“Pride & Basketball” by Cinnamon Spear, (2013) was created as a Master’s thesis project. The film investigates the role that basketball plays in the lives of young men on the Northern Cheyenne Indian Reservation in southeastern Montana. The film explores the theory that, in the post-colonial era, the basketball court has transformed into a modern day battlefield where historic tribal rivalries are relived, non-Native race relations are played out, and our young men are recognized for their bouts of bravery and leadership.
Check out details and inquire about purchasing copies of the film on the filmmker’s Facebook page.
Tulalip, Washington – Tulalip Resort Casino is gearing up for a weekend of revelry to celebrate the 5th anniversary of Taste of Tulalip, its coveted award-winning food and wine aficionado event. Scheduled for November 8 and 9, 2013, this year’s line-up of top talent, to be announced within the next month, will include many familiar names as well as some stars on the rise. Past culinary celeb appearances have included ABC TV’s “The Chew” host Carla Hall, Bravo’s Top Chef Master and author Marcus Samuelsson, wine legend Marc Mondavi, “Thirsty Girl” Leslie Sbrocco and others. Executive Chef Perry Mascitti and Sommelier Tommy Thompson are putting together a dazzling roster of food, wine and tradition show-stoppers that have been a year in the planning. Taste 2013 will feature honorary winemaker Bob Betz of Betz Family Winery. Taste of Tulalip tickets have just gone on sale at Ticketmaster, with Friday night Celebration dinner tickets soon to follow.
The two-day gathering, with a focus on food, wine and tradition, begins with a Friday night wine and passed hors d’oeuvres reception, followed by the aptly named Celebration Dinner. The multi-course repast will focus on Native American and traditional recipe inspired dishes, paired with a global offering of rare, top wines. It is priced at $175. Tickets are limited and this event is always a sell-out.
On Saturday “All Access” pass holders ($295) will enjoy early entrance to the unforgettable Grand Taste; a VIP seminar featuring a celebrity cooking demo, table talk and Q & A session on the Viking Kitchen Stage; a private Magnum Party where they’ll be treated to a high level wine and indigenous food pairings; and a special bonus this year – two in-depth Reserve Tasting forums.
The weekend’s highlight is always the Grand Taste, spanning four hours and featuring lavish food stations as well as over 100 wines from Washington State, California and Oregon, and craft beer. It is priced at $95 and includes a Rock –n- Roll Cooking Challenge done “Iron Chef” style with celebrity judges looking for the best from both regional and Tulalip chefs, and sommelier teams. Special guest Emilio Lopez of El Salvador (a sixth generation specialty coffee producer), will be appearing at the Dillanos Coffee Roasters espresso bar, where guests will be able to sample a special TOT 5th Anniversary Blend.
All of the weekend’s wine offerings will be available in limited quantities for purchase in the Taste of Tulalip retail wine shop. There will also be book and bottle signings for those looking to personalize their purchases.
MARYSVILLE — The city of Marysville invites area families to “Touch A Truck,” a free annual event that puts kids in the drivers’ seats of public works big rigs, police and fire vehicles, and other heavy-duty equipment that children see out on city streets every day.
“Touch A Truck” will run from 10 a.m. to 1 p.m. on Saturday, Sept. 14, at Totem Middle School’s Asbery Field, located at 1605 Seventh St. NE in Marysville. Admission is free.
“Kids are mesmerized by Marysville’s big shiny rigs, and ‘Touch A Truck’ is a way for our city employees and other participants to show off the work trucks and vehicles that they use out in the field every day,” said Andrea Kingsford, recreation coordinator for the city’s Parks and Recreation Department. “Come out and run the lights and sirens, honk the horns, grab the steering wheels and push buttons just like the grownups.”
Cameras are not required, but parents will be glad they brought them.
Marysville Public Works, Police, Parks and Recreation, and Fire District personnel will bring young people face to face with their favorite municipal vehicles. Kids will get to explore dump trucks, a vactor truck, a street sweeper, garbage trucks, police vehicles, fire engines and many other vehicles, while learning all about them from the skilled employees who drive them. Sirens and horns are permitted from 10 a.m. to noon only.
The Marysville Noon Rotary Club will offer special activities for kids, while the Marysville Kiwanis Club will have treats for sale to raise money for local youth programs. Bring a canned food item and help support the Marysville Community Food Bank.
For more information, call the Parks and Recreation Department at 360-363-8400. No pets, please.
This month, a tribal museum in Pendleton is going Pop Art. Tamastslikt Cultural Institute is the place that celebrates Cayuse, Umatilla and Walla Walla tribal culture. But right now it’s exhibiting a series of Andy Warhol panels, in a collection entitled “Cowboys and Indians”. This is one of several events the museum planned to mark a milestone.
The ten panels and additional material are on loan to Tamastslikt from the Rockwell Museum in Corning, New York. Tamastslikt curator Randall Melton says the images are evenly divided among the Cowboys – iconic western figures like General Custer and John Wayne – and Indians – images Warhol obtained from what became the National Museum of the American Indian.
Melton explains, “People kind of give you the ‘Huh? How does that fit into a tribal interpretive center?’ “
He says this show is a departure from the museum’s usual cultural program, but an intentional one. The Tamastslikt show marks the first time these works have travelled. They’re typical of Warhol’s style – photographs, done up in silkscreen, then painted with lots of vibrant color.
April Baer / Oregon Public Broadcasting “Zech” Cyr checks out an image of General Custer.
Dorothy Cyr a tribal member who works next door at the Wild Horse Casino, brought her 12 year old son Zech to see the show.
“It was nice,” the younger Cyr said, strolling amid the panels. “It was really odd the way he uses his art, how he made all the colors.”
Dorothy Cyr added, “I think it’s great opportunity for our tribe to have such works displayed on our reservation.”
The museum regularly pulls in visitors to the casino, but this exhibition, coinciding with Tamastslikt’s 15th anniversary, is intended in part to draw people coming to town for the Pendleton Roundup later this month, and anyone who may not have had the chance to see Warhol’s works before.
Pendleton resident Sue Petersen, who attended the opening, said she just missed a Warhol exhibition in San Francisco some years ago and was glad to see these works in town.
“I think this is just totally awesome,” Petersen said. “I’m blown kind of out of the park, I gotta see the rest of them.”
April Baer / Oregon Public Broadcasting Sue Petersen of Pendleton was among those who came early on opening night to check out the exhibition.
Warhol had suffered some health problems by the time these works were completed in 1986. He’d survived a gunshot wound, and worked with a lot of assistants. Some critics believe his later works lack some of the snap and wit of earlier pieces.
After seeing the panels, Jubertino Arranda, a young artist, said he shares some of those reservations.
“I personally do like a lot of earlier work,” Arranda said. “For me, it was very hit and miss after his brush with death.”
But Arranda still drove all the way from Walla Walla to see the show opening, and loved the technique, and Warhol’s elevation of everyday objects in some of the images. Speaking excitedly about seeing the works in person, Arranda broke off, saying, “Oh, gosh, he was so smart, I think he was really ahead of his time.”
Loretta Alexander is a retired painter herself, a Cayuse tribal member, and the mother of painter Philip Minthorne, whose has a vivid canvas hanging in an adjacent gallery room. She nods in approval at the Warhols’ temporary gallery.
“I liked it,” she said. “And the woman and the baby is the one I liked the best.”
That image, of an unidentified tribal woman with an infant on her back, is one of the few in the exhibition featuring an actual Native American person, notes Curator Randall Melton. Cowboys are represented with figures from Annie Oakley to Teddy Roosevelt. But, in choosing his tribal subjects, Warhol often opted for images like shield designs or an Indian head nickel. Melton wonders if the choice might have been intentional.
April Baer / Oregon Public Broadcasting Curator Randall Melton (second from left) and others pose for a group photo as well-wishers mark Tamastslikt’s 15th birthday.
“It’s interesting to me that he chose these people versus these objects,” Melton said. “I was talking with someone who said that’s how Indian people were seen, things to be moved out of the way for Westward expansion.”
Melton says a lot of people expressed surprise that a tribal museum might consider including a group of images with stereotypical imagery – sometimes painful imagery -for native people. He points to a panel featuring an iconic photo of Geronimo staring directly into the camera.
Melton says the photo was taken after the Apache leader was forced to surrender to the U.S. Army. But Melton says gallery viewers are invited to draw their own conclusions about Warhol’s treatment of the image, and consider what the artist was trying to say.
“The reasoning why he put these images together the way he did,” Melton said, “it’s a statement on the idea of the old west, how thats more myth than fact.”
Also, Tamastslikt’s Executive Director Bobbie Conner points out shows like this, open to interpretation, also present the museum another chance to do its job.
“One of the goals of the project,”Conner explains, “is to break down stereotypes, and to replace those stereotypes with new information.”
Tamastslikt’s regular exhibitions are geared toward cultural and historical exhibitions about tribes represented in the region.
Conner says the museum is doing pretty well, with over 600,000 visitors to the building. After 15 years, the museum is still paying down some of the debt associated with its construction. Conner says she takes deep pleasure seeing the direct access to history the museum unlocks for tribal members and others. Young people trained as teenaged tours guides when the museum opened now have young families of their own, and are bringing their own kids to shows like the Warhol exhibition.
Conner remembers riding horseback as a child in the field where the museum now stands, at the base of rolling hills, next to the tribe’s busy Wild Horse casino.
“Of all the things you could grow up to be,” she recalls, “this was never in my mind’s eye. Our tribe is less than three-thousand members, for us to have this 80 million resort here, including the museum is 180 degrees from when I was a child here. I’m still sometimes surprised I get to work here.”
Tamastslikt will keep Warhol’s Cowboys and Indians on display through October 26th.
When he set out to create a photo essay on “poverty in America” in 2005, photographer Aaron Huey had no idea what was in store for him. But what started as one story soon consumed his life as he became a committed activist devoted to raising awareness about Native American treaty rights. Just last month, he launched Honor the Treaties, a national campaign to combine art with advocacy on the topic.
Becoming an advocate for native rights wasn’t exactly his intention. A working photojournalist, Huey’s previous claim to fame had been walking across the United States with his dog. Yet he found himself constantly thinking about his work with members of the Lakota tribe living on the Pine Ridge Reservation, one of the poorest places in the United States. Huey’s talk at TEDxDU in 2010 entirely focused on what he saw as the atrocities wreaked on the Lakota by the American government. He finished his talk in tears and with a powerful call to action: “Honor the treaties. Give back the Black Hills. It’s not your business what they do with them.” Mic drop. “Before that talk, I was still mostly just an observer,” he explained in a recent conversation with the TED blog. “I became an advocate on that stage. And that changed kind of everything for me.”
Honor the Treaties, or HTT, is Huey’s first foray into advocacy. With money from Fairey’s Obey fashion line — which supports one cause every year — HTT will provide grants to six Native American artists to help them distribute their work and spread their messages to a wider audience. HTT also plans to release free educational tools for middle and high school history teachers. Huey accepts his dream of the government actually returning land to the Lakota is unlikely, so he intends to focus on issues that might make a difference, such as campaigning against uranium mining, which exploits native lands to grave effects.
One of the most stomach-dropping moments in Huey’s talk is when he recounts that “wasichu,” the Lakota word for a “non-Indian” like himself, also means “the one who takes the best meat for himself.” For many Lakota, the color of Huey’s skin means he is not an appropriate person to advocate for these issues, and that has led to some difficult encounters along the way. Some have criticized him for depicting only the negative aspects of life on the reservation, others for exploiting the Lakota without giving them their own representation. As he puts it, “There is a lot of pain stored in this, and dealing with it in any way, you are releasing that. You’re triggering all of that pain again.” So why does he continue? He confesses he’s tried to stop a number of times. But he simply couldn’t forget about the injustice he’d seen. “I just couldn’t believe it was happening. It was like I’d witnessed a small version of Hiroshima and I kept having to go back to see it. Maybe for a long time I was just trying to understand it.” Now, he says, his goal is not only to focus on the Native American victims of treaty violations, but to build bridges with those who have no idea such violations even exist.
Has his experience at Pine Ridge changed the way he approaches his work? Huey, who still works on editorial projects as a photographer for National Geographic, is clear. “I don’t want to do stories that don’t have a heart,” he says. “I’m just not going to be satisfied with stories where I can’t be passionate about the subject, where I can’t make a difference.”
“Since the Talk”is a regular feature in which we go back to speakers at least one year after they gave their TED Talk. We explore progress and updates on the talk’s idea to find out what happened next. Read more Since the Talk posts »
Imagine a man dressed in stereotypically “traditional” Native American garb, donning a massive white feathered headdress, an ornamental tunic, and face paint. Now imagine that man performing mundane tasks in Washington, DC, like grocery shopping, riding an escalator or having lunch at a local restaurant.
The bizarre quandary is put forth by performance artist Gregg Deal, a member of the Pyramid Lake Paiute Tribe originally based in northwestern Nevada. In a striking film project titled “The Last American Indian on Earth,” Deal dresses himself in purposefully questionable attire and goes about his daily business, daring passersby to confront their own preexisting ideas about the modern Native American person.
“The purpose of this project is to raise questions about Native people, often viewed as a relic, and how they’re perceived
in the modern age,” Deal explains in a press statement about the work. “How will [people] react if they saw me, a Native dressed in buckskin and a headdress, doing something as mundane as shopping for cereal at the grocery store? How will they react if they saw me eating Chinese food in China Town or taking pictures of buffalo at the National Zoo?”
The project began filming last month and so far the reactions to Deal’s out-of-place appearance have included a pedestrian shouting “How!” and holding up a hand in salute, as well as a teenage girl exclaiming outloud, “Look, a real live redskin.” Another bystander chanted “hi-a-wat-ah-hi-a-wat-ah” upon seeing Deal in costume, prompting a videographer, Emmanuel Soltes, to follow him up for an explanation. As you can see in the clip above, the man proclaimed that he was not trying to be offensive, and if he had, he would have mentioned the Dallas Cowboys.
In other shots, Deal can be seen carrying signs that read “Thank the creator for Johnny Depp” or “White guilt release station, inquire with indian.”
“The performances will include a number of things that are simple, mundane, funny, political, over the top, satirical, ironic, and even sad,” Deal wrote on his Indiegogo campaign.
Deal plans to submit “The Last American Indian on Earth” for the 2014 Sundance Film Festival. In the meantime, you can scroll through images of Deal in action below. Let us know your thoughts on the concept in the comments.
Dennis Banks, cofounder of the American Indian Movement, has issued a Declaration of War on Diabetes.
LEECH LAKE BAND OF OJIBWE TERRITORIES – Dennis Banks, 77, a cofounder of the American Indian Movement, has announced a 18,000 mile motorcycle run across America with hundreds of American Indians participating to “declare war on diabetes.”
His announcement was distributed through a news release Sunday from his foundation, the Nowa Cuming Institute. The news release states:
“The Nowa Cuming Institute has issued a Declaration of War on Diabetes.”
“Diabetes is at an epidemic state in Indian country and must be halted,”
said Banks, who was diagnosed with diabetes four years ago and has reversed his diabetes through a strong diet.
The motorcycle run will have four staring locations in Seattle, San Francisco, Los Angeles and San Diego on August 11 with the final destination of the nation’s capital, Washington, DC on September 10, 2014.
Throughout the various routes across America, motorcyclists will stop at various American Indian reservations and communities as they journey to Washington.
Once in Washington, the group will visit members of Congress and present them with a national diabetes policy, according to Banks.
This will be the second endeavor by Banks to draw attention to the ill-effects of diabetes in Indian country. In 2011, he led the “Longest Walk 3 – Reversing Diabetes” that took the long walkers to 72 American Indian reservations and communities before they arrived in Washington.
“If we don’t address this medical issue now, there will no one in the seventh generation who will be healthy and if we don’t take action now to stop diabetes, they will condemn this generation,”
said Banks.
The Nowa Institute released the announcement so that tribes and others who want to be part of the pre-planning of this historic motorcycle run can do so now.
We are asking people of interest to aid in this “War on Diabetes.” said Banks.
Those interested in assisting and supplying diabetes materials may email Goody Cloud at ndn_queen_bee@yahoo.com.
Roberta Conner of Tamastslikt Cultural Institute benefits from audience participation as women from the Confederated Tribes of the Umatilla showcase traditional dances on the last day of the Oregon State Fair. / Thomas Patterson / Statesman Jou
The Confederated Tribes of Umatilla Indian Reservation took center stage on the last day of the Oregon State Fair today.
Four members of the tribe, wearing traditional clothing such as eagle feathers, moccasins, shell earrings and braids, performed their native dances on the Americraft Cookware Stage.
Roberta Conner, director of the Tamastslikt Cultural Institute who led the dancers, described the dances before each demonstration.
Conner said the tribes have been in Oregon for 10,000 years and have always been welcoming to visitors. When visitors would reach the tribes they would be offered food and water along with a performance of the welcome dance.
Kirke Campbell, of Corvallis, said his daughter wanted to be at the fair today to see the Umatilla dancers.
Campbell was randomly selected from the audience to participate in the owl dance.
“I was honored to be picked,” he said.
At the end of the performance, all of the audience members were asked to join in a circle dance. About 50 took advantage of the opportunity.
“(This) has been the best turn out for the three performances we have done,” Conner said.
Rachel Brown showed off her father Joe Brown’s 1940 Willys Coupe at last year’s Drag Strip Reunion. — image credit: File photo.
Kirk Boxleitner, Arlington Times
ARLINGTON — For the 10th year in a row, the west side of the Arlington Municipal Airport will be revving with hot rod and classic car engines this fall, as the Arlington Drag Strip Reunion returns to the blacktop just off the airport’s 188th Street NE entrance on Saturday, Sept. 14, from 8 a.m. to 4 p.m.
Visitors will be able to get an eyeful of vintage vehicles and souped-up rigs for an admission fee of $3 for adults and $1 for kids, while entrants in the show will be charged $20 to pre-register or $25 at the gate.
From the 1950s to 1970, the Arlington Airport served as the site of the National Hot Rod Association-sanctioned Drag Strip event, which produced a number of national records in the early years of organized drag racing.
The first Drag Strip Reunion came about in 2004, when the nearby Arlington Boys & Girls Club revived the event to help raise funds for their programs. They received support not only from the city and the airport, but also from the former track manager and track announcer of the original Drag Strip.
Four years ago, Arlington Boys & Girls Club Director Bill Kinney approached the Port Gardner Vintage Auto Club about partnering on the Drag Strip Reunion, since the latter club had been putting on their own auto show to support local charities, including the Boys & Girls Clubs, for the past 31 years.
Jake Jacobsen, of the Port Gardner Vintage Auto Club, touted the show’s focus on supporting the surrounding community as one of its biggest draws.
“It’s all done by volunteers, so all the proceeds are able to go to those local charities,” said Jacobsen, who noted that the Marysville-Pilchuck High School Automotive Program has been among the regular beneficiaries of the show’s proceeds. “We select seniors who will stay in the automotive field after they graduate, and sponsor them to get tools, so they can get hired immediately out of school.”
According to Jacobsen, last year’s Drag Strip Reunion raised slightly more than $10,000 for various charities, and this year’s goal is to reach $12,000.
With as many as 500 vehicles on display and more than 2,400 spectators estimated to have attended last year, Jacobsen reminded those who will be gathering in Arlington for this year’s event weekend that there are no activities on Friday, Sept. 13, associated with the Drag Strip Reunion.
Indeed, while the city of Arlington welcomes the auto enthusiasts who will be coming to the community for the event, the Washington Traffic Safety Commission will be working with the Arlington Police Department to enforce the rules of the road by conducting additional patrols that Friday evening, with zero tolerance for any traffic violations.
“The Arlington Police have been very welcoming to work with on this,” Jacobsen said. “They’ve been totally open and cooperative.”
Jacobsen likewise praised the Arlington business community for its willingness to promote the Drag Strip Reunion.
“We’ve gotten lots of great local support, and our local businesses have been a big part of that,” Jacobsen said. “People become very cooperative when they hear that it all goes back to charity. A lot of local merchants just like supporting local events, and 95 percent of them have been very happy to talk to us.”
In turn, the Drag Strip Reunion will further show its support for the surrounding community by collecting non-perishable food items for local food banks, and will even incentivize those donations by rewarding those contributors with free raffle tickets.
The local charities which receive funds from the Drag Strip Reunion will have their own table, and the Burned Children Recovery Foundation’s fire truck will be featured among the hundreds of current and historic classics, street rods, customs and specially restored drag cars from the strip’s heyday in the 1950s and ’60s.
“Pride & Basketball” by Cinnamon Spear, (2013) was created as a Master’s thesis project. The film investigates the role that basketball plays in the lives of young men on the Northern Cheyenne Indian Reservation in southeastern Montana. The film explores the theory that, in the post-colonial era, the basketball court has transformed into a modern day battlefield where historic tribal rivalries are relived, non-Native race relations are played out, and our young men are recognized for their bouts of bravery and leadership.
When he set out to create a photo essay on “poverty in America” in 2005, photographer Aaron Huey had no idea what was in store for him. But what started as one story soon consumed his life as he became a committed activist devoted to raising awareness about Native American treaty rights. Just last month, he launched 
