archaeologists to survey,” says Goodhouse.

Richard Rothaus, president of Trefoil Cultural and Environmental, an archaeological consulting firm, had been planning to look at the Killdeer battlefield in 2014 or 2015, but when he heard about the imminent oil drilling there, he got permission to do a quick surface survey. He found three sites, two of them major. “This is an area that could have good, important information about the battle. It would be a shame to see it torn up without some work.”

Rothaus says he would need one excavation season, roughly one summer, to do 80 percent of the archaeological work that needs to be done at the battlefield. He has applied for funding for the work to the National Park Service American Battlefield Protection Program and will know in July whether the money will come through.

According to Rothaus, “Oil development is growing so fast out there that no one can keep track of it. People didn’t know this was being leased,” so they couldn’t do the archaeological work earlier. “Hess says it avoided the battlefield, but is 2.5 miles away from the historical marker for the battlefield, not three miles away from the battlefield.” The marker, he says, occupies just a couple of square feet of the vast battlefield. The wells Hess proposes are within the battlefield area.

The current situation on Killdeer Mountain, says Rothaus, came about through “a series of fairly innocent mistakes. I’ve almost never encountered anyone who doesn’t care about this history, but the right people are not at the table.”

Anne Marguerite Coyle, assistant professor of biology at Jamestown College in Jamestown, North Dakota, who spent three years studying golden eagles on Killdeer Mountain, concurs with Rothaus. “People don’t know when a plot of land might come up for lease.” The North Dakota Industrial Commission, she says, has no obligation to call other state agencies when they are planning to sell oil and gas leases.

Hess has agreed to a second concession, says Goodhouse. “The community did not want wells to be drilled during the school year because of the increased traffic, so they agreed to drill them in July.” But this concession brings its own problems. “The time they are going to put in the wells conflicts

Sully led the 1864 assault on a summer gathering of tribes at Killdeer. (Joel Emmons Whitney)
Sully led the 1864 assault on a summer gathering of tribes at Killdeer. (Joel Emmons Whitney)

with religious pilgrimages to area. If someone went to pray up there this summer, drilling would have an adverse effect, based on the impacts I saw of drilling at Bear Butte. There the development is five to 10 miles away from the sacred site. The dirt roads there were expanded to accommodate additional traffic. The traffic is heavy, loud and constant—not conducive to a vision quest.”

Goodhouse says a January meeting between the Mineral Resources Department and those with concerns about the drilling was “very civil, very cordial,” but whether education and goodwill can lead to other compromises is doubtful. Hess responded to a request to ICTMN’s request for an interview via e-mail: “Throughout the regulatory process, members of the community have had an opportunity to raise their concerns with the North Dakota Industrial Commission. We believe that the commission remains the best forum for concerns to be raised and addressed.”

Loren Jepson, a landowner on Killdeer Mountain, cattle rancher and former Hess employee, did raise the issue with the commission when he filed a petition in February asking the commission to suspend its order to allow the drilling and to rehear the case. The commission denied Jepson’s petition on February 20. One argument he made—in keeping with his intent to slow down the process in order to allow more time for study and compromise—was that the commission “failed to consider the best alternative of drilling the requested wells,” referring to the concept that the wells could be started further away from the battlefield. The commission found: “What Jepson has characterized as the failure to consider ‘the best alternative’ does not constitute grounds for rehearing or reconsideration.” In order to reopen the case, says Alison Ritter, spokeswoman for the commission’s Division of Mineral Resources, new information would have to be brought forward. “The commission carefully weighed the evidence,” she says, and the case has already been reopened once, last fall, which does not happen often.

Hess began preliminary work on the site one-quarter mile from Jepson’s house on February 21. He says an archaeologist is on site, but since the work moves so quickly and so much is destroyed in the process, it was unlikely anything would be found, an assessment Rothaus confirms. “Monitoring is just the last safeguard, not where you would want to start an archaeological investigation.”

Ritter explains that Jepson has run through his options at the executive level of the North Dakota state government and his next move would be to file an appeal in district court. Jepson says he does not know whether he will appeal. His attorney has told him that he would need $20,000 just to begin the process.

“I’m 60 years old,” Jepson says. “There are 30 [oil] wells here now and there will be 90 before the end of summer. I will never see the end of this. A way of life is gone, and it won’t come back.”

 

Read more at http://indiancountrytodaymedianetwork.com/2013/04/08/important-cultural-religious-and-historical-resources-threatened-drilling-148622

Slide pushes Amtrak train off tracks in Everett

No injuries reported when Empire Builder derails in Everett

By Sharon Salyer, The Herald

Doug Ramsay / For the HeraldBurlington Northern Santa Fe and Amtrak officials examine the last two coaches of the Chicago to Seattle Empire Builder that derailed just north of Howarth Park in Everett on Sunday morning. There were no injuries in the derailment and passengers from the derailed cars were moved to the front cars as the train continued to Seattle with the two derailed cars being left behind.
Doug Ramsay / For the Herald
Burlington Northern Santa Fe and Amtrak officials examine the last two coaches of the Chicago to Seattle Empire Builder that derailed just north of Howarth Park in Everett on Sunday morning. There were no injuries in the derailment and passengers from the derailed cars were moved to the front cars as the train continued to Seattle with the two derailed cars being left behind.

An Amtrak train traveling from Chicago to Seattle was hit by a mudslide near Howarth Park in Everett on Sunday morning, derailing the last three passengers cars, which tilted but remained upright.

No injuries were reported among the 86 passengers and 11 crew members, an Amtrak spokesman said.

Three rail cars remained blocking the tracks. The rest of the train was decoupled and continued on to Mukilteo to discharge passengers, Rick Robinson, fire marshal for the Everett Fire Department. Passengers were bused to Seattle.

Sound Transit announced Sunday on its website that Sounder service was cancelled for Monday and Tuesday. Amtrak also said its train service would be affected between Vancouver, B.C., and Portland, Ore., until after Tuesday, with passengers being taken by bus.

After earlier slides this winter passenger trains have been barred from the tracks for 48 hours after a slide.

The tracks between Seattle and Everett have been plagued with slides in recent months.

“We’ve had more than 200 slides this past winter and spring,” said Gus Melonas, spokesman for Burlington Northern Santa Fe, which owns the tracks.

The landslide occurred about 8:30 a.m., affecting two coach cars and the train’s dining car.

The slide was triggered about 100 feet up a 200-foot cliff, depositing a patch of dirt and debris 15 feet deep and 30 feet wide along the tracks a quarter-mile north of Howarth Park, Melonas said.

The force of the slide was enough to “tip the rails over, not the cars, just the rails,” Robinson said.

Two ladder trucks, three engine trucks and two medic units were dispatched to the scene.

About one-quarter mile of track needed to be realigned with the repairs expected to be completed by Monday morning, Melonas said. No estimate of the cost to repair the track was immediately available.

The slide affected the inner line of two main rail lines. However, freight train traffic was not disrupted and two freight trains moved through the area Sunday afternoon, Melonas said.

The Associated Press contributed to this report.

To honor Chantel’s memory

In Our View: Lessons of a preventable tragedy, The Herald Editorial, www.heraldnet.com

No greater sin than inflicting misery and pain on a child.

The darkness, when God seems silent, fell on Chantel Craig, a 19-month Tulalip girl and her 3-year-old sister. Chantel died, her sister survived. Last October, they sat strapped in their car seats like victims of a plane crash, abandoned by their drug-addled mother, festering in a derelict vehicle for days.

Agony has a face. Chantel was “severely malnourished” according to the postmortem. She was blanketed by lice, urine, bed bugs, feces and “a bleeding rash.” Her mom has been charged with murder.

Chantel’s death, according to the Snohomish County Medical Examiner, was neglect. And “neglect” is the operative word. Chantel and her sister fell away from social workers, social workers freighted by heavy case loads but laboring to do the right thing. They slipped through the latticework of state and tribal oversight.

Now the state and the Tulalip Tribes need to work in common cause, to address communication misfires, and to embrace solutions with teeth.

The Herald’s Diana Hefley served as an official observer of the Child Fatality Review, the investigation and report on Chantel’s death, conducted by the Department of Social and Health Services’ Children Administration. Her reporting crystallized the tragedy.

“They were asked to inspect the net,” Hefley writes. “Maybe it can be woven tighter so another little girl won’t fall through, dying before she learns to twirl on tiptoes or color inside the lines or dream of being a princess or a firefighter.”

The fatality review produced four findings and three recommendations that demand action. Priority one is to delineate specific social worker responsibilities in the memorandum of understanding (MOU) between the Tulalip Tribes and DSHS Children’s Administration. Tribal and state employees navigate the MOU’s vague language like a United Nations compact. Elastic wording doesn’t help case workers who need to know their specific role.

The MOU is authorized by the Indian Child Welfare Act of 1978 to oversee the custody and care of Indian children. The act is a window on a tainted legacy, when the United States regularly removed Indian children from their homes and traditional culture.

The review’s second and third recommendations are manageable. Retaining and hiring more Child Protective Services workers is doable with additional funding from the Legislature. CPS workers are committed and professional. In Chantel’s case, they didn’t have the resources for critical follow-through, however.

As the second finding highlights, the committee was concerned about the “lack of documented attempts to locate the family” for six months, from December 2011 to May 2012.

Active cases require a monthly review by a supervisor. There is no documentation that any reviews occurred between May 7, 2012, and Oct. 8 the same year. Are revolving-door supervisors to blame? The Children’s Administration might consider an administrative bucket for overworked CPS workers to send follow-ups that can’t be met (with no penalty for acknowledging they simply don’t have time.) Another CPS worker would be assigned to help. The Catch-22 is this approach might disrupt continuity, a concern the committee underlined when supervisory coverage changes.

Bureaucracies are soulless, social workers are not. To make the Chantel Craig tragedy right presupposes that human nature, including the menace of drugs and child abuse, is tractable. It isn’t. So we begin changing what we can, starting with the fatality review’s recommendations. Chantel deserves as much.

World Health Day: What Steps Will You Take to Stay Healthy and Cancer-Free?

Exercise through sport or dancing to stay healthy. (J. Morgan Edwards Photography)
Exercise through sport or dancing to stay healthy. (J. Morgan Edwards Photography)

Source: Indian Country Today Media Network

April 7, 2013 is World Health Day. As part of the movement to promote healthy living, what steps will you take to stay healthy and cancer-free?

The American Cancer Society has five easy suggestions that will help keep you healthier and reduce your risk of cancer at the same time.

Get off the couch and get on the treadmill. Or on the stair stepper. Or on the elliptical. Whatever the case, get active! Now that Spring is finally here, you don’t have an excuse. Grab a loved one and go for a nice evening walk outside. The American Cancer Society recommends a minimum of 30 minutes of exercise daily for adults, so get moving!

Eating fresh produce regularly may reduce your risk of cancer.
Eating fresh produce regularly may reduce your risk of cancer.

Avoid drinking in excess. If you drink, limit alcohol to one drink per day for women and two drinks per day for men. The American Cancer Society has found that drinking damages body tissue and increases the risk of cancer. Is the extra drink really worth the risk?

Watch your waistband. Arlene St. John Black Bird, program director for the Breast & Cervical Cancer Early Detection Program (BCCEDP) at Cheyenne River Health Center in Eagle Butte, South Dakota, offers some dietary advice: “Research shows that poor diet is strongly linked to cancer. To stay healthy, limit red meat and avoid processed meat. Instead, try lean proteins like chicken or turkey. Making small changes to your diet can actually make a big difference.”

Get regular cancer screenings. If you have a family history of cancer, you should talk to your doctor about getting screened at an early age. Statistics show that early detection saves lives.

Be tobacco free. Tobacco use accounts for at least 30 percent of all cancer deaths and 87 percent of lung cancer deaths. By smoking, you’re not only putting yourself at risk—you’re also jeopardizing your loved ones. Each year, about 3,400 non-smoking adults die of lung cancer as a result of breathing secondhand smoke. Quit today and keep yourself and your loved ones cancer-free.

Did you know that 2/3 of all cancers are preventable? That means following the American Cancer Society’s guidelines will reduce your risk of cancer and, potentially, save your life.

With statistics like that, it seems like a no-brainer: This World Health Day, commit to healthy living.

For more healthy living suggestions, contact the American Cancer Society at 1.800.227.2345 or www.cancer.org.

 

Read more at http://indiancountrytodaymedianetwork.com/2013/04/07/world-health-day-what-steps-will-you-take-stay-healthy-and-cancer-free-148649

Henry’s ‘Out [o] Fashion’ exhibit takes boundaries off beauty

Seattle’s Henry Art Gallery poses a photographic puzzle with “Out [o] Fashion Photography: Embracing Beauty,’ a wide-ranging show exploring cultural attitudes about beauty, running through Sept. 1, 2013.

By Michael Upchurch, The Seattle Times

Henry Art Gallery
Frank A. Rinehart
“Hattie Tom, Apache” (1899), platinum print

What is beauty? How do concepts of beauty change? And who possesses beauty — those who observe it or those who are observed?

These are among the questions raised in “Out [o] Fashion Photography: Embracing Beauty,” a new exhibit at the Henry Art Gallery, curated by Deborah Willis, the first scholar to take part in the Henry’s new Visiting Fellow Program.

Willis is a historian of African-American photography who teaches at New York University’s Tisch School of the Arts, where she serves as professor and chair of photography and imaging. A few years ago, the Henry invited her to pore through its holdings and those of the University of Washington Libraries, Special Collections, with the idea of exploring “different attitudes about and cultural interpretations of beauty.”

“Out [o] Fashion Photography” is the result. It’s a big show that weighs how men photograph women, how women photograph men, how photographers turn their lenses on members of the own sex or people of other races, and, finally, how some artists — Cindy Sherman, Robert Mapplethorpe, the amazing Janieta Eyre — translate themselves into the most unlikely photographic icons.

As the exhibit’s punning title suggests, it deals with how ideals of beauty can go out of style, while also acknowledging the role fashion has played in shaping our concept of beauty. Wildly diverse in content, it asks viewers to draw their own connections more than it spells anything out for them.

Willis has divided it into three “thematic groupings,” although she cautions in her catalog essay that “there is overlap throughout, and many images can be discussed in multiple categories.”

If that sounds vague to the point of being unhelpful, it is.

The exhibit is better approached as a free-associative romp through the Henry/UW collections by someone with a curious eye. One question that gets raised again and again, in all three sections, is: Who is exploiting whom in the photographic process?

Willis starts off with works by Edward S. Curtis, whose passion about documenting vanishing Native American cultures may have overridden a more personal connection between the photographer and his subject.

Still, Curtis’ “Two Moons — Cheyenne” (1910) is a fine thing to behold, catching the essence of the war chief’s proud, weathered character. Frank A. Rinehart’s “Hattie Tom, Apache” (1899) tells a different story: The look of skepticism the young woman levels at the camera is withering.

Honest portraiture is one thing. Voyeurism is another.

The voyeuristic norm — of a male eye trained on a female form for purposes of arousal — seems most vividly and straightforwardly represented by E.J. Bellocq’s “Storyville Portrait” (c. 1912). But in other works, things get more complicated.

Don Wallen’s “Untitled” (1976), with its live female nude draped around a plastic-white mannequin, seems to comment on how synthetic some ideals of female beauty can be. Harry Callahan’s gorgeous silhouette shot of his wife, “Eleanor” (1948), uses photographic artifice to create something intimate, loving and mysterious.

Willis includes some actual fashion photography, including items by Hans L. Jorgensen and Irving Penn, where women are idealized by the camera, surely with their own full cooperation. And in shots of famous actresses — Cecil Beaton’s “Marlene Dietrich” (1930) and Benjamin J. Falk’s “Portrait of Miss Rush, the Actress” (c. 1892/1897) — there’s little doubt that the models are shaping their own images as much as the photographer is. “Miss Rush,” in her bow-tie, jacket, vest and trousers, is a dapper gender-bender. Dietrich, here, is in pure glamour-queen mode.

The male figure, if a bit underrepresented, isn’t neglected in “Out [o] Fashion.”

Jack Pierson’s gauzy “Belvedere Clayton” (1992) portrays a dreamy young man, swaddled in a nightshirt, sprawled back in bed and gazing at the camera. There’s something so swooning and heady about his pose that he seems made of gossamer. George Dureau’s black male nude, “Glen Thompson, Rear” (1983), on the other hand, couldn’t be more directly carnal.

In some cases, subjects’ actions, more than their looks, lend a true hypnotic allure to their images. That’s the case with Lewis Wickes Hine’s “Powerhouse Mechanic” (1921) and Barbara Morgan’s “Martha Graham — Letter to the World” (1940), which are slyly juxtaposed in the show.

There’s fine work here that seemingly has nothing to do with Willis’ chosen theme. Weegee’s masterpiece “The Critic” (1943), in which a Bowery character snarls at two preening operagoers, is surely less about beauty than hostilities between two social worlds, while Lisette Model’s “Famous Gambler, Nice” (1934) comes off as a pure character study, with little thought about the attractiveness of its subject (although the photograph itself is certainly handsomely composed).

Diane Arbus’ “A Woman in a Bird Mask, N.Y.C.” (1967) delights in how artifice can triumph over age and take a turn for the beautiful-fantastical. But in Arbus’ “A Family on Their Lawn One Sunday in Westchester, New York” (1968), it’s the total disconnect between husband, wife and child that rivets you far more than the incidental detail of the sunbathing mom’s classic, brittle 1960s looks.

Some of these puzzling inclusions might benefit from more commentary by Willis on individual photographs. Without that, the exhibition is mostly what you choose to make of it.

One thing for sure: There are plenty of photographic riches here — including work by Imogen Cunningham, Dorothea Lange, Edward J. Steichen and many others — to make something from.

 

Business interests trump health concerns in fish consumption fight

Fish Consumption Rates

“Our tribal leadership’s main responsibility is simply to protect our people,” said Marc Gauthier, a representative of the Upper Columbia United Tribes, before leaving the meeting. “It comes down to that basic human desire to protect your family.”

By Robert McClure
March 30, 2013

The Washington State Department of Ecology has known since the 1990s that its water-pollution limits have meant some Washingtonians regularly consume dangerous amounts of toxic chemicals in fish from local waterways.

At least twice, Ecology has been told by its overseers at the U.S. Environmental Protection Agency to fix the problem and better protect people’s health. Ecology was close to finally doing that last year — until Boeing and other business interests launched an intense lobbying campaign aimed not just at Ecology but also at the Washington Legislature and then-Gov. Christine Gregoire. That is the picture that emerges from recent interviews as well as government documents obtained by InvestigateWest under the Washington Public Records Law.

The problem lies in Ecology’s estimate of how much fish people eat. The lower the amount, the more water pollution Ecology can legally allow. So by assuming that people eat the equivalent of just one fish meal per month, Ecology is able to set less stringent pollution limits.

Meanwhile, citing the health benefits of fish, the state Department of Health advises people to eat fish twice a week, eight times as often as the official estimate of actual consumption. The state knows that some members of Indian tribes, immigrants and other fishermen consume locally caught seafood even more often than that and are therefore at greater risk of cancer, neurological damage and other maladies.

The Boeing Co. looms large in this story. In June 2012, Boeing said if Ecology went ahead with plans to make fish safer to eat, it would “cost the company hundreds of millions of dollars and severely hamper its ability to increase production in Renton and make future expansion elsewhere in the state cost prohibitive,” according to a Gregoire aide’s reconstruction of a conversation with a Boeing executive that month.

In July 2012, Ecology announced it would not go forward with a new rule to adjust the fish-eating estimate as planned. Instead the agency launched a “stakeholder process” that would delay any new rules for at least two years. Last week that process plodded on in Spokane, where state and local government officials and others spent more than three hours discussing the many contaminants that for years have prompted official state warnings against eating Washington fish too regularly.

“All we’ve seen is delay,” said Bart Mihailovich of the Spokane Riverkeeper environmental group, one of several that have refused to participate in the new series of meetings. “Why are we going back and doing what was already done?”

At the meeting in Spokane Thursday, a representative of Indian tribes called Ecology’s conduct “a betrayal” and explained that the tribes are boycotting the current process because it is unnecessary.

“Our tribal leadership’s main responsibility is simply to protect our people,” said Marc Gauthier, a representative of the Upper Columbia United Tribes, before leaving the meeting. “It comes down to that basic human desire to protect your family.”

Ecology had at least one other false start in fixing the rules, back in the mid-1990s, an effort that petered out even before a rule change was proposed, said Melissa Gildersleeve, the Ecology manager overseeing the current stakeholder process. That followed a 1994 study by the Columbia River Intertribal Fish Commission that documented how the national estimate of one fish meal per month was greatly and regularly exceeded by some members of Indian tribes.

While who eats how much contaminated fish is a slippery and much-debated corner of science, few of the parties involved in the current dispute in Washington contend that the current fish-consumption rate accurately reflects the true amount eaten, especially by some groups such as members of Indian tribes, subsistence fishermen and immigrants. The figure came from a 1973-74 federal study that asked consumers to fill our “food diaries” for three days, according to the U.S. Environmental Protection Agency.

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