The Idle No More Video You Missed: Native Kids Drumming and Smudging

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Source: Indian Country Today Media Network

Nearly a year ago, the Indigenous Action Movement coordinated a protest at the Peace Arch on the U.S.-Canada border. “It’s a peaceful, prayerful action … a ceremony with smudging, drumming and singing,” Kat Norris, spokesperson for the group, told ICTMN. “Every time we have to cross a border, it hits our hearts. It only reminds us of what we once had.” The gathering was focused on Indigenous women, but had a strong youth element to it. Video director Dave Wilson set out to capture the spirit of Idle No More’s future: Young people from both countries united by a cultural pride, and a willingness to question the status quo.

 

Entitled “Idle No More: The Next Generation,” the video was produced by Natives Brodie Lane Stevens (Tulalip) and ICTMN contributor Gyasi Ross (Blackfeet), and uses the song “Letter to My Countrymen” by the Minneapolis-based rapper Brother Ali, who has collaborated with Wilson in the past. The clip was posted to the RockPaper Jet YouTube page on January 9,

Read more at http://indiancountrytodaymedianetwork.com/2013/12/18/idle-no-more-video-you-missed-native-kids-drumming-and-smudging-152775
 

Santa and Sirens

Tulalip Bay Fire Dept. annual Santa Run and food drive

 

Santa and the family of Christina Leea singing Rudolph the Red Nosed Reindeer
Santa and the family of Christina Leea singing Rudolph the Red Nosed Reindeer

Article and photos by Andrew Gobin/Tulalip News

Tulalip Bay Fire Department brought a little Christmas cheer to the neighborhoods of Tulalip. A parade of the department’s two fire engines and ambulance had Santa riding along on an engine, jumping off to pass out hugs and candy canes to kids from one to ninety-two, all the while trumpeting horns and blasting sirens to let people know that Santa had come to town.

Kids and their families lined the streets on December 14th and 15th as Santa rolled through with his firefighting elves. The children’s faces lit up as soon as they saw him, or maybe that was from all the lights decorating the fire engines. A few times Santa and his elves joined families for a chorus of Rudolph the Red Nosed Reindeer. Passing neighborhood traffic didn’t seem to mind Santa parading down the street, many times passing cars stopped to join the holiday festivities.

The Holiday Santa run started at 5pm each day and lasted five hours, all the while collecting food and monetary donations for the Tulalip Food Bank. Santa and his elves filled the ambulance with donations over the course of the weekend.

There are many photos of Santa visiting children and their families. To view them please visit tulalipnews.com, or see our new facebook page; search Tulalip News.

Link Wray: Native Musician nominated for the Rock And Roll Hall of Fame

Source: Powwows.com

Pioneer of Distortion.  Champion of the Power Chord. Rockabilly Legend.  Link Wray is well-known as a musical force.  This Shawnee artist created an enduring legacy that climbed the charts, influenced popular culture and permeates movies and tv soundtracks throughout the decades.  Link Wray has been inducted into the Native American Music Hall of Fame, Rockabilly Hall of Fame, Washington (DC) Area Music Association,Southern Legends Hall of Fame and many more.  Now, Link Wray fans have the opportunity to vote to place this performer in the Rock and Roll Hall of Fame.

Link Wray has been named as one of the 100 GREATEST GUITARISTS by Rolling Stone magazine.  In addition, this profound musician has been featured in the Smithsonian Institute’s National Museum of the Native American Indian ”Up Where We Belong” exhibits in both Washington DC and New York City.
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PULP FICTION, INDEPENDENCE DAY, DESPERADO, THE SOPRANOS, BLOW and many other movies and tv programs have incorporated Wray’s music into their soundtracks.  Link Wray has influenced  Jimmy Page, Neil Young, Iggy Pop, Bruce Springsteen, Bob Dylan, Pete Townshend, Dan Auerbach and countless thousands of other musicians the world over.

 

“Rumble”, “Raw-Hide” and “Jack the Ripper” are representative of Link Wray’s distinctive sound.   ”Daddy was such a proud Native American man,” states his daughter Beth Wray Webb, “and he was always proud of the music he made and determined to make music his way.” To vote for this Native American artist to be inducted into the Rock And Roll Hall of Fame, visit http://www.rockhall.com/inductees/nominees/link-wray/ and cast your vote.

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M-PHS Winter Concert Dec. 17

MARYSVILLE — The Marysville-Pilchuck High School Winter Concert will kick off at 7 p.m. on Dec. 17 in the M-PHS auditorium.

This holiday event will feature the school’s award-winning concert choir, symphonic band, wind ensemble and jazz ensembles.

The musical selections are set to include seasonal favorites such as Leroy Anderson’s “Sleigh Ride,” and Leontovych and Wilhousky’s “Carol of the Bells,” as well as classical selections from Johann Sebastian Bach and more contemporary pieces from Harry Belafonte.

As always, musical performances at M-PHS are family events and free to the public.

2013 Christmas Celebration Saturday, December 21st

Christmas Treats All Day! Quil Ceda Creek Casino

Complimentary photos with Santa’s helpers at the main east entrance from 4:00 PM to 10:00 PM!

25 Days of Christmas Cash

$67,000 in Hot Seats

Join the 25 Days of Christmas Cash giveaways every day thru Christmas Eve in December starting at noon. There will be a $250 cash winner every two hours, every day! On Christmas Day there will be ten (10) winners of $2,500 each every two hours.

Players must be present to win. Card activation required between 12:00 PM (noon) and 12:00 AM (midnight) on all drawing dates, except Christmas Day between 6:00 AM and 12:00 AM (midnight). All winners will be drawn by virtual selection through the player tracking database. Must be 21 and over.1386957944892_927429_xmas

As Long As The Rivers Run: An Original Musical Play About Salmon And The Indians Who Love Them

Please join Red Eagle Soaring Native Youth Theatre on Sunday, December 15th for a performance of As Long As The Rivers Run, an original musical play by Roger Fernandes (Lower Elwha Klallam) about the historical and contemporary relationship between salmon and Northwest Native peoples. Reception and refreshments following, all are welcome.

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Annual Tulalip Bay Fire Department Santa Run, Dec 14-15

Annual Tulalip Bay Fire Department Santa Run and Food Drive, December 14 and 15, 5-9pm

Santa and his tema of firefighters will be coming through your neighborhood in the Tulalip Reservation, spreading joy and Christmas cheer!

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Neil Young Helping First Nations Fight Oilsands With “Honor The Treaties” Tour

Robin Hood Fund Raiser

Source: HuffPost Canada Music  |  By Jason MacNeil

Neil Young has announced four intimate benefit shows as part of a week-long Canadian mini-tour dubbed “Honor The Treaties” to assist the Athabasca Chipewyan First Nation (ACFN) Legal Defence Fund.

The four-city tour will include special guest Diana Krall as well and commences at Toronto’s Massey Hall on Jan. 12. Additional dates include Winnipeg’s Centennial Concert Hall (Jan. 16), Regina’s Conexus Arts Centre (Jan. 17) and concluding at Calgary’s Jack Singer Concert Hall on Jan. 19. Tickets for all four benefit gigs go on sale tomorrow (Dec. 10). Ticket prices have yet to be announced. The Canadian dates follow four scheduled concert Young has at New York City’s Carnegie Hall starting Jan. 6.

The ACFN “challenges against oil companies and government that are obstructing their traditional lands and rights.” The announcement adds the legal challenges will ensure “the protection of their traditional lands, eco-systems and unique rights guaranteed by Treaty 8, the last and largest of the nineteenth century land agreements made between First Nations and the Government of Canada, are upheld for the benefit of future generations.”

According to the ACFN’s page, the treaty was the last but largest agreement between the two parties, encompassing more than 840,000 square kilometers. “From that point in time up to the present, the federal government has claimed that the Cree, Dene, Metis and other various First Nations peoples living within the Treaty 8 boundaries had surrendered any claim to title to all but the lands set aside as reserves.”

The tour comes following Young’s description earlier this year of Fort McMurray and neighboring oilsands projects in Alberta, comparing Fort McMurray to “Hiroshima.” “People are sick,” he said during a speech in Washington, D.C. “People are dying of cancer because of this. All the First Nations people up there are threatened by this.”

Earlier in 2013, a series of Idle No More benefit concerts took place in various Canadian cities raising awareness about the issues facing First Nations. Guitarist Derk Miller organized such a gig in Ottawa in January, 2013 while other concerts took place from coast to coast.

Also in early January, 2013 dozens of Canadian musicians penned a letter supporting the Idle No More movement. According to a Facebook post, the letter demanded “Canadians honour and fulfill indigenous sovereignty, repair violations against land and water, and live the intent and spirit of our Treaty relationship.”

The letter was signed by artists such as John K. Samson, Gord Downie, Feist, Sarah Harmer, Steven Page, The Sadies, Justin Rutledge, Blue Rodeo’s Greg Keelor Jim Cuddy and Broken Social Scene’s Kevin Drew and Brendan Canning among others.

Although initial reports indicated tickets go on sale Tuesday (Dec. 10), a Ticketmaster link to the Winnipeg concert says tickets for that particular show go on sale Friday (Dec. 13). The link for the Winnipeg show also indicates the price range is from $59.50 on the low end up to $260.25 on the high end. Meanwhile, the Massey Hall link for the Toronto concert says tickets (ranging from $95 to $250) go on sale Friday morning at 10:30am local time.

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Native Author Gyasi Ross Talks Cultural Preservation

12-5-gyasi-2-thumb-640xauto-9817by Aura Bogado, Color Lines

Gyasi Ross is a member of the Blackfeet Nation and his family also comes from the Suquamish Nation of the Port Madison Indian Reservation where he resides. Aside from being a father, lawyer and a filmmaker, the ever-busy Ross has found time to write two books. His latest, “How to Say I Love You in Indian” (Cut Bank Creek Press) comes out today. Here, he talks about real love, feminism via bell hooks and fatherhood.

The title of your book, “How to Say I Love You in Indian,” might confuse people. What do you mean by it?
Well, there are a lot of fluent speakers of the Blackfoot language in my family, and my grandparents or really most people in my family will say they’re speaking in Indian. That’s just the way old folks speak, and that’s who I was raised by, by grandparents and great aunties and uncles.

What about the love part of the title?
Poor people have different ways of communication, different kinds of love that are not part of materialistic culture. Expressing love isn’t about a Hallmark card. … It’s not about convenience. It’s not always about being vocal and poetic about love, it’s about taking care of each other—like cooking. One of the stories in the book is about stew and how it’s representative of love for a lot of poor people, and Indian people specifically. We always had the worst cuts of meat and the worst ingredients, but through those ingredients, time, love and secret sauce, it turned into a beautiful stew. That’s what the title of the book is all about: physical manifestations of love and the symbols of our love within Native culture.

So it sounds like it’s less about saying “I love you,” and more about how you express it.
Right, it’s about the action. A lot of the work that I do and the writing that I do is about fatherhood and mentorship. And because I’m a dad, I remind myself that I can say “I love you” all I want, but if my actions aren’t commiserate with that, then it doesn’t matter.

I noticed that you thanked bell hooks and you also have quote from her in the book. She’s written a lot about love, and I’m curious about how she’s influenced your work.
I think that bell hooks made feminism approachable to me. I was raised by a single mom and two older sisters, and by my grandmas, who are both amazing women. Just today, I was speaking with my auntie Wilma Faye and she’s also provided a lot of structure for me. I tend to put women on a pedestal, and Native women especially because they were the ones who ensured that I was safe and always doted on me—to a fault, maybe. It was bell hooks who helped me to look more critically at the relationships that women have with men, and with young boys and sons specifically. And that was important for my intellectual development and my emotional honesty.

You’re a father, a lawyer and a lot more. When did you find the time to write this book?
I don’t sleep much, and that’s tongue-in-cheek, but it’s also true. I come from a home with a single mother, and so I take fatherhood and being an uncle very seriously. I try to work on that first and foremost, before any other those other titles—lawyer, writer, anything else—I’m a dad. And I’m also an uncle; I’ve been one since I was 12 years old. For me, what that means is that I have to figure out a way to negotiate everything else around those two things. I work entirely for myself, and when my son’s at school, that’s game time and I can work. But when he’s home from 3 o’clock to 9 o’clock, that’s his time. He can’t just see me on my computer working. He needs to see me hanging out with him and being active as a way to teach him a healthy lifestyle. No paid work is getting done at that time. Whether it’s writing, lawyering or consulting, that happens from 9 o’clock in the evening until it gets done.

You write in the book that the last 500 years don’t define us as indigenous peoples—that the future will. What does that future look like for you?
There’s a lot of controversy about how long Natives in both North and South America have been here, somewhere between 20,000 and 50,000 years. Five hundred years is absolutely nothing compared to how long we’ve been here. The United States empire is already showing incredible signs of decay, it’s already falling apart. And most Natives can understand that this has been an experiment gone terribly wrong and that we shouldn’t buy into it. Some Native people are trying to dis-enroll other tribal members over casino money—and that’s the culpability that bell hooks writes about—and some of us are buying into this failed experiment. That’s a subset of Native people don’t understand that this is just a drop in the bucket.

What about the long-term future?
One of my mentors, Darrell Kipp passed [very recently]. He’s a member of the Blackfoot Tribe who started immersion school on our reservation. He was someone who dedicated his life to the survival of a way of life: speaking our languages, keeping our customs alive, and understanding that those ways of being are going to have relevance and pertinence again. It’s worth sustaining, it’s worth helping those things to survive. Right now, there are enough Natives who get it, that this is a very temporary, illusory American way of life, and we can’t get caught up in the glamour and glitz of it.

And what about the short-term future?
In the short term, it’s about letting go of the exclusivity—we’ve always been about inclusiveness. Tribal enrollment is a legalistic mechanism that isn’t even based in traditional notion because we had communities that you were either a part of or you weren’t. If you came to our communities in good faith, you were put to work. The more we buy into that exclusivity model that somehow being an Indian, being a Native, or being a tribal member has more value than simply being responsible, that worse off we are. But if we recognize that being a Native person is all about responsibility and continuing a way of life, then I think our outlook is good.

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