Elwha exhibit at Burke explores reborn river

Oceanographer Daniel Hernandez strains to pull on the end of a seining net on the Elwha River in an effort to count the fish in a designated area.
Oceanographer Daniel Hernandez strains to pull on the end of a seining net on the Elwha River in an effort to count the fish in a designated area.

An exhibit based on the Elwha book by Seattle Times’ Lynda Mapes and Steve Ringman opens Saturday at the Burke Museum.

By Keith Ervin, Seattle Times

Chinook salmon returned to the Elwha River this fall in numbers not seen in many decades.

Other creatures have followed the salmon in returning to the Olympic Peninsula valley after an 8-mile stretch of the river was reconnected to saltwater when the Elwha Dam was removed.

A Burke Museum exhibit that opens Saturday tells the story of a river, the people who have depended on it, the scientists who study it, and the changes wrought first by the construction of two dams and now by the biggest dam-removal project in U.S. history.

“Elwha: A River Reborn,” based on the book of the same name by Seattle Times reporter Lynda Mapes and photographer Steve Ringman, runs through March 9.

Mapes will speak, and members of the Lower Elwha Klallam Tribe will talk and perform at the opening of the exhibit, which combines photographs, artifacts from an ancient Klallam village, a million-year-old salmon fossil and hands-on activities.

Children can play the part of a scientist or a journalist in “Camp Elwha,” an interactive exhibit inside a tent.

At the heart of the exhibit is the river, where salmon, steelhead and lampreys lost 70 miles of spawning grounds when dams blocked their passage more than a century ago.

It is also the story of the regeneration that has taken place since the Elwha Dam was removed in 2011 and will continue after demolition of the upstream Glines Canyon Dam is completed next year.

Mapes and Ringman followed the story, first in the pages of this newspaper and then in their 2013 book copublished by Mountaineers Books and The Seattle Times.

“This is a profoundly hopeful story,” said Mapes, who is currently a fellow in the Knight Science Journalism program at MIT.

“It shows that in the right place and with the right conditions, you really do have a chance to start over. You can take a place that’s been used for industrial development, even for a very long time, and have nature come booming back. “

An iconic image for her was a water ouzel in a restored tributary delicately holding a coho salmon egg in its beak “as if it were a glass of fine cabernet.”

George Pess, a NOAA fisheries biologist and a source for Mapes’ reporting, said that as salmon have returned, otters, bears, lampreys and many other animals have come back.

“Everybody kind of got the signal, whether it’s smell or sight, everybody knew something was happening that hadn’t happened in a long time that was important to the ecosystem,” Pess said.

Restoring the salmon to something resembling their once-legendary glory will take years, Pess said.

Bringing back towering trees where lake silt has replaced the humus-rich soil of a long-gone forest, Mapes said, will take much longer.

Although that won’t happen quickly, she said, “One of the things that struck me is how ephemeral the works of man are and how incredibly resilient nature is.”

The exhibit was created by the Burke Museum in collaboration with The Seattle Times, Mountaineers Books and the Lower Elwha Klallam Tribe.

Upcoming holiday events at Tulalip Cabela’s

Taste of Cabela’s, Saturday and Sunday, November 30th – December 1st, 11 AM

Taste of Cabela’s is the perfect chance to taste all of our holiday treats and unique foodie gifts for the holiday season.  Stop by the Home and Cabin Department to taste a variety of dip, soups and our famous fudge.  The Eagles Nest Deli will be sampling Elk, Boar and Bison meats and other goodies sure to peak your interest.  Our Camping department will be sampling a wide variety of tasty marinades and spices along with other treats that Cabela’s has to offer.

Don’t miss this day of munching on delicious food and kicking off the holiday season in Cabela’s style.

 

Pictures with Santa, Saturday-Sunday, December 7-8 11:00am-6pm, by the Fishing Department

Santa and his elves will be visiting our store! Come for a chance to whisper your Christmas wish lists and to take a commemorative photograph of the occasion. We’ll send you home with a free Cabela’s keepsake frame and photograph with Santa.

Native American travels across U.S. photographing citizens of tribal nations

Courtesy Matika WilburJenni Parker, right, and granddaughter Sharlyse Parker of the Northern Cheyenne tribe pose in Lame Deer, Mont., in August.
Courtesy Matika Wilbur
Jenni Parker, right, and granddaughter Sharlyse Parker of the Northern Cheyenne tribe pose in Lame Deer, Mont., in August.

By Simon Moya-Smith, Staff Writer, NBC News

She sleeps on couches, dines with strangers and lives out of her car. Still, Matika Wilbur does it for the art and for the people.

Wilbur is Native American. Invariably strapped to her arm is a camera, and other than a few provisions and clothing, she owns little else. Last year she sold everything in her Seattle apartment, packed a few essentials into her car and then hit the road.

Since then, she’s been embarking on her most recent project, “Project 562.”

The plan is to photograph citizens of each federally recognized tribe, Wilbur said. Sometimes she’ll journey to an isolated reservation, other times she’ll meet some of the 70 percent of Native Americans living in urban settings. Yet she hopes that when her project is complete it will serve to educate the nation and “shift the collective conscious” toward recognizing its indigenous communities.

To date, Wilbur has photographed citizens of 159 tribes.

In 2010, when Wilbur first conceptualized the campaign, there were 562 federally recognized tribes in the U.S., hence the name. Since then, the U.S. government has added four more nations to the list.

Courtesy Matika WilburNative American activist and poet John Trudell, left, and Son Coup of the Santee Sioux Nation pose for a photo in San Francisco, Calif., in July. 

 

The project all began three years ago when Wilbur photographed her elders from both of her tribes, the Swinomish and Tulalip. She soon decided it was not enough to photograph only her people. After raising $35,000 through Kickstarter.com, an online funding platform, she had enough to realize her project and zip across the country capturing the faces of this nation’s first peoples.

Wilbur said her project is aimed toward debunking the bevy of erroneous stereotypes surrounding Native American culture and society and to reiterate the continual presence of Native Americans.

“We are still here,” she said. “We remain.”

One of those stereotypes is the image of Indians clad in feathers, nearly naked running across the prairie, whooping it up like what’s oft portrayed in western cinema. Also the caricature image of Indians as mascots.

With that in mind, Wilbur said the project is meant to drive conversations about the ubiquitous appropriation of Native American culture and to discuss how U.S. citizens can evolve beyond the co-opting of indigenous images and traditions.

“I hope to educate these audiences that it’s not OK to dress up like an Indian on Halloween,” she said. “I’m not a Halloween costume. I hope to encourage a new conversation of sharing and to help us move beyond the stereotypes.”

Wilbur added that she hopes her photos — her craft — will display the “beauty of (Native) people and to introduce some of our leaders to a massive audience.”

Wilbur, 29, operates on a modest budget and relies heavily on the “generosity and kindness” of the people she meets when travelling throughout Indian country. Many of her photo subjects will host her overnight and provide her with meals.

Courtesy Matika WilburAnna Cook of the Swinomish and Hualapai tribes poses for a photo in Swinomish, Wash., earlier this month. 

 

“I come in a good way. I bring gifts. I interact with their children well. I behave myself. I walk the red road,” she said. “People believe in my project because they, too, have been affected by the stereotypical image and they want to see it change.”

In between shoots, or maybe over dinner, Wilbur will tape record her subjects as they impart their wisdom and life stories. She plans to transfer the files to an application, which will coincide the corresponding photos in a future exhibition.

In the last year, Wilbur has slept in her two-seater Honda only once or twice but, following a new fundraiser in January, she hopes to get a van to sleep in on those long nights out on the open road.

Wilbur said that the fact that there are newly recognized tribes is indicative of the progress Native Americans are making today and that she plans to photograph the four tribes as well as various others who haven’t been recognized by the federal government.

Currently, Native Americans make up 1.6 percent of the entire U.S. population, according to the U.S. Census.

On Oct. 31, President Barack Obama proclaimed November 2013 as Native American Heritage Month and designated Nov. 29, 2013 as Native American Heritage Day.

Wilbur’s previous work has been showcased across the U.S. and internationally at the Royal British Columbia Museum in Canada and the Fine Arts Museum of Nantes in France.

In May 2014, the Tacoma Art Museum in Washington will host an exhibition of Wilbur’s collection of photos. In the meantime, she says she’ll continue her project and “let it flow as the spirit moves it.”

Shop for Native American holiday gifts at Tulalip

By  Monica  Brown,  Tulalip  News writer.

TULALIP, Wa- Tulalip’s  annual  Native  Bazaar  is  happening  this weekend, Nov 23rd  and 24th, and December 7th and 8th.  The bazaar is a great place to  buy  handmade gifts  for friends and  family and offers everything from cedar woven items art, carvings and drums, to jewelry, clothing and food.

The bazaar is open 9:00am – 4:00pm and is located  at  the Don Hatch Jr Youth Center, 6700 Totem Beach Rd, Tulalip. I-5 exit 199, follow the signs.

20131123_125559

Among the many native themed crafts is a line of clothing that has been tailored to show off native America designs.
Among the many native themed crafts is a line of clothing that has been tailored to show off native America designs.

20131123_125828

Shirt worn by George Armstrong Custer up for auction in Maine

George Armstrong Custer signed shirt. Photo from Saco River Auction
George Armstrong Custer signed shirt. Photo from Saco River Auction

Source: Indianz.com

A shirt belonging to George Armstrong Custer is up for auction this Saturday. The shirt was authenticated by the Custer Battlefield Museum in Montana, according to the Saco River Auction. The estimated price is $1,000 to $1,500.

Also up for auction are artifacts that are said to be from the Battle of the Little Bighorn, where Custer and the 7th Calvary were defeated by Lakota, Northern Cheyenne and Arapaho forces in June 1876.

Get the Story:
Earliest known recording of black vocal group in the US to hit auction block this weekend (AP 11/20)

Skateboard artists featured in Native Heritage Month celebration at State Capitol

By Colin Bane Nov. 19 2013 Westword.com

 

November is American Indian and Alaskan Native Heritage Month — so naturally, the Lieutenant Governor’s Office, which oversees the Colorado Commission of Indian Affairs, is celebrating with a show of skateboard art at the State Capitol. A public reception for the show, curated as part of the Colorado Creative Industries Creative Capitol series, will run from 3:30 to 5 p.m. in the Capitol’s first floor lobby and Rotunda Gallery. The artwork will be on display through January 30.

Deana Spinuzzi MillerWalt Pourier's "Raven Cry" paintings are on display in the Capitol, along with skateboard graphics by Pourier and other Native American artists
Deana Spinuzzi Miller
Walt Pourier’s “Raven Cry” paintings are on display in the Capitol, along with skateboard graphics by Pourier and other Native American artists

“Skateboarding as a means of expression in itself and the art that so often goes with it have been a huge part of what we’re calling our Live Life Call to Action movement,” says featured artist Walt Pourier, an Oglala Lakota artist based in Denver. His graphics on decks for Wounded Knee Skateboards are featured in the exhibit, alongside the “Raven Cry” series of paintings he completed earlier this year during his artist-in-residence stint at the Denver Art Museum and photographs from this summer’s One Gathering Skate for Life, an annual event at the Denver Skatepark hosted by Pourier’s non-profit organization, the Stronghold Society.

Pourier’s Denver-based graphic design firm, Nakota Designs, produces art for a number of Native American non-profit organizations, and his involvement with skateboarding has taken him all the way to the Smithsonian’s National Museum of the American Indian. His deck graphics for Wounded Knee — including stark portraits of Black Elk, Crazy Horse and the White Buffalo — have won him plenty of fans in the skateboarding world and among young Native skaters, but Pourier says getting local recognition in 2013 has been one of the biggest honors of his career.

“It really means a lot to be getting these opportunities, like the artist-in-residence thing at the Denver Art Museum, the Mayor’s Diversity Award we won last year for our work with the Stronghold Society, and now to have our work hanging in the State Capitol,” Pourier says. “We see Denver as center of Native country here in the United States, with a huge Native urban population, and these kinds of recognitions are really helping us to make Denver our base, a center point we can reach out from to serve this community and also the surrounding states and Native communities around us.”

Deana Spinuzzi MillerWalt Pourier's skateboard decks and other artwork, hanging in the State Capitol's
Deana Spinuzzi Miller
Walt Pourier’s skateboard decks and other artwork, hanging in the State Capitol’s

That work has included getting skateparks built at Pine Ridge in South Dakota and other reservations, and working with young people through other efforts like the Kimimila Age of the Daughters Gathering for young women and Tusweca Tiospaye, an annual Nakota Dakota language summit. “Our young people are learning the value of Native art, language, and culture, and not just preserving it or appreciating the historical value but very much making it a part of their lives now and in the future,” Pourier says. “Nothing gives me greater hope for our Native youth than to overhear a bunch of kids out at the Denver Skatepark or the Wounded Knee 4-Directions skatepark in Pine Ridge, speaking to each other in Lakota or other Native languages.”

38th Annual American Indian Film Festival Awards Ceremony

 

C. Soap and S. Littlefeather
C. Soap and S. Littlefeather

By Nanette Bradley Deetz 19 Nov 2013

 

Nativenewsonline.net

 

 

 

SAN FRANCISCO – On Nov. 10, the 38th Annual American Indian Film Festival Awards Ceremony premiered at the San Francisco Jazz Center.

This year marked a change from the usual Palace of Fine Arts to this new, centrally located venue. The Jazz Center provided a state of the art theater on two levels plus a restaurant/bar that served a full dinner menu. The stage and theater design provided an intimate and warm relationship between the performers and audience.

Mike Smith (Dakota), festival director of the American Indian Film Institute welcomed those in attendance by reminding us of the important role the arts have always played in American Indian life; from storytelling, songs and dance, crafts and arts to now include media arts. Many of these arts were traditionally considered medicine. This was also the first year that the film festival was streamed live via the internet. There are plans going forward for the Awards to be broadcast on national television.

The Opening Prayer was offered by Lorraine Laiwa and Pomo singers from Northern California.

Actress Tonantzin Carmelo and actor Michael Spears were the Awards host. This year’s film festival included more feature length films than in any previous year. They were all stunning, and included “The Cherokee Word for Water,” directed by Charlie Soap; “Chasing Shakespeare,” directed by Norry Niven; “Bury My Heart with Tonawanda”, directed by Gary Sundown;  “The Activist,” directed by Cyril Moron; “Moose River Crossing,” directed by Shirley Cheechoo; “Star Wars: Episode IV-A New Hope,” directed by George Lucas, and dubbed entirely in the Navajo language with no English subtitles; “The Lesser Blessed,” directed by Anita Doron; “Winter in the Blood,” directed by Alex and Andrew Smith and “Maina,” directed by Michael Poulette.

“Maina,” starring Roseanne Supernault won the award for Best Feature film. Roseanne Supernault also won an award for Best Actress for her role in this feature film. Chaske Spencer won Best Actor for his role in the feature film, “Winter in the Blood.” Actress Tantoo Cardinal won Best Supporting Actress for her role in ”Maina” and Kiowa Gordon won Best Supporting Actor for his role in “The Lesser Blessed.” “Dancing on the Run,” directed by Cowboy Smith and featuring the music of Inez Jasper won the Best Music Video category.

“Standing on Sacred Ground: Pilgrims and Tourists” directed by Toby McCloud won for Best Documentary Feature and is a tremendously important film. The film documents indigenous shamans of the Altai Republic in southern Siberia, and the Winnemum Wintu of Northern California, led by tribal Chief Caleen Sisk. These two diverse groups find common ground resisting government mega projects. The issues the Winemum Wintu face are complex and center around federal recognition for the tribe, land and water rights, and protecting sacred sites.

“We have been battling PG&E and water bottling companies because our sacred springs (located on Mt. Shasta) have been dry now for two weeks. This is only the second time, in the entire history of our people that this has occurred. These artisan springs are being drained off. That coupled with the strange snow that contains siridite chemicals from the trails of jets, and poor rainfall in general has been disastrous. If this continues, our sacred springs will never be the same again. This isn’t a good sign at all”, remarked Tribal Chair Sisk.

The evening entertainment began with Swil Kanim playing his virtuoso violin, and his comedic storytelling, poetry and audience interaction. Vaugn Eaglebear, a Lakota/Colville comedian, had the audience laughing until tears flowed with his own brand of dead-pan, rez humor. Lines like, “My goal in life is to move to India and open a convenience store and sell cigarettes, gas…” or “I left my coat hanger in my car. Good thing I’ve got my car keys in my pocket. I left the kids in there too”, or “you know you’re poor when you use coffee filters for toilet paper, and toilet paper for coffee filters”. Cody Sunbear Blackbird (Eastern Band Cherokee/Dakota) flute player and the youngest recipient of the Flutist of the Year Award from the Native American Music Association graced us with his music. He played both the single cedar bird flute and a duet on the drone flute (double style) with Swil Kanim that was exquisite. The audience was also treated to “Twice As Good” the father and son blues duo and their band from the Elem Pomo Indian Colony in Northern Calif., as well as Inez Jasper, pop singer from Canada. “Scatter Their Own,” from Pine Ridge, South Dakota provided alternative Native rock music.

The very prestigious Eagle Spirit Award for excellence in film arts was awarded to Sacheen Littlefeather. This was the highlight of the evening.

“I’m better known for refusing awards than for receiving them,” said Littlefeather. “Even though refusing the Academy Award for Marlon Brando cut short my acting career, I was so lucky to participate and be a part of important Native American events during these past 40 plus years,” she continued.

Some of the events she has been part of include the occupation of Alcatraz Island, the 7 month sacred Indian run across Europe and behind the Iron Curtain, into the Soviet Union to protect Mother Earth and promote peace.

She was a founding member of the Red Earth Indian Theater Company in Seattle, Washington during the 1970s. This was the very first American Indian Theater Company in the United States. Littlefeather worked tirelessly to bring about change and awareness about the misuse of sports mascots. She was also one of the consultants to the San Francisco Ballet Company’s production of “Song for a Dead Warrior” based on the life of Richard Oaks.

“This ballet was performed worldwide and in the United States at the Kennedy Center. It was also featured on KQED’s Great Performances in Dance”, said Sacheen.  “I am so very proud of the work I did with Mother Teresa in Aids and Hospice while she was here in San Francisco. From that experience, I became a founding board member of the American Indian Aids Institute, where I continued to work”, remembered Littlefeather.

For the past 25 years, She has pushed for the sainthood of Kateri Tekakiwitha by the Catholic Church. Her dreams came true recently when she traveled with 900 other Natives from the United States and Canada to the Vatican City.

“It was the first time in history that Mohawk was spoken in the Vatican. What a thrill”, recalled Littlefeather. Currently Sacheen Littlefeather is a member of the Marin Indian Alliance, a founding member of “breast friends for life”, a member of SAG (screen actors guild) and AFTRA. “I am so honored and grateful to be a part of the ever growing Bay Area Indian community, our powwows and to witness our growth and our growing pains. I have an acute appreciation for life and beauty and a belief in the stories told from our native point of view. We now have the right to tell our own stories, act in them, direct them, produce them, all of it”, said Littlefeather.

Cherokee Nation selling new cultural Pendleton blanket

Principal Chief Bill John Baker and blanket designer Dan Mink stand with the Cherokee Nation’s newest Pendleton Blanket, now on sale at Cherokee gift shops.
Principal Chief Bill John Baker and blanket designer Dan Mink stand with the Cherokee Nation’s newest Pendleton Blanket, now on sale at Cherokee gift shops.

Source: Cherokee Nation

TAHLEQUAH, Okla. – It’s the time of year when the weather turns cold, and the Cherokee Nation is selling a new Pendleton blanket that can be used to stay warm this winter.

The blanket was made by iconic Pendleton Woolen Mills and retails for $250. It can be purchased at the Cherokee Nation Gift Shop in Tahlequah and the Cherokee Art Gallery inside Hard Rock Hotel and Casino Tulsa.

Designed by award-winning Cherokee Nation Lead Graphic Designer Dan Mink, of Stilwell, the blanket is rich in earth tone colors and features culturally significant detail.

“The time was right for a new customized blanket for the Cherokee Nation. We wanted to create a piece that was visually appealing and culturally significant,” said Principal Chief Bill John Baker. “While this blanket appears vibrant and modern, in actuality it is composed of historic and cultural motifs and colors that are important to the Cherokee people. It is a beautiful design that symbolizes the strength and unity of our people, our rich history, our cultural identity and our sovereign government.”

Central to the Pendleton design is a seven-pointed star, reflecting the seven clans of the Cherokee people. Mink also chose a starburst pattern to represent the three federally recognized Cherokee tribes originating from one fire. The color tan represents buck skin; red, black and yellow are artistic colors found in Cherokee artifacts; and gold comes from the Cherokee Nation seal. The border of the blanket is a Southeastern motif, and basket weaving was the inspiration for the inner corners.

“To stay authentic, traditional Cherokee colors are incorporated into the blanket design, as well as circles, which are never ending and always a theme in Native American art,” Mink said. “It was a great honor to be asked by Chief Baker to design the new Pendleton. It’s a joy to express my interpretation of what our Cherokee Nation stands for, both culturally and contemporarily.”

The Pendleton is available online at http://cherokeegiftshop.com/category/63-pendleton-products.aspx and at the following locations:

Cherokee Nation Gift Shop
17725 S. Muskogee Ave. Tahlequah
Monday – Saturday, 9 a.m. to 5 p.m.
Sunday, 11 a.m. to 4 p.m.
918-456-2793

Cherokee Art Gallery
Hard Rock Hotel and Casino
777 W. Cherokee St.
Daily 10 a.m. to 6 p.m.
918-384-6723