By Micheal Rios, Tulalip News; photos courtesy of event coordinator and para-pro, Monica Holmes
On the afternoon of Friday, September 29, the popular Paint and Sip experience came to Tulalip’s own Girl’s Talking Circle. Eight aspiring young ladies had the unique opportunity to create their own masterpiece on canvas while sipping sparkling cider and enjoying fancy snacks.
The Paint and Sip activity provided both our youth Girl’s Talking Circle and their family members with an opportunity to explore their creative side. They learned to hone their artistic skills, like utilizing color for effect, balancing light and dark, adding shapes, dimension and perspective, and taking risks to personalize art in order to make it their own.
Hosted by Tulalip Youth Services and Behavioral Health’s MSPI Program, and held at the Kenny Moses Building, Paint and Sip was a creative way of engaging with female youth ages 11-18+. The mother, aunties, grandmas or female guardians of participating youth were also invited to participate. There ended up being two pairs of mother/daughter duos attending.
“One mother-daughter duo in particular really exemplified unity and support,” explains event coordinator and para-pro Monica Holmes. “Amy and Kelsey Sheldon reached out to us early on to see if we could create an inclusive activity that Kelsey could participate in. Kelsey has Autism and rarely has opportunities to interact with other young women her age with or without disabilities.
“Understanding the challenges Kelsey might face in groups, we felt including her mother Amy would be an important first step into helping Kelsey feel at ease in a group of new people. Sitting beside one another and working together on an art project helped to focus her attention to the task at hand. The finished product both mother and daughter created and the positive experiences they had, proves that kids with challenges and disabilities can benefit from more inclusion in community sponsored activities. MSPI (Methamphetamine Suicide Prevention Initiative) is working to push forward with even more tailored inclusive activities in which all youth can gain skills, camaraderie and connection to their heritage and community.”
For most of the girls Paint and Sip provided the opportunity to showcase their artistic talents on canvas for the very first time. Under the guidance of art instructor Irina Johnson from Vine and Palette, everyone painted their own rendition of sea turtles swimming in the ocean under a bright summer sun.
“Art teaches you to look at nature and everything around you through different eyes,” says artist Irina on the importance of experiencing art. “You look for details, texture, and color in a way that makes you appreciate all those things you generally ignore and take for granted. For example, how many colors can you spot in a leaf when the sun is setting, or what are all the textures in a tree branch, or the intricate details in a single blade of grass. All these little things add up to a greater awareness of our world and our reality. In this sense, art makes us appreciate life that much more.”
An eloquent description for sure, but for 11-year-old Tieriana McLean she puts it much simpler, “I came here because I just like painting.” What more need be said?
The Girl’s Talking Circle meets every Friday from 2:00 p.m.-4:00 p.m. at the Tulalip Youth Center. They do hands-on arts and crafts, explore cultural identity, focus on personal, team and community building, have speakers from the Tribe teach their wisdom, and go on fieldtrips to explore, learn and grow.
For more information about the Girl’s Talking Circle please contact Monica Holmes at 360-631-3406 or email: mholmes@tulaliptribes-nsn.gov
Larry Campbell Sr. (Swinomish) and Tracy Rector (Seminole/Choctaw) accept lifetime achievement awards at the Film Festival for their work in cultural sharing and filmmaking.
By Kalvin Valdillez, Tulalip News
Local filmmakers, cinephiles, culturalists and food fanatics gathered at the Hibulb Cultural Center on Saturday September 23, to attend the Center’s annual Film Festival. Every year the festival has a new theme and filmmakers are encouraged to submit a project correlating to the theme, however, all projects are welcome. The Cultural Center chose First Foods: Feeding our Spirits as the theme for this year’s festival.
Celebrating its fifth year, the festival featured a showing of several Indigenous films, a presentation by the Rediscovery Program and a story presented in Lushootseed by Natosha Gobin. Awards were presented to filmmakers in attendance as well as lifetime achievement awards to Swinomish elder Larry Campbell Sr. and Longhouse Media Director and Seminole/Choctaw tribal member Tracy Rector for their work in cultural sharing and filmmaking.
Language teacher Natosha Gobin tells a story in Lushootseed.
The Rediscovery Program shared the history of traditional Tulalip ancestral foods and a food tasting which included hawthorn horsetail peppermint tea, basil stinging nettle pesto, deer and elk meat, as well as mixed berries comprised of salal berries and mountain huckleberries. The Rediscovery Program also showcased a traditional bentwood box used for cooking. Inside the box were a variety of traditional foods, including mussels, oysters, clams, salmon, elk meat, berries and herbs; as well as cooking necessities such as cedar-woven food storage baskets, cooking rocks and utensils.
“It’s truly a blessing to be able to be one with our environment,” expresses Rediscovery Program Coordinator, Inez Bill. “We need to share that with our young people so they know that the lifeways of our people is very important to who we are. We need to see that continues to our grandchildren’s grandchildren. What’s important to know and remember is that our ancestors were one with their environment; and being one with the environment, they had a key identity with the resources. These natural resources provided for all of the needs for our people; it provided shelter, tools, transportation to go from one area to another. This relationship with the natural environment also meant that they respected the environment, they had teachings and values that they lived by. They had a spiritual connection that they followed daily.
“The spiritual connection, the teachings and the values were in all the lifeways of our people,” she continues. “Whether it was hunting, fishing or gathering it was done in a proper manner – with the rituals, making the baskets, carvings and all of the different teachings that took place. We had people that were so keen to the native plants that they were able to provide the medicine that was needed to help our people live. There were no hospitals; there was no fast food outside the reservation like there are now. Our people were a lot healthier than they are today. As our people adapted to the changing world, our bodies were not accustomed to these drastic changes and it’s not always in the best interest for our health. We need to do the best we can to continue to keep some of these foods, not for ourselves, but for the future generations. Because we know that when we eat our native foods we’re not only nourishing our bodies, we’re nourishing our spirits.”
Rediscovery Program Coordinator, Inez Bill.
Following the presentation by the Rediscovery Program, festival attendees were treated to a viewing of eight films.
“We have categories in animation, documentaries long and short, feature films long and short, anti-bullying and experimental films,” explains Hibulb Cultural Center Education Curator and Film Festival Organizer, Lena Jones. “We have youth categories for animation, documentaries, feature films, anti-bullying, and experimental also. We have a section specific to Tulalip members in all those categories as well.”
Navajo Filmmaker Kody Dayish submitted three films for this year’s event. In his film The Beginning, a Navajo elder explains the heritage and traditions of the Navajo people to his grandson through traditional song. Kody also tackled serious issues such as bullying in schools and suicide during his three-minute film, Spared. For his third submission, Goodbye, a Navajo elder returns to her childhood home and is hit with a wave of nostalgia as she reminisces of young love in a music video-style film featuring music by Navajo band, Our Last Chants.
The Hibulb Cultural Center Film Festival also screened the short animation film, σčəδαδξʷ. The film’s name is in the traditional Lushootseed language, meaning salmon. The animation explains the importance of salmon to Coastal Natives while depicting the salmon’s lifecycle. The main character is the late Billy Frank Jr. and is told entirely in his voice, as the cartoon was built from one of his speeches.
“When I first saw [σčəδαδξʷ] I was at home reviewing all the films and I just cried,” states Swinomish tribal member and Hibulb Cultural Center Film Festival Judge, Robin Carneen. “Billy Frank Jr. was such a hero in our Northwest area because he was such a fighter for the rights of the people – treaty rights, our right to fish. He was on the ground to the day that he passed. That is such a powerful film. And to mix it as an animated film, it’s going to reach even younger generations. I grew up watching cartoons, not a lot of educational purpose to them except maybe for entertainment value and not necessarily always a good message. Later as an adult and watching animation, you think ‘wow all that was going into my brain?’ You see how much of an influence animation, films and TV are. To see Billy Frank again – he’s immortalized. His message is immortalized now, for all of us and all the generations yet to come so that we don’t quit fighting. This film is going to be our inspiration to make sure that fight keeps happening for generations to come.”
Tulalip tribal member, David Spencer Sr., presented his film, Waiting for Blackberries, which displayed clay Stick Indians chanting a traditional song to help ripen blackberries during the upcoming spring season. David was inspired to create the film when recalling advice from his grandmother to respect the berries, stating, “if you don’t show the berries respect, they will whip you with their thorny vines.”
The main screening, Maiden of Deception Pass: Guardian of her Samish People, was held in the Hibulb longhouse. The twenty-minute documentary highlighted the traditional story of Ko-kwal-alwoot, a young Samish woman who married a sea spirit in order to save her people from famine; and the erection of her story pole at Deception Pass in 1983. Filmmakers of the documentary include Jason Ticknor, Lou Karsen and Tracy Rector. Two international films, Hani’s Barbershop and Closer, were also shown to close out the festival.
“What I like about the Native films is that it’s really important that we’re preserving and documenting our culture,” says Robin. “When I see the language show up in the films, I get so excited to see and hear the language. That’s what I like about the films that are coming in from our area. The films are all so different but they’re all so important. The mix of people that we have, including the many generations, I think that all of the storytelling is great. Especially with all the modern technology, to mix the two together because it’s going to reach everybody on some level.”
The fifth Annual Hibulb Cultural Center Film Festival was a success as movie buffs from the Pacific Northwest, including Canada and Oregon, traveled to Tulalip for an afternoon of culture and movies. The event continues to generate interest as several young tribal members attended. Lena hopes to inspire indigenous youth to pick up a camera and start shooting.
“I encourage young people to become involved in filmmaking,” she states. “Films can impact people. We have such a strong, beautiful culture; and we have a belief that young people can reflect our ancestral values in film work because of their experience living in the culture. Plus, filmmaking is enjoyable!”
For additional information about the Annual Hibulb Cultural Center Film Festival please contact the museum at (360) 716-2600.
Museum Director Patricia Cosgrove sits with “Super Ken” mannequin by Bill Holm.
By Micheal Rios, Tulalip News
Thirty years ago, you couldn’t find a map using the term “Salish Sea” for the Puget Sound region. There were Seattle galleries and t-shirt shops aplenty selling Northwest Coast Native art, but the masks, totem poles and sinuous formline animal prints were designs from hundreds of miles away, not from here.
Thirty years ago, no major art museum in Washington had mounted an exhibit highlighting Native created works of our own lands and waters. Artists were indeed working – Musqueam visual pioneer Susan Point was making innovative prints based on ancient carved designs. Ron Hilbert was painting bold scenes of spiritual practices and Lummi weavers Bill and Fran James were making sumptuous blankets and intricate baskets. But the critical interest and most gallery attention was focused on art from the Canadian coast.
Painting of a ceremonial smokehouse dance from 1989 by Ron “Chadusqidub” Hilbert (Tulalip and Upper Skagit).
In 1989, the balance started to tip. Washington State’s Centennial exhibit of Native arts opened, managed by Patricia Cosgrove (now Director of the White River Valley Museum) with Kenneth Watson as part of the exhibit staff. Both art historians were on a mission to convince Seattleites that totem poles are not indigenous and that Salish art in all its creative branches is. The exhibit was incredibly successful, and soon many influences aligned to literally change the landscape of the Native art market.
Ever since, both Cosgrove and Watson have worked hard to see the word ‘Salish’ enter the mainstream vocabulary, and to insure that the characteristic sweeping lines and subtle patterns of Salish arts become recognizable and emblematic of the Seattle area.
Through the effort of many, this vision has come true. High quality galleries like Seattle’s Stonington Gallery and Steinbrueck Native Gallery feature experienced and rising artists from across the Salish Sea region. Generations of new artists have risen in skill and popularity. Today, Salish art is an explosion of innovation and creativity that still has a firm foundation in our region’s earliest Salish generations.*
That innovation and creativity of Coast Salish artistry is currently on full display at the White River Valley Museum, located in Auburn only blocks away from the Muckleshoot Reservation. Inside the museum mounts an unprecedented six-month-long exhibition titled Salish Modern: Innovation Art with Ancient Roots.
“I’m really thrilled that we have works from artists who are rock stars in the Native art world, such as Louie Gong (Nooksack), Susan Point (Musqueam), and Shaun Peterson (Puyallup),” states Patricia Cosgrove, Museum Director and Salish culture enthusiast. “People are surprised when they see the ancientness of the tradition and then recognize the elements of it all around them in these very modern pieces. This is a perfect exhibit to celebrate this vital, fabulous modern art world.
“For museum visitors and people who see the exhibit, I’d like them to know that Salish cultures are alive and can be very modern. In my opinion, modern Salish art is some of the most elegant, divine visuals that you can find,” continues Patricia. “I’d love to see Salish art take the place of totem poles and form line design in Seattle as its visual identity.”
Salish Modern: Innovation Art with Ancient Roots will be on display through December, 17. The exhibit is supported in part by the Tulalip Tribes Charity Fund. Included among the many elegant Salish artworks is a rare painting by Ron “Chadusqidub” Hilbert (Tulalip and Upper Skagit) depicting a ceremonial smokehouse dance from 1989.
Over the past two months, seven Tulalip tribal members have been hard at work crafting quilts for the Veterans of Tulalip. The members of the quilting group are Sandra Swanson, Candy Hill-Wells, Lena Jones, Sara Andres, Benita Rosen, Sherry Dick and Rae Anne Gobin. In Native America, blankets hold a significant value to many tribal communities as they are associated with honor and respect. Blankets, including quilts, are traditionally gifted at various ceremonies such as potlatches, pow wows and graduations. Tulalip quilters have used their artwork to help strengthen their community for many generations by gifting them to honor their fellow tribal members.
“Tulalip Tribes had a group of quilters that gathered at the ‘Fudge ‘n Funnies’ quilt store in Marysville until the store had a fire and closed,” explains Quilter Rae Anne Gobin. “Since then, there hasn’t been a place for quilters to gather until the Hibulb Museum was built. In 2016, I attended a Star Quilt class at the museum, taught by Edith Johnny and Tisha Mclean. It was then, the passion for quilting sparked once again.
“Outside of making quilts for family what else could I do?” Rae Anne pondered. “I thought about my grandmother, Christina Fryberg Williams, who belonged to the women’s sewing group housed at the basement of the old dining hall called the ‘thrift shop.’ I remember hanging out with my grandmother and cherished the quilt she gave me. Then, thinking of my dad, Ralph D. Jones Jr., serving in the Korean War as a combat Veteran. Wishing I could’ve made him a quilt to honor his service, but he passed before I really had the inspiration to sew. It was then, I introduced the idea of the Tulalip Veteran Quilt project to the quilters. To honor our Veterans for their service.”
The project is currently in its second year. Last year, the ladies made their first quilts with a traditional Native American design for the Veterans. This year, the group picked the House Divided pattern. The ladies continue to gather weekly to work on their quilts in preparation for the Annual Veterans Day Service at the Hibulb Cultural Center, where the quilters will present their finished projects to the Veterans.
“I think each one of us didn’t expect the response we received from the Veterans,” states Rae Anne, recalling the 2016 Veterans Day event. “We felt really good about making those and putting our love into the quilts, but we didn’t expect to get the emotion we seen out of the Veterans who got them last year. I think after getting the first year behind us, knowing what that meant to the Veterans, we wanted to continue doing this. Our purpose is to give back to our members who served our country – thanking them sincerely for their service because we care about them. There is a heartfelt emotion, love and words we cannot even express. That saying is true – the more you give, the more you get back.”
Pay Tribute to German Tradition by Raising a Beer and Toasting “Feierst Oktoberfest”
Tulalip WA — Holding true to Tulalip Resort Casino fashion, the culinary team will draw from the original Munich Oktoberfest for their first annual Taste of Tulalip Oktoberfest on Friday, September 22 from 6 pm to 9 pm at The Draft Sports Bar and Grill Patio. Sommelier Tom Thompson and Executive Chef Perry Mascitti will showcase authentic German dishes along with imported, local, and domestic Oktoberfest inspired beer at the enjoyable Taste of Tulalip celebration. Tickets are priced at $45 per person, ages 21 and over.
The Draft’s Chef Brent Clarkson carefully prepared the menu with options including hearty platters of Uli’s Famous Brats and Sauerkraut, Beer and Cheese Soup with Bavarian Pretzel Crouton, and a traditional Spätzle Bake (German Spätzle pasta lightly buttered and layered with Black Forest ham and Emmenthaler cheese topped with caramelized onions). Rounding out the selections are a Savory Bavarian Pretzel Bread Pudding with mustard caraway rye cream, Pork Schnitzel “Pops” topped with bacon and wild mushroom cream sauce, and a Cheese and Wurst Display, featuring traditional German frankfurter and classic Weiss Wurst sausages (served with an assortment of cheeses, pickled vegetables, gherkins, and breads).
Tom Thompson’s team will serve up a grand selection of beers from noteworthy breweries featuring: Backwoods Brewing, Deschutes, Dru Bru, Georgetown Brewing, Leinenkugel’s, Sam Adams, Sierra Nevada, Hofbräu, Paulaner, and the Hacker-Pschorr.
“Oktoberfest is a time of year where millions of people gather to celebrate great Bavarian food and beer throughout the world to honor this German tradition,” shares Executive Perry Mascitti. “The good news is you don’t have to purchase a plane ticket to Germany in order to celebrate this Oktoberfest.”
During the evening’s festivities, guests can take their chance with lady luck and enter to win from one of two raffle drawings. The two prizes will each include two tickets to the Robert Cray show on November 17, 2017, one overnight stay at Tulalip (some restrictions may apply) and a $100 dining credit applied to the winner’s room.
Doors open for the Taste of Tulalip Oktoberfest 2017 at 6 pm and tickets are priced at $45 per person all-inclusive. To purchase tickets, call (360) 716-1625. All attendees must be 21 and over.
The Resort didn’t think a one day celebration was enough for this beloved, time honored Bavarian festival, so they started the celebration early at the following eateries, which will feature German fare from September 5 through October 31, 2017:
Cedars Cafe will serve Bavarian style Wiener Schnitzel with warm sweet and sour coleslaw, mashed potatoes; topped with crispy onion straws, lemon beurre blanc, and blackberry sauce. Dessert includes Cedars’ Black Forest Ice Cream Sundae with chocolate ice cream, Kirsch cherry compote, whip cream, and chocolate shavings.
Blackfish Wild Salmon Grill presents their Seared Apple Marinated Duck Breast with apple-duck demi & Thuringer sausage with apple-mustard demi, along with onion potatoes, green beans, red cabbage and bacon and a dessert featuring Apple-Raisin Strudel with vanilla bean ice cream.
Carvery/Hotel Espresso makes their mark with Bavarian Ham Sandwich Black Forest ham on a fresh Bavarian pretzel roll, Munster cheese, dill pickles, and stone ground mustard.
The Draft Sports Bar will offer Pork Schnitzel Pops bite sized pork thinly pounded, skewered, breaded, fried golden brown and topped with bacon and wild mushroom cream sauce. Served with warm bacon potato salad and braised apple and red cabbage.
Tulalip Bay’s menu is embellished for the season with Spicy Sausage and Truffle Potato Fritter with stone ground mustard sauce and a dessert of Linzer Torte with beer ice cream.
Eagles Buffet will offer Amber Ale Braised Beef Brisket with buttered Spätzle in September and Bavarian Pork Ribs with braised red cabbage in October.
For more information about Oktoberfest 2017, visit TulalipResort.com. Don’t forget to wear your lederhosen!
During the first week of August, members of the Marysville Grove Church brought their outreach work to the Tulalip community. Every summer the church spends five days in each of its surrounding communities, including Tulalip, Lake Stevens, Everett and Stanwood, providing beautification services to specific worksites within those communities.
Established in 2011, the volunteer-based outreach campaign is known as iheart. In previous years, iheart worked in various areas throughout the Tulalip reservation, revamping local buildings, ball fields, schools as well as the Boys and Girls Club. This year, volunteers dedicated all of their efforts to remodel one building.
“Our site this year is at the Legacy of Healing,” states iheart Site Leader, Moyia Rossnagle. “Our project for this building is to give it a face lift; fresh paint, fresh deck stain, fix up the lines in the parking lot, plant flowers and prune the landscaping to make it more welcoming and more inviting for the women and children who are in crisis when they come here.“
Hundreds of Grove Church members of all ages volunteer their time to the local mission trips each summer. Parents who volunteer in iheart are encouraged to bring along their children to participate as well. Kids of the church, between the fourth and eighth grade, volunteer to work at the Kid’s Block Party, held towards the end of each iheart week. This year, the Block Party took place at the Tulalip Boys and Girls Club.
On the hazy warm summer day of August 3, the youth of the community experienced a fun-filled day, enjoying the many activities at the Block Party including super-soaker races, bouncy houses, carnival games, manicures and face painting.
“My favorite is the bouncy houses and the water balloons. The water is so fun because it’s too hot. I like everything here, its so fun,” exclaimed Tulalip tribal member, Sylus Edwards.
In it’s sixth summer, the iheart project continues to unite communities through their outreach services.
“Everyone here is a volunteer and donates their time because they want to give back to the communities and they want to serve other people,” explains Moyia. “It feels good to do that and it’s been such a rewarding week. We’ve met some really neat people; we’ve gotten to know the women who work here and made some new friends, it’s just been such a great week.”
For further details about the Grove Church and their iheart outreach campaign, please visit their website www.Grove.Church
Coast Salish woman. Photo by Edward S. Curtis, Univ. of Washington Libraries Special Collections No. 289. Courtesy of Whatcom Museum.
Press Release:Whatcom Museum
A newly redesigned gallery in the Whatcom Museum’s Lightcatcher building shares the art, history, and culture of the Northwest Coast people, blending both historical and contemporary perspectives. The exhibit, People of the Sea and Cedar: A Journey through the Tribal Cultures and History of the Northwest Coast, opens Saturday, July 15, noon-5pm in the second floor gallery of the Lightcatcher.
Featuring artifacts from the Museum’s collection, such as Coast Salish artwork and carvings, woven blankets, hand-made tools, clothing, baskets, and cedar hats, the exhibit will show some of the traditional crafts created by the Northwest Coast people. Visitors will have opportunities to learn about the traditions, languages, and stories of these tribes.
“The Whatcom Museum hasn’t had a permanent presence of Coast Salish culture and history, past and present,” said Patricia Leach, Executive Director of the Whatcom Museum. “Now that our state legislature has mandated the teaching of native cultures in our schools, the timing on the creation of this new gallery space couldn’t be better. The Museum is excited to be enhancing the education of our local school children with the ‘People of the Sea and Cedar’ school program, which will actually take place in the new gallery.”
The Whatcom Museum has been offering its popular “People of the Sea and Cedar” program to Bellingham and Whatcom County students for more than 20 years. The new exhibit enhances the school program, which is being redesigned by the Museum education staff and will be in place this fall.
Photo by Kiser Photo Co., Whatcom Museum #1946.24.27
With input provided by tribal representatives, researchers, and educators, the Museum presents an experiential exhibit. People of the Sea and Cedar provides hands-on learning experiences, a Lummi and Nooksack language interactive, and videos showcasing Lummi and Nooksack weavers and carvers. Themes of cultural knowledge, art and symbolism, lifestyles, and community will present the Northwest Coast tribes as vibrant, living cultures who honor their past while building cultural and economic futures for their people.
People of the Sea and Cedar: A Journey through the Tribal Cultures and History of the Northwest Coast will be a permanent exhibit, which will be continually developed with rotating art and artifacts in the Whatcom Museum’s Lightcatcher building, 250 Flora Street. Through its Smithsonian Affiliation, the Museum plans to borrow artifacts from the Smithsonian’s National Museum of the American Indian in future years.
Members are invited to a members-only preview on Fri., July 14, 5-7pm in the Lightcatcher. The public opening on Sat., July 15, noon-5pm will include storytelling by Nooksack storyteller Tamara Cooper-Woodrich from 1-1:30pm in the Lightcatcher.
About the Whatcom Museum. The Whatcom Museum provides innovative and interactive exhibitions, educational programs, tours, and activities about art, nature, and Northwest history for all ages. Its multi-building campus is located in the heart of Bellingham’s downtown arts district. The Whatcom Museum is a non-profit organization operated jointly by the City of Bellingham and the Whatcom Museum Foundation. Our collection contains more than 200,000 artifacts and art works of regional importance, including a vast photographic archive. The Whatcom Museum is accredited nationally by the American Association of Museums and is a Smithsonian Institution affiliate. For more information about exhibitions, programs, and admission visit www.whatcommuseum.org.
The National Basketry Organization (NBO) is a non-profit organization consisting of basket-makers, collectors, art gallery owners, students, schools and museums. Members from the organization recently traveled to the Northwest for a basketry conference held in Tacoma.
Fiber Artist, Jan Hopkins, wanted to host a Native American art gala at her home in Everett, for the NBO. Unfortunately, due to conflicting times, NBO members informed Jan that they would be unable to attend her event. The organization, however, originally scheduled time to tour Everett’s Schack Art Center, where Jan’s husband, Chris, frequently showcases his paintings. Jan contacted art collectors John Price and Nancy Kovalik as well as Haida Master Weaver, Lisa Telford, to see if they were interested in showcasing their Haida art collections at the Schack for the NBO.
With the art collectors and Lisa on board, the Art Center allowed Jan to guest curate Courtesy of: Extraordinary Basketry, Textiles and Sculptures from the Northwest Collections. The exhibit features paintings, carvings and weavings created by Haida artists Delores Churchill, Isabelle Rorick and Evelyn Vanderhoop – to name a few.
Lisa, who also works for the Tulalip TERO program, is a world renowned Haida Weaver. Her works are featured in museums nationwide including exhibits at the Burke Museum in Seattle, the Heard Museum in Phoenix, the Hallie Ford Museum of Art in Salem and the Museum of Arts and Design in New York.
“[Weaving] is my thread to sanity,” states Lisa. “When my older brother passed, the first person in my family to pass away that affected me, I didn’t weave for about six months. When I started weaving again, I went to work on Monday and everybody asked ‘what happened to you’ and when I said nothing, they said ‘yeah, something life changing happened to you this weekend because you’re glowing.’ I feel like it keeps me grounded and it makes me happy, so I just say it’s my thread to sanity, when I do it I’m happy, I don’t know how else to say it.”
“I come from a family of weavers; everybody wove,” continued Lisa. “My grandmother wanted to teach me when I was thirteen, but when you’re thirteen you’re too busy running around to settle down. My grandmother sat me down and said ‘I want to show you something,’ and I said ‘I don’t have time for that.’ I always regretted that. After she passed away, I moved to Washington and joined a dance group and I wore her hat. People would ask ‘where’d you get that hat?’ and when I said my grandma, they asked ‘can she could make any more?’ That’s what made me start weaving. I realized that I took it all for granted. I told my mom and she called my auntie and shortly after that I started apprenticing for my aunt Dolores.”
Lisa created six weavings for the exhibit. Her art submissions include a big spoon basket, a traditional hat, two small baskets as well as two pairs of cedar high heel shoes.
“I think it was probably in 1999, this fellow from the Heard Museum asked me if I would give a pair of shoes for this show called Sole Stories,” explains Lisa.
After trial and error, she created a pair of high heels, using BBs and a dress weight to shape the shoes. When submitting the shoes, the museum was shocked by her invention.
“I brought them to the show, the guy goes ‘Oh my God! I didn’t know you were going to make a pair of shoes. I didn’t even know that was possible! I meant a pair of your personal shoes.’ Now people keep wanting the shoes, even after I say I’m done with it. Every time I think I’m done, they pull me back in,” she states.
Many of the works that were provided by the art collectors, were weaved by Lisa’s family members.
“It really could be called my family’s show because the person who wove the tunic was my cousin Evelyn, the person who wove the canoe cape was my cousin Holly and the person who wove the robe was my aunt Dolores,” Lisa exclaimed.
The Courtesy of: Extraordinary Basketry, Textiles and Sculptures from the Northwest Collections exhibit is featured until July 29 at the Schack Art Center., 2921 Hoyt Ave, Everett, WA 98201. For additional information, please visit www.Schack.org
