Category: Arts & Entertainment

Krishanu Ray, The Seattle Stranger

Perhaps the most fascinating and unsettling thing about hunger in America, the subject of this new documentary from the makers of Food, Inc., is how invisible it has made itself. The social stigma around admitting an inability to provide for your family, about accepting government assistance (if it’s even available), creates a certain silence that muffles the issue. And to an ignorant viewer like myself, the hungry children featured in this film certainly don’t look very hungry. They are well-clothed, live in houses with pets, go to school, and seem like they’re getting by just fine. Some of them are even fat little kids, the kind more likely to be pegged as a bit overfed. But it takes only a bit of digging below the surface for the film to completely realign that perspective.

What the documentary exposes are the systems that perpetuate malnourishment and food insecurity while maintaining the trappings of abundance. The massive grain subsidies (which make nutrient-poor foods so accessible and affordable), the urban and rural “food deserts” that isolate people from fully stocked grocery stores, the limitations of economic safety nets: These are structural reasons why obesity, hunger, and poverty are so intertwined. A Place at the Table is not an incendiary or angry film; it presents a tangible problem that doesn’t lend itself to procrastination and equivocation the way more abstract issues like climate change seem to. Despite emphasizing the forces working to maintain the status quo, the film never makes the issue seem unsolvable or inevitable, as many cause documentaries inadvertently do, and that’s why it may well be an effective call to action.

Showtimes.

Article by Kim Kalliber and Jeannie Brioens, Tulalip News staff; photo by Jeannie Briones

For most musicians, creating music is not only about experimenting with sounds; it involves penning music notes to paper. For flutist Peter Ali, the music simply comes from his heart; his creative energy flows through his flute, bursting forth as light, and sometimes haunting, melodies.

Ali, a descendant of the Berber People and Yaqui Tribe, shared his passion for music with an intimate gathering at the Tulalip Hibulb Cultural Center on February 23^rd. Along with preforming a variety of songs, he spoke about his influences and what drove him to become a flutist.

At the age of 42, while looking for a way to reduce stress in his life, Ali began teaching himself how to play the flute, by experimenting with sound, touch and feel.

“I picked up this instrument thirteen years ago to get through tough times,” explained Ali. Playing music helped him cope with divorce and a wining battle with cancer.

“I play the instrument to share my story,” said Ali.

What’s unique about Ali’s music is that most songs don’t even have a title; they are simply his forms of expression, in scattered notes of radiant beauty.  His melodies are meant to make the audience feel peaceful and relaxed.

“I feel like I’m somewhere else, it comes naturally, without any thought,” said Ali.

Ali finds inspiration in everyday life, “I get my inspiration from people that I speak to. I listen to their life stories and situations.” Spotting a group of eagles in a tree on the way to his performance, explained Ali, is another form of creative inspiration.

Ali also brought with him to the Cultural Center, eleven flutes, that he kept on display for the audience to touch and feel. Ali explained that the design of one particular flute, a raven holding the sun in his mouth, comes from a traditional Native story, “How the Raven Stole the Sun.”

“This is how I share, I am talking to you, but with this instrument.” said Ali about his performance. “The room is full as far as I can, see because my ancestors are here listening”

Music has opened many new doors for Peter, giving him the opportunity to meet some wonderful people. One of his career highlights, and most memorable moment, was when he played in 2008 for the Dali Lama on Children’s Day, during the “Seeds of Compassion” tour.

A fan of other Native American flutists like Carlos Nakai and Kevin Locke, Ali is passionate about helping others learn how to play the flute. He currently hosts artist’s workshops where he teaches his unique way of playing from the heart, rather than from music notes.

For information on Ali’s performance venues, visit  facebook.com/peter.alimusic.farmersinsurance.  To schedule an event or workshop with Ali, please email at peteralimusic@gmail.com.

For more information on the Culture Series and other events at the Tulalip Hibulb Cultural Center, please visit www.hibulbculturalcenter.org.

By Julie Muhlstein, Herald Columnist

Picture peas in pods, or lilies of the valley, with white flowers hanging in symmetry from green stalks.

Now take a walk or drive along downtown Everett’s Hoyt Avenue. There’s a new look, inspired by the plant world. Soon, there will be more to see.

Eleven light sculptures were recently installed along Hoyt, from Wall Street to Everett Avenue. Created by Seattle artist Susan Zoccola, the light pods hang from green metal arches that canopy over the sidewalk.

Futuristic and eye-catching, the light sculptures are finishing touches on the city’s $5.2 million Hoyt Avenue streetscape project, mostly completed in 2011. Along with lighting and infrastructure for art, the project included improved pedestrian features, trees and utilities.

The lights are unique to the three-block stretch of Hoyt considered the city’s arts district.

“A lot of our key cultural institutions are already on Hoyt Avenue,” said Carol Thomas, the city’s cultural arts manager. The Everett Public Library, Imagine Children’s Museum, Schack Art Center and Artspace Everett Lofts, along with the Library Place apartment complex, are near each other on Hoyt.

Thomas said the new lights visually unify the area. “It’s fun because it’s unique and defines a special area,” she said Tuesday.

There’s more to come when the installation is complete. Just above the light sculptures, which were attached to existing street light poles, are “gobo” projectors connected to the same poles. Those devices, not yet in operation, will project images onto the sidewalk below.

In her proposal for the sculptures, the artist Zoccola wrote: “I see the gobo projections as glowing colored circles of light drawing visitors down Hoyt Avenue.”

Zoccola said projected images could be changed seasonally or for specific events. “The lit sculptures with their nighttime gobo companions would be beacons, clearly identifying the Hoyt Avenue arts district,” she wrote.

The artist has created major public works around the region. Among them are a wave wall at the Seattle Aquarium, pieces replicating water drops at the Lynnwood Recreation Center, and the soaring “Grass Blades” sculpture at Seattle Center.

Kate Reardon, the city’s spokeswoman, said that altogether the lighted sculptures cost $110,000. The $5.2 million price tag for the Hoyt renovations included design, utilities, streetscape work and inspection. All capital projects within the city include a 1 percent expenditure for the arts, Reardon said.

Thomas said the lights in Zoccola’s sculptures use energy-efficient LED bulbs.

Allan Giffen, Everett’s director of planning and community development, said the Hoyt project was born of a downtown plan approved by the City Council in 2006. In 2009, he said, the streetscape plan was adopted. “This is getting down to the costly but fun part, actually building some of these projects,” Giffen said.

He added that a four-block renovation of Rucker Avenue downtown is also part of the plan. Reardon said the design of the Rucker project was completed along with the Hoyt design. “There’s no money and no timeline, but we have the design,” Reardon said. Rucker renovations will happen when funding is available, she added. The work on Rucker will have a more traditional look than artsy Hoyt, Reardon said, and will resemble Colby Avenue’s streetscape.

Thomas said Hoyt is already becoming an Everett attraction. About 3,400 people came to the Everett Craft Beer Festival, a one-day event held last August along Hoyt between Hewitt and Pacific avenues. “We had 27 Washington state breweries, over 60 craft brews, and live music,” she said. “From the feedback of restaurants downtown, they saw a lot of people.”

That event will happen again on Aug. 17. “It brings a lot of first-time visitors to Everett, exposing what a jewel Everett is,” Thomas said.

Hoyt is a street becoming a celebration.

“It’s really our focal point for the arts,” Reardon said. “With a hub for the artists we have here, we want to build upon that in years to come, and celebrate that.”