Burke Museum awarded $575,000 to support Native Art and Artists

Bill Holm Center to serve more individuals and organizations

Press Release,  Alaina Smith, Director of External Affairs

Seattle – The Burke Museum is pleased to announce Connections to Culture – Resources for Native Art and Artists, a new program of the Bill Holm Center for the Study of Northwest Coast Art. With support from the Margaret A. Cargill Foundation, Connections to Culture will significantly increase the Burke Museum’s capacity to support Native artists and arts organizations.

Connections to Culture will expand the Bill Holm Center’s research grants program, which facilitates Native artists’ study of the arts and cultures of their ancestors. Research grants allow artists to study the objects and archives in the Burke Museum’s collections, travel to other museums, and pass their knowledge on through workshops held at the Burke Museum, at other Native art organizations, and in Native communities.

In addition to increasing the research grant program, Connections to Culture will further develop the Bill Holm Center’s role as an information hub to those interested in the vitality of Native art in the region, and allow the Center to make grants to Native arts organizations for the first time.

“The Burke Museum has a long history of pioneering efforts in Native art education and scholarship—from early museum education, public television programs and Bill Holm’s seminal 1965 book, Northwest Coast Native Art: An Analysis of Form, to K-12 arts & culture programs that are booked to capacity each year,” said Burke Museum Executive Director Julie K. Stein.

“This extraordinary investment by the Margaret A. Cargill Foundation builds on that legacy, and will help make the Bill Holm Center’s resources available to many, many more artists and members of our community. ”

While art-making is flourishing in some Native communities, in other places there are few teachers and fewer objects from which to learn. Many artists are working in isolation, without knowledgeable mentors or the critical resources to inform their artistic practice, discover where their cultural objects are currently housed, or access these collections. Connections to Culture will allow the Burke Museum to serve as a hub for the dissemination of this information, and create new digital resources that represent the breadth and depth of Pacific Northwest art traditions.

Historical trends in collecting and researching Pacific Northwest regional art, and the impact of the art market on contemporary artists, has meant that the styles of the northern and some central Northwest Coast tribes (the Tlingit, Tsimshian, Haida, and Kwakwaka’wakw) have overshadowed other art traditions from the southern regions of the Coast, as well as surrounding areas of the Columbia River basin and Plateau. “The Connections to Culture program will help us to expand support for artists and communities whose artistic traditions have not received broad public, scholarly, or commercial recognition,” said Curator of Native American Art and Bill Holm Center Director Robin K. Wright.

“We are thrilled to combine efforts with the Margaret A. Cargill Foundation’s Native Arts and Cultures Program to increase support for Native artists in their pursuit of knowledge about their artistic traditions,” said Wright.

Connections to Culture will award grants and offer programs beginning in spring 2013.

About the Bill Holm Center:

The Bill Holm Center for the Study of Northwest Coast Art was established at the Burke Museum in 2003 to continue Bill Holm’s legacy at the Burke Museum. It is one of the premier centers for the study of Native arts of the Pacific Northwest Coast.

The Bill Holm Center provides hands-on learning opportunities for Native artists to study historical art in person, and connects experienced artists with younger practitioners through workshops and art scholarships. The Center supports access to and awareness of arts resources and activities (including collections, exhibits, and other relevant programs) for tribal communities, individuals, and arts organizations.

About the Burke Museum:

The Burke Museum inspires people to value their connection with all life—and act accordingly. The Museum is responsible for Washington State collections of natural and cultural heritage, and sharing the knowledge that makes them meaningful. The Burke welcomes a broad and diverse audience and provides a community gathering place that nurtures life-long learning and encourages respect, responsibility, and reflection.

Native Americans make their voices heard in presidential election

Tribal member voters show good turnout in the 2012 election.

Article and photo by Jeannie Briones

TULALIP, Washington – Tulalip Tribal members and employees showed their support at the Tulalip Ballot Party on November 6th at the Don Hatch Youth Center/Greg Williams Court, exercising their right to vote.

“To me it’s one of my most treasured constitutional rights, and as a veteran, I always take the time to cast my ballot,” said tribal member Raymond Fryberg Sr.

Tulalip Community Coordinator, Frieda Williams, along with seven other hardworking folks that make up the Tulalip Voting Committee, worked tirelessly to promote the importance of the Native vote.

“I am very excited about the turn out at Tulalip; their vote does count,” said Frieda.

Native Americans are the only ethnicity the U.S. Census Bureau doesn’t track when it comes to election data. It’s important that Native Americans are voting and electing candidates who understand Native American sovereignty rights.

This election ballot party served as a good incentive for people to turn in their ballots, offering food, entertainment and raffle prizes. Prizes included a 55” flat screen TV and an iPod.

For information on voter registration, contact Frieda Williams at 360-716-4220 or visit, www.myvote.wa.gov.

Governor Gregoire honors Tulalip storyteller, Johnny Moses

Press Release, Cathy Cochrane, ArtsWA, Communications Manager

Olympia – Johnny Moses, of Tulalip, has been named as one of seven recipients of the Governor’s Arts & Heritage Awards. Recipients were honored at a reception at the Governor’s Mansion on Oct. 15. The awards recognize individuals and organizations who have made significant contributions to the arts and cultural traditions of Washington state.

Mr. Moses, a Native American traditional singer and storyteller, speaks eight Native languages and travels extensively to share his culture. He was raised in the remote Nuu-chah-nulth village of Ohiat on the West Coast of Vancouver Island, Canada. His grandparents taught him the traditional ways, and his elders sent him to share their teachings with all people. Mr. Moses’ traditional name is Whis.stem.men.knee (Walking Medicine Robe).

The Washington State Arts Commission, ArtsWA, facilitated the nomination and selection process for the Governor’s awards. The awards were established in 1966 by Governor Dan Evans. In recent years, they were temporarily suspended due to budget cuts.

“We are so pleased to reinstate the awards this year,” said Kris Tucker, Executive Director of ArtsWA. “Johnny Moses has incredible skill as a storyteller and a wealth of irreplaceable information about the Northwest’s Native cultures. Recognizing and honoring his contributions to the heritage of Washington state affirms that traditions of the past are vitally important to the cultural legacy we leave to future generations.”

First Gentleman Mike Gregoire and Kris Tucker presented the awards, which were acid-etched, translucent glass bowls by glass artists Jeremy Newman and Allison Ciancibelli, commissioned through Vetri Glass Studio, in Seattle.

Others receiving the Governor’s Heritage Award:

  • Bailadores de Bronce, Seattle, a volunteer group that teaches and performs Mexican folkloric dances
  • Heritage University, Toppenish, provides strong art and cultural education programs for multicultural populations that are geographically and educationally isolated
  • Maurice Rouman, Everett, Egyptian oud player and composer, nominated for the National Endowment for the Arts National Heritage Fellowship Award. (The oud is a stringed instrument resembling the lute.)

Receiving the Governor’s Arts Award:

  • Lucia Perillo, Olympia, Pulitzer Prize finalist and MacArthur fellow in poetry
  • Robert Maki, Kingston, sculptor and public art advocate
  • Book-It Repertory Theatre, Seattle, which creates great theater from great literature

For more information about ArtsWA programs and the Governor’s Arts and Heritage Awards, go to www.arts.wa.gov

First Gentleman, Mike Gregoire, and ArtsWA Executive Director, Kris Tucker, with the Governor’s Arts and Heritage Award recipients in the Governor’s Mansion, Oct. 15. Photo by Weldon Wilson.

Tulalip Tribes makes gift of $1.11 million to Marysville School District

Press Release, Jodi Runyon, Marysville School District Superintendent’s Office

For the second year in a row, Tulalip Tribes has made a significant gift to Marysville School District.  This gift represents the continued partnership between Tulalip Tribes and Marysville School District.  “Education is an important part of our future – the future of our students and the future of our community,” said Mel Sheldon, Chairman of Tulalip Tribes.

The previous gift from Tulalip Tribes paid for a district-wide middle school science adoption, district test reporting and provided additional support for Tulalip students.  “That gift helped us keep the focus on instruction in spite of difficult budget cuts,” said Larry Nyland, Marysville Superintendent.

This gift provides extra support for district test reporting and for students at Quil Ceda and Tulalip Elementary, Totem Middle School and Heritage High School.  The gift will also provide for smaller class sizes, staff training, and instructional support at those four schools.

Quil Ceda and Tulalip Elementary received national recognition this summer for their teamwork in improving student learning.  They received second place recognition by Learning Forward at the national conference attended by 15,000 educators.  The work being done at Quil Ceda and Tulalip resulted in the training of 33 additional teachers to help spread the work district-wide.

“Our partnership with Tulalip is helping us address the needs of Tulalip students.  As a result, we are learning new strategies that will benefit students district-wide,” said Larry Nyland, school superintendent.

“We value the work that we are doing together and believe that this gift will help us continue good work for our young people,” said Mel Sheldon, Chairman of Tulalip Tribes.

Tulalip Resort Casino first tribal hotel to be honored with “Outstanding Property of the Year” award

Tulalip Resort Casino

Press Release, Ken Kettler, President & COO, Tulalip Resort Casino

TULALIP, Washington –Tulalip Resort Casino is honored to be the first tribal hotel to receive the “Outstanding Property of the Year” award from The Washington Lodging Association (WLA).  With the receipt of this accolade, Tulalip will qualify to be considered for the “National Outstanding Property” award by the American Hospitality Lodging Association.

“This tribute really belongs to our incredible hospitality team, for their passion and continuing dedication to creating an exceptional experience for our guests,” says Kenneth Kettler, Tulalip Resort Casino President and COO.  “The WLA’s recognition is a perfect complement to the acknowledgement the hotel has received from AAA with the presentation of the Four Diamond award.”

Tulalip Resort Casino is located on the Tulalip Indian Reservation near Marysville. The 12-story, luxury hotel opened August 15, 2008 and includes 370 guest rooms with numerous specialty suites, such as the 3,000 square-foot Tulalip Suite, the 2,000 square-foot Player’s Suite; the Technology Suite; and two Asian-themed suites. All standard rooms at the hotel sport granite countertops, dark African wenge-wood trim, 47-inch flat-screen TVs, iPod docks, triple-headed showers and floor-to-ceiling windows. Authentic tribal art, valued at more than $1 million, is incorporated into the hotel’s interior design.

The Washington Lodging Association, incorporated in 1920, is the non-profit trade and professional association dedicated to the interests of the lodging industry in Washington State. They are a resource for news and events, member benefits and programs, directories and publications. WLA members are represented by hoteliers and hospitality professionals from the Pacific Northwest.

For more information about Tulalip Resort Casino visit www.tulalipresort.com.  To learn more about the Washington Lodging Association, visit www.walodging.org.

 

About Tulalip Resort Casino

Award winning Tulalip Resort Casino is the most distinctive gaming, dining, meeting, entertainment and shopping destination in Washington State. The AAA Four Diamond resort’s world class amenities have ensured its place on the Condé Nast Traveler Gold and Traveler Top 100 Resorts lists, as well as Preferred Hotel & Resorts membership. The property includes 192,000 square feet of gaming excitement; a luxury hotel featuring 370 guest rooms and suites; 30,000 square feet of premier meeting, convention and wedding space; the full-service T Spa; and six dining venues.  It also showcases the intimate Canoes Cabaret; a 3,000-seat amphitheater; and Seattle Premium Outlets, featuring more than 110 name brand retail discount shops. The Resort Casino is conveniently located between Seattle and Vancouver, B.C. just off Interstate-5 at exit 200. It is an enterprise of the Tulalip Tribes. For reservations please call (866) 716-7162.

 

Two Indians, by Matika Wilbur

By Kim Kalliber; photos by Matika Wilbur

SEATTLE, Washington – Photography can have such an impact on our lives. Discovering nature’s beauty and exploring new cultures and opening minds to new ideas, these concepts are all found in the work of Matika Wilbur.  Her emotionally complex photographs examine how Native people face cultural dualities and the connection between their culture and contemporary pop culture.

Matika is from the Swinomish and Tulalip Tribes. Her work has been shown in regional, national and international venues, such as the Royal British Columbia Museum of Fine Arts, the Nantes Museum of Fine Arts in France, the Seattle Art Museum and the Burke Museum.

Now you can find Matika’s latest project on Kickstarter, a funding platform for creative projects. Kickstarter is an online site full of independent, ambitious and imaginative projects that are brought to life through direct support of others.

Matika’s project on Kickstarter, 562 A Photo Project Documenting Native America, is currently accepting donations.  The goal is to create a publication, exhibition, and lecture series documenting all 562 Tribes in the United States, although the ultimate goal is education. Matika will be traveling the United States in a photo studio equipped RV, paying a visit to all 52 states, and all 562 Federally Recognized Tribes. She will be using these donations for travel expenses, film and darkroom supplies and website development.

“I am so excited about my upcoming journey,” said Matika. “I feel as though all of the work that I have done up until this point has prepared me for a project of this magnitude.”

My mom, Matika Wilbur

Matika goes on to describe events in her life that led her to explore Native cultures through the camera  lens.

“When I was 17 years old I got sober, and have remained sober for the last 11 years and it was because of this experience that I had the courage to pursue higher education at The Brooks Institute of Photography. After I graduated, I took my first internship with Round Earth Productions photographing indigenous people in South America, where I realized that I hadn’t ever photographed my own people – so I came home, and began ‘We Are One People,’ a series of character study portraits documenting Coast Salish Elders. ‘We Are One People’ hangs in the Tulalip Admin Building, and has been shown at several museums. The success of ‘We Are One People’ catapulted my career into projects that explore our “indian-ness.”

Organic vs Origin, Matika Wilbur

“All of those experiences led me back to Tulalip Heritage High School to teach photography, where I learned so much working with our youth, and really had the opportunity to re-connect,” Matika continued. “I didn’t realize that all of that travel, exhibition and teaching would lead me to this- but I’m glad that it did. I’m so grateful for all of the support that I’ve received from my family and friends, I feel so blessed.”

Funding levels vary on Kickstarter and each pledge level offers the backers specific items in return. For instance, with a pledge of $10 or more, backers will receive a digital copy of the “562” book, while a pledge of $2,500 or more will entitle backers to join Matika on the road for two days as she explores Indian Country, along with receiving the awards offered at the $1,000 level.

Matika will be having an “End of Kickstarter” bash on October 28th in Seattle, with live music performed by Kore Ionz and Bakra Bata. Visit www.matikawilbur.com for more information and location of this event.

This project will only be funded if at least $30,000 is pledged on Kickstarter by Novemer 1st. For information and to become a backer, visit www.kickstarter.com and enter 562 under “search projects.”

For more information on Matika Wilbur, visit www.matikawilbur.com.

Tulalip child found unresponsive in car, mother arrested

By Kim Kalliber

On October 8, 2012 the Tulalip Police Department received a call about an unresponsive infant found inside a parked car. Emergency services were dispatched to the 1000 block of Marine Drive. A 17-month-old girl was taken to Providence Medical Center where she was pronounced dead. Her two-year-old sister, also found in the car, was taken to Children’s Hospital in Seattle where she is expected to recover.

The girls’ mother, a Tulalip Tribal member, is being held at Snohomish County Jail, facing possible charges of endangerment and failure to care for the children.

Community members at Tulalip describe the mother as a “good mom,” despite the fact that within the past year, she was under investigation by the Department of Social and Health Services for allegations of abuse involving the younger girl. DSHS had closed its investigation for undisclosed reasons, but due to the death of the child after closure of the investigation, their fatality review board will review the case.

The incident is being investigated by the Tulalip Police Department in coordination with the FBI. An autopsy was performed, but the results are unavailable while the investigation is underway

Tulalip leader says Native voters help protect treaties

Don Hatch, Jr., Tulalip Tribes Board of Director

Article and photo submitted by F. Hillery

TULALIP, Washington – Don Hatch Jr., Tulalip Tribes Board of Director, and long time advocate for tribal children and education is appealing to all eligible Native Americans to vote in the general election.

“This is about protecting our Treaty and our future,” said Hatch.  “We need to support the candidates who will represent our interests in Olympia and Washington D.C. – by voting we help to maintain our livelihood.”

There are many reasons why some Native Americans do not vote.  Some feel that only the tribal political process is important to their interests.  Others believe that because Native Americans are such a small percent of the larger U.S. population their votes do not matter.  This couldn’t be further from the truth, says Hatch.

Hatch sees the protection of the Treaties as the number one reason why Native Americans should vote.  “It has taken some time, but we have built good relationships with our representatives, who know our issues and are willing to defend them, and if we don’t vote for them, it is going to be more difficult to maintain our treaty rights.”

“Everything we do here in Tulalip begins with the Treaty,” said Hatch.  “Housing, education, health care – these are all issues that are central to our well-being – and we need to do everything we can to make sure we elect representatives who understand why these issues are so important to us.”

Hatch is motivated to get out the Native Vote because he sees it as protecting future generations of Tulalip people.  He would like to see more participation in the political process from young people because the tribe will one day be in their hands.  “We need to get our young people to understand how important their participation in the political process is,” said Hatch.  “Whether it is a tribal election, a school board election, or a general election – it all matters.”

Hatch has long been part of the local political process and has learned a few important lessons.  The most important lesson is that every vote really does count.  “One year when I was up for re-election to the school board I won by 113 votes.  Afterwards I thought about all the Tulalip people who did not vote – if they had it wouldn’t have been so close.”  This is important he said because that year his opponents were not friends of the Tribes and they would not have been advocates of tribal children getting a good education.

United Way Day of Caring brings people together

Article and photo by Jeannie Briones

Volunteers conduct basic maintenance and repairs at the Tulalip Boys & Girls Club as part of the Snohomish County United Way Days of Caring.

On September 22nd, early Sunday morning, volunteers came together to have some fun and get their hands dirty for the United Way Days of Caring event at the Tulalip Boys and Girls Club. Volunteers helped out with general maintenance and landscaping to beautify the club grounds and conduct basic repairs to the playground, which was built in 2008 with help of Home Depot and non-profit organization KaBOOM!

Days of Caring, organized by United Way of Snohomish County, are two-day events, committed to creating positive change and lending a much-needed hand to local non-profit agencies. This year, volunteers worked September 21-22 at Asbery Field, Pinewood Elementary School, Allen Creek and the Tulalip Boys & Girls Club. Organizations such as Community Transit and Aviation Technical Services Inc., along with community members, donated their time at the Tulalip Boys & Girls Club.

“Having volunteers here from the United Way Days of Caring, from Community Transit, Aviation Technologies, community members and staff, and seeing them work so hard and telling us thank you for letting us be here, was very humbling,” said Diane Prouty, Administrator Assistant for the Tulalip Boys and Girls Club.

Volunteers were ready to move into action and with little direction from Tulalip Boys and Girls Club staff. Over 40 volunteers diligently worked to complete the maintenance projects within six hours.

Projects consisted of staining benches, picnic tables, garbage can holders, and playground edging, and even painting over the graffiti on the overpass. Grounds keeping included weeding, pruning, and small tree removal.

Diane was amazed how fast the volunteers moved and how well they all worked together. She walked away feeling blessed by the entire experience and would like to pay it forward and volunteer in the future.

United Way is a non-profit organization with a vision to see everyone in the community working together to create a brighter future. If you are interested in volunteering and would like to support your community, visit www.uwsc.org for more information.

Native Business: Cash is Fuel for a Business

By Jim Stanley

Cash to a business is like fuel to a car.  A car without fuel will not run; a business without cash cannot pay employees and workers stop showing up, vendors that stop receiving payment for goods and services discontinue the supply, unpaid taxes are followed by warrants and monetary penalties –enlarging the amount due.  Cash fuels a business’s activities making cash flow essential.

There are a number of things to remember to help keep enough cash in a business which will increase the probability of success –also reducing a lot of stress and pain for the owner.

If it is unclear how many dollars a business can afford to distribute to the owner, keep the money in the business until the amount is known.  This means resist the urge to buy more things or distribute cash from the business’s operating account to the owner’s personal account –not as simple as it sounds when cash piles up during certain points in the business cycle.

Keep good financials.  Over time the financials will tell a story.  This story will provide a platform for making good decisions.  Good decisions are likely to be followed by more net income and positive feelings associated with success.  Bad decisions include pain and stress for the company.

If a business’s plan is to grow sales it is likely the cash needs of a business will also increase.  If a business owner plans to grow sales by 30% and inventory is a component of the business model, the cash needed to purchase inventory is also likely to grow by 30% -this number should be simple to quantify.  If a business model instead relies on transactional sales, employees like support staff and/or sales people are likely to increase.

Cash is fuel for a business.

    Jim Stanley freely shares his knowledge and is a tribal member of the Quinault Nation, board member of the Northwest Native American Chamber, and Treasurer of the Tribal C-Store Summit.  To contact Jim for comments, go to www.JimStanley.biz.