Category: Arts & Entertainment

Source: The Herald

Luck o’ the Irish: Get in the mood for St. Patrick’s Day with this roundup of events coming up this weekend. There’s food, drink, music, dance and a lot more.

Plant sale: Get ready for spring gardening with Seattle Tilth’s edible plant sale. The free sale is Saturday from 9 a.m. to 3 p.m. in Seattle. Seattle Tilth is well-known as an authority on gardening. You’ll find plenty of plants, selected to grow well in our area. There will also be classes to help you learn more about growing food. Click here for all the details, including a list of plants that will be available for sale.

Quilt show: The Quilters Anonymous Quilt Guild annual show is 10 a.m. to 5 p.m. Friday and Saturday from 10 a.m. to 4 p.m. Sunday at the Evergreen State Fairgrounds. The theme is “Out of this World.” More than 500 quilts, ranging from traditional to innovative, will be on display. There will also be demonstrations about quilting techniques. Admission is $7 and includes entry for all three days. For information, click here.

Taste wine: Chateau Ste. Michelle is offering a rare barrel tasting event from 11 a.m. to 5 p.m. on Saturday and Sunday. The winery only offers the barrel tastings once a year. You can taste several wines that are still barrel-aging and speak with the winemakers. The event is $20 and includes tastings and a glass of a finished wine. Buy tickets the day of the event at the wine shop. Click here for more information.

Outdoors: Cabela’s is getting ready for spring with Spring Great Outdoor Days from 10 a.m. to 4 p.m. on Saturday and Sunday. Attendees can participate in lots of free activities such as youth and adult turkey call contests. Other events include a laser shoot, wooden bow-making, and duck decoy carving and painting. There will also be a spring fashion show and a variety of free seminars and workshops with topics that include the basics of reloading, bear-proofing your campsite and preparing Dutch oven meals. Read more in our story here.

Visit Wonderland: The students from the Farraige Mhor Academy of Irish Dance journey down a rabbit hole to follow Alice on her whimsical trip. The musical show is at 7:30 p.m. Saturday at the Tim Noah Thumbnail Theatre, 1211 Fourth St., Snohomish. Tickets are $15 general, $10 for students and seniors, free for children younger than 5. Go to www.brownpapertickets.com or buy at the door if available.

What is that thing? Got a strange artifact? Bring it here. The Monroe Historical Society invites the community to its annual membership meeting and program, 10:30 a.m. Saturday at the Monroe Library, 1070 Village Way. Laura Phillips, archaeology collections manager at the Burke Museum of Natural History and Culture, will speak about local archaeology followed by an artifact identification session. Residents are encouraged to bring up to two items for identification, including American Indian artifacts from the Pacific Northwest made from bones, antlers, rocks and shells. No appraisals will be given. The experts do not authenticate items for sale.

Fill out your bracket: The NCAA men’s basketball pairings will be announced at 3 p.m. Sunday. If you’re not busy celebrating St. Patrick’s Day, you can spend the afternoon filling out your bracket.

Ballet for kids: Pacific Northwest Ballet is presenting a family-friendly version of “Hansel & Gretel” to help introduce children to ballet. The ballet is performed as an hourlong matinee and is narrated. The ballet shows twice Sunday. Click here for the details.

Music for all: The Hometown Hootenanny presents its “Family Ties” concert on Saturday in Everett. The performance plays on the theme that families that play together, stay together, and the songs celebrate the strength of families, whether it’s good or bad or special moments in family life. Read more in our story here.

Art walk: Wander through Everett, from one art studio to the next, on Saturday from 4 to 7 p.m. Galleries and studios will be open and snacks and drinks will be available. Local restaurants will also be displaying art. Click here for more details, including a map of participating locations.

By Eisa Ulen Richardson, Indian Country Today Media Network

Too often, movies about brown people devolve very quickly into movies about a single white person surrounded by brown people. It’s not just that a white person is in the film – it’s that a white person becomes the film. The white, usually male, lead overwhelms the narrative, privileging the privileged, and disappointing those of us who paid the price of a ticket and a bucket of popcorn to see ourselves onscreen.

Finally, an unexpectedly delightful story featuring indigenous people has been produced for the big screen. Like magic, this movie does not show us the story through the lens of the white male lead, and so does not distort the image of the four beautiful brown women to whom the story belongs. It does not cater to the fantasy of white people dancing with wolves. Instead, this heartwarming, wonderful, joyous Australian film tells the story of four Aboriginal women from the point-of-view of the women themselves.

The Sapphires is a triumph.

It is also true. In the 1960s, a real-life quartet of sisters and cousins, one of whom had been ripped away from her family as one of the 100,000 Aboriginal children that formed Australia’s “Stolen Generation,” reunited and formed a soul-singing girl group. Styled and billed like The Supremes or The Shirelles of the same era, these women traveled to Vietnam to perform for American troops stationed there during the war.

Based on a hugely successful 2004 stage play of the same name, The Sapphires was written by Tony Briggs, whose mother was the youngest member of the group. The director, Wayne Blair, is also Aboriginal. Chris O’Dowd, who held his own as the good cop that almost got away in the estrogen-packed 2011 hit Bridesmaids, is just as charmingly flawed in The Sapphires. A reluctant manager with a drinking problem and a string of personal and professional misses haunting his heart of gold, O’Dowd’s character transforms into an unlikely hero. He plays the frog that needs a perfectly placed kiss to transform into a scruffy prince.

But the movie, of course, is not about him.

The four women who sing and dance their way through this film also transform. From country western singers who “love Charley Pride” to soul-singing divas who dominate the stage for increasingly larger audiences throughout Vietnam, the women experience a kind of coming-of-age as witnesses to the horrors of war and participants in their own liberation from the racism of mid-20th century Australian society.

Styled in sequins, go-go boots, and miniskirts, these women shine. Their wardrobe expresses their characters’ growing sense of empowerment without positioning them as hyper-sexualized “exotic others.” Though thrilling, their performances do not titillate or play to stereotypes about brown girls and white male access to their bodies. Indeed, their sexuality is expressed in relationships — affirming, sensual relationships, with black men whose romantic gestures are sure to make hearts swoon.

Intimacy grows between O’Dowd’s character and one of the four Sapphires, Gail, the “Mamma Bear” played by Deborah Mailman, who leads the group with loving command that remains unflinching even as the other three women find their own paths to personal power. The friendship and mutual respect expressed by these two characters offers a compelling counter-narrative to the myth of blond, blue-eyed desirability. Rather than detract from the women as the central focus of the film, this relationship only reinforces that focus.

Jessica Mauboy plays Julie, who fights hardest for the chance at something greater than her everyday life. Shari Sebbens plays Kay, the whitest looking of the girls, the one who was stolen, and the one who has the longest journey to make to get back home, and Miranda Tapsell is Cynthia.

Tapsell, whose great grandmother was taken from her family as one of the Stolen Generation, says the authenticity of the film is matched only by the enthusiastic response of the Aboriginal community. The experience of indigenous audiences is unsurprising. From the opening sequence, where four young girls sing in the Aboriginal language of their ancestors to an audience of family and friends, to the final scene, The Sapphires is a film that honors the original people of Australia and life in the missions where they are forced to live.

The Sapphires manages to examine the dispossession of Aboriginal people, the fragmentation of family, cultural dislocation, poverty, the particular plight of women who are also mothers, and the horrors of the Vietnam War — all without losing its upbeat tone, its rhythmic joy, its hopeful expression of uplift. Perhaps because the filmmaker, writer, and four lead actresses are Aboriginal, The Sapphires celebrates the beautiful, flawed, imperfect, glorious humanity of the indigenous people this film showcases.

Aboriginal people, an entire diverse community of the original people of Australia, are on the stage with The Sapphires each and every time they perform, and every round of applause, every cheer, every whistle and shimmy and shake, is for them — for the great-grandmothers who were stolen, and their descendants, the children who grow up to write the stories of their people’s ultimate triumph.

Home, Aboriginal home, though situated on the margins of Australian society, occupies center stage in this glorious film. Grab a batch of tissues, clutch hands with the one you love, and run. Go see it. Go and see yourself.

The 12th Annual Tribal Event Celebration is for Tulalip Tribal members only, Tulalip Tribal ID required.

Tulalip Bingo

11am Session: Doors open 8-9am for Elders/Seniors; 9am for General Membership

6pm session: Doors open 3-4pm for Elders/Seniors; 4pm for General Membership