Hopi masks snapped up after French court allows sale

The Hopi masks displayed at the Paris auction house before the sale, which was condemned by Hollywood actor Robert Redford as a 'criminal gesture'. Photograph: John Schults/Reuters
The Hopi masks displayed at the Paris auction house before the sale, which was condemned by Hollywood actor Robert Redford as a ‘criminal gesture’. Photograph: John Schults/Reuters

By Tara Oakes on Reuters.com

PARIS | Fri Apr 12, 2013 1:30pm EDT

PARIS (Reuters) – An auction of ancient masks revered as sacred by a Native American tribe fetched more than 750,000 euros on Friday, disappointing prominent opponents to the sale after a French court ruled it should go ahead.

The Hopi tribe of northeastern Arizona and supporters including the U.S. ambassador to France and actor Robert Redford had urged the Paris auction house to suspend the sale due to the masks’ cultural and religious significance.

But the court rejected a motion from the tribe and Survival International, a non-government group representing its interests, arguing that it could only intervene to protect human remains or living beings.

The auction went ahead in front of a standing-room only crowd, raising about 752,000 euros ($984,500) in pre-tax proceeds as collectors snapped up dozens of lots in a sale that lasted more than two hours.

A buyer who acquired four masks said he was delighted to be adding to his collection of Hopi artefacts.

“One day I might give some back,” said the collector, who declined to be identified. “But if it had not been for collectors in the 19th century who contributed to the field of ethnology, there would very little knowledge of the Hopi.”

Some disagreed. A man with Hopi origins studying in France was kicked out of the auction room for interrupting the sale with an angry speech. Several people trying to take photographs were also removed.

“We have lots of art that can be shared with other cultures, but not these,” said Bo Lomahquahu, 25. “Children aren’t even supposed to see them.”

The Neret-Minet, Tessier and Sarrou auctioneers said their collection of masks, priced between $2,000 and $32,000 apiece, was assembled by “an amateur with assured taste” who lived in the United States for three decades.

A spokeswoman for the auctioneers was not immediately available for comment.

“This decision is very disappointing,” said Pierre Servan-Schreiber, the lawyer for Survival International, a London-based advocacy group. “Not everything is necessarily up for sale or purchase, and we need to be careful.”

A visitor looks at antique tribal masks revered as sacred ritual artifacts by a Native American tribe in Arizona which are displayed at an auction house in Paris April 11, 2013. REUTERS/John Schults
A visitor looks at antique tribal masks revered as sacred ritual artifacts by a Native American tribe in Arizona which are displayed at an auction house in Paris April 11, 2013. REUTERS/John Schults

‘CRIMINAL GESTURE’

A chorus of opponents had weighed in on the dispute, arguing the Paris auction house should provide legal justification for selling the masks.

“To auction these would be in my opinion a sacrilege, a criminal gesture that contains grave moral repercussions,” Robert Redford wrote in an open letter.

The U.S. ambassador to France, Charles Rivkin, had urged the auctioneers to reconsider, saying in a statement late on Thursday: “A delay would allow the creators of these sacred objects the chance to determine their possible rights.”

Rivkin, who said that the auction house had yet to provide the Hopi Tribe with essential information about the objects, voiced his dismay in a Twitter message.

“I am saddened to learn that the sacred Hopi cultural objects are being put out to auction in Paris today,” he wrote.

The tribe’s legal advocates had sued the auctioneers at the Drouot-Richelieu auction house in central Paris on grounds that auctioning the masks would cause the Hopi “profound hurt and distress”.

Lawyer Quentin de Margerie bought mask 13, a design which mocks tourists, on behalf of Servan-Schreiber to give to the Hopi. He told Reuters few of the collectors understood the significance of the artefacts they were buying.

“It’s a symbolic choice,” de Margerie said. “What the Hopi have said about this auction is that people don’t understand their culture.”

($1 = 0.7618 euros)

(Reporting by Nick Vinocur, Chine Labbe, Lucien Libert; Writing by Nick Vinocur; Editing by Sonya Hepinstall)

Johnny Depp thrilled by Native American honor

Updated: 4/11 3:20 pm | Published: 4/11 3:08 pm

thelonerangerActor Johnny Depp was thrilled to become an honorary member of the Comanche tribe while he filmed The Lone Ranger in New Mexico last year, insisting the ‘adoption’ was “possibly the greatest memento”.

The movie star, who plays Native American hero Tonto in the new film, was thrilled when tribe elders invited him to become a member of their extended family and he jumped at the chance to be a part of a sacred ceremony at the home of activist LaDonna Harris in Albuquerque.

He says, “When the request came in, I couldn’t believe it. It was an honor beyond all honors… The name they chose for me, Mah-Woo-Meh, means shapeshifter, which I suppose is quite apt, and I take great pride in that choice.”

Depp tells EntertainmentWeekly magazine that the honor helped convince him that he’s chosen wisely when it came to creating Tonto for the film.

The actor explains, “Even with what little knowledge I have of the degree of indigenous blood within me, our Native American brothers and sisters gave me the passion and drive to build my character with great care.”

The Lone Ranger hits cinema screens this summer.

Paris Judge orders hearing on auction sale of Hopi artifacts

A lawyer has convinced a Paris judge to hold a hearing Thursday to determine the legality of a sale of sacred Hopi Indian artifacts by the Néret-Minet auction house that is scheduled for Friday.

By TOM MASHBERG

April 9, 2013, 5:36 pm in The New York Times

The lawyer from Skadden, Arps, Slate, Meagher & Flom, Pierre Servan-Schreiber, said he was acting in a pro bono capacity after having been contacted by Survival International, a global nonprofit organization that advocates on behalf of native tribes.

Mr. Servan-Schreiber said he told the judge that the items should not be sold until it can be determined whether they were stolen from Hopi lands, as the Arizona-based tribe believes, or were the objects of sales that violated American and international law.

Efforts to look into the history of the 70 items, he said, would be rendered “virtually impossible” once they were scattered among multiple buyers. He said a delay would “preserve evidence.”

Mr. Servan-Schreiber also argued that the sale is illegal under an old prohibition in French law that bars the sale of “non-commercial” things that are seen as “immoral to sell.” The Hopis say the artifacts, ceremonial masks and headdresses known as Katsinam, or “friends,” embody divine spirits and are purely religious. They say selling them is a sacrilege.

A spokeswoman for the auction house said it was aware of the ruling but she would not comment further. Gilles Néret-Minet, the director of the house, has said repeatedly that he will not delay the $1 million sale. He has said the collector who put the items up for sale obtained them all legally.

The United States Embassy in Paris has also asked the auctioneers to delay the sale “given the ancestry of these masks and the distance between Paris and the Hopi reservation.”

Suquamish Museum newest of many impressive tribal cultural displays in Washington, Oregon

By Terry Richard, The Oregonian

Six life-size wood figures shouldering a 300-year-old canoe command the most attention among  the exhibits at the new Suquamish Museum and Cultural Center on the west shore of Puget Sound.

Carved from cedar, the figures morph from a pair of sea otters in the rear to tribal ancestors in the middle and to modern people up front. The sculpture symbolizes the carrying of the tribe’s canoe culture forward through time.

The second new tribal museum in Washington to open in two years, the $7.5 million Suquamish Museum is on the Port Madison Indian Reservation near Poulsbo on the Kitsap Peninsula. Its opening last September followed the 2011 opening of the Tulalip Tribe’s Hibulb Cultural Center near Marysville.

The Northwest tribal museums, which include showcase displays in Oregon near Pendleton and at Warm Springs, offer travelers the chance to connect with the rich native culture that predated exploration and settlement by European Americans.

The Suquamish Museum is a short walk from the gravesite of Chief Sealth, the tribal elder who cooperated with Americans when they settled Puget Sound in the 1850s. Seattle is named for the Suquamish chief.

The museum’s small but impressive exhibits feature woodworking, baskets and beadwork. The 9,000-square-foot building, in the style of a traditional longhouse, has a performance space, museum store, plus an art gallery that features the work of 20 tribal artists, including intricate masks in the coastal Salish style.The surrounding grounds are landscaped with native plants. Nearby houses will be removed when leases expire to further enhance the tribe’s cultural district as a learning center. The tribe’s Suquamish Clearwater Casino Resort is one mile south.

The House of Awakened Culture, an indoor tribal event center, is just north of the museum on the waterfront. Seattle’s highest buildings are in view across the Salish Sea, the name bestowed recently on all the inland waters of Washington and lower British Columbia.

The new museum is three times the size of the tribe’s previous cultural display.

The Suquamish Museum address is 6861 N.E. South St., on the east side of S.R. 307 just north of its intersection with S.R. 305 (the highway with the only bridge to Bainbridge Island). The museum is open daily (except some holidays) from 10 a.m. to 5 p.m.; 360-394-8499,  suquamishmuseum.org.

TR.MuseumatWarmSprings2_0009.JPG
A traditional salmon bake outside the Museum at Warm Springs. Terry Richard/The Oregonian

Other tribal museums in Oregon and Washington Warm Springs: The Museum at Warm Springs features the Wasco, Walla Walla and Paiute tribes of central and eastern Oregon and the Columbia River Gorge. The 25,000-square-foot building opened in 1993. It is located along U.S. 26 in Warm Springs, between Mount Hood and central Oregon, with the relocated Indian Head Casino across the highway; 541-553-3331,  museumatwarmsprings.org.

Umatilla: Tamástslikt Cultural Institute tells the story of the Cayuse, Umatilla and Walla Walla tribes of northeast Oregon and southeast Washington in a 45,000-square-foot building that opened in 1998. It also has an outdoor living-history exhibit during summer. The museum is near Wildhorse Resort and Casino, just east of Pendleton; 541-966-9748,  tcimuseum.com.

Makah: Most artifacts in the Makah Museum at Neah Bay, Wash., come from a nearby archaeological dig on the Olympic Peninsula coast at Ozette. The 24,000-square-foot Makah Cultural and Research Center was built as the repository and display site for the 11-year dig, from 1970 to 1981, which uncovered 55,000 artifacts from a 500-year-old village preserved by a massive mudslide; 360-645-2711, makah.com.

Squaxin Island: The 15,000-square-foot Squaxin Island Museum opened in 2002 with an exhibit of the Salish tribes of southern Puget Sound, the “people of the water.” The museum is just off U.S. 101 near Shelton, Wash.; 360-432-3839, squaxinislandmuseum.org.

Tulalip: The 23,000-square-foot Hibulb Cultural Center, which opened in 2011, tells the story of the Snohomish, Snoqualmie and Skykomish tribes of the northern Puget Sound area. Its location is Tulalip, Wash., not far off Interstate 5; 360-716-2600, hibulbculturalcenter.org.

Yakama: The Yakama Nation Museum opened in 1980 with a 12,000-square-foot exhibit hall that tells the story of central Washington tribes, as well as famous chiefs from other tribes. The museum is along U.S. 97 at Toppenish, Wash.; 509-865-2800,  yakamamuseum.com.

 

Tulalip welcomes two new board members

Chairman Mel Sheldon swears in Marie Zackuse and Theresa Sheldon for the Tulalip Board of Directors
Chairman Mel Sheldon swears in Marie Zackuse and Theresa Sheldon to the Tulalip Tribes Board of Directors
Photo: Monica Brown

By Monica Brown, Tulalip News Writer

TULALIP, Wash.- Family and friends arrived early Saturday morning, April 6th, at the Tulalip Administration building to witness the swearing in of Marie M. Zackuse and Theresa Sheldon to the Tulalip Tribes Board of Directors.

Tulalip Board of Directors
Tulalip Tribes Board of Directors, Chuck James, Theresa Sheldon, Glen Gobin, Melvin R. Sheldon Jr, Marlin Fryberg Jr, Marie M. Zackuse, Deborah Parker
Photo: Monica Brown

 

Marie M. Zackuse thanks the board for welcoming her back as she takes her seat on the Services Committee of the Board
Marie M. Zackuse thanks the board for welcoming her back as she takes her seat on the Services Committee of the Board
Photo: Monica Brown

As Zackuse was welcomed to take her seat on the Services Committee along side Deborah Parker and Marlin Fryberg Jr, she responded,  “I want to thank each and everyone that came today, my family and my elders.”

“I’m very grateful today that the Creator provided this opportunity once again for me and I will do the best that I can with what I know and what I have. I want to thank everybody who helped me”

 

 

New board member Theresa Sheldon thanks the board as they welcome her on the Business Committee of the board
New board member Theresa Sheldon thanks the board as they welcome her on the Business Committee of the board
Photo: Monica Brown

“There are just so many inspirational elders and people in our community who helped encourage me to get to this point where I am today” said Sheldon as she took her seat along side Glen Gobin and Chuck James on the Business Committee.”It ‘s the beginning of a new journey and I am truly honored to be here and assist with this board of directors.”

“I’m very thankful for this and I’m excited to get work done”

 

Zackuse and Sheldon were elected March 16th 2013, at the Annual General Council meeting, they will both serve three year terms.

 

 

Tribal college fundraiser features real Coast Salish art

This year’s TL’aneq’ benefit dinner includes a live fashion show by international designer Dorothy Grant

Ryan Key-Wynne, Public Information Officer, Northwest Indian College
 
International designer Dorothy Grant, who is Kaigani Haida from Alaska, will host a live fashion show at Northwest Indian College’s biggest fundraiser of the year. Grant’s unique style combines traditional Haida artwork with contemporary clothing for an effect that has gained her worldwide acclaim. Photo courtesy of Dorothy Grant
International designer Dorothy Grant, who is Kaigani Haida from Alaska, will host a live fashion show at Northwest Indian College’s biggest fundraiser of the year. Grant’s unique style combines traditional Haida artwork with contemporary clothing for an effect that has gained her worldwide acclaim. Photo courtesy of Dorothy Grant

On April 12, Northwest Indian College (NWIC) will host its 5th Annual TL’aneq’: Gathering for a Celebration benefit dinner and Native cultural arts and experiences auction from 5 p.m. to 9 p.m. at the Swinomish Casino & Lodge. The event is the college’s biggest fundraising event of the year and – this year – will also celebrate NWIC’s 30th anniversary.

 
“I am truly looking forward to this year’s TL’aneq’ benefit dinner. This is a great opportunity to celebrate Coast Salish art and culture and share a meal and laughter, all while raising money to support our students,” NWIC President Justin Guillory said. “This has been a successful event, and we want to continue to build on that success by bringing friends and supporters of NWIC together in a good way for a good cause.”
 
The evening will begin with a silent auction, during which attendees will have a chance to bid on Coast Salish art – including paintings, carvings, jewelry and woven pieces – and they can speak directly with artists who have donated their work for the event. After that, a four-course dinner featuring fresh salmon, storytelling, a live fashion show and live auction will begin.
 
“You never know what will happen during the live auction,” said Ryan Key-Wynne, NWIC’s public information officer. “Last year, one of our supporters commandeered the mic and pleaded with others in the room to bid with her on a cultural experience. She said the experience would be a good opportunity to make new friends.”
 
Key-Wynne explained that bidding is usually competitive, with people bidding against each other, not with each other.
 
“Our auctioneer just stood there laughing, waiting for her to hand the mic back,” Key-Wynne said. “It was unprecedented, but very funny and the combined bid raised more than she would have contributed on her own.”
Coast Salish artists are the backbone of the TL’aneq’ fundraiser. Art, including this carving by Steven Charlie of the Squamish Nation, is donated by the artists each year and all of the profits help support a selected NWIC project or program. This year, all funds raised will go toward scholarships for NWIC students. Photo courtesy of NWIC
Coast Salish artists are the backbone of the TL’aneq’ fundraiser. Art, including this carving by Steven Charlie of the Squamish Nation, is donated by the artists each year and all of the profits help support a selected NWIC project or program. This year, all funds raised will go toward scholarships for NWIC students. Photo courtesy of NWIC
 
This year’s live auction will be preceded by a fashion show by international designer Dorothy Grant, who is Kaigani Haida from Alaska. Grant’s unique style combines traditional Haida artwork with contemporary clothing for an effect that has gained her worldwide acclaim.
 
“We are honored that Dorothy Grant will be joining our efforts at the college’s premier gala. Her fashion show willbe a lot of fun, especially with our student models,” said Greg Masten, director of NWIC’s Development Office, which organizes the event.
 
Last year, the event raised nearly $100,000, which helped NWIC match a $500,000 award from the National Endowment for the Humanities for the college’s new Coast Salish Institute Building.
 
Funds from this year’s event will go toward supporting NWIC student scholarships. NWIC, which is the only tribal college in Washington and Idaho, has a student body that represents more than 120 tribes from across the nation.
 
“It’s a misconception that Native students get their education paid for.Scholarships mean a lot to our students, many of whom are the first in their families to attend college and who are working toward four and two year degrees so they can help their tribal communities,” Masten said.
 
Individual tickets are available for $250 or table sponsorships are available from $2,500 to $20,000.
 
NWIC would like to thank sponsors for the 5h Annual TL’aneq:
·         Premier Sponsor: Lummi Indian Business Council
·         Host Sponsor: Swinomish Tribe
·         Exclusive Reception Sponsor: Tulalip Tribes
·         Lengesot Patron Sponsors at the $5,000 level: the Sycuan Band of the Kumeyaay Nation, and the Snoqualmie Tribe
·         Cedar Sponsors at the $2,500 level: The Boeing Company, Puget Sound Energy, Morgan Stanley, and the Jamestown S’Klallam Tribe
 
NWIC would also like to acknowledge and thank Judy Mich for her continued generosity of a $15,000 sponsorship, and give a special thanks to the generosity of the Twenty-Nine Palms Band of Mission Indians.
 
For more information, to donate to the event or to buy a ticket or sponsor a table, contact Development Office staff Mariah Dodd at (360) 392-4217 or mariahd@nwic.edu or Colleen Baker at (360) 392- 4305 or cbaker@nwic.edu.