Exhibition documents life and legacy of California missions founder and impact on Native Americans

Source: UCR Today

Steven Hackel and Catherine Gudis curated an unprecedented exhibit at the Huntington Library on Junipero Serra and the impact of California's missions on Native Americans and the state.
Steven Hackel and Catherine Gudis curated an unprecedented exhibit at the Huntington Library on Junipero Serra and the impact of California’s missions on Native Americans and the state.

RIVERSIDE, Calif. — A first-of-its-kind exhibition documenting the life of the Franciscan missionary who founded California’s mission system and the missions’ impact on California Indians and culture — curated by UC Riverside history professors Steven Hackel and Catherine Gudis — opens Saturday, Aug. 17, at the Huntington Library, Art Collections, and Botanical Gardens in San Marino.

The exhibition — “Junípero Serra and the Legacies of the California Missions” — is unprecedented in its examination of the spiritual and intellectual influences on Junípero Serra’s life that led to his founding of the mission system in California; the transition for thousands of Indians from village to mission life and their responses to it; romantic notions of California born amid myrid myths of mission life; and responses of contemporary Indians, in art and recorded interviews, to the experience.

Hackel, whose research focuses on the history of early California and California Indians, and Gudis, director of UCR’s Public History Program, approached the Huntington Library three years ago with a proposal to develop a modest exhibition that would open this year, 300 years after Serra’s birth in Mallorca, Spain. Hackel also is the author of “Junípero Serra: California’s Founding Father” (Hill and Wang, September 2013).

The exhibition grew to 261 rare documents, artifacts and art from Spain, Mexico and California. Some of the items are on exhibit in the United States for the first time. The exhibition continues through Jan. 6, 2014.

“We wanted to create an exhibition that suggests the contours of his life, beginning in the place he came from,” Hackel explained. “People were starving while he was in Mallorca. How you made food determined who you were as a person in his eyes,” and that philosophy was reflected in the self-sufficient design of a mission system that stretched from San Diego to Monterey.

Serra was born Nov. 24, 1713, in Mallorca, Spain, and died Aug. 28, 1784, at Mission San Carlos Borromoéo del rio Carmelo, Carmel-by-the-Sea. He arrived in Mexico at age 36, and was 55 when he established the first of California’s 21 Spanish missions in 1769.

The exhibition features religious art, diaries and Bibles, letters, maps and reliquaries that provide the context for Serra’s early years as a Franciscan priest, his deployment to Mexico as missionary and agent of the Spanish Inquisition, and the work that occupied his final years: establishing the first nine of 21 Spanish missions in Alta California.

The experience of mission Indians figures prominently as well, with art that illustrates their treatment from the perspectives of Native Americans and Franciscan missionaries, including coercion that Hackel said was central to the experience of many mission Indians; examples of the craftsmanship of Indian carpenters, stone masons and basket weavers; and artifacts such as a 9,000-year-old textile fragment believed to be from a child’s sandal.

“We wanted to demonstrate that California Indians had a history and culture that were ancient and rich, long before the Spanish arrived,” Hackel said.

Vital records compiled by the Franciscans document the lives of 81,000 Indians who were baptized, married or buried at the missions. Those records form the basis of one display that projects the name of every Indian associated with a mission, and a video that documents the movement of individual Indians from villages to missions. The video project, funded by two digital humanities grants from the National Endowment for the Humanities totaling $75,000 and the UCR College of Humanities, Arts and Social Sciences, used mapping software to document the transition of California Indians from village to mission life between 1769 and 1840.

Another video Hackel and Gudis wrote and produced, “Contemporary Voices,” records descendents of the mission Indians discussing the impact of the mission system on themselves and their culture.

The exhibition also documents the evolution of mission mythology that began in the late 19th century that romanticized the experience and prompted tourists to visit California. Entrepreneurs like Frank Miller capitalized on the public fascination with the mission period by building hotels like the Mission Inn in Riverside, giving birth to the mission revival style of architecture that persists in subdivisions today.

The name of every Indian recorded by Franciscan missionaries is projected on a wall at The Huntington Library.

“We see the branding of the missions as a source of commerce,” Gudis explained. “The birth of mass tourism is part of the story as Californians tried to determine what their past was. Do they focus on a Spanish past? Is it Americans following in their footsteps and civilizing an unruly land? Is it sentimentalizing Native Americans as having lived in the past, but not in the present?”

The Huntington Library, Art Collections, and Botanical Gardens is a collections-based research and educational institution serving scholars and the general public, located at 1151 Oxford Road, San Marino. For information about hours and cost of admission go to www.huntington.org.

New Forest Tour, Native American Gardens Available at Smallin Civil War Cave

Source: Springfield Convention & Visitors Bureau

Springfield, Mo. – Crops grown like those sown by Native Americans 1,000 years ago are growing again at Smallin Civil War Cave just south of Springfield.

Staff archeologist Eric Fuller planted corn, sunflowers, squash and other plants from seeds that have not been manipulated since they were originally grown by the Osage tribes and others that inhabited the area.

The gardens are part of the cave’s mission to educate people about the natural wonders of the Missouri Ozarks and its fascinating Native American history. Not only will they help people better understand where foods came from and how they have changed over the years, patrons also will learn about the diet of the people who were here when Europeans arrived in the Americas, Fuller said.

The gardens will be a focal point of a new tour offered on the cave property titled “Forest of the Osage.” A hike through the forest will give people a new look at the trees and plants of the Ozarks; legends about the plants; and ways the Osage Native Americans used plants for construction, food and medicine.

Smallin Civil War Cave offers a variety of other tours and events, including tours of the cave itself; Civil War Tours in which patrons enjoy dinner around a campfire with guides dressed in Civil War-era costumes telling stories about the past; and Civil War Christmas tours featuring hot cocoa, a cave tour and holiday lights.

Cave tours teach lessons about the archeology, biology, geography, anthropology and history.

The cave is open year round and the paved cave trails are easily traversed by wheelchairs.

For more information about Smallin Civil War Cave, visit www.SmallinCave.com or call 417-551-4545. For information about other things to see and do in the Springfield area, visit www.SpringfieldAdventures.com or call the Convention & Visitors Bureau at 800-678-8767.

 

Evergreen State Fair returns to Monroe on Thursday

Dan Bates / The HeraldVeronica Oberst, who was 11 at the time, grooms Iris, a young female Jersey Wooly rabbit that she entered in competition at the 2012 Evergreen State Fair.
Dan Bates / The Herald
Veronica Oberst, who was 11 at the time, grooms Iris, a young female Jersey Wooly rabbit that she entered in competition at the 2012 Evergreen State Fair.

Source: The Herald

U.S. 2 heading into Monroe will start to clog up earlier in the day next week as the Evergreen State Fair gets rolling Thursday.

The fair begins at 10 a.m. Thursday and continues until through 7 p.m. Sept. 2 at the Monroe fairgrounds, 14405 179th Ave. SE, Monroe.

Admission is free until 1 p.m. on the first day of the fair.

After that, tickets are $10 general, $7 for senior citizens and youth and free to seniors 90 years and older and kids 5 years and under

Complete information on pricing and ticketing are at www.evergreenfair.org.

Grandstand entertainment will include monster trucks, stock car races and music.

The music schedule includes The Oak Ridge Boys at 7 p.m. Aug. 26 (tickets are $22 to $32); Brantley Gilbert at 7:30 p.m. Aug. 27 ($32 to $55); 3 Doors Down at 7:30 p.m. Aug. 28 ($32 to $55); REO Speedwagon, 7:30 p.m. Aug. 29 ($32 to $55); and Mercyme, 7:30 p.m. Aug. 30 ($25 to $37).

Tickets are available at www.evergreenfair.org.

The fair has always been the showcase for 4-H and FFA animal exhibitors, showing off cattle, dogs, rabbits, sheep and llamas. Kids will also exhibit their areas of expertise in photography, plant and soil science, veterinary science, home economics and herdsmanship.

This year the Monroe Chamber of Commerce has created Parade Central, on the grounds of Wagner Performing Arts Center, 639 West Main St., Monroe.

Parade Central is the new location for the judges’ reviewing stand, vendor booths, shaved ice, face painting, kettle corn and Monroe-based Hook-n-Ladder BBQ.

These vendors will be at Parade Central to serve the crowds who show up early to get a good seat for the parade.

The route begins at 11 a.m. at the intersection of West Main Street and 179th Avenue on Aug. 24 and ends at West Main Street and Blakely Avenue. For more parade information go to www.ChooseMonroe.com or call the Monroe Chamber at 360-794-5488 or stop by the office, 125 S Lewis S., Monroe.

Highlights of this year’s parade include the Seahawk Sea Gals cheerleaders, the SeaFair Pirates, drift and drag cars from the Evergreen Speedway, the Pirates of Treasure Island, Ixtapa Horses, local bands, drill teams, and tractor and motorcycle clubs, according to a chamber press release.

Bleachers are being brought into Parade Central to accommodate parade viewers and participants near the judges’ reviewing stand.

Butler Amusement will again provide the carnival rides.

 

Etheridge to visit Tulalip venue Sunday

Associated PressSinger-songwriter Melissa Etheridge performs on June 26 in Wilmington, Del. The folk-rocker will drop by the Tulalip Amphitheatre on Sunday.
Associated Press
Singer-songwriter Melissa Etheridge performs on June 26 in Wilmington, Del. The folk-rocker will drop by the Tulalip Amphitheatre on Sunday.

Source: The Herald

Folk rock musician Melissa Etheridge will perform Sunday at the Tulalip Amphitheatre.

Etheridge released her debut, self-titled album in 1988, but gained fame withher fourth album “Yes I Am” in 1993, including hits “I’m the Only One” and “Come to My Window.”

She is also a notable activist for gay and lesbian rights.

The show starts at 7 p.m., doors open at 5 p.m.

You must be 21 or older to attend. Tickets start at $25, available at www.ticketmaster.com.

Next up is Foreigner on Aug. 25 and the Doobie Brothers and America on Sept. 7.

Tickets start at $30 for these shows.

The amphitheatre is at 10400 Quil Ceda Blvd. Tulalip.

For more information, visit www.tulalipamphitheatre.com.

Ravens on Decks: The Art of Trickster Skateboards

Cristina Olds, Indian Country Today Media Network

A couple of innovative young artists are melding the ancient tradition of formline drawing with the hip canvas of skateboard decks. “The demand for Native art skateboards was made very clear by the popularity of my early hand-painted decks,” Rico Lanáat’ Worl (Tlingit/Athabascan) of Trickster Company said in a recent interview.

Worl painted decks for himself and his family first, but soon saw the need for an affordable line of manufactured boards sporting his digitized designs. He also paints custom artboards, and says his clientele are split fairly evenly between skaters who actually ride the boards and collectors who hang them on their walls.

“I started painting on decks just for fun, just for myself,” Worl said. “It continues to be my canvas of choice while I study the old masters and the new masters of formline design, in the rich history of Tlingit and Athabascan art.” Flowing two dimensional formline designs featuring northwestern coastal sea creatures and other symbols have adorned totem poles and house posts for thousands of years.

Three box boards by Trickster Skateboards.
Three box boards by Trickster Skateboards.

 

The clan crest of Worl’s family is the sockeye salmon, which he recreated on his first deck. “We only manufacture designs if our relatives give us permission,” he explained, and the Tlingit culture property includes land, names, songs, stories, crests and more. To respect the clan protocol, Worl focuses on general designs including the eagle and the raven, or abstracts.

“My formline style takes after the Northern Tlingit style which varies as you go from Yakutat to Washington and across tribes, and the style is more bold, with heavier lines and is slightly blockier.” He especially loves the complexity of box designs, as well as the Chilkat weaving influences.

 

Trickster skateboards, Chilkat pattern.
Trickster skateboards, Chilkat pattern.

Artist Ronnie Fairbanks also designs skateboards for Trickster Company (tricksterskateboards.com) when not teaching Native art carving in Craig, Alaska. “My style is a cross between Tlingit and Tsimshian styles, since I was taught by Tsimshian carver Eli Milton,” Fairbanks said. When designing skateboards, he strives for balance over the entire area. “I have spent a lot of time drawing formline and I always try to think of unique ways to fill the space.”

Worl is the arts director at Sealaska Heritage Institute in Juneau, Alaska, and is currently visiting the Santa Fe Indian Market with a collection of archival art from SHI to promote the development of a northwest costal arts market.

Trickster Company issued a limited edition rocker snowboard deck last winter and plans to release another this year in collaboration with Chugach Flyer Snowboards who produce the manufactured boards.

Raven skateboard by Ronnie Fairbanks.
Raven skateboard by Ronnie Fairbanks.
Trickster skateboards. Photo by Klas Stolpe of the Juneau Empire.
Trickster skateboards. Photo by Klas Stolpe of the Juneau Empire.
Artist Rico Worl with Warrior skateboard. Photo by Klas Stolpe of the Juneau Empire.
Artist Rico Worl with Warrior skateboard. Photo by Klas Stolpe of the Juneau Empire.

 

Read more at http://indiancountrytodaymedianetwork.com/2013/08/16/ravens-decks-art-trickster-skateboards-150919

See dazzling dahlias at Everett show

Sean Ryan / The HeraldBernie Wilson of Snohomish won the Stanley Johnson Medal, a national award, for his dahlia called Lakeview Glow.
Sean Ryan / The Herald
Bernie Wilson of Snohomish won the Stanley Johnson Medal, a national award, for his dahlia called Lakeview Glow.

Andrea Brown, The Herald

If fireworks were flowers they’d be dahlias.

The big bursts of color light up a garden like a July 4th celebration.

And they stay lit until the first frost.

Dahlias are colossal flowers. Some are the size of pumpkins

Growers will show off their blooms at this weekend’s Snohomish County Dahlia Show in Everett. It is the club’s 104th consecutive year to have a show.

“We’ve had as many as 2,200 or 2,300 blooms,” said Hills Collins, show spokesman.

The judging is done before the doors open to the public.

“We have a head table with all the different winners,” Collins said. “The head table is judged to pick the best flower in the show. All different types are judged against each other, and one bloom is picked.”

Club members will be on hand to answer questions and talk about their blooms.

Longtime member Bernie Wilson, 68, a retired Snohomish firefighter, won the prestigious national Stanley Johnson Medal in 2012 for Lakeview Glow, an incurved cactus dahlia he originated.

The lake part is named after Blackmans Lake that is the backdrop to his 5-acre Snohomish property.

“The ‘glow’ came from if you stand up there by the house and look over the garden down it kind of glows up from all the rest of them,” he said.

His yard is aglow with about 100 varieties of dahlias.

“It’s just a fun hobby. It’s a challenge to show them. I enjoy being outside and in the garden, so it kind of comes natural,” he said.

He started growing dahlias in the 1970s after a neighbor gave him a tuber. Dahlia plants grow from tubers planted in the ground like potatoes.

From the ugly duckling roots come gorgeous blooms.

On show days, Wilson takes the best blooms he cuts to competitions and leaves the rest out for his neighbors to fill their vases. “Saturday morning they’re on the carport. And anybody who wants them can come get them,” he said.

Allison Richards also likes to spread the dahlia love around, in various forms.

“I give people at my work a bunch of tubers, and they just go nuts,” said Richards, 42, IT and general services manager at Maple Systems.

She started out growing a few dahlias and now has about 60 to 70 varieties and 200 plants.

“I threw myself into it; let’s put it that way,” she said. “I tie it in with my photography hobby. I put together a dahlia calendar for family and friends. The colors are so vibrant. There are so many different varieties and shapes and sizes.”

Dahlias are her tonic.

“I work with computers. Things break. Things don’t always go the way they should,” she said.

“I go home and go out there and there’re pretty flowers.”

 

See the show

The Snohomish County Dahlia Show is from 1 to 6 p.m. on Saturday and 10 a.m. to 4 p.m. Sunday, at Floral Hall at Forest Park, 802 Mukilteo Blvd., Everett.

Cost: Free.

For more information, visit www.scdahlias.org or call 360-659-8687.

Snohomish County Dahlia Society meetings are 7 p.m. on the second Thursday of the month at Legion Park Hall, 145 Alverson Blvd., in Everett. The club has a tuber sale in April.

 

Caring for dahlias

 

In summer:

  • Remove old or spent flowers.
  • Water deeply every four or five days during the summer heat.
  • As the blooms develop, fertilize with a low or no nitrogen fertilizer, such as one labeled 0-20-20, to encourage flower and tuber development.
  • Control for slugs, snails and other pests.
  • Remove two side buds at each budding tip to encourage better blooms.

Digging dahlias:

  • Enjoy the flowers until the first frost kills the foliage.
  • If you have good drainage, leave the tubers in the ground, cut off any dead foliage, and cover with 3 to 4 inches of mulch. Clumps should be divided every third year for bigger, better flowers and stronger stems.
  • If you choose to dig the tubers, cut off the stalks to 3 or 4 inches above the ground and leave in the ground for a week or two to allow eyes to set before digging. Begin cutting down and digging by November even if no killing frost has taken place.
  • Dig around each tuber clump with a shovel or garden fork and lift gently. Hose off the dirt from the tuber, clip off the feeder roots with garden scissors and let dry overnight.

Dividing and storing:

  • Divide clumps in half by splitting with pruning shears.
  • Cut off tubers using hand pruners, garden scissors and a sharp knife. Wear protective gloves. Each tuber should have an eye you can see. The tuber eyes are located at the swell of the crown near the stem.
  • Soak tubers in a solution of 1 cup of bleach and 3 gallons of water for 15 or 20 minutes to kill bacteria. Allow tubers to dry several days on newspaper in a cool, dark place.
  • Label the tubers before storing with a permanent marker or no-blot pencil. If you don’t know the name, just list the flower color.
  • Store cut tubers in plastic bags with a few handfuls of vermiculite, wood shavings or potting soil. Another method is rolling tubers in a long strip of plastic wrap, making sure each tuber isn’t touching the others.
  • Keep tubers in a dark, cool place that does not freeze. A crawl space, root cellar or old refrigerator are good locations.

Source: The Snohomish County Dahlia Society

Celebrating Two Years of Accomplishments

Tulalip Hibulb Cultural Center is celebrating two years of sharing Coast Salish culture and highlighting the stories, people, art and history of Tulalip.

Saturday, August 17, 10 am to 5pm. Included in the activities are carving, beading and flute music demonstrations, storytelling, craft activities, a salmon lunch and a special performance by the Tulalip Lushootseed Language Camp students.

For directions and more information visit HibulbCulturalCenter.org or call 360.716.2600

6410 23rd Avenue NE, Tulalip WA 98271

Anniversary Flier

Schack honors Tulalip artist

James MadisonSource: The Herald

Tulalip artist James Madison is known for putting contemporary twists on traditional Salish and Tlingit Northwest Native Art.

For instance, Madison will create an aluminum sculpture depicting salmon in a fish ladder that represents the life of the Snohomish people, one of the Tulalip tribes.

Madison puts that modern twist on tradition in his upcoming exhibit, “Generations,” at the Schack.

That exhibit will show Madison’s commitment to sharing traditional native art using a contemporary approach and it also honors Madison as the Schack’s pick for 2013 Artist of the Year.

In a prepared statement, Madison said that he strives to “create art with an open mind in the sense that I am always thinking of new ways to add a modern twist to a traditional piece. This allows for me to help keep my culture alive. As we move into the future, so does the teachings of my ancestors.”

Madison was surrounded by art and the culture of the Tulalip Tribes as a child. At the age of 8, Madison learned how to carve at his grandfather’s kitchen table. Madison’s father, an abstract painter, encouraged Madison to try sculpting. And his uncle, a teacher, shared stories of American Indian culture.

Madison said these influences led to his intense interest in art and his native heritage.

Madison’s work can be seen beyond the Schack.

He is best known for large-scale pieces, including a 24-foot story pole, at the Tulalip Resort and Casino. He has pieces displayed at many of Washington’s state parks, as well as museums and galleries in New York, Alaska and Canada.

“Generations” opens with a catered reception from 5 to 8 p.m. Aug. 15 and is on view through Sept. 21 at Schack Art Center Main Gallery, 2921 Hoyt Ave., Everett. For more information, go to schack.org or call 425-259-5050.

It’s Here! A Guide to 2013 Santa Fe Indian Market by Alex Jacobs

By Alex Jacobs, Indian Country Today Media Network

What’s cool this year at Santa Fe’s 92nd Indian Market? Everything! Most of what’s cool is under the hot tents of over 1000 Native Artists who Occupy The Plaza for this weekend’s festivities. But you can cruise, walk, bike, skate, run, take a bus and drive to other events around Santa Fe.

Over the last few years, now that the Institute of American Indian Arts and its downtown MoCNA  is partnering with SWAIA, this area one block east of the main Market on the Plaza, between the Museum and Cathedral Park, has seen some very cool events occur. Live hawks and raptors, poets, films, fashion displays, skateboarders, hip hop DJs and graffiti artists, live paintings. Last year it was all the young dudes and their skateboards. This year the old dogs howl at the moon as a 10×20 tent inside Cathedral Park will house a guerilla installation by two known art perpetrators who collaborate as “Joe-Bob”.

Over the last few years due to very tight space (and a tight economy), which creates politics between SWAIA and the City, it seems to me that a back-and-forth has occurred between Old Generation and New Generation artists, with one side winning a concession only to be balanced by the other side the next year. I am happy to say that the new SWAIA crew has inherited a calm structure, mostly happy artists, a city that has learned how to deal with most issues, and an economy that is slowly turning around one year after an election.

Check out the new SWAIA T-Shirt, a very cool modern design by Ehren Kee Natay.

POEH Cultural Center & Museum at Pojoaque Pueblo has a Patricia Michaels opening, a Live Draw Session by Rose B. Simpson, The Continuous Path exhibit at Poeh by clay artist Roxanne Swentzell and murals by Marcellus Medina, plus weekly art & craft sales and classes.

From Monday through Wednesday, Metis Artist Dylan Miner, well known for his custom Native-themed bicycles, held a three-day workshop for kids aged 13-17 at POEH titled “Native Kids Ride Bikes – Anishnaabensag Biimskowebshigewag,” and produced hand-made/assembled bicycles by and for Native kids that will be seen at SFAI and at select museums and galleries around town.

Museum of Contemporary Native Art features several exhibits: STEREOTYPE – Misconceptions of the Native American: works by Cannupa Hanska Luger, a performance artist of mixed Mandan, Hidatsa, Arikara, Lakota heritage, this consists of actual “stereo” ceramic beat-boxes adorned with the usual mis-appropriated, re-appropriated, misused, overused, mis-labelled Indian symbols, icons, cliches and absurdities. CHANGING HANDS 3: Art Without Reservations – Art from Northeast and Southeast Native Artists touring in an exhibit from the Museum of Art & Design NYC; and the new Paul Frank Native Designs.

IAIA Student Art Work at Warehouse 21, Fri. Aug 16. Patricia Michaels in Studio at Legends Santa Fe, Aug 14 & 16, with opening reception Sat. Aug 17. During the week at MIAC on Museum Hill, Walter Echo Hawk, Suzan Shown Harjo, Native Women Ledger Artists, Native Cinema, and all weekend the Southern Red Drum Group.

 

Free music on the Plaza Bandstand Wed. Aug 14 with Indigie Femme and Robert Mirabal. Native Bands play around town all week, but typical Santa Fe — we’ve lost a few clubs and gained none, so it’ll probably the usual suspects at Evangelo’s, El Farol, El Paseo, for sure Gary Farmer & The Troublemakers and The Mud Ponies will play at THE COWGIRL during Market. Native Peoples Magazine & Indian Market Launch Party at the Hilton Hotel downtown, with DJs, music, dancing, friends, food and drinks, Thursday.

Will Wilson, Dine photographer will again set up his portrait studio and CPIX project in the East Sculpture Garden of NM Museum of Art on Palace Ave, Aug 17-18. SWAIA will have their photo booth Sunday in Cathedral Park.

NATIVE VANGUARD – Contemporary Masters, George Morrison, Bunky Echo Hawk, Edgar Heap of Birds, M. Scott Momaday, opening reception at Zane Bennett Gallery in the Railyard District, Thursday 15 from 5-7pm and before on Wednesday 14 at Zane Bennett there will be panel discussions with MoCNA director Patsy Phillips leading talks on “Breaking Thru The Buckskin Curtain” with Anita Fields and Roxanne Swentzell from 1-3pm, then “Master of Contemporary Film” with Frank Buffalo Hyde, Jill Momaday and Norman Patrick Brown 3-5pm.

MY LAND! at Winterowd Fine Art Gallery on Canyon Rd, a dozen heavy Native artists have an intimate meet & greet, poetry & talks on Thursday 1-3, then party at the reception on Friday 6-8; also a reception for the San Felipe Seven potters Thursday 5pm at LaFonda; other openings at Blue Rain, Chiaroscuro, Steve Elmore Indian Art, Shiprock Gallery and so many more.

Saturday of Market will be happening with a new SWAIA Hip Hop Fashion Show; support the Patricia Michaels in New York Fund Raising event at The Palace Restaurant from 6-10pm; ZOMBIE NIGHT in the Railyard, Saturday night, The Dead Can’t Dance, as part of NATIVE CINEMA SHOWCASE.

Too much party? Get healthy with the Wings of America 5K fun run/walk at Santa Fe Indian School, Sun Aug 18, 8/9am starts. Or relax inside where’s its cool and dark, Santa Fe resident George RR Martin bought the old Jean Cocteau Theatre in the Railyard, it’s all made new and ready to watch classic movies. Finally, stop by my booth as everyone passes by here on the corner of San Francisco St (#321 FR-S) and Old Santa Fe Trail right in front of the LaFonda Hotel.

Alex Jacobs, Mohawk, is a visual artist and poet living in Santa Fe.

 

Read more at https://indiancountrytodaymedianetwork.com/2013/08/14/its-here-guide-2013-santa-fe-indian-market-alex-jacobs-150866

Hats Off to This Navajo, ASU Student Who Designs Customized Street Wear

By Lynn Armitage, Indian Country Today Media Network

Name: Cameron Benally, 19

Title: Creator and Owner of Profound Product

Product: Customized baseball caps and T-shirts

How long in business: Since August 2012

Advice for other business owners:  “If you can think of it, I’m sure there is a way to do it. Once you can figure out the steps involved, then you can figure out how to finish the product and start up a business.”

Cameron Benally sporting his most popular t-shirt: the Navajo-run-print pocket. (Courtesy Cameron Benally)
Cameron Benally sporting his most popular t-shirt: the Navajo-run-print pocket. (Courtesy Cameron Benally)

Last August, Cameron Benally, a Navajo native from Mesa, Arizona, became inspired by a moment of sheer boredom. The 19-year-old sophomore at Arizona State University had nothing to do one hot summer day, so he grabbed some scissors, fabric and a hat, and stitched together a business.

“I started seeing people wearing more and more of these hats with prints on the brim, so I figured out how to do it and kind of perfected the method,” explains Benally, the founder of Profound Product, a one-man street-wear operation that jazzes up hat brims and makes T-shirt pockets from an assortment of eye-catching fabrics, like tribal and animal prints.

Since that serendipitous day more than a year ago, Benally is filling orders for about eight custom hats and T-shirts a week that he sells online through social media sites, such as Facebook and Instagram (@ProfoundProduct), as well as through word-of-mouth. Hats range in price from copy0 to $60, and Benally charges a flat copy8 for his T-shirts. His best seller is the black t-shirt with the Navajo rug print.

His roster of clients spans the globe—from California to New York, Massachusetts, Florida, and even as far away as France. “I’m also starting to get orders from the Navajo reservation, so that’s pretty cool.”

The real beauty of Benally’s start-up business is that he didn’t have to invest much money at all. “The original investment was very small. …and now I’m making a pretty good amount.” Benally would not disclose specific numbers, but he did say that profits go back into the business and help supplement scholarships he’s been awarded toward a degree in digital culture and media processing.

Cameron Benally redisgns his school ASU's hats and t-shirts. (Courtesy Benally)
Cameron Benally redisgns his school ASU’s hats and t-shirts. (Courtesy Benally)

The young entrepreneur likes to sew, he says, because it’s relaxing. He first learned how to run a sewing machine when he was in middle school, but then forgot how to use it. “So my grandmother taught me how to sew again.”

In fact, Benally’s entire family is very supportive of his dreams and goals. “My dad really helped me out because he wants me to succeed.” His father, Dino Benally, actually started a sportswear store on the Navajo reservation many years ago, but the business didn’t pan out. “He’s happy seeing me doing what he wanted to do and be able to go farther with it.”

While Benally is proud of what he has achieved in only one year—“I really didn’t think it would go this far”—he has even bigger dreams. “I hope it becomes a really big clothing brand someday. I’d love to see my stuff being sold in stores across the country.”

 

Read more at https://indiancountrytodaymedianetwork.com/2013/08/14/hats-navajo-asu-student-who-designs-customized-street-wear-150852