Here, Now and Always: Finding common ground in Pueblo Country

 Father Sky, Mother Earth. Painting.
Tony Abeyta (Navajo) 

By Micheal Rios, Tulalip News

Roughly 1,400 miles separate the Tulalip Reservation from the heart of Pueblo Country in New Mexico. The landscapes are dramatically different. The evergreen forests and saltwater shores of the Pacific Northwest give way to high desert mesas, sandstone cliffs, and endless blue skies.

Apache Mountain Spirit Dancer. 24-foot bronze sculpture.
Craig Dan Goseyun (San Carlos Apache).
“The Apache Mountain Spirits are very important to Apache culture. They are the agents of the Supreme Being and provide protection from disease and enemies. Crowned with wooden-slat headdresses, armed with wooden swords and a bullroarer, they dance at night, wielding their wooden swords to the resonating sounds of drums, singing, and the whirling bullroarers. The Spirit Dancers bring the spiritual world into physical manifestation and give blessings to many ceremonies.”

Yet, inside the Museum of Indian Arts and Culture, the similarities between Native peoples become impossible to ignore.

Located on Museum Hill in Santa Fe, the Museum of Indian Arts and Culture serves as one of the nation’s premier sources of Indigenous art, history, and material culture. Through exhibitions, educational programming, and community engagement, the museum interprets both the historical and contemporary lives of Native peoples throughout the Southwest. Its collections tell stories that span generations, from ancestral traditions to modern expressions of identity.

Bear Dancer. Bronze.
George Rivera (Pojoaque Pueblo)
Lightning Boy. Bronze.
George Rivera (Pojoaque Pueblo)

Walking through the museum’s galleries feels less like visiting a distant culture and more like visiting relatives whose stories have taken different paths across time and geography.

The centerpiece exhibition, Here, Now and Always, showcases more than 600 objects from the museum’s extensive collection. Ceramics, jewelry, textiles, paintings, fashion, basketry, and ceremonial items are presented through the voices and perspectives of Indigenous peoples of the Southwest. Rather than viewing Native history as something confined to the past, the exhibition centers living cultures and ongoing traditions.

Merciless. Mallery Quetawki (Zuni Pueblo.
Acrylic, gold, leaf, Declaration of Independence parchment on MDF.
“An homage to Mt. Taylor. He broken treaties and desecration of Mother Earth, may she show no mercy against the re-opening of Uranium mines that threaten her place of vigil. As born stewards to these places and spaces, we bleed alongside the environment that has been ravaged by industries with ‘money eyes.’ We live by the Laws of Nature and not by the fancy calligraphies of settler greed and domination. May we find solace in our prayers and cultures to bring balance back to this bleeding land.”

Like Coast Salish communities, Pueblo nations continue to balance the responsibilities of preserving ancestral teachings while embracing today’s realities. Artists featured throughout the museum demonstrate that Indigenous culture is not frozen in time. It evolves, adapts, and grows while remaining rooted in community, language, family, and place.

STAR CHILD. Painting.
Geoge Toya (Jemez Pueblo)
“Everything in the universe exudes energy or life. In Pueblo life, homage is paid to the elements – Air, Water, Fire, and Earth. The physical universe is composed of these elements. Everything within our universe has a spirit that exudes energy. This energy reminds us that we are only a part of this vast universe that we do not control and that we must respect and care for.”

One gallery showcases the renowned pottery traditions of Pueblo communities. Clay vessels adorned with intricate designs reveal generations of knowledge passed from one artist to the next. While the medium differs from the cedar carving traditions of the Northwest Coast, the underlying values are familiar. Native art carries teachings, records histories, and strengthens cultural identity.

Another exhibition, Makowa: The Worlds Above Us, explores Indigenous relationships with the sky. Through stories, observation, and traditional knowledge, Pueblo peoples demonstrate how the stars provide guidance, meaning, and connection to the universe. The exhibit highlights a truth recognized by Indigenous nations across Native America: our ancestors looked to the limitless skies and vast oceans not only for practical knowledge, but also for spiritual understanding.

Wild Spinach Purse.
Virgil Ortiz (Cochiti Pueblo)

Perhaps most striking is the museum’s commitment to showcasing contemporary Indigenous artists. Throughout the galleries, visitors encounter works that address environmental stewardship, cultural survival, sovereignty, identity, and the responsibilities Native people carry into the future. These themes are not unique to the Southwest. They are conversations taking place in tribal communities from New Mexico to Washington State and far beyond.

Beaded High-Tops.
Teri Greeves (Kiowa)
“Though my medium may be considered ‘craft’ or ‘traditional’, my stories are from the same source as the voice running through that first Kowa beadworker’s needles. It is the voice of my grandmothers.”

For our Tulalip News audience, the selection of words accompanying this article offers a reminder that Indigenous peoples have always been innovators. The artists represented here honor their ancestors while speaking directly to present-day realities. Their work reflects adaptation and creativity in much the same way Tulalip artists continue to express Coast Salish identity through carving, weaving, painting, music, and storytelling.

Tewa Tales of Suspense! Print.
Jason Garcia (Santa Clara Pueblo)

As viewers browse the accompanying images in this feature, each piece of artwork reveals the personal and cultural journeys behind their creation. Through the artists’ own statements and interpretations, they offer glimpses into Pueblo life while simultaneously reflecting universal Indigenous experiences.

The distance between Tulalip and Santa Fe may measure 1,400 miles by road, but Native people have always understood that connection is measured differently. It is found in the teachings shared between generations, in the stories carried through art, in the responsibility to honor ancestors, and in the commitment to leave something meaningful for those yet to come.

Brocade Sash & Shirt.
Randy Moquino (Jemez / Tesuque Pueblos)

Inside the Museum of Indian Arts and Culture, those connections are everywhere. Different nations. Different homelands. Different artistic traditions. Yet the same enduring truth emerges from gallery to gallery.  Our tribal cultures are not relics of the past. They are living, thriving, and creating today. Here, now, and always.