To The Barricades! Echo-Hawk Says Justice for Natives at Tipping Point

light_of_justice_cover_echo-hawkKevin Taylor, ICTMN

With his distinctive round eyeglasses and long, gray braids, Walter Echo-Hawk looks rather more owlish than revolutionary.

But the longtime Pawnee speaker, author and lawyer who toils on the frontlines of federal Indian Law makes a strong argument that it is time to drive a stake into the legacy of colonialism in his new book, In the Light of Justice: The Rise of Human Rights in Native America and the UN Declaration on the Rights of Indigenous Peoples (Fulcrum, 2013).

That stake could be the United Nations Declaration of the Rights of Indigenous Peoples, which Echo-Hawk sets out to examine and explain. Adopted by the United States in December 2010, it has yet to be integrated into law or policy. This provocative book, educational and inspiring for indigenous and “settler” alike, can show the way.

RELATED: Bringing UNDRIP to the People Is Next Step for Indigenous Rights: Chief

Echo-Hawk says he was motivated to write this volume as something of a hopeful counterpoint to his previous book, In the Courts of the Conqueror, which examined the worst cases in federal Indian law.

RELATED: In The Courts of the Conqueror: A Short Review

What jumps out at anyone studying mainstream attitudes toward this country’s Indigenous Peoples is the fact that what much of white America thinks of as a bygone era of treaty making, frontier warfare and taming the West is, to Indian people, current events. Life under the heel of historical oppression looks far different than the view of the boot wearer.

This difference in perspective goes deep to the bubbling heart of the notion of Melting Pot America, dividing white from brown, immigrant from Native. The confusion over Indian and Non-Indian relations becomes clear in this well-focused book when Echo-Hawk identifies a root cause that is often forgotten, or is not understood in the first place: colonial policies and their attendant settler mind-set.

It’s symptomatic of a severe disconnect, to say the least, that a nation founded upon principles of liberty and justice and freedom for all—one willing to shed blood in defense of these principles against oppressors, no less—could treat its original inhabitants with such astonishing injustice.

Echo-Hawk demonstrates how this dynamic plays out in America’s courtrooms, especially the U.S. Supreme Court. Chief Justice John Marshall is one of the nation’s most revered jurists, yet it was Marshall who introduced the doctrine of conquest into federal Indian law in the 1823 decision Johnson v. M’Intosh, ruling that colonists owned any Indian lands “acquired and maintained by force.” Tribal people, he wrote, were “fierce savages, whose occupation was war,” and thus did not warrant international legal protections for countries under invasion.

RELATED: Walter Echo-Hawk on Supreme Court Failures

Doctrines of conquest and discovery used by European nations during 500 years of colonization, Echo-Hawk writes, allow governments to usurp indigenous land, property and rights without consent even today. Though Marshall later evolved his thinking, Echo-Hawk notes, the seeds planted in 1823 still exist. The Roberts Court, he writes, is one of the most hostile to Indian rights—the Baby Veronica ruling being the most recent example—and is actively eroding gains made in recent decades.

For every M’Intosh, Echo-Hawk says, there were other, more reasoned, decisions such as Worchester v. Georgia in 1832, in which the high court rejected conquest as an absurd legal fiction. But even as that ruling was being published, the federal and state governments were in the grip of the Indian Removal Movement, evicting Southern tribes from their homelands.

These “clothes of the conqueror,” as Echo-Hawk calls them, do not befit a democratic nation such as ours. He offers keen insight into the parallels between the long, painful African-American struggle for equality and the fight of tribal people to maintain their rights. The Civil Rights movement for many years used a counterintuitive tactic, known as the Margold Plan, to file a multitude of lawsuits urging the federal government to uphold its legal standard of “separate but equal.” Case after case after case was pursued to this end, forcing school districts and local governments and the courts to confront racial inequalities and cynical government policy.

Over several decades this approach focused at least a trickle of attention onto racial injustice, scored court victories and gained allies. Then, Brown v. Board of Education signaled a shift in tactics to a direct assault in order to show, Echo-Hawk writes, that “separate but equal” was unconstitutional.

Echo-Hawk believes that Indian Country is poised at a similar tipping point.

Skirmish after skirmish in often hostile federal courts has carved some sturdy pillars for treaty rights and sovereignty. But, Echo-Hawk argues, the cultural survival of Native America depends on a march to justice, and so does America’s evolution from a settler state to a more fully just society.

Echo-Hawk is a lawyer, and his topic of international human rights sometimes pulls him into dense thickets of language. But far from being a slog, the words in this book are illuminated by his passion for the topic, and his deep knowledge of the fight for fair treatment in federal courts. His words often burn with clarity, as does his message: Although the U.N. Declaration is a powerful tool for asserting human rights for Indigenous Peoples, it will not implement itself.

“Indigenous rights are never freely given—they must be demanded, wrested away, then vigilantly protected,” Echo-Hawk writes. “That is the essence of freedom.”

 

Read more at http://indiancountrytodaymedianetwork.com//2013/08/25/walter-echo-hawk-shines-light-justice-human-rights-native-america-150925

Touch-A-Truck coming Sept. 14

The City of Marysville invites you to Touch-A-Truck on Saturday, Sept. 14, an event that puts your kids in the driver’s seat of Marysville’s biggest heavy-duty rigs. Honk the horns, set off sirens, kick the tires on a variety of big rigs – dump trucks, backhoe, vactor truck, police vehicles, street sweeper, Marysville Fire District fire engines, garbage trucks, an aid car and more. Come join the fun!

Marysville Noon Rotary Club will offer special activities for kids, and Marysville Kiwanis will have tasty treats for sale.

For more information please call (360) 363-8400. Please bring a donation for the Marysville Food Bank. No pets, please.

Touch-Truck

Read Event Flyer…

Can’t Bead the Real Thing: Fakes, Frauds and What You Can Do About It

source: DHGate.comAnyone can buy seed beads like these -- but not just anyone can be a Native craftsperson.

source: DHGate.com
Anyone can buy seed beads like these — but not just anyone can be a Native craftsperson.

AJ Earl, ICTMN

Whether you’re Assiniboine, Nʉmʉnʉ, Skokomish or otherwise, you’ve probably got some beadwork somewhere. It might be a gift for your family, for friends or maybe a co-worker who’s done an exceptional thing for you. It’s important and it’s a heartfelt thing, but where did it come from? Is it handmade or is it fake? If it’s fake, could you tell?

Although we sometimes take for granted our talented craftspeople, it’s important to know that there are threats to their very livelihoods. Much of the problem stems from fakes. The market for various Native arts has been flooded for years with fakes and knock-offs, and bead-work is no different. For the last few decades the craftspeople who make a living off of bead-work have had to contend with competition from non-natives and from overseas. Spotting these fakes and knowing why it’s important to call them out is only part of the solution. Knowing what to do and then acting is key.

Even if you buy from a pow wow, it’s not always guaranteed that the bead-work you get will be authentic. No matter how observant you are, if you roll it over in your hands, look it up and down, it’s sometimes hard to tell what exactly you’re buying. Many fakes simply look convincing. AAA Native Arts, a website devoted to selling native arts, says that bead-work is often imported from China and Taiwan. Still other problems exist with non-Natives selling imitations or art “inspired by” Native crafts, often times unlabeled as such. This can be a problem for the broader Native community.

A quick search online for “imitation native american bead-work” brings up 14,300,000 results on Google.com, and similar numbers on other search engines. Searching for “imitation native american headdress” gets 10.3 million results. A look for “native american costume” nets almost 4.4 million results. Almost none of the pieces look quite as good as something you’d get from a cousin or from one of our skilled elders, it’s missing something vital.

One of the most important aspects of Native bead-work, one thing that fakes lack, is its deep cultural value. Many of us can identify a friend or family member who beads. One such person is Cynthia Parrott from Washington State. A junior at the Tacoma campus of the University of Washington, Cynthia has been working with beads for years. She started working with beads in 5th grade after watching her mother for years, saying “ it was either this or weaving.” It’s a family matter as much as it is a personal one.

Parrott also brings up a second important aspect of bead-working: sustaining their families and themselves. “In college we all need extra money, so my bead-work is the way I make extra money,” says Parrott, “it’s my own little business”. For this reason she’s keenly aware of the fakes and fraudulent Native crafts that flood the market from time to time. “My craft is mass-produced in Guam and is brought here,” Parrott adds, “I think it is so disrespectful and there is no way we can compete with these prices.”

In order to help stem this tide the United States Congress passed the Indian Arts and Crafts Act of 1990. This act sets out to create standards for labeling and representation. It sets clear limits on who can call their art Native, how they can label it when they sell it, and who exactly is able to benefit from this protection. The reason was wholly cultural: bead-working and many other crafts can be traced back centuries, well before Columbus landed here. Beads, for example, originally started as bits of stone, shell, clay, bird bones or the leg bones of small animals. Pre-Columbian archeological sites often contain beads of all sorts. Protecting this art is vital to ensure the continuation of the multitude of Native cultures.

Of course, this act did not create a series of agents trolling pow wows and craft fairs in Brooklyn for fake Native crafts, so what do you do if you suspect what you’ve bought or what a dealer is selling is a fake? You get in contact with somebody! In order for it to be successful, it requires an attentive population calling out items they suspect of being fake or artists selling Native art that they think may not be Native.  To that end, the Indian Arts and Crafts Act of 1990 needs you to be effective! The law allowed for the creation of the Indian Arts and Crafts Board. This board is tasked with oversight of enforcement and reporting and is the place you bring complaints and reports of violations. It also has brief reports, examples of violations and info brochures for you to download at its website: iacb.doi.gov.

To protect our culture we need to be aware of what we’re looking for and what to do if we find it. The problem is clear and the solution is there. Now let’s do something about it!

 

Read more at http://indiancountrytodaymedianetwork.com/2013/08/23/cant-bead-real-thing-fakes-frauds-and-what-you-can-do-about-it-150988

Foreigner kicks out their hits Sunday at Tulalip

InvisionMick Jones (left), Lou Gramm and the band Foreigner perform Sunday at the Tulalip Amphitheatre, followed by the Doobie Brothers and America on Sept. 7.
Invision
Mick Jones (left), Lou Gramm and the band Foreigner perform Sunday at the Tulalip Amphitheatre, followed by the Doobie Brothers and America on Sept. 7.

Ashley Stewart, The Herald

Foreigner will perform Sunday at the Tulalip Amphitheatre.

With 10 multi-platinum albums and nine top 10 hits dating back to the bands formation in the late ’70s, the band has become a fixture in classic rock.

They’re best known for hits like “I Want To Know What Love Is,” “Juke Box Hero” and “Waiting For A Girl Like You,” and will play selections from throughout their more than 30-year career.

The show starts at 7 p.m.; doors open at 5 p.m. You must be age 21 or older to attend.

Tickets start at $30, available at www.ticketmaster.com.

Next up are the Doobie Brothers and America on Sept. 7.

Tickets start at $35 for the upcoming show.

The amphitheater is at 10400 Quil Ceda Blvd. Tulalip.

For more information, visit www.tulalipamphitheatre.com.

Teams Travel to Cherokee Nation for Inaugural Stickball Tournament

Source: Native News Network

TAHLEQUAH, OKLAHOMA – Five stickball teams from Oklahoma and Mississippi will showcase their skills this Saturday, August 24, in the inaugural Cherokee National Holiday men’s stickball tournament at Sequoyah Schools’ Thompson Field.

stickball tournament

Citizens play a social game of stickball during the 60th Cherokee National Holiday.

 

“If we don’t show everyone our traditional games, we will lose them,”

said stickball tournament coordinator Marcus Thompson, who will also play with his team, the Nighthawks.

“Men’s stickball is the roughest sport there is, but we want people to know you can still play the game and that it is fun.”

Stickball was traditionally used to settle disputes or prepare for war. Today, teams of 20-30 people take the field and play an hour-long game consisting of four 15 minute quarters or two 30 minute halves.

The object is to hit the pole in the center of the field by throwing the ball with stickball sticks or running the ball and touching the pole while possessing the ball. The team with the most points at the end of the game wins.

The double-elimination tournament using traditional Choctaw rules will start at 8:00 am. Admission is free.

Social stickball games will also be played at Sequoyah Schools’ football field at 8:00 pm and 9:00 pm, August 31.

Other sporting events at the 61st Cherokee National Holiday August 30-September 1 include the following:

Traditional Events

  • Finals in the marble tournament will be held at 9 am, August 31, at the Cherokee Heritage Center. For more information, call Phil King at 918.837.1940.
  • Cornstalk shoot competition will be held at 7:30 am west of the W.W. Keeler Complex on August 31-September 1, with registration at 7:30 am and competition at 8:00 am. For more information, call Charolette Jackson at 918.316.2932.
  • Horseshoe pitch competition will be held west of the W.W. Keeler Complex at 9:00 am on August 31. For more information, call Jody Slover at 918.822.2428.

Non-traditional Events

  • 5K Holiday Veterans Run will begin at the Cherokee Nation War Memorial on August 31. Registration begins at 6:00 am and race starts at 7:30 am. Cost is $20 on the day of the race. For more information, email Hillary Mead at Hillary-fry@cherokee.org.
  • Co-ed volleyball tournament will be played west of the Cherokee Nation W.W. Keeler Complex starting at 9:00 am, August 31. Entry deadline is August 23. For more information, call Denise Honawa at 918.816.1995.
  • 3 on 3 basketball tournament on August 30-31 at the Cherokee Nation Male Seminary Recreation Center. For more information, call Kim Arneecher at 479.427.9494.
  • Cherokee National Holiday softball tournaments will be played at the Cherokee Nation Softball Complex near Sequoyah Schools. The fast-pitch tournaments will be played August 23-25, and slow-pitch tournaments August 30-September 1. For more information, call Sherwin Johnson at 918.696.5760 or Crystal Bogle at 918.316.1940.
  • Children’s fishing derby will held August 31 from 7:30 am to noon at the pond east of the W.W. Keeler Complex. Angler Jason Christie will be on site to take photos and sign autographs, and 300 fishing poles will be given out to participants. For more information, email Ryan Callison at ryan-callison@cherokee.org.
  • Three golf tournaments will be hosted at Cherokee Springs Golf Course August 29-31. The Thursday tournament will be a senior two man scramble and the Friday tournament a two man scramble open to all ages. The Saturday tournament will be a four man scramble with tee times at 8:00 am and 1:00 pm. Entry fee for all tournaments is $40 for golf course members at Cherokee Springs or Cherokee Trails and $50 for non-members, and all entries must be pre-paid. For more information, call Tyler Crouch at 918.456.5100.

Klamath Tribes Annual Restoration Celebration is Full of Fun-Filled Activities

Levi Rickert, Native News Network

CHILOQUIN, OREGON – The Klamath Tribe’s 27th Annual Restoration Celebration kicks off tomorrow. The theme of this year’s celebration is Time of Change “Ho Winna.”

Klamath Tribe Annual Restoration Celebration

The Restoration Celebration includes activities for the whole family. If you are in the area, make plans now.

Friday:
Noon – 3:00 pm     Fun Run/Walk & Healthy BBQ
7:00 pm     Competition Powwow Grand Entry

Saturday:
10:00 am     Parade on Main Street in Chiloquin, Oregon
Noon     Competition Powwow Grand Entry
7:00 pm     Competition Powwow Grand Entry

Sunday:
1:00 pm     Crater Lake Youth Rodeo
7:00 pm     Competition Powwow Grand Entry

Editor’s Note: We attempt to publish a complete list of powwows in Indian country. Please let us know if we missed one in your area so that we may update our calendar: levi@nativenewsnetwork.com

POWWOW Calendar

This weekends powwows include:

powwow

12 Powwows this weekend

27th Annual Klamath Restoration Celebration
August 23 – August 25
Chiloquin High School Football Field
Chiloquin, Oregon

32nd Annual Cha Cha Bah Ning Traditional Powwow
August 23 – August 25
Inger, Minnesota

137th Rosebud Fair & All-Indian Rodeo
August 23 – August 25
Rosebud Powwow Grounds
Rosebud, South Dakota

20th Annual Potawatomi Trails Powwow
August 24 – August 25
Shiloh Park
Zion, Illinois

Chippewas of Rama First Nation Competition Powwow
August 24 – August 25
5884 Rama Road
Rama, Ontario

Metis of Maine Fall Gathering & Powwow
August 24 – August 25
105 Gould Road
Dayton, Maine

Three Fires Homecoming Powwow
August 24 – August 25
2789 First Line Road
Hagersville, Ontario

Third Ga-Lo-Ni Powwow
August 24 – August 25
293 Ditto Landing
Huntsville, Alabama

Pala’s Sixth Annual Powwow
August 23 – August 25
Pala Rey Campground
Pala, California

10th Annual Native American Style Powwow
August 24 – August 25
Smoky Mountain Visitors Center
Cosby, Tennessee

Spirit of the Wolf Native American Powwow
August 24 – August 25
Pine Park Campground
Broadalbin, New York

Mashantucket Pequot Schemitzun
August 24 – August 25
Mashantucket Cultural Grounds
Mashantucket, Connecticut

Help this Navajo Photo Win the America’s Family Album Contest

nmai-photo-featSource: Indian Country Today Media Network

The Ford Motor Company Fund’s America’s Family Album (AFA) contest has reached the final four — and one entry was taken at the Smithsonian National Museum of the American Indian. The AFA is a compilation of user-submitted photos taken at the Smithsonian, everything from vintage black-and-whites to snaps taken in 2013. Each submission earns the museum a $5 donation from the Ford Motor Company Fund, up to a maximum of $50,000.

One of the final four photos, “Representing the Navajo Nation” by Lauri T., comes from the National Museum of the American Indian. Online voting runs to August 28 — visit AmericasFamilyAlbum.org to cast your vote and show your support.

 

Read more at http://indiancountrytodaymedianetwork.com/2013/08/22/help-navajo-photo-win-americas-family-album-contest-150989

Hibulb celebrates its second year

Photo/ Rob and Richelle Taylor
Photo/ Rob and Richelle Taylor

Donations to benefit the Natural History Preserve

By Andrew Gobin, Tulalip News

Tulalip − For the second year the Hibulb Cultural Center in Tulalip held an open house for the anniversary celebration Saturday, August 17th. After a 20 year dream, and more than ten years of planning, the long awaited museum opened in 2011. This year, the emphasis of the anniversary was funding the Hibulb natural history preserve.

“We are not a profit driven operation. In fact we make very little money. Most of the museum operations are funded from donations or through grants, instead of tribal hard dollars,” explained Mytyl Hernandez, Hibulb’s marketing and membership manager.

Attendees could wander through the vendors or sit in on any number of cultural seminars held throughout the day. The museum had items for sale in the seminars as well, and held a raffle for Hibulb merchandise.

The day’s events began by remembering the late Henry “Hank” Gobin, former museum director, who passed away earlier this year. The completion of Tulalip’s own natural history preserve was his dream since he began his work in revitalizing the culture at Tulalip.

For more information on the Hibulb Cultural Center visit www.hibulbculturalcenter.org.

A Room With Avanyu: Massive Water Serpent Found in Hotel!

Keeva by Ehren Kee Natay at Nativo Lodge in Albuquerque
Keeva by Ehren Kee Natay at Nativo Lodge in Albuquerque

Source: Indian Country Today Media Network

Ehren Natay is a jewelry maker with street-artist DNA — and for a recent project at the Nativo Lodge in Albuquerque he let his flair for outrageous oversize images run wild. He was selected to design one of four “Artist Guest Rooms,” and Natay summoned the Tewa deity Avanyu, guardian of water, who takes the form of a water serpent with horns and feathers. Natay chose to paint Avanyu in a Japanese style, with the serpent suggestive of a Yakuza dragon tattoo and the churning water reminiscent of a Hokusai woodblock print. On another wall, a cartoony Pojoaque Pueblo-style Buffalo Dancer holds a bow and casts a watchful eye on Avanyu. Over the bed is a photograph of Natay himself wearing a mask of his own construction, printed on metal.

For more information on the project, titled “Keeva,” visit the Nativo Lodge’s Facebook page and the New Mexico Travel Blog.

 

Read more at https://indiancountrytodaymedianetwork.com/gallery/photo/room-avanyu-massive-water-serpent-found-hotel-150683

Pinks are a great fish for families

By Mike Benbow, The Herald

Photos by Mike Benbow / For the HeraldPinks like to travel close to shore, so fishing for pink salmon is a great family sport.
Photos by Mike Benbow / For the Herald
Pinks like to travel close to shore, so fishing for pink salmon is a great family sport.

They’re expecting 6.2 million pink salmon to enter Puget Sound this year.

If you or a member of your family have always wanted to catch a salmon, now is your best chance.

The sheer numbers of pinks will up your odds of success either in the Sound or in the local rivers.

“A bumper crop of pink salmon always generates a huge response from anglers,” said John Long, statewide salmon manager for the Washington Department of Fish and Wildlife. “You can catch them from a boat, you can catch them from the shore and you can catch them throughout most of Puget Sound. It’s a great fishery for kids and whole families.”

If you’d like to make catching a pink a family project this year, here’s some information that might help. Fishing should be good now and for the next few weeks.

Where to go

More than any other salmon, pinks like to travel close to shore while heading to their home rivers, so fishing from the beach is an effective way to catch them in salt water, especially if you don’t have a boat.

Whether in a boat, on a beach, or on a river bank, look for pinks jumping and rolling as a sign of where to cast your lure or fly.

Salt water with boat: Humpy Hollow (south of Mukilteo) or Kayak Point (south of Stanwood).

Beaches: Bush Point (Whidbey Island), Picnic Point (Edmonds), Kayak Point (south of Stanwood).

Rivers: Stillaguamish, Snohomish, Skykomish. Tip: the fish are in better eating condition if you fish closer to salt water.

The Snohomish/Skykomish system is already open for pink fishing. The North Fork of the Stillaguamish is closed to salmon fishing, and the main stem of the Stillaguamish doesn’t open for pinks until Sept. 1.

Keeping pink salmon

Pinks deteriorate quickly, but they are good table fare if cared for properly.

After catching a pink, remove the gills and let the blood drain out of the fish. You can filet them later. Put on ice right away. Eat the fish in the next day or so.

Cooking pinks

Pinks are an oily fish, so they work well on the smoker. But they also can be tasty on the grill.

Fillet the salmon and add some lemon juice, fresh cracked pepper and some butter.

Cook on the grill at about 375 degrees for 18 to 20 minutes. Much of the oil will drip off the salmon onto the grill, adding a smoky taste.

Serve with lemon basil aioli: In a small bowl mix 1/4 cup of mayonnaise, 1 tablespoon of chopped fresh basil, 1 1/2 teaspoons of grated lemon zest, 2 teaspoons of fresh lemon juice, a small clove of minced garlic, and 1/4 teaspoon of kosher salt.

Pink marabou jig

I consider pink marabou jigs to be the most effective lure for pinks in both salt and fresh water. You fish them by jigging the rod up and down while reeling in your line, creating an erratic action that is often irresistible to fish.

You can buy them at most sporting goods stores, including John’s Sporting Goods, 1913 Broadway, Everett; Ted’s Sports Center, 15526 Highway 99, Lynnwood; and Cabelas, 9810 Quil Ceda Boulevard, Tulalip.

Jigs are also easy to make and the materials are available at the same locations. Here’s how:

Buy: 1/4-ounce lead-headed jigs, hot pink marabou feathers, hot pink thread, a thread bobbin, Sally Hansen’s Hard as Nails clear fingernail polish (available at any drug store).

You will also need a pair of sharp scissors and some sort of tying vise. Fly-tying vises are expensive, so you can use a regular woodworking vise in your workshop, pliers or vise grips if you’re just going to make a few.

1. Attach jig to vise.

2. Attach thread to jig collar by wrapping it over itself a few times.

3. Stroke tip of entire marabou feather and cut so it extends from the head of the jig to about 3/4 of an inch past bend of hook.

4. Tie cut end in at jig collar with several wraps of thread.

5. Repeat with two more feathers to cover entire collar of jig.

6. Wrap thread repeatedly over cut edge of feathers to produce a neat collar below jig head. Tie off thread with three half hitches and cut end with scissors.

7. Coat thread with nail polish and let dry.

Pink gear

Rods: Use a medium weight spinning rod or a 5- to – weight fly rod, either should be about 9 feet long.

Line: Line or leader material should be 8- to 12-pound test.

Lures: Pink Buzz Bombs, 2.5 inches long, or Rotators, or a 1/4-ounce pink marabou jig. Fly fishers can use pink clousers in the Sound and a pink woolley bugger in the river.

By the numbers

2 The lifespan in years of a pink salmon, which spawns in most Washington rivers in odd-numbered years.

3-5 The weight of a pink salmon in pounds. Pinks are the smallest of the five species of Pacific salmon.

18-24 The average length of pinks in inches.

409,700 The number of adult pinks expected to spawn in the Stillaguamish River this year based on a count of the young fry that left the river two years ago.

988,621 The number of pinks expected this year in the Snohomish River and its tributaries.