Hazy Skies at Tulalip

By Kalvin Valdillez, Tulalip News

A thick, smokey haze is currently lingering in the air above Tulalip Bay. Outside, it smells as though the entire community is engaging in a reservation-wide bonfire. That can only mean that wildfire season is back, and unfortunately it has been reported that this season is one of the worst the state has ever seen. In fact, on the afternoon of September 8th, Washington State Governor Jay Inslee reported that in just 24 hours, 330,000 acres of land burned throughout the entire state due to wildfires – more than the past twelve wildfire seasons combined. That’s 2020 for you.

“There are fires burning all over the state of Washington,” explained Jim Reinhardt, Tulalip Bay Fire Deputy Chief.  “There are fires that are involving thousands of acres, there have been mass evacuations in small towns that are in high-risk areas, particularly in Okanogan and Douglas counties. We have two of our fire apparatuses dedicated on the other side of the mountains, protecting homes and fighting fires, and that would be our wildland brush truck and our water tender.”

The Deputy Fire Chief stated that four Tulalip Bay Firefighters have been deployed across state where they are currently assisting other fire departments, in their respective counties, battling wildfires that are threatening their towns and people. Although wildfires have been occurring since the start of the season back in May, Labor Day alone recorded over 80 fires due to high winds, high heat and low-humidity. Deputy Chief Reinhardt said, “when those three factors combine, it makes our state a tinderbox.”

This is also the first year we are seeing a lot of wildfires happen so close to home, as we mostly hear about large fires happening in Eastern Washington. Stanwood has reported at least two fires this season and a wildfire in Skagit, that spread on September 8, burned approximately two acres of land. But the fire in the Sumner-Bonney Lake area has been receiving the most coverage, engulfing over 150 acres, burning down homes, causing power outages, shutting down roads and prompting a level-3 evacuation for the citizens who live in communities along the fire’s destructive path, namely Bonnie Lake and Graham. 

About two years ago, the Environmental Protection Agency’s (EPA) program, Tribal Healthy Homes, and the Betty J. Taylor Early Learning Academy (TELA) teamed up to bring the EPA’s Flag Program to Tulalip, helping their students learn about and identify the colors of the Air Quality Index (AQI). The AQI is a tool used nationally to inform people about pollutants in the air. The index uses both colors and numbers to quantify the quality of the air; Green (0 to 50) indicates good, Yellow (51 to 100) means moderate, Orange (101 to 150) indicates unhealthy for sensitive groups, Red (151-200) is unhealthy for all, Purple (201 to 300) is very unhealthy, and finally Maroon (301 & up) indicates that the air is hazardous. 

Each morning, TELA staff members and a handful of students check the AQI for the day. The kids then select the flag, with the corresponding color of the daily AQI reading, and raise it on a post located at the entrance of the academy. 

“We changed the color of the flag to red today,” said TELA Education Disabilities Administrator, Taylor Burdett. “We changed it to red a couple years ago when the fires were really bad, but fortunately most of the time it’s green. We usually change colors anytime there are wildfires happening to update our families. Stephanie Arnesen started this program at TELA and has since retired. We like the Flag Program because it serves as a visual lesson for the children, so they can learn what each color is. We promote outdoor play, so when they see a green flag they know they can play outside. And when they see the red flag, that gives us the opportunity to have a conversation about why they aren’t going outside to play that day, and to discuss the air quality. We also have a book, [Why Is Coco Orange?] and it’s connected to the Flag Program, it allows the kiddos to have an age appropriate lesson about the flags and what they mean.”

With temperatures anticipated to rise over the next coming days and fires that are projected to continue to spread through the remainder of wildfire season, it’s important to check-in and protect those who are especially sensitive to smoke, including people living with respiratory issues and heart conditions. Children five and under, as well as elders, are also at risk of dealing with health complications due to all the haze and pollutants in the air from burned down buildings and forest fires. And with COVID-19 still lurking in the shadows, one might find it in their best interest to stay inside until the smoke clears, if they are among the vulnerable population. 

“There are red flag conditions going on all over the state,” said the Deputy Fire Chief. “The biggest danger is for those with respiratory problems; people that have issues with bronchitis, asthma, chronic obstructive pulmonary disease, this kind of weather can aggravate those conditions. We recommend staying indoors if you are very sensitive or susceptible to having those types of irritations. If you think that you have COVID, one of the big components of the coronavirus disease is respiratory problems, so try to stay indoors if you can help it, keep your windows closed, stay cool in the heat but try to limit your exposure to the smoke. We’re expecting that later, within a few days, we’re going to get winds coming off of the Pacific Ocean and hopefully that’s going to blow much of this out of our area in Western Washington, but it’s here to stay for a couple days.”

To stay updated on the latest information about air quality for the Tulalip area, please visit TulalipAir.weebly.com, follow Tulalip Bay Fire Department on Facebook, and be sure to check the color of the flag at the TELA Early Learning Center.

Yes, there are Native American republicans. Navajo VP speaks on their behalf during Republican National Convention

Navajo Nation vice-president, Myron Lizer, gave the opening remarks on day two of Republican National Convention.

By Micheal Rios, Tulalip News

Following night two of the Republican National Convention, many across Coast Salish territory were vexed, truly vexed, when they witnessed vice-president of Navajo Nation, Myron Lizer, address a largely conservative audience and endorse President Donald Trump for the 2020 election.

“Many of our ancestral leaders sought to govern and lead a nation within a nation,” Lizer said. “They sought to lead their people into the promises of a better way of life for their children’s children. It is also where they have not been as successful as the rest of America. 

“Our first nation’s people – the host people of the land – we are still here. Our creator placed us here and he knew that for such a time as this we would have the opportunity for an appeal to heaven. You see our people have never been invited into the America Dream. We for years fought past battles with congressmen and senators that were part of a broken system that ignored us. That is until President Trump took office.

“President Trump delivered the largest funding package ever to Indian Country. The $8 billion dollars in CARES Act funding was a great start in alleviated the devastating effects that the Covid-19 pandemic has affected on our tribes because of health disparities that previous administration failed to improve,” he continued. “I’m excited to endorse President Trump’s reelection.”

During Lizer’s eye-opening, two-and-a-half minute speech he praised the President for a number of policies instituted in the last few months that benefit Native American communities. Among them are the $8 billion dollars in CARES Act funding, $273 million to improve public safety and support victims of crimes on Native lands, and, most recently, the creation of a task force to address the Missing and Murdered Indigenous Women crisis. Dubbed ‘Operation Lady Justice’, this task force intends to dedicate more crucial monies and man power to the MMIW movement by establishing an interagency task force charged with developing an aggressive, government-wide strategy to address the crisis.

Surrounded by Native leaders, President Trump signs an executive order establishing ‘Operation Lady Justice’ to address MMIW crisis. (Official White House photo)

“Our Native American people experience violence at a higher rate than any other nationality in the country,” explained Lizer when President Trump signed the executive order creating ‘Operation Lady Justice’. “The lack of reporting and investigation of missing and murdered Indigenous peoples needs to be taken seriously. The executive order gives hope to our tribal nations that justice is being sought and that there is a path for healing of our families, victims, and survivors.”

Without a doubt, self-identifying liberal, progressive, or Democrat tribal citizens may very well disagree with Lizer’s political allegiance and endorsement of President Trump for re-election. They may even go as far to call the recent legislative policies aimed at benefitting Native communities nothing more than political hogwash and moves only intended to garner political support. Even if that’s true, shouldn’t the mere spotlight on tribal issues and voices be considered a win? Regardless of which political party wrote or passed a particular policy, shouldn’t every resource gained by Indian Country be viewed as a step forward? 

When legislative policies are deemed good or bad, right or wrong, favorable or unfavorable simply based on whether they were created by team blue (Democrats) or team red (Republicans) then it only succeeds in dismissing the actions of half the voting electorate. In doing so, the voices of Native conservatives go unheard by Native progressives and vice-versa.

In 1929, after becoming Vice President, Native Republican Charles Curtis receives a peace pipe from Chief Red Tomahawk. (Library of Congress photo)

Quick piece of history trivia: Did you know a Native American has served as the Vice President of the United States? If you’re in disbelief, don’t be. It’s a super cool part of history that is often neglected or forgotten altogether because Charles Curtis (Kaw), the 31st VP who served from 1929-1933 under President Herbert Hoover, was a Republican.

Currently, there are only four Native Americans members in Congress. Representatives Sharice Davids (Ho-Chunk) and Deb Haaland (Laguna Pueblo) both made history in 2018 when they won their seats and became the first Native women to reach the House of Representatives. They both are Democrats. They joined their fellow Native politicians Representative Tom Cole (Chickasaw) and Representative Markwayne Mullin (Cherokee), both Republicans, to bring the Native voice to each major political party. 

“If you look at our people nationally, there is no party who universally supports us,” explained O.J. Semans (Rosebud Sioux), executive director of the Native voter engagement organization Four Directions. “It really is dependent on region and the particulars of local state governments. I can guarantee you that you can have Democrats within your area and if the local Native interests are different from theirs, then you won’t have their support.

“I think we should support Native candidates running for both parties. There needs to be Native republicans and Native democrats in order to work together in advancing Native issues,” he added. “It’s never going to be about a particular party issue, it’s always going to be about our peoples’ issues. As Native Americans, let us not look at a party above our own issues, above our treaties and above our sovereignty.”

Today, Native voters represent an influential and unique population of voters in the United States. The Native vote influences outcomes of presidential and congressional elections, as well as state and local elections. While Native issues are complex and vary by region, tribe, and culture, most tribal citizens agree supporting tribal sovereignty and self-determination is the foundation to any successful Native platform, regardless of political affiliation.

Tulalip Tribal Court introduces Tulalip Community Give Back program

By Kalvin Valdillez, Tulalip News

With the late August weather reaching the mid-70’s on a Friday afternoon, cars zoomed across the recently widened bridge that spans across Quil Ceda Creek, windows down and music blaring. On the side of the bridge, nearest to 27th street, a group of volunteers were hard at work. With yellow vests and extendable trash grabbers, the crew spent four hours cleaning an area that is often frequented by the homeless and addicted populace. Once their blue bucket was filled to the top with rubbish, they transferred the trash to a large dumpster and began working on a new area. 

The members of the working crew are the very first participants of a new program called Tulalip Community Give Back, organized by the Tulalip Probation Office. And despite the physical work and warm weather, the participants wore smiles and shared stories and jokes while they worked.

“We’re picking up around the bridge on both sides, just cleaning up and picking up all the garbage and debris,” said volunteer, Yessenia Vega-Simpson. “This is the first day of the program and so far it’s a pretty cool program. There’s two groups, one in the morning and one in the afternoon, so you can pick and choose your time. I’m doing the full eight hours so I can hurry up and get my community service done. “

Like many new or redesigned programs, Tulalip Give Back was created in response to the novel coronavirus disease when clients of the Tulalip Justice Center could not fulfill their community service hours. 

“Our only structure pre-COVID was community service, essays, court observation, and unfortunately warrants or jail time,” said Tulalip Probation Officer, Angel Sotomayor. “Post-COVID (outbreak), of course we don’t want to put anyone behind bars if we can prevent it, but community service work is limited within the communities we used to send them to. So we wanted to try something different, a method of community service that is Tulalip specific and includes community involvement and interaction with other departments within the Tribe.”

Previously, Justice Center clients would normally volunteer their time at community service programs located in nearby cities such as Marysville and Everett. However, once the Stay Home, Stay Safe mandate went into effect, the need for community service workers decreased significantly to the point that Tulalip members were falling out of compliance due to limited work available. 

Angel stated, “We are working with those clients who need that extra structure, who have been out of compliance, who volunteer to opt-in and give back to the community in this aspect instead of warrants, jail time, or writing an essay. The Tulalip Community Give Back program will be two days a week, but at the start of it we’re only going to do it one day a week for eight hours. There are two crews, 7:30 a.m.-11:30 a.m. and a 12:30 p.m.-4:30 p.m. on Fridays. This way, those who have children obligations during the first part of the day, can come to the second session or vice versa.”

  A common theme throughout the design of the Give Back program is rebuilding and strengthening that connection between the clients and the community. Angel and the Justice Center hope that by collaborating with other departments, their clients will become more familiarized with the people in a professional manner and acquire new skills that they could add to their resumes when job hunting. Angel hopes that as word about the Give Back program spreads, more departments will reach out when in need of any general assistance that can be entrusted to their clients. 

Out the gate, the program is receiving a huge boost from the Tulalip Public Works department that assigned a 12-passenger van to the program to transport the clients to each worksite every week. Public Works is also providing the Probation Office with work locations as well as any necessary tools or services required to get the job done. 

“We teamed up with Sam Davis and his staff and they agreed to provide us with all the tools we need – safety vests, glasses, first aid and training so they know how to properly deal with broken glass, and hazardous things they might find when cleaning up,” said Angel. “Hopefully down the road, as the program continues to develop, they’ll be able to add these tasks as an acquired skill; leaf blowing, power washing, mowing lawns, scanning documents or shredding documents. That’s our long term goal, to be able to give them the tools to build themselves up, to be a member of the community and not feel that they are different than anyone else. Yes, they are still on probation, but they are still a member of this community.”

It seems that with each day that passes, the program continues to grow. Already, the Tulalip Give Back program is slated to clean up the housing developments built on the reservation including Mission Highlands, Battle Creek, and Silver Village. 

“I believe this is very important work that is being done,” Sam Davis, Public Works Director of Operations stated. “Giving these community members the opportunity to give back in a good way [is] awesome to see. Also the impact these cleanups have in terms of community health, public safety, and environmentally are huge.” 

On the first day of the program, the morning of August 28, the Tulalip Tribal Court’s Chief Judge, Michelle Demmert, offered some inspiring words to the morning crew after they received their required COVID screenings. She applauded them for volunteering their time, while also expressing a desire to incorporate more Tulalip culture into the program. And with the possibility of more funding in the near future, the Give Back program is doing some tentative planning with ideas of weaving classes and other traditional teachings in mind. 

Angel also stated that the program is in talks with the Tulalip Fish Hatchery to put their volunteers to work and learn more about the salmon, its life cycle and significance to the Salish people. By adding a cultural aspect to the program, the clients get the chance to revisit the traditions and teaching of their people in addition to picking up trash and caring for the land. 

“We think that this is going to help build that relationship with the community, where they can interact and gain skills to give back to Tulalip, because most of our clients are Tulalip tribal members,” expressed Angel. “This gives them the opportunity to show that they’re volunteering to do this, they want to be a part of this community, they still want to get through these conditions, pay back those fines, stay out of jail and hopefully find their path.”

Staying true to the theme of strengthening relationships, Angel, and volunteers from the Justice Department, plan on being on site during each community service gathering, lending a hand as well as any guidance needed throughout the day. By rolling up their sleeves and working side-by-side, the court hopes to build trust, understanding, and meaningful, long-lasting relationships with their clients.

Nine participants showed up in total for the first day of the Tulalip Community Give Back program, many of whom spent the entire eight hours in the field, filling up an extra-large dumpster with garbage that was recovered from both sides of the Quil Ceda Creek bridge. In addition to all the trash collected, the participants flagged over 50 used needles that were scattered about, which Angel safely handled and disposed of. 

“We no longer have to rely on Marysville or surrounding communities, we can focus on what Tulalip needs,” Angel said. “It was motivating watching these clients work so hard today. It has given me the drive to continue to do what I am doing. Times have been difficult for everyone during this pandemic, across the entire Tribe we have had to develop new methods to better assist those which we serve. I commend everyone for their efforts during these trying times. Today really reminded me of how important it is to develop alternate methods of engagement with our clients. If anyone has a moment stop by and take a look at the area beside the bridge, adjacent to the QCC Casino, you will notice it looks night and day different. These clients did an outstanding job. I am excited to continue to work towards the growth and further development of this program.”

Eight hours closer to completing her community service hours, Yessenia reflected, “I thought it was just community service, but today I learned that this time could also be used as an opportunity to learn new skills to help people get a job. We’re not just picking up garbage; we’re going to be all over, at the fisheries, helping with housing, shredding papers somewhere. It feels pretty good giving back and helping clean up and take care of our rez.”

For more information, please contact the Tulalip Tribal Court Probation Office at (360) 716-4773.

New Quil Ceda Creek Casino to spotlight exciting new casual dining concepts and environmental focus with “green kitchen”

The new Quil Ceda Creek Casino is scheduled to open early next year

TULALIP, WA – A major commitment to food excellence and state-of-the-industry “green kitchen” operations are among the attractions coming to the new Quil Ceda Creek Casino, slated to open in early 2021.  The centerpieces for the enhanced culinary focus include “The Kitchen,” offering guests casual dining with an array of made-to-order menu choices and “The Landing,” an exciting a la carte dining experience.  Menu items will spotlight fresh, local ingredients from Northwest suppliers and prepared with the latest “green cooking” techniques.

“The unveiling of ‘The Kitchen,’ ‘The Landing’ and other new food and beverage venues will support our goal of providing guests with a total gaming, dining and entertainment experience,” said Belinda Hegnes, Interim Executive VP of Quil Ceda Creek Casino. “Healthier, safer and environmentally conscious technology literally transforms the way recipes are developed and prepared. And by embracing the ‘green kitchen’ concept, we are aligning our operations with the Tulalip Tribes’ commitment to the environment.”

More than doubling the size of the current casino located across the street,  the impressive new “Q” will span over 120,000 square feet and will include 1,500 gaming machines (an increase of 500 machines), additional table games, an expanded entertainment lounge and a multi-story parking garage. The new Quil Ceda Creek Casino is located on 15 acres of Tulalip Tribal land directly off I-5 at exit 199.

In addition to the greatly enhanced restaurant operations, guests will have multiple choices at three bars for craft cocktails, regional beers, Northwest wines and appetizers.

Far from an afterthought, planning for the new dining concepts and kitchen operations have been underway for more than two years. 

“The Kitchen” spotlights a new food hall dining experience where guests may visit one or multiple stations and choose from a variety of made-to-order menu items. Selections are recorded on a single card as they go, and guests pay one bill for all orders when they are finished, as opposed to “food court” experiences at most other casinos where patrons pay at each and every station or restaurant they visit.

Guests at ‘The Kitchen’ can expect a tasty lineup of choices including freshly-prepared pizza and pasta, roasted prime rib, hand carved meats for sandwiches, tossed salads made on the spot, breakfast served 24/7, plus a few surprises: fresh gelatos, “chocolate lasagna” and a vertical cone of chocolate for serving up hand-shaved additions to desserts!

There’s good reason for the growing excitement behind the food hall concept.

“With all the preparation activity taking place in front of guests, it’s a stimulating scene that adds to the interest and anticipation of the meal,” said Hegnes. “It’s a feast for the senses.”

To prepare food efficiently in a high-output kitchen – without sacrificing flavor and character – the new Q culinary team introduces windspeed ovens and other innovations to the food preparation.  It’s a no-fry, greaseless kitchen with no vents, and the integration of new kitchen technologies will greatly reduce waste output and energy consumption. Even to-go containers will have a short “life” of 90 days and will be compostable. 

“From the front door to the back door and beyond, the restaurants at the new Quil Ceda Creek Casino will be the ‘greenest’ in the Northwest when they open. It’s a tribute to forward-thinking by the Tulalip Tribes,” said Hegnes.  

The current Quil Ceda Creek Casino facility will remain fully operational until the new casino opens to the public in early 2021. More information on the new Quil Ceda Creek Casino and a livestream look at construction can be found at quilcedacreekcasino.com/NewQCCCasino.

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Farm-to-table focus, locally sourced ingredients showcased in casual dining menus at the new Quil Ceda Creek Casino 

The new Quil Ceda Creek Casino will showcase a variety of casual dining options, but there will nothing casual behind the thoughtful sourcing of premium ingredients on the menus when it opens in early 2021.

Coupled with the casino’s advanced “green kitchen” preparation techniques, the focus on local and regional products promises guests a memorable dining experience.

“We are fortunate to live in a region where the unrivaled bounty of our farms, ranches and fisheries is readily available,” said Belinda Hegnes, Interim Executive VP of Quil Ceda Creek Casino.  “From fresh-tossed salads and hand-carved prime rib to shellfish harvested nearby, our ingredients will represent the best our region has to offer.”

Hegnes said local ingredients will be featured in multiple food stations in the casino’s innovative “The Kitchen,” serving made-to-order dishes, as well as a la carte dining at “The Landing” and appetizers in three bars featuring regional beers, Northwest wines and craft cocktails.

The new casino’s culinary team has been developing vendor relationships to source a variety of products, including:

  • Locally sourced fresh Puget Sound clams, mussels and oysters 
  • Fresh berries from Skagit Valley growers – showcased on menus as availability allows
  • Alaskan wild-caught sockeye salmon and line-caught cod 
  • Chicken from nearby Draper Valley Farms, a Northwest Tradition since 1935
  • Certified Angus beef from Oregon
  • Sun-kissed Walla Walla Sweet Onions 
  • “Fresh, never frozen” ground chuck and hand-carved prime rib
  • From Seattle’s Pike Place Market, offerings from Uli’s Famous Sausages
  • Tasty hamburgers featuring flavorful American Wagyu beef patties
  • Chocolate-lovers should be prepared to be “wowed” by unusual Chocolate Shawarmas – pillars of solid chocolate goodness from chocolatier Sagra Inc. in Tacoma. Hand-shaved over scrumptious desserts or coffees, selections will include rich milk chocolate with a white chocolate swirl and dark chocolate marbled with strawberry white chocolate.  

“Our commitment to ‘staying local’ not only enhances the dining experience for our guests, it stimulates the local economy by putting money back into the hands of growers, farmers and artisans,” said Hegnes.

Matriarchs shine at DNC’s Native American Caucus

By Micheal Rios, Tulalip News

Last week’s Democratic National Convention included two full days dedicated to advancing the nation-to-nation relationships with tribal governments, with focused discussion on crucial topics in regards to upholding federal trust responsibilities inherent to Native citizens. A broad range of policy areas, including but not limited to health, safety, economic development, education, voting importance, and strengthening tribal sovereignty were all spotlighted.

Known as the DNC Native American Caucus, tribal members from across the nation were invited to attend this one-of-a-kind, virtual platform that was free to attend. Those who opted to tune in had countless opportunities to be inspired for a better tomorrow via the many progressive-minded messages filled with hope and promise by a new crop of political leaders led by Native matriarchs.

“Opening our two day Native American Caucus was three matriarchs who are among the highest elected officials in the United States,” shared DNC Native American Political Director, Theresa Sheldon (Tulalip). “It is so inspiring and breathtaking when we acknowledge the historic moment we are in. As Native Americans, we are refusing to not be seen. Instead, we are seeing more and more Native people hearing the call and intending to fulfill the need that is representation.”

Congresswoman Deb Haaland (Laguna Pueblo).

Congresswoman Deb Haaland (Laguna Pueblo), Congresswoman Sharice Davids (Ho-Chunk), and Lieutenant Governor Peggy Flanagan (White Earth Band of Ojibwe), each took to the digital podium and rallied viewers to make their voices heard by voting in November’s presidential election for democratic candidate and former Vice-President, Joe Biden. 

“I’m proud that we have the most progressive and forward leading platform for Indian Country ever, especially where the environment is concerned,” explained Representative Haaland, Congressional Native American Caucus co-chair. “Joe Biden has a very strong commitment to fighting climate change, moving our country to renewable energy, and just making sure our voices are heard.

“Tribal leaders must have a say in where we are moving forward, and that’s why I am doing everything I can to get Joe Biden elected. Unlike the present administration, he’d absolutely never appoint a coal lobbyist or gas and oil lobbyist to any of these positions where we know we need someone who cares deeply about our land and Indian Country.”

Haaland and Davids, of New Mexico and Kansas respectively, are the first-ever Native women to serve in Congress, while Flanagan, of Minnesota, is the highest-ranking Native woman elected to executive office in U.S. history. Collectively, these three spectacular leaders have made history as Native women elected to political office. Together they serve their local Native communities on the national stage.

Congresswoman Sharice Davids (Ho-Chunk).

According to Indian Country Today’s database, the number of Native candidates has been rising for several years, with a boost in Native female candidates over Native men.

“It’s such a powerful thing having us in the House of Representatives,” said Representative Davids. “It’s not just that we are in the room, which just by our presence there changes the conversation, but because of our professional backgrounds in Indian law, our experience within Native communities and our reservations, we have a unique ability to educate our colleagues and influence Congressional decision making.

“That’s why I’m so excited to see the record-breaking number of Native folks running for office across the country. We are in an amazing age where Native people are stepping up to participate in local, state or federal legislatures,” continued Davids. “The other thing we have to do is elect folks who are going to be strong partners for our Native communities; candidates and elected officials who will listen to the Native community and actually engage with us. We’ve got that with Joe Biden, which is why so many of us are doing everything we can to get him elected to the White House.”

Within Native communities, we know accurate representation and being given a space to voice our concerns is of the utmost importance. After surviving cultural genocide, westward colonization, and brutal assimilation policies, it took centuries for Native Amerians to finally gain U.S. citizenship in 1924. Even then, the right to vote by tribal citizens wasn’t universally granted until 1962.

Malicious roadblocks remain to this day to suppress the Native vote. Restrictive voting laws throughout the United States often carry a discriminatory effect, either by intent or consequence, for our communities. Some of the major challenges to the ballot box faced by tribal nations include: failure to provide sufficient voting places, lack of proper election resource allocation, restrictive voting laws and removal of federal protections.

Lieutenant Governor Peggy Flanagan (White Earth Band of Ojibwe).

These hurdles have real effects as statistics from the National Congress of American Indians show that almost two out of five eligible Native citizens are not registered to vote. Compounding the matter is the turnout rate of Native registered voters is between 5 to 14 percentage points lower than turnout rates of other racial and ethnic groups.

Transforming attitudes formed by generations of cultural and political exclusion is something that will be a long evolving process and must be addressed by tribes, state and federal officials. Nonetheless, it is important to realize the most powerful form of transformation comes from within. 

“Knowing that I work in an institution that was not created by us or for us, but in many ways was created to eliminate us, you can feel the difference that results from having Native people work within these systems,” explained Lt. Governor Flanagan. “It results in true government-to-government relationships, tribal consultation [being more frequent], and passage of policy to address Missing and Murdered Indigenous Women.

“I’m hopeful for the work that we’ve been able to accomplish in partnership with the tribes over the last year and a half,” she added. “But we know we have tremendous amounts of work to do and having a partner in the White House would make a big difference. We have an opportunity to ensure we elect someone who sees us, who hears us, and who values us in Joe Biden. Our voices will be heard and we will make an impact in the weeks leading up to the election.”

The power of true cultural representation and civic engagement by Native citizens of all ages was on full display during the DNC’s two-day Native American Caucus. Topics discussed by Native advocates, activists, and political leaders all echoed the same sentiment, Indian Country will be silenced no longer. The next generation of leaders are taking up the mantle and in full pursuit of fulfilling the dreams of their ancestors.

“Representatives Haaland and Davids, with Lt. Governor Flanagan, all shared the need for more Native Americans to run for public office, while also detailing the importance of getting our youth, 18-26 years old, to be engaged and cast their vote,” reflected Theresa Sheldon. “Overall, the most effective Get-Out-The-Native-Vote message is one that speaks to your local Tribe. We know the U.S. President impacts Tribes and our citizens, but we must make sure our tribal voters understand their vote is their voice. Come Election Day, we need our people to scream loudly that enough is enough!”

Building upon the past, visioning into the future

Cedar mask: Alexander McCarty (Makah). Friendship Mask. 2016. Red cedar wood, cedar bark.

By Micheal Rios, Tulalip News

In the ancestral language of this land, Lushootseed, the phrase sgʷi gʷi ?altxʷ  means House of Welcome. More than just a name, the Longhouse Education and Cultural Center at Evergreen State College in Olympia being officially dubbed sgʷi gʷi ?altxʷ  gives credence to a reciprocal relationship that is both open hearted and open minded.

Created in 1995 as a public service center, the Longhouse’s mission is to promote Indigenous arts and cultures through education, cultural preservation, creative expression, and economic development.

Native culture painting: Chholing Taha (Cree/Iroquois). We Are One Bond. Acrylic on plywood.

In the beginning, the cultural center’s focus was on six local Puget Sound tribes and their ever-evolving artists. Today, the Longhouse collaborates with highly talented Indigenous artists throughout the Pacific Northwest region, across the nation, and distant lands spanning the globe. Through residency programs with master artists, culture bearers are inspired to develop their abilities while expanding their imaginative capacities in pursuit of creating entirely new boundaries for what defines ‘traditional’ and ‘contemporary’ designs.

“Art allows us to sing without a song, to give our true spirit into something we create out of something nature has given us,” explained Master artist Bruce Subiyay Miller (Skokomish). “Our people create with the natural elements of wood, plant fibers or native plants. Through these acts of creation, our culture continues to live today.”

U.S. in distress painting: Ka’ila Farrell-Smith (Klamath/Modoc). Young Nation. 2015. Oil paint, spray paint, wax crayon on canvas.
“Young Nation is a painting using direct visual symbology to create dialogue about the attempted erasure of Indigenous cultures through forced assimilation by violent European colonization in the Americas. American mythologies of ‘manifest destiny’, ‘frontier expansionism’ along with the use of Christianity’s land claims via the Doctrine of Discovery were utilized to enact agendas such as: Indian Boarding Schools, Termination acts, Relocation acts, Reservations, land theft and biological warfare.
This systemic and environmental racism is still happening across Indian Country today. Young Nation asks the questions: is forces colonization worth the attempted erasure and destruction of Indigenous culture, art and paradigm?
There is sadness and pain in recognizing the losses, but there is also an empowerment in acknowledging the injustice. When the dominant culture is unaware of the ugly horrors in our shared histories, such as the Indian boarding schools whose motto was “Kill the Indian, Save the Man,” then I feel creating paintings that bring light to these cultural secrets are of the utmost importance.”

 To celebrate the House of Welcome’s 25 years of groundbreaking work we examine an art exhibition that truly captures the essence of what it means to facilitate cross cultural exchange.  Building Upon the Past, Visioning Into the Future showcases cultural concepts and next level skillfulness from over 70 Indigenous artists with whom the Longhouse has built relationship, from the early days, right up to the present. 

Curated by Longhouse staff members Erin Genia (Sisseton-Wahpeton Oyate) and Linly Logan (Seneca), this one-of-a-kind exhibition features beautiful artistry from tribal members that call this land home. Local tribal representation include Squaxin Island, Skokomish, Puyallup and many other Coast Salish tribes. Tribes from across the nation are also represented, from Alaska to the Great Plains, and across the Pacific Rim, including Native Hawaiians and Maori artists from New Zealand.

Cedar fedora: Patti Puhn (Squaxin Island). Cedar Bard Fedora. 2016. Red and yellow cedar bard, sinew, pheasant feathers.
“Though I have incorporated commercial dyes and contemporary materials into my work, my husband Dave and I still enjoy gathering and preparing the traditional cedar bark, bear grass, cattail and sweet grass I use in my weaving. I have found a passion in expressing my creativity through my weaving and marvel at the creations of our ancestors fashioned without the use of modern day tools and processes. The more I study their work, the more I marvel as I continue to strive to produce my own renditions of their work.”

“This exhibition reflects the [twenty-five years] of building relationships with artists locally, regionally, nationally and internationally,” stated exhibition co-curator Erin Genia. “Native artists are using so many different methods for expressing themselves and we really wanted to display as many of those methods as possible. The result is we have close to ninety beautiful pieces of art, treasures really, that make up this exhibition.” 

Strawberry flower: Kelly Church (Ottawa/Chippewa). Summer Strawberry Blossoms. 2014. Black ash, sweetgrass, Rit dye, black ash bark, black ash splints. 

The subjects and techniques exhibited by the Longhouse artists draw from a diverse range of stylistic traditions, which arise from cultural teachings, ancestral lineages, and each artist’s unique experience as Indigenous peoples. Works on display include paintings, drums, carvings, beadwork, photography, baskets, and jewelry. 

Glass vessels created using basket designs demonstrate the way traditional design can beautifully translate into new media. Other sculptural forms created in clay, bronze and wood, alongside two-dimensional prints, paintings and drawing spotlight the mastery of mediums that Longhouse artists are fluent in.

“As a curator of this exhibition it’s such an awe-inspiring experience to hear from the artists themselves as to the perspective and inspiration behind their artwork,” added fellow co-curator Linly Logan. “We have artists who are very traditional and roots oriented; artists who use the natural resources around them to showcase their creativeness. 

Fabergé Egg: Kelly Church (Ottawa/Chippewa). The End and the Beginning, Fiberge Egg #9. 2016. Black ash, Rit dye, sweetgrass, copper, velvet, sinew, vial with Emerald Ash Borer, black ash seed.

“As Native and Indigenous people we’ve always used the resources around us,” he continued. “In a contemporary lifestyle in nature, we’ve continued to use the resources around us which now include materials other than natural materials. We’ve come full circle in our intent to build upon the past and vision into the future creatively and intellectually as Indigenous people.”

The House of Welcome graciously allowed Tulalip News staff a private tour of the exhibition so that we could share a glimpse of the amazingly creative and exceptional Native art with our local community. These artists are luminaries of their cultures, lighting the pathway back into the far reaches of history, and leading the way into the future with their creative vision.

A New Tune: Snohomish County Music Project makes key changes to better reach community

Music Therapists of the Snohomish County Music Project help young adults heal through the medicine of music at a “yoU Rock” jam session pre-COVID19.

By Kalvin Valdillez, Tulalip News

“I think music is important because I feel like it can have a message and it can help people through a hard time. I feel like music lifts people up,” expressed Tulalip tribal member, Tyler Fryberg.

Music is a universal language. Spoken through drum patterns and chord progressions, music helps communicate how you feel – happy, sad, angsty, dance-y, nostalgic or smitten. And whether you are the songwriter or a carpool karaoke master, music helps you emit that emotion that you might otherwise bottle-up or bury. Many people often tie emotions to music, so when they hear a song on the radio or on their shuffle, they are momentarily taken away to a certain era in their lifetime.

For Indigenous people, music played a significant role in our ancestor’s spirituality and culture. Offering songs to the Creator, the earth and the water is a common practice that is held prior to gatherings across Native America. Songs that tell stories and offer blessings are sung in traditional languages and passed on through the generations. Some songs are so sacred and powerful that they are only performed during ceremony. And that connection Natives feel when hearing those drums and singing those songs with your fellow tribal members is indescribable.

When speaking of emotional and mental health, music can help alleviate extreme feelings and give you the courage and confidence to get some serious healing work done. More and more people are coming to realize what Native people have known for generations; music is medicine.  

The Snohomish County Music Project (SCMP) is continuing to have a meaningful impact on the Tulalip community in the wake of a worldwide pandemic. With services offered at the Betty J. Taylor Early Learning Academy (TELA) and Quil Ceda Tulalip Elementary (QCT), as well as several other schools throughout the Marysville School District (MSD), the music project assisted close to 500 tribal students either enrolled Tulalip or with another sovereign nation.

“We’re a music therapy organization and we’re here to support individual and collective well-being,” explained SCMP Music Therapist, Vee Fansler. “We have an anti-oppressive approach and a trauma informed approach, so everything we do is coming with an awareness of the bigger context that shape our internal health.”

Added Colby Cumine, Music Therapist, “We are a non-profit and we provide music therapy services to the greater Snohomish county area. We have a lot of different programs and people we work with ranging from infants to adults; adults with dementia, adults and kids with disabilities, kids with trauma, veterans and in-patient psych hospitals.”

Natives withstood years of violence as the U.S. Government attempted to erase our culture and identity. The forced assimilation era, and the unspeakable acts that happened at the boarding schools, were traumatic experiences that involuntarily trickled down through the generations. And without a complete understanding of how generational trauma affects one’s well-being, many people’s mental state went untreated for a number of years and certain cycles continued or in some situations, escalated. 

SCMP has taken an approach to help people heal and work through traumatic life events by using music therapy. For the past several years, Vee’s voice has become widely recognizable amongst the youth as they built a strong bond together through the common language of music. Colby is another positive influence on the Tulalip youth as he also hosts music therapy sessions, both individual and group, with TELA and MSD elementary students and the weekly ‘yoU ROCK’ rock band rehearsals, which have become quite the social happening amongst young adults living with special needs.

The music project was in perfect rhythm, reaching a large volume of people and providing them with the necessary tools, resources and outlets to heal after life altering events. But then the team reached a caesura, a short abrupt break in the music, when the coronavirus struck and the SCMP was forced to switch tempos.

“There are so many needs that are present in our communities, we needed to make ourselves available to support people’s mental health, in the context of the pandemic, and not put people at more risk,” expressed Vee. “We did a lot of outreach to children and families because we usually contact people through schools, especially at Tulalip, most of our work happens in the schools.”

Opting to continue providing services to their clients during the pandemic, the music project decided to go completely digital and since the beginning of the pandemic, their clients have grown their knowledge about music by working on arrangements that they are familiar with and that appeal to them. The music they work on, both individually and as a group, crosses barriers and multiple genres ranging from classic Disney sing-a-longs to old school hip hop and even country-western. 

“We created a series of YouTube videos. Some of the therapists recorded songs to send out to people in the community who are stuck at home for the first time and maybe in need of things to do or activities,” said Colby. “I started a weekly livestream on Facebook, we have a YouTube playlist that families can use at home to interact with their kids, and we will be having these weekly livestream jam sessions. And in addition to that, reaching out to everyone I typically see in a small group setting or in a one-on-one capacity, for me that was mostly kids in the behavioral program, and seeing if they would be able to do telehealth.”

Vee explained that initially the SCMP attempted to transfer all of their services to an online format, but quickly learned that Zoom and teleconference music sessions come with a whole new set of challenges, such as timing.

“We can’t do live music very well with another person over the computer,” Vee stated. “That [timing] lag has been a struggle, and doing music with very young children has been a struggle. Prior to the pandemic we had a lot of individuals we saw at early learning that involved a lot of moving through space together and playing instruments together, and that is so different on a computer screen. The programs that have really translated the best have been with older children, ages 10 and up, who have a lot of experience with technology and interest in planning out sessions and practices for themselves.”

One key emphasis the music therapists are focusing on during this time period is how to navigate through these COVID-19 times safely, and how to process those emotions in a healthy, productive manner. 

    “There were a lot of folks who were grateful and happy we were able to continue to meet over Zoom,” Colby said. “They were overjoyed to interact with their peers again. Initially there was confusion in terms of what things were going to look like, because we still didn’t know if school would be coming back anytime soon. So in those therapy sessions, the focus was working through those feelings of confusion and sudden change in routines and schedules. And also working through those anxieties and uncertainties of the school year ending, and people expressing sadness of not being able to say goodbye to their friends who were graduating or moving on to a new school.”

When MSD canceled in-person lectures for the safety of their students and faculty, they in-turn provided their students with Chromebooks in order for them to continue their education online, which included music therapy sessions.

“The Chromebooks gave us access to kids and families,” said Vee. “For us to know the families had the necessary tools and technology for telehealth sessions, we were able to do instrument loans during the pandemic.”

“I am learning the ukulele with Colby,” happily reported Tyler. “I am learning how to play ‘You Got a Friend in Me’, and I have learned how to play happy birthday songs. I may not practice every day but I do practice between thirty minutes to one hour when I do practice.”

The music project has also continued with the rock band project, holding weekly rehearsals in which bandmates can catch up, converse and create. 

“The rock band has grown in size since the pandemic,” Vee said. “That’s our group with young adults with developmental disabilities. The goal of that group has always been giving people the opportunity to connect with their peers. Especially since we know that disabled children tend to be separated from their peers a lot. And when they get out of the school system, all of those social supports that were built sort of just fall away. I think that’s a group where their top priority was just wanting to see each other, and they didn’t care as much if the musical product was perfect in terms of the timing. They mainly just wanted to chat, share their songs, listen to things together, and laugh. That has translated really well into telehealth.”

During a time when many are self-isolating, the unknown that tomorrow may bring weighs heavy on a lot of minds. Many are experiencing loneliness and that’s why it’s important programs like the SCMP are available to those seeking assistance with their mental health.

“It feels great to have Colby and the music project because I still get to do music class on Zoom during this time,” Tyler expressed. “I still feel like it is the same no matter how we have to do the music. It is rewarding and you get to have fun and be around people and learn music. Rock band sessions really help with social skills and being confident with yourself. I had a hard time feeling confident but with Colby’s help, it made me feel better in myself.”

The Snohomish County Music Project is currently accepting new clients. If you or your children are interested in learning a new skill, while equipping yourself with the emotional tools to navigate the coronavirus and end trauma cycles, please reach out to the music project at (425) 258-1605 or visit their website, Facebook or YouTube pages for more information. 

“I enjoy working with these kids and their families,” said Colby. “I enjoy their personalities and who they are. I appreciate being able to work and interact with them. This is a very difficult, confusing and challenging time but we will be able to work through it together. I’m happy there is a strong community and that we’re able to be a part of it with the Tribe.” 

Vee added, “The main thing I hope the people know is we are here for anyone in the Tulalip community who has any difficulties that are coming up in terms of mental health, in feeling connected with their children or needing resources in continuing to care for children, in dealing with the trauma that comes with the pandemic and other traumas that have layered on top of that. I’m really thankful that we’ve been able to stay connected with this community and to keep having the relationships with the kids that we really care about.”

Hibulb Cultural Center reopens after months of hiatus

By Kalvin Valdillez, Tulalip News

Nine years ago, a grand opening was held in a newly constructed building located on the Tulalip reservation. Nearly 23,000 square feet, the building would serve as a gateway, where visitors could get a glimpse into the lifeways, as well as learn the true history, of the original caretakers of this region. During those nine years, thousands of people walked into the doors of a museum, perhaps on a field trip with a local school, or a romantic getaway while staying at the Tulalip Resort Casino, or maybe just to kill time. Whatever the case, many people walked out with a new perspective and at least a little more knowledge than provided in local history classrooms. 

The idea was to provide the Tulalip experience to non-tribal members while also showcasing, preserving and reclaiming various keepsakes such as tools, art, jewelry, baskets, drums, photos, and carvings, to name a few, that were passed on through individual families throughout the generations. And by sharing their story, and hosting countless culturally focused events and community driven classes, the Hibulb Cultural Center and Natural History Preserve (HCC) has become a favorite spot to frequent amongst locals who visit often, whether to tour the exhibits with the family or attend a lecture or art lesson instructed by a Tulalip tribal member or Indigenous peoples from other tribes. And due to the popularity within the greater Snohomish county region, including the Marysville, Arlington, Everett and Stanwood communities, the museum is highly recommended to out-of-towners seeking a one-of-a-kind visual, interactive and sometimes eye-opening experience.

Aside from Mondays, the only day of the week the HCC is closed, the museum opened their doors every day, inviting the public to explore and learn more about the sduhubš way of life, whether about treaty rights, forced assimilation, or ancestral teachings and traditions. That is, until the coronavirus hit causing the HCC to close for an extended period of time for the safety of the museum staff and visitors alike. 

Now, with new safety measures and precautions in place, the Hibulb re-opened their doors to the public on August 4, 2020, after several months of closure and merely days before the museum’s ninth birthday. 

“It feels exciting,” exclaimed Mytyl Hernandez, HCC Marketing and Public Relations. “We were closed for a really long time and it’s refreshing to be back with all of our co-workers and to see everybody again. We opened back up and are operating on normal business hours, but we are not doing any tours or events just yet.”

The key exhibits are still fully accessible, save for a few hands-on interactive stations. During a walk through, return visitors can still view some of their favorite displays and new guests will continue to get an understanding of the Tulalip people and their journey since pre-colonial times to present day. Signage is posted throughout the museum, offering a friendly reminder that masks are required, as well as indicate displays that are temporarily unavailable or restricted to a certain amount of people at a time.  

“It’s essential and required to wear a mask,” Mytyl explained. “We have markers to encourage and keep people social distancing. We’ve got hand sanitizing stations. Our cashiers are wearing gloves and we’ll also have Plexiglas shields for them. We’re using only one entrance and exit, so we can keep track of how many people are in the building. Certain exhibits are limited to a certain amount of people, whether it’s three of four, and the gift shop is limited to six people. We’re doing our best to keep our team and our guests safe and healthy. We’ve got a lot of hands on deck and we’re doing lots of cleaning in the exhibits in between guests. Just about every hour we’re wiping things to down to keep sanitary.”

Before the COVID pandemic occurred, the HCC was granted access to display the 1855 Treaty of Point Elliot by the National Archives as a part of their History of Tulalip Literacy exhibit, in which many Tulalip writers and storytellers were featured. The museum closed only weeks after the Literacy exhibit was launched, and the historic treaty that defined the inherit rights of not only the Tulalip people, but several surrounding tribes as well, received less attention than originally anticipated due to the pandemic. 

“We do still have the treaty on display,” Mytyl happily reported. “The National Archives will be deciding how much longer we can keep it on display. So, we have it for now, and as soon as we find out how long we can keep it, we will definitely get that news out into our community.”

The HCC is back to their regular scheduled hours of 10:00 a.m. – 5:00 p.m., Monday through Friday, and 12:00 p.m. – 5:00 p.m. on Saturdays and Sundays. For more information, please contact (360) 716-2600, or visit the Hibulb Cultural Center’s Facebook page.

“We’re really excited to be back,” expressed Mytyl. “We had a good response from our community and guests, and they are super excited for us to be open. It feels great to give people something else to do, and we believe that we can do it safely.” 

Distance learning at Quil Ceda Tulalip Elementary

By Kalvin Valdillez, Tulalip News

The Marysville School District (MSD) recently announced their plans to begin the school year online. With the coronavirus pandemic still looming overhead, many businesses, institutions and organizations are finding themselves at a crossroads, having to decide whether or not to return to ‘business-as-usual’ and the way of life we grew accustomed to pre-COVID-19, or hang tight for a few more months to see if the nation’s current state improves. 

On the education side of the coin, a strong debate could be made on behalf of the students who thrive in group settings and benefit from in-person interactions between both their teachers and peers. Another point could be made for Quil Ceda Tulalip Elementary (QCT) students specifically who also learn about Tulalip culture, in addition to their basic educational foundation, as many songs, stories and teachings are interweaved into the lesson plans and activities at the elementary school. 

“With the news that the Marysville School District is going to be doing a remote learning start, we want to prioritize student safety, community safety, staff safety, family safety above all else,” said QCT Principal, Sarah-Marie Boerner. “We recognize it’s a difficult decision and that it is going to create challenges for everyone. What we’re looking at, at this point, is identifying what are our priorities and what are the things we can learn from our spring experience and do better; refine, polish, adjust, change, so that we are better meeting the needs of our student population and our families. That isn’t to say we don’t have an incredibly dedicated staff that put in their all last spring, but a huge part of being an educator and being a part of a learning institution is recognizing that we also have to learn and grow.”

The virus outbreak occurred before the last quarter of the 2019-2020 school year began. When Washington State Governor Jay Inslee issued a stay-at-home order and people went into lockdown mode, MSD handed out over 1,000 Chromebooks to their student body in order to finish out their school year amidst a world-wide pandemic. The students held on to their Chromebooks during the summer months, and with school starting in a few short weeks, they are already prepared for what the district is dubbing ‘Continuous Learning 2.0’.

Continuous Learning 2.0, Principal Boerner mentioned, will be a more detailed approach to distance learning, or the online learning experience that occurred at the end of last school year, with a strong emphasis on garnering more engagement from the students and their family. 

“These times right now are very difficult for our families,” said QCT Assistant Principal Yolanda Gallegos-Winnier. “Businesses are closing; people are getting laid-off from work – people are figuring out what’s next for their family. Unintentionally school can be put to the wayside, so how do we think outside of the box and develop opportunities for learning?”

She continued, “A lot of our kids come from traditional fishing families. My husband is enrolled Yakama and we fish on the Columbia. As a teacher, my mind started thinking about how can we model this for staff; how do we learn more about Indigenous ways and teachings. I started taking photos of my daughter fishing, I was inspired by Natosha Gobin’s videos. I’m going to narrate as my daughter pulls fish up and uses the net, and while she is cleaning and cutting we’ll talk about math and how many fish she caught for the day. If we can get to a point where we can disseminate that information to the Tribal parents, maybe we can do something together similar to the online powwows where we incorporate those teachings into our lesson plans and involve the community. Perhaps we have a kid who is crabbing narrate the process– that is essentially writing an essay about what it means to crab for his people and bring food to the table. Kids out here are so smart, they know about the seasons and the specific crabs, they know about fish; blueback from a sturgeon to a steelhead. We have to connect those things quickly so we can have more engagement.” 

A lot of conversation, debate and intention went into planning for the upcoming school year, both at the individual school level and at the district level. Several sub-committees were created, as well as task forces who sent out numerous surveys via e-mail and phone calls, trying to get a better idea of how to best serve their students and community during such trying times. Continuous Learning 2.0 is actually just the first phase in a three-step plan that will ultimately help kids transition back into the classroom by the end of the 2020-2021 academic year. The first phase is strictly online, while phase two is a hybrid model that will require participation both in the classroom and online. In phase three, lessons will be ‘100% in-person instruction’.

Bearing all of that in mind, there are many checkpoints that must be made along the way back to the classroom to ensure both staff and student guardians are on the same page. Which brings us to the five key areas that QCT plans on prioritizing during the first quarter of the year and will likely extend into the long-term planning for the elementary.  

“Priority one is thinking about our model for distance learning,” Principal Sarah-Marie explained. “We’re thinking about how we can have clear consistent guidelines to make the schedule easily accessible and easier for families to navigate. We’re also thinking about the essential standards that we need to identify for student learning, so our kids are still getting those core foundational pieces that are going to serve them well all the way through, in both this distance model, the hybrid model and going back to a traditional schoolhouse at some point.

“Priority three is about the engagement of students and families. One of our biggest areas of growth and possibility is better engaging our students on the online format. Because honestly, many of us haven’t done this before. We have professional learning resources we’re engaging in with our staff.

“We’re also thinking about equitable access and our kids who are furthest from educational justice. Not only identifying who those students might be, but also thinking about tailoring some additional support for those families. And the final priority is recognizing we need to step up our communication. We aren’t going to have as many opportunities through person-to-person contact, so recognizing that we need to be planning how we’re going to communicate consistently, regularly and provide two-way communication with families.”

 Aiming to keep the lifeways of the Tulalip people a central focal point of their teachings, QCT plans on sticking with some of the traditions put in place many years ago to continue highlighting the Tribe’s culture such as Lushootseed lessons, and continuing to start each day with a traditional Tulalip song, famously known by the students as ‘the morning song’. The school is also making an extra effort to ensure that at least one Indigenous staff member sits on the various committees, guaranteeing that the Native voice is heard, valued and considered during decision-making processes.  

“We’re moving forward with a thoughtful three to five-year plan,” said Assistant Principal Gallegos-Winnier. “Our vision and dream for the school is following the Tribe’s voice and the Tulalip people’s expectations for their children. Lushootseed is absolutely a part of that. We as Indigenous people have always had traditional ways of knowing, learning and teaching. School walls don’t define education for our people or our children. Our schooling and education have always been developed in our families, in our community and with the knowledge and teachings of our elders and ancestors.”

“Although school is online, we will continue to fish, hunt, sing, and support each other within our families and overall community as a people,” she continued. “There is writing in our hunting experiences. There are speech and math opportunities in our knowledge and skill set of our young fishermen and women who have been fishing and crabbing with their families.”

QCT is reaching out to you, the Tulalip parents, family, students and community, for any feedback on how to better engage the students at the start of the school year to ensure they are receiving the knowledge of the Tulalip people and implementing it when necessary into their daily teachings. 

“I miss the kids; the staff misses the kids,” Yolanda expressed. “There’s a lot of grief in not being able to have those one-on-one class relationships. Just walking through the hallways, it’s so quiet and empty, wondering when will we be safe to open up and have the kids back. Right now, my hope is that as a community we can come together and figure out how to be able to make a successful online educational program for our students here at Quil Ceda Tulalip. In closing, the question is, how do we tie all of that into online learning and make the connection between school and home for your student. We need your help in this process, we can’t do this without you. Please call or email us for ideas, suggestions and feedback.”   

For more information, please contact Quil Ceda Tulalip Elementary at (360) 965-3100.