Please use the following link to download the April 26, 2025 issue of the syəcəb
Author: Kim Kalliber
5th Annual Easter Bunny Run delivers treats and smiles to Tulalip
By Kalvin Valdillez, Tulalip News
“Easter Bunny, will you hop with me?” asked a young Tribal member on the afternoon of April 19. Once her request was met with a head nodding yes from an Easter Bunny standing over 6 feet tall, she shrieked with joy and began jumping up and down with the bunny. This heartwarming moment was met with a resounding ‘aww’ from the multiple volunteers of the 2025 Easter Bunny Run, which included members of the local nonprofit organization, Together We’re Better, and the Tulalip Bay Fire Department.
The ‘hop along’ was a popular request by many children at this year’s event. And after the third or fourth time the bunny was called upon to hop with the kiddos, Together We’re Better Founder, Malory Simpson, exclaimed “This is why we do this. This is what it’s all about.”
Born out of a desire to bring back a sense of normalcy to children on the reservation, Together We’re Better organized the very first Easter Bunny Run during the pandemic. At the time, Malory explained that the nonprofit usually held an egg hunt for the community each year. However, with gathering restrictions in place, the nonprofit improvised and decided to bring Easter to the doorsteps of Tribal families.
The Easter Bunny Run was such a great success, that they decided to make it an annual springtime tradition. This was the fifth year the event was held and is something the community looks forward to every Easter. Not only is it a highlight for the kids, but the parents also match their children’s eagerness to greet the bunny and always have their phones out, ready to snap a pic with the loveable character.
Together We’re Better originally drew inspiration from the Tulalip Bay Fire Department’s annual Santa Run, in which Saint Nick visits all the neighborhoods within the station’s jurisdiction. The foundation reached out to the fire department to see if they wanted to participate in the event during the first run, and ever since TBFD and their mascot Sparky the Dalmatian has joined in on the fun.
Said TBFD First Responder, Tara Conyers, “We feel the Easter Bunny Run is important because we always like to engage with the community. We like to show our support for any event. We want to let the community know that we’re here for them, because it is true that when you work together with your community and your neighbors, we are better. We take pride in getting to know our neighborhoods and our communities, and we don’t want everyone to just see us when we show up for an emergency. We want them to recognize our faces when we come to an emergency, because we’ve been to all these events, and they know that we’re here and we’re a safe place, and they can always come to us, even if it’s not an emergency. We love seeing all the kids, and also all the adults start acting like kids again. It’s fun seeing everyone laughing and smiling.”
This year, unfortunately, Sparky couldn’t make the trip to Tulalip due to a scheduling conflict. But a few members of the firehouse were able to attend in his place. The Easter Bunny held the Run down solo and got the kids hyped up as he passed out sugary treats, easter eggs, and toys at numerous playgrounds in Tulalip’s housing developments.
Together We’re Better’s own Natosha Gobin shared, “The Together We’re Better events are so much fun to participate in because it is community driven. For the Easter Run, a lot of community members look forward to stuffing eggs, buying snacks, and doing whatever they can to help. It’s nice to take time and visit with the families and go to all the different developments. It feels so good to be with the community for a positive reason and to see how much this means to the families as a whole.”
Malory expressed, “Giving back to the community always feels good. This is all community effort; it makes my heart happy to see the community coming together to take care of each other. I just love it. The smiles and laughter make you feel really good inside. Just seeing the kids get excited is one of the best things about the event. It’s pretty fun to see all of their reactions and see how happy the kids are to spend some time with the Easter Bunny.”
If you are looking to get more involved with the community, Together We’re Better is always accepting donations, whether that is goods, funds, or your personal volunteered time. And it’s important to note that they are resurrecting one of their more popular events, the monthly Community Potluck, with their first get together scheduled for Saturday, May 17 at 3:00 p.m. For more information, please contact Malory Simpson at (425) 905-9137 or Natosha Gobin at (425) 319-4416.
Basket weaving bliss
By Wade Sheldon, Tulalip News
As Easter approached, community members chose to unite in a unique way. They came together not to create traditional Easter baskets but to skillfully weave cedar baskets instead. This twist on a holiday classic brought a fresh spirit of creativity and community.
On Saturday, April 19, the Hibulb Cultural Center welcomed Master Weaver Jamie Sheldon, an experienced instructor who has taught basket weaving there for over 10 years, to lead an engaging class. Eleven community members participated in creating what Jamie calls a “quarter basket.” A three-by-three-by-three-inch basket is utilized for storing small items and decorations.
Jamie showcased her cedar kits from her recent harvest, highlighting her passion for crafting. “We use all-natural materials for our baskets,” she said. “I traveled to the mountains to collect the rare yellow cedar central to our creations.”
Unlike the more common red cedar, yellow cedar grows mainly at mountain tops, making it valuable in basket weaving. Its beauty and rarity elevate the craftsmanship and reflect the spirit of the wild, with each basket telling a story of nature’s bounty and the artisan’s dedication.
The few who gathered to dedicate a few hours to learning a new craft shared laughs and enjoyed each other’s company. Among the attendees was Sarah McCord, who enthusiastically reflected on her experience: “I loved it. This was my first time attending a class at the Hibulb, and I truly appreciated the camaraderie. The instructor’s expertise was clear; she knew her stuff, and I learned so much.”
Almost everyone who attended finished their basket except one person, and Jamie said they could return to her Wednesday class to finish. The students who came to learn found great solace in their creations and held them up with pride after they finished.
Reflecting on her class and teaching at the Hibulb, Sheldon said. “It’s awesome teaching these classes, the people who aren’t Native that come to learn show a lot of respect and want to take in all that I teach.”
Participants left with their handcrafted baskets and a sense of accomplishment as the day ended. This gathering emphasized sharing skills and stories, fostering appreciation for the craft and natural materials. The spirit of collaboration highlighted the community’s heart, encouraging future exploration and creativity. Such experiences remind us that traditions can evolve, forging new bonds that enrich our cultural heritage.
If you’re interested in joining Jamie to create a cedar basket, she offers a class every Wednesday at 5 p.m. at the Hibulb Cultural Center.
Gearing up for a good journey
By Kalvin Valdillez, Tulalip News
The final landing for the 2025 Canoe Journey is set for July 31, with the weeklong protocol taking place at Elwha during the first week of August. The Tulalip Canoe family will join the journey mid-July and are determined to be ready for weeks of pulling, dancing, singing and fully immersing in the traditions of the Coast Salish tribes. The culture-sharing event has been going strong since its revival in 1989 and is popular amongst the youth of multiple tribes, helping them find a solid sense of identity by exposing them to their ancestral teachings.
Participation for the first week of Canoe Journey preparation was at an all-time high with upwards of 80 people showing up for Culture Night and Canoe Practice. Led by the Tulalip Rediscovery program, these two weekly events will be held throughout the next few months to ensure that this year’s Canoe Journey participants are well equipped to not only hit the water, but can also offer songs, dances, and gifts to the numerous tribes they will be visiting en route to Lower Elwha this summer and represent Tulalip in a good way.
Culture Night
There was a buzz in the air at the Tulalip Gathering Hall on the evening of April 15, as the people caught up with their friends and family over dinner before the night’s festivities began. After 30 minutes of laughter, conversation, and the little ones chasing each other about the hall, Natsha Fryberg and Taylor Henry of the Rediscovery Program opened the event with a few words and instruction for the first Culture Night gathering of the year.
The people were excited to get their craft on and start creating their regalia for this year’s Canoe Journey. Participants perused a number of tribal designs that included salmon, canoes, killer whales, and thunderbirds in traditional formline. With their design of choice in hand, each person received a pencil and tracing paper and began outlining their design onto the paper.
Once that task was complete, they picked out what color they wanted their design to be, between red, black, white, and gray and were handed fabric to iron their design on to. And finally, they were given X-ACTO knives and scissors to cut out their design, which will eventually be transferred on to either a shawl or vest.
While the adults and teens worked on their regalia, the kiddos joined Lushootseed instructor, Natosha Gobin for a language lesson. Keeping true to the Canoe Journey theme, Natosha taught the young ones the words for each section of the canoe. After practicing the words together, colored pencil sets were placed on the table and the kids got to design their very own canoes. While some chose their favorite vibrant and bright colors to spruce up their cedar canoes, many children chose to go with the classic black and red colors that adorn the Tulalip Family canoes, Little Sister, Big Sister, and Big Brother.
“We have a lot of different things planned for Culture Night,” shared Natasha Fryberg. “We will be sending out a schedule as to what we’re going to be doing. Each week we will be working with language and we will alternate between regalia making and then giveaway items for our journey to Elwha. I think that during those weeks we will sing and dance as well. I want to welcome everybody here. I hope even more of our community turns out and participates. This year, I really want it to be a thing where they are involved from the very beginning, and we continue on with a large canoe family.”
The Rediscovery Program will continue with Culture Nights on Tuesdays at 5:00 p.m. as the Paddle to Elwha approaches, so be sure to drop by if you are planning on joining the Paddle to Elwha.
Canoe Practice
After a long winter, the people of Tulalip were eager to get back on the canoe and reconnect to the Salish Sea. It was the perfect weather for the first Canoe Practice of the season on the afternoon of April 16. With clear skies, bright sunshine, and minimal wind, the participants were all smiles as they ran a few laps around the marina prior to breaking out their paddles.
The excitement grew as everyone jumped into the water to help unload Big Brother, the Canoe Family’s large cedar strip, from a trailer and welcome its spirit back to Tulalip Bay. Once Big Brother was on the water, the first crew boarded the canoe one by one, and put on lifejackets before striking the water in unison with their paddles and launching out into the Bay.
The course was set for Hermosa and back. While the pullers made their way through the local waters, they were met with a pleasant surprise. The mist spouting from two gray whales in the vicinity could be seen from the docks of the marina, but Canoe Practice participants got an up close and personal look at the large mammals, enhancing the cultural experience and connection for everyone on the canoe.
As the first crew arrived back at the marina, they couldn’t wait to share the tale of the two whales with the other participants. Luckily, the whales decided to hang out in the bay a little while longer, and the second crew also got to witness the whales along their excursion as well.
“This is my third year pulling, so going back out on the water was pretty nice, got to feel the sacred connection again,” expressed Tribal youth, Maleia Kickingwoman. “The water was a little rough at the beginning but once we got towards Hermosa it got more calmer, and we got to cruise a bit. We saw two whales. It was pretty fun. We had some laughs and funny jokes out on the water.”
When asked if she would be attending this year’s Canoe Journey, Maleia enthusiastically replied, “Yes, I am! And I am excited about meeting new friends at Canoe Journey this year.”
To help build endurance for Canoe Journey, Canoe Practice is set for every Wednesday at 5:30 p.m., beginning with a run/walk before heading out on the water.
Said Tulalip Skipper, Natasha Fryberg, “Today was exciting. I think that the first practice can be nerve-wracking for people and many feel uneasy. We had some new participants, and they enjoyed being out there. And today was really just about talking to them and teaching them through the expectations and how to properly do things, so it’s all just a good teaching experience. Not only does it teach our community how to properly pull, but we always think about safety first and building the strength and endurance to go on these journeys, from one destination to the other. I’m excited for this year, it’s a blessing. There were whales out there and it was a beautiful day, and we had a great turnout.”
Inner artist runs amuck at 45th annual Art Festival
By Micheal Rios, Tulalip News
Run amuck. An idiom meaning to behave in an unrestrained manner. Perhaps, there’s no more heartwarming goal than that of a youth’s desire to run amuck. To be free from restraints and restrictions, free from limits and boundaries. Alas, that may not be the best route for success in the real world. But, and it’s a big BUT, a youth’s inner artist running amuck may be the best route for success at the Tulalip Tribes annual Art Festival.
The 2025 rendition of Tulalip’s art extravaganza marked 45 years of showcasing the free-flowing imaginations let loose via various mediums by tribal students of the Marysville School District. Held on the evening of April 17, hundreds of friends, families and community educators wandered through the makeshift gala that was the Don Hatch Youth Center.
“Our annual Art Festival is an opportunity for each Native student within the District to express themselves in a unique and creative way,” explained Deyamonta Diaz, positive youth development lead advocate. “All the work that goes on behind the scenes to make this event possible, it’s like an all-hands-on-deck effort, is so worth it for our community to witness the pride and joy every student puts into their art.
“Each year our expectations are surpassed because we receive hundreds and hundreds of submissions. For me, I look forward to seeing what new ways our kids find to express their Native culture or even developing their own way to retell a traditional story. There’s always something new and eye-catching that they come up with.”
For more than four decades now, Tulalip has dedicated an evening to empowering emerging creatives to let their inner artist run amuck. They are rewarded not just by having their completed works displayed for all to see, but the most heartwarming and eye-catching efforts are awarded 1st, 2nd, and 3rd place ribbons. Plus, all the bragging rights.
Such was the case with 1st grader Penelope Joseph. She radiated pure joy while leading Festival attendees to her four ribbon winning submissions. Her favorite creation was her supersized rainbow that depicted the majesty of sunray reflections following rainfall. “I like rainbows because they are pretty, and all the colors!” declared young Penelope.
Also, beaming with pride from his inner artist literally running amuck in custom made Prowler Version 42 sneakers was 7th grader Mason Madwell. His parents scurried behind him as he couldn’t wait to see if his mixed media submission won a ribbon. Sure enough, on his purple, pink and black colorway was a shimmering blue 1st place ribbon.
“My inspiration was Prowler Version 42 from the new Spider-Verse movie,” explained Mason. For the uninitiated, the next installment of the animated blockbuster Spider-Man will feature an alternate dimension Miles Morales from Earth-42, who will portray a villain known as Prowler. “Finding a pair of shoes similar to his, I hand-painted the Prowler’s colors onto them, got the same lace color that match his mask, and cut into the soles to install LED lights, just like what he’ll have in the movie.
“It’s really cool to get 1st place in the category,” continued Mason. “I feel like I spent my time well and the judges really understood what my design was. I just feel proud and have to thank my mom for helping me.”
Penelope, Mason, and their fellow student culture bearers were able to win 1st, 2nd or 3rd place, plus honorable mention, in a variety of artistic mediums. Categories included culture, drawing, painting, writing, mixed media, sculpture, digital art, and pure heart. The top four from each grade and category received a ceremonial ribbon recognizing their talents.
This year’s Festival received over 650 submissions, with the most popular category by far being painting. There were dozens of artists who showed off their diverse talents by submitting artwork in as many categories as they could. There are also artists who continue to evolve their artwork and challenge themselves each year to claim one of those coveted ribbons in different categories.
Twelfth grader Kaylikwa Fryberg had herself quite the championship run by wowing judges and Festival attendees with her wide-range of eye-popping creations. She wove a father and son matching wool tunic set for Culture, turned thought and emotion into ink on paper for Writing, used India ink to create depth of shade and shadows in recreating a memory from Ross Lake in Painting, and used her recently acquired skills from a Schack Art Center internship to make a wobbly bowl for Mixed Media.
“This bowl holds a special place for me because it was the first I’ve made,” shared Kaylikwa. “For the colors, I chose my sister’s favorite colors – purple and white. My favorite part about making it was being able to spin the heated-up glass really fast to get the floppy edges to take shape. That’s why it’s called a floppy bowl. I actually burned myself for the first time at the Schack Center while making it, but that only adds to the memories.”
Interwoven through many of the thought-provoking youth creations were both subtle and not so subtle tie-ins to ongoing social awareness campaigns, human rights issues and demands for a sustainable future. From artistic renditions on the Missing and Murdered Indigenous Women’s crisis, to declarations of Native-inspired rally cries like ‘Water Is Life’ and ‘Protect the Salmon’, to even a rather imaginative way to represent Tulalip’s own professional basketball player RaeQuan Battle.
Lennox Luong, a 12th grader at Heritage High School, used the Mixed Media category to submit a one-of-one ledger art drawing. Using what appears to be colored pencils, he drew RaeQuan midflight, enroute to a tomahawk dunk, while surrounded by Charlotte Hornets colors and imagery. It just so happened that RaeQuan was in town to play in the Rep Yo Roots tournament when he was notified of the drawing. He had to peep the drawing for himself and blown away by the tribute.
“Coming back and finding out the Art Festival was going on, I had to stop by. I loved art as a kid and always looked forward to creating a few things for the Festival when I was a student,” reflected the hoops icon. “Seeing my influence represented in the artwork of our youth is amazing. I’m blown away, really.”
From awe-inspiring carved, painted and woven cultural items to interpreting the depths of color and vivid images on display, a message being conveyed loud and clear by the inner artists running amuck is that yes, in fact, the youngest among us are paying attention to the current social climate and tribal developments of home. They have a firm grasp on how their culture is viewed, both historically and contemporary. More importantly, their artist endeavors demonstrate our youth are capable of channeling their traditional teachings and spiritual strength into pure artistry.
Maybe the best illustration of the strength of cultural power from our emerging artists was 4th grader Priscilla Valencia who wrote truth to power.
I am proud to be me, 9-year-old girl who is Tulalip and Cree.
I am trying to learn my culture, Everything that I can.
I love being Native and I hope you understand.
They wanted to kill the Native way.
We are still keeping it alive, Every time we speak, dance, and pray.
My hair is long and I love a braid or two.
To all my ancestors whose long hair was cut,
I proudly wear it long for you.
I am young, I am little,
But my voice is loud.
Native pride always,
Forever making my ancestors proud.
-Priscilla
Positive Youth Development manager Courtney Jefferson reveled in the artistry conveyed and memories made at another successful Art Festival. “When our kids create artwork for this event they are able to mix in elements of their personality, culture, family values, and what matters to them as individuals. It’s really incredible to see how even when there are twenty entries of the same type, each is different and unique in its own way because they reflect the artist who created it.
“Witnessing our kids get inspired from cultural pillars and advocacy movements is nice to see because that means they are learning about these foundational teachings while in school and retaining the information,” she added. “This proves how powerful it is to educate our people about our shared culture. Especially for the elementary-aged children. It’s so important they learn about the legacy of those who came before us and made it possible for us to thrive today.”
The 45th annual Art Festival showcased a wide-range of artistic skills among our Tulalip youth. Confirming, yet again, what inspiring imaginations these artists are capable of creating when empowered to express themselves wholeheartedly and authentically. To be given a platform where their inner artist can run amuck without judgement. Well, unless that judging comes with a shiny ribbon. Then it’s cool.
April 19, 2025 syəcəb
Please use the following link to download the April 19, 2025 issue of the syəcəb
Wesley Calvin Warbus Sr.
Wesley Calvin Warbus Sr, age 77, of Stanwood, passed away April 14, 2025, at his residence. He was born May 27, 1947 in Everett, WA, a son of the late Frank Warbus, member of the Lummi Nation Tribe and Rebecca Shelton, member of the Tulalip Tribes. Wesley held positions as a fisherman, mill worker, tree topper, sales associate, and line cook. He enjoyed being a bingo player, casino slots, and being an avid gardener and bird watcher as well as spending time with his wife, children, grandchildren, and his great-grandchildren.
Wesley is survived by his wife, Elaine Warbus, children: Jack, Wesley Jr, Laura Minor, Nita Jackson, and Candace Denning. Grandchildren: Hadley, Lennon, Divante, Jontae, Kieshadua, Aissa, and Areyah. Great grandchildren: Kamden, Rhamell and baby Shai. Siblings: Steven Warbus, Nina Goodman, Janice Arthur, Myrna Hollen, and Debora Rowell.
Wesley was preceded in death by his parents, Frank and Rebecca Warbus, brothers William Shelton, and Joseph Warbus, and his nephew, Lance Warbus.
Funeral service will be held at the Tulalip Tribes Gathering Hall on Friday, April 18, 2025.
Reclaiming the wool weaving heritage
By Micheal Rios, Tulalip News
The meditative motions and alluring sights associated with traditional wool weaving are resonating through Tulalip, once again. Across traditional Coast Salish territory, from Skokomish to Lummi and into British Columbia, tribal culture bearers are actively reviving the generations-old practice that is wool weaving – an art form nearly lost because of colonization and forced assimilation.
Historically, Coast Salish wool weaving wasn’t simply an art form. Rather it was an essential skill practiced and embraced communally for the warmth it bestowed, both physically and spiritually. Using wool from mountain goats and specially bred Salish Wool Dogs, sadly now extinct, our Coast Salish ancestors wove robes, blankets, and regalia infused with cultural significance. Every piece told a story and linked the weaver to their land and people.
However, with the arrival of European settlers and the implementation of boarding schools, the weaving tradition was suppressed. Generations were cut off from learning the techniques and ancestral knowledge associated with the practice.
Now, in a resurgence of cultural identity, a cohort of aspiring Tulalip weavers are intent on reclaiming their heritage. They are the majority of enrollees in a first-of-its-kind wool weaving program offered by Evergreen State College that is actually held on the Reservation. The program required a year-long commitment, wherein participates dedicate the first weekend of each month to an incredibly hands-on, three-day session taught by the one and only, master weaver Susan Pavel.
The Center for Washington Cultural Traditions detailed how Susan Pavel, Ph.D., first learned the Coast Salish wool weaving tradition on the Skokomish Reservation from master weaver Bruce Miller during the summer of 1996. At that time, Bruce was one of only three practicing weavers. After years of producing ceremonial blankets for Skokomish elders, Susan’s teacher invited her to teach weaving classes and carry the tradition, saying “It is through teaching that we truly honor the spirit.”
2025 marked twenty-nine years of wool weaving and honoring the weaver’s spirit power for Dr. Pavel. She is routinely approached by promising weavers seeking an apprenticeship, while also presenting weaving demonstrations at various prestigious venues. For her latest prestigious venue, she selected the Tulalip homeland.
“I very thoughtfully and purposefully chose Tulalip,” explained Susan. “I wanted to bring these teachings to Tulalip so that those who learn can share either their family. Think of the auntie or cousin who comes in and witnesses a wool weaver’s process in live-action. There’s an excitement, right? An excitement that can cause a spark of curiosity to fuel a lifelong passion. By seeing wool weavers in the family and making wool weaving a regular sight again, that’s how we reach the little ones of the next generation. How do you reclaim the wool weaving tradition? By making wool weaving traditional. That’s my dream for Tulalip.”
In collaboration with Evergreen State College, Tulalip’s Education Division, and Coast Salish Wool Weaving Center, the Coash Salish wool weaving certificate program officially launched earlier this month. Base of operations is the Don Hatch Youth Center and its pristine backdrop of luscious cedar trees and calm waters of Mission Creek entering Tulalip Bay.
Two dozen culture bearers became acquainted with natural sheep fiber in its rawest form while learning the preparation stages required to turn wool into yarn. Under the natural sun light, they worked diligently to tease apart the clumps of raw sheep fleece and loosen the fibers. This picking process helps shake out barnyard bits, such as dirt, debris and ol’ fashioned poo. It’s a necessary pre-cleaning process done by hand that establishes a connection between the weaver and the sheep who provided the wool bounty.
Indigenous plant specialist Tayna Greene shared her thoughts amid the synthesizing process. “We’re learning to process modern sheep as a fiber similar to how our ancestor’s processed mountain goat and the wooly dog. In my experience learning plant medicines I’ve processed cedar, fireweed, nettle and cattail fibers, to name a few, but never sheep’s wool. I’m excited to learn a new teaching, especially one like wool weaving that can become a resource to teach our youth and work with our elders. Honestly, this feels like a Creator-type moment where I just feel like I’m on the right path, doing the right thing.”
After hours of picking, the class moved to the Youth Center kitchen area to begin the scouring step. Raw wool is full of lanolin, which is natural sheep grease, that needs to be washed out in order to have a clean, fluffy fleece. In order to remove the lanolin, the thoroughly picked wool is soaked in hot water with a gentle soap, like Dawn, for 10-15 minutes. The wool is then rinsed to reveal a bright, gold-colored textile that is ready to be dried and carded.
Carding aligns the wool fibers and gets them ready for spinning. Susan showed the group her preferred method of using two flat paddles with wire teeth. One by one, they loaded a bit of wool onto the carders and brushed them against each other, back and forth. This detangles the wool fibers, removes any leftover debris, and results in a fluffy mat called a batt.
While taking a momentary break from carding her wool, elder Lena Hammons said, “It’s just so humbling to be among so many community changemakers who are intent on keeping our culture and traditions alive. It’s so often said ‘We’re losing our teachings. We need to get our teachings back. We need our young ones to step up and learn.’ Well, when I come to gatherings like this and witness our people, our actual young ones, stepping up to learn, it just warms my heart to know that long after I’m gone these teaching will continue.”
Picking, cleaning, and carding are just the first three prep stages required for turning a raw fleece into yarn. As they move along to further stages, like the fascinating sight of spinning with a spindle whorl, we will continue to document their progress. It’s a slow, hands-on process that provides the group with plenty of shared laughter and bonding moments as they collectively work towards reclaiming their wool weaving heritage via the legendary loom.
Flip of the coin
By Wade Sheldon, Tulalip News
The Tulalip Tribes held their annual General Council Meeting on April 12 at the Tulalip Casino. Over 1,300 tribal members cast votes, and 467 stayed throughout the long, eventful meeting. The day was filled with passionate discussions, essential motions, and a moment of history repeating itself.
One of the most unforgettable parts of the day came when a tie vote occurred between Ryan Miller and Jennie Fryberg. Both candidates received 288 votes, triggering a recount. When the numbers came back the same, the decision had to be made by a coin toss—something that hadn’t happened in the tribe since 1970, when Ralph Jones won his seat by flipping a coin after tying Herman Williams with 56 votes each.
Chief of Police Shawn Ledford was selected to perform the toss. The atmosphere shifted, and the room grew quiet. By tradition, the older candidate calls the coin, so Jennie called “tails.” The room stood still as the coin flipped through the air and hit the floor. Jennie rushed forward to see the result—it was heads. Jennie lost. Ryan Miller, stunned, graciously embraced her in a show of respect and unity.
“I feel so grateful to the membership and everyone that voted for me,” Ryan said afterward. Deborah Parker, who earned the most votes overall with 342, also claimed a board seat and shared her powerful message: “I’m going to challenge the United States government.”
Teri Gobin remains Chairwoman with 157 votes, Hazen Shopbell as Vice Chair with 128, Theresa Sheldon remains Secretary with 226 votes, and Glen Gobin returns as Treasurer.
Several important issues were raised during the meeting. Job requirements and adjustments to what’s needed to gain employment within various fields in the tribe were discussed. Jared Parks presented a motion to make it easier for tribal members to build on their land by easing codes and allowing the board to vote on individual cases. “We need to create an avenue for tribal members to utilize their land,” he said.
Glen Gobin supported this motion, emphasizing balance: “We need to find ways to make the lands available but using common sense to let our membership utilize those while still protecting the critical wetland areas.”
A significant motion that passed was a five-year economic development business plan. This plan will focus on economic sovereignty, responsible growth, and sustainable prosperity for future generations.
The meeting was long, but many left feeling hopeful. Tribal elder John Bagley shared, “I gave the meeting two thumbs up.” He reflected on what lies ahead, “For the tribe to be a better place, I think the board members need to work together with compassion.” He ended with warm congratulations to the newly elected board members.
In the words of Linda Gobin, capturing the energy of the day, “Pump up the jam.”
Return to the Salish Sea: Tulalip community participates in annual canoe awakening ceremony
“Getting in the canoe and being on the water is such a huge medicine for us. These canoes have been designed for us for over 10,000 years the same way. When I say we have to take care of them so they can take care of us, this is part of it. And when we go out there, they return that. Because every stroke we take, we’re leaving some of that hurt, some of that pain, or whatever you’re going through. We let some of it go with every stroke, that’s what we’ve always been told.”
– Tulalip Skipper, Taylor Henry
By Kalvin Valdillez, Tulalip News
Moments before hearty and raucous laughter filled the air, a reverent moment took place at the Hibulb Cultural Center parking lot. On the evening of April 9, three beautiful cedar canoes were stationed in front of the Rediscovery program’s offices. While offering a blessing song, dozens of community members circled each canoe and delicately brushed them with cedar branches, softly awakening the Tulalip canoes for a new season.
The illustrious black and red cedar dugouts radiated a spiritual energy that instilled a cultural resoluteness in everyone involved, from youth to elders. And through the awakening ceremony, the act of caring for the canoes provided a connectedness, that spanned multiple generations, to the ancestors of the Tulalip people who originally performed this tradition at the beginning of each spring.
Tulalip Skipper, Taylor Henry, shared. “We do this every year. We were told to wake them up because they go to sleep for the winter. And it is now time to wake them and let them know we’re going to put them back on the water. We were told when we do this, to always have a prayer, and an open mind and heart, so the canoes know we’re relying on them to take care of us.”
With the awakening complete, community members then removed the floorboards from each canoe in preparation for the cleansing ceremony. Equipped with wash cloths and buckets of soapy water, the people got to work, hand washing each canoe and further building upon that connection to the spirits of Little Sister, Big Sister, and Big Brother.
In total, close to eighty people took part in the ceremony. This included many young kiddos and teens who are excited to return to their ancestral highways for the 2025 Canoe Journey this summer.
Accounting for approximately one-quarter of those in attendance were members of the Tulalip Wellness Court. Since its inception nearly a decade ago, the Wellness Court has helped Tribal members attain sobriety and lead healthy lifestyles. One of the reasons why the Wellness Court has seen much success over the years is the fact that they incorporate a cultural component into each individual recovery plan for their participants.
Said Wellness Court Interim Program Manager, Leora Jones, “We require the participants to attend a cultural event each month. A lot of them have never participated on Canoe Journey or even been on a canoe before. So, we made this one mandatory so they could learn their history and learn more about the canoe family. And now that they got to meet everybody today and feel a bit more comfortable, they have the choice to continue to come out to the practices each week.”
Following the ceremony, Tulalip Wellness Court participant Victor Garcia recalled, “Today was pretty wholesome. It encompassed a lot of our traditions in what we do. It was really community driven, and I learned a lot while I was here. Washing floorboards, washing the outside of the canoe, awakening the canoes in the beginning. It was a new learning experience and really cool. Super thankful to have been here.”
Now that the canoes are ready to return to the Salish Sea, the Rediscovery program is currently holding weekly canoe practice at the Tulalip Marina every Wednesday at 5:00 p.m. Prior to taking the canoes on the water each week, the participants are required to walk or run a few laps around the marina, so be sure to bring a pair a comfortable shoes if you plan on attending.
“Today was amazing,” expressed Tulalip Skipper and Rediscovery Program Coordinator, Natasha Fryberg. “I think this was the biggest group that we had so far, and it was great to see new faces. Taylor and I work with Wellness Court weekly. We already have established a really good relationship with them. We provide them cultural activities within their court requirements. We also had a lot of teens who participate, that’s kind of how it’s been the last few years. And then our younger ones too, they absolutely love it. I think it’s important – teaching our kids what’s important in their culture and history.”
Natasha continued, “I want to invite everybody out to participate. We have culture night on Tuesdays and canoe practice on Wednesdays. And we really want to promote a healthy lifestyle, whether that’s physical activity, mentally, emotionally, so forth. I think a lot of us are eager to get back on the water and we’re excited for all the new people to be here.”
For more information, please contact Natasha Fryberg at (360) 631-2737.