On November 15-16, the Tulalip Gathering Hall hosted the first of two annual Holiday Native Bazaars organized by tribal member Tammy Taylor. This year, the event featured over 60 tribal vendors showcasing handmade crafts and goods. Attendees explored an impressive selection of items, from traditional Native regalia such as cedar hats, baskets, and jewelry to handmade quilts, soaps, candles, and paintings. The bazaar offered smoked salmon, deer, elk, banana bread, cookies, and various popcorn flavors for food lovers.
Vendor Lorina Jones expressed her excitement about the event’s success. “This is our second year here. Our freeze-dried candy and earrings sold quite well.” When asked for her overall impression of the bazaar, Jones replied, “I think it went well—there were many vendors and lots of people left with great gifts. Everyone is together, laughing, having a good time. It’s just a fantastic opportunity for us to sell the crafts we love creating.”
Taylor highlighted the unique nature of the gifts available at the bazaar. “There are so many beautiful gifts here—things you can’t find anywhere else, made with love, care, and prayers. That’s the best part. People look forward to this event every year. Some vendors have told me how much they appreciate having this opportunity to sell their crafts and make money for things they need.”
Taylor emphasized the community spirit fostered by the bazaar. “This is about more than just selling; it’s about gathering and sharing. You see young people, some as young as 14 or 15, bringing their baked goods to sell. It’s heartwarming to watch. And then you have vendors like Mike Gobin, whose beautiful carved rattles were flying off the table, or The Golden Girls—tribal members Heather, Toni Jo, and Judy Gobin—laughing and weaving together. Watching them enjoy themselves is what this event is all about.”
She also praised the artistry on display, mentioning Lance Taylor’s cedar hats, Mike Dunn’s wooden coat racks, and many other unique items. “There’s just so much beautiful art here,” she said. “I encourage everyone to come out and support tribal member vendors. Everything is made with care and talent, whether someone has just a handful of items or several tables.”
Taylor thanked the Tulalip Tribes for providing the gathering hall and the Quil Ceda Village graphics team for creating the event’s banners each year. “They always do an amazing job,” she said. “This event wouldn’t be possible without their support and the dedication of everyone involved.” Another Holiday Bazaar will be held on December 6 and 7 at the Gathering Hall. Tulalip tribal member vendors only, for questions reach out to Tammy Taylor at (425) 501-4141
TELA introduces five new culturally inspired playgrounds
By Kalvin Valdillez, Tulalip News
“To see this all come to life is so beautiful. These are not your typical playgrounds – you can’t find this everywhere. This is related to us and to our kids.”– Taylor Burdett, TELA ECEAP Preschool Manager
The Betty J. Taylor Early Learning Academy (TELA) recently unveiled not one, not two, not three or four, but five new playgrounds at their campus earlier this fall. Featuring state-of-the-art equipment, the new play areas afford their students the opportunity to expand their knowledge of the local animals and aquatic life, as well as the habitats in which they live.
Furthermore, the playgrounds are accented with Tulalip specific pieces, such as cedar dugout canoes, a life-size replica of the Tulalip longhouse, salmon and orca slides, and a dock that overlooks Tulalip Bay. And there are still a few more installations on the way that will enhance the cultural experience for the kids during outdoor playtime. This includes a smokehouse and a clam pit, where the students can learn how to traditionally prepare the foods of the Tulalip people such as clams, mussels, and smoked salmon.
“I think it’s really about being able to share with the children who they are and where they come from,” said Sheryl Fryberg, TELA Director. “HeadStart talks about how community is so important in early childhood education because it gives them that sense of self-pride and builds their self-esteem. So, the more they know about their own community, the better they’re going to thrive in k-12 and through their college career and life, knowing this is who I am and this is where I come from.”
The project was over five years in the making, according to TELA Manager, Mekyla Fryberg, who spearheaded the effort. The academy began its initial planning phase prior to the pandemic, and when covid hit, the project was put on the back burner. But Mekyla was determined to see it all the way through, and she was able to secure additional Covid-19 funding to utilize for the playgrounds. She also took on the responsibility of finding a contactor and purchasing the equipment, with a goal to complete the project by the end of September 2024.
Said Mekyla, “We have installed five new playgrounds – one specifically for birth-to-three, the rest are for ages 2-5. We have our fishermen’s dock playground; our longhouse, which will be surrounded by our smokehouse and our clam pit, where we focus on Indigenous foods with our students; our sea-life playground; and our wilderness preschool play area. And in addition to those areas, we did some renovations and added in play structures into our inner courtyard playground that was already pre-standing.”
After giving an exclusive tour of all five play areas to the syəcəb, Mekyla shared a little bit about the theme of the playgrounds, which revolve around local wildlife. She stated, “We tried to be intentional with the animals that we chose for the playgrounds and capture the classroom names that we have within our facility. We have our sea-life animals and our small land animals on the birth-to-three wing of the building. And our bigger land animals and birds in the preschool wing.”
To get a better understanding of Mekyla’s statement, let’s take a closer look at a few highlights of each playground. At the renovated inner courtyard, children will find a forest-themed playground with birch tree steppingstones and plenty of interactive fun such as a native wildlife soundboard. And sculptures of butterflies, bears, and bluejays can be found high and low throughout this entire play area.
Next up, there is the fishermen’s dock, which not only features the canoe and the salmon/orca slides, but also a realistic pier play structure. Complete with perched seagulls and observation viewers, the kids can look out at the bay and feel as though they are at the Tulalip Marina. A few more cool pieces at this playground include oyster steppingstones and also hummingbird and eagle spring riders.
Across the fishermen’s dock is the field where TELA holds its annual clambake ceremony. A permanent spot has been reserved for the clam pit, which sits directly in front of the new longhouse. The longhouse was modeled after Tulalip’s own cedar longhouse and the attention to detail is nothing short of stunning.
“They [contractors] actually went down to our longhouse and were able to replicate the posts,” Mekyla explained.
Sheryl added, “We are going to develop it so that it looks more like it did when we lived in our longhouses. We want to get like food storage, and baskets, and something that replicates tule mats. I’m just so excited about it because it really gives the kids that feel. When we bring them to our longhouse, even the young kids, they feel when they walk in the door, that it’s different in there.”
Next on the tour is the sea-life playground that is located on the birth-to-three side of the academy. Upon entrance, the kids are greeted with a deep blue playground turf that serves as a replica of the Salish Sea. A whale’s tail appears to be jutting out of the ocean on the far side of the turf. On its opposite side is the head of an orca swimming alongside her calf, giving the illusion that the killer whale’s body is underwater. A few more highlights of the sea-life playground are sealion sculptures, jellyfish slides, and a giant figure of a sea turtle.
The fifth and final playground can be found on the preschool side and is known as the wilderness playground. All the equipment on this playground is painted brown and green, to provide that outdoorsy vibe for the kids. Sitting on top of the main play structure is an owl looking out from a tree canopy. And below, the kids can reach the slides by climbing cedar logs and three cedarwood cookie steppingstones. In addition to the owl, the wildlife of this play area consists of a howling wolf, two bears, and a mama deer cuddled next to her fawn.
The wilderness playground also has a few key features that we’d be remiss to mention. For the first time, in all of TELA’s history, the academy has a full-fledged swing set. And directly across the new swing set is perhaps the main attraction of the wilderness playground, a section with imported sand, rocks, and driftwood from the local coastline. TELA brought the beach to the academy! And it’s proving to be a place that many of the students connect with the most.
“One of our teachers said that this is like the serenity spot for the kids,” shared Sheryl. “They run and play hard everywhere else but when they get here, they just relax. It’s like hitting Mother Earth, right? It brings such joy to my heart because we have provided so many different opportunities for them to be outside. And learning outside is the best thing we can do for our children; to experience the world, so they’re not just stuck in the classroom. They get to learn about their animals and even the sounds of the animals.”
Following the exclusive tour, the three TELA leaders took a moment to share their personal favorite playgrounds with Tulalip News.
“I think the fisherman dock is my favorite,” Mekyla exclaimed. “We have the salmon and killer whale slides. And just being able to scan out on the dock while you’re looking at the bay. I also like to see that it gives some of our teachers the opportunity to engage and learn as well, and so that’s also really rewarding for me.”
Taylor expressed, “I don’t have a favorite place but the little details of everything is my favorite, like the little oyster shells and the little accessories everywhere. From covid, we’ve seen an increase in our developmental delays and our sensory needs of our students. So, we just tried to expand that outside of the classrooms and to give them opportunities on the playground. There’s secured safe sounds, there’s a lot of different noise, auditory, and feely-sensey things for them and that’s so great.”
“The longhouse is my favorite because it gives us the opportunity to show the way we lived originally in our longhouses as well as how we utilize them today,” Sheryl revealed. “And it’s going to be a great place for our teachers and our Lushootseed department to share traditional stories and knowledge with our kids.”
Since its establishment, the early learning academy has continued to find new ways to incorporate the Tulalip culture and their ancestral knowledge into their curriculum. The new playgrounds are an extension of those ideals and values of the academy. And just a few weeks after introducing the play areas to their students, the kids are already in love with the animal sculptures and culturally inspired play structures, and they are having a blast exploring every detail of the new parks.
If you have yet to see the new playgrounds, the fishermen’s dock and longhouse are visible from the academy’s parking lot. Please keep in mind that in order to preserve the pristine look of the new play structures for future generations, the new playgrounds are closed to the public. For additional info, please contact TELA at (360) 716-4250.
Since the inception of the Tulalip’s Charitable Contributions Fund in 1993, the Tribe has donated approximately 126 million dollars in support to thousands of unique organizations. More commonly known as Tulalip Cares, the Fund provides the opportunity for a sustainable and healthy community by providing much needed funding to Washington State nonprofits and community groups who strive to make our shared reality a better place for all.
Kicking off the start of the holiday season, the Tribe, Resort Casino, Quil Ceda Village and Tulalip Cares combined forces to host an extravagant evening dubbed Raising Hands. It’s an annual event representing the purest spirit of Thanksgiving.
Held in the Orca Ballroom, the always stylish space was filled with hundreds of representatives who work tirelessly to improve education, environmental stewardship, public services, cultural preservation, and health care within the state. Guests were cordially invited to come together in an atmosphere of appreciation to celebrate their common mission to improve our communities.
“First of all, I want to welcome everyone here to our homelands,” said Tulalip Board of Director Glen Gobin during his opening remarks. “Secondly, I’d like to thank each and every one of you for the work that you do in helping us build stronger communities, bringing people together for the common good, and recognizing opportunity gaps and doing what it takes to fill those gaps. You all truly represent what it means to step forward and make a difference.
“We’ve experiences so much growth since 1992 when Tulalip signed the first gaming compact in Washington State. As we’ve grown, we haven’t forgotten what it is like to be in need,” continued Glen. “The Tulalip Tribes started out with only 3 employees many years ago. Today, we have over 3,600 employees and work with over 7,900 vendors, most of whom are local and could be your neighbor. As we continue to grow and be successful, we maintain our responsibility to the greater community and uphold our traditional value of giving back. That is why we are so very proud to have provided over $6.2 million dollars in financial assistance to 500+ organization over the past year.”
Raising Hands isn’t just about dollars and cents. At the annual celebration, community change makers are given a chance to share their plans for the future and learn how other like-minded charities are striving to make a difference for the benefit of so many. This is an invaluable benefit for organizations who can sometimes struggle to get their message broadcast to larger audiences.
“When you see people having these amazing, positive conversations that is when we see we are making a difference,” observed Tulalip Cares Director Marilyn Sheldon. “Giving people the opportunity to work together is worth its weight in gold. We try to show respect and honor these charities that give so much of themselves for this community. We want them to feel like the red carpet got laid out just for them.
“Each year, as soon as the event is over, we ask ourselves how we can help make the next one better,” she continued. “Some days, I feel so blessed that this is my job. We are so fortunate to be able to work with these amazing organizations in Snohomish County and throughout Washington State.”
During the 2024 rendition of Raising Hands, six standout nonprofits received special recognition for their exceptional creativity and effectiveness. Little Bit Therapeutic Riding Center, Naa KáaniNative Program, Pacific Rim Institute for Environmental Stewardship, Purrfect Pals, Scarlet Road, and STEM Paths Innovation Network were each highlighted for their innovative and heart felt work.
While cinematic videos detailing the amazing work of the featured nonprofits played on the Orca Ballroom’s several projection screens, the hundreds of honored guests in attendance were treated to a delectable 5-course dining experience.
The event ended with one last giving of thanks. One that paid tribute to still thriving Tulalip lifeways that are at the core of Tulalip Care’s vision to create a healthy and vibrant community. “To be without trees would, in the most literal way, to be without our roots,” read a table sign that attendees were directed to visit while exiting the Ballroom. On the table were gifts aplenty in the form of Western Red Cedars. Those that accepted the gift of cedar were instructed to plant it as a living memory of the special night of giving.
Last issue, in celebration of Native American Heritage Month, we highlighted the educational exploits of one soon-to-be Tessa Campbell, Ph.D. who is actively indigenizing space on the University of Washington campus. This issue we turn our celebratory gaze to the awe-inspiring artistry of James Madison and a towering story pole installed on the banks of Lake Washington.
One of Tulalip’s master carvers, James is celebrated not only for his dedication to preserving our rich cultural heritage but also for his exceptional skill and craftsmanship in wood carving. His expansive portfolio, especially his soaring story poles, exemplifies his mastery in the art of Coast Salish carving and his commitment to upholding the stories and iconic imagery of his ancestors
“I started learning how to carve at 5-years-old. Some of my earliest carving memories are from when I’d be dropped off at my grandma Lois and grandpa Frank’s house every day during elementary,” recalled the now 50-year-old James in an episode of Hibulb Conversations. “I’d basically receive my culture teachings from them in the morning, before going to school at Whittier Elementary, then continue the culture teachings with them after school. Back then, my grandpa would carve around the kitchen table. He’d sit me down with my cousin Steven and we would watch and learn.”
James comes from an artistic family that spans multiple generations and includes both Tulalip and Tlingit forebearers who were deeply rooted in cultural traditions and storytelling. They used a variety of tools and elements that were at their disposal at the time to display their most valued aspects of culture through art.
Within the modern competitive art scene of the 21st century, true masters of their craft seek to expand beyond the confines of what art should be and, instead, revel in the opportunity to express what art is. An ever-evolving perspective that isn’t limited by palette nor medium, Native American artists are always seeking innovative methods to highlight heritage like those who came before them.
“I always dreamt of being an artist like my grandpa and father before me,” admitted the Tulalip master carver. “There was a Haida artist named Bill Reid, who I never actually met in person, but he had a profound impact on me through his books filled with northwest coastal art and stunning sculptures that were 15- to 20-feet large. When I was young, his books were accessible to me and I’d look through them constantly; studying his technique and visualizing what I’d do if I had the ability to create things larger than life.”
Out of that larger than life vision has sprung a stunning, one-of-one story pole. The core of a 600-year-old Red Cedar tree has been intricately hand-carved into a traditional story that has been passed on from one generation to the next. Depicted in the 20-foot tall, 2,000-pound pole is a traditional tale passed on from a grandfather to his grandson during one of those aforementioned culture teachings as child.
“My grandpa used to tell me this story about Thunderbird and Black Fish, which depicted the origins of Snoqualmie Pass,” explained James moments after the pole’s raising. “A long time ago, there used to be thunderbirds flying in the sky. When they flapped their wings, they made lighting and thunder. Black Fish swam in the ocean, but would come to the surface from time and time and jump out when necessary to gather. Whenever Thunderbird and Black Fish saw one another, they’d become jealous of what the other could do. One could fly and one could swim.
“They would bicker to each other and brag about which ability was better, swimming or flying. One day, they just had enough of each other’s talk and decided to fight. Thunderbird swooped down from the sky as Black Fish leapt from the water and they met in mid-air. They tussled around, fighting each other, until they eventually landed on the mountains. They continued their tussle, crushing their way through mountainous rock down until they reached the water. Thunderbird soared back into the sky and Black Fish propelled itself back into the ocean. What their fight created was a path over the mountain that we know today as Snoqualmie Pass.”
It took James one full year of meticulous carving with various tools and techniques, from chisels and adzes to sanders and finishing tools, to complete this story pole. His control over each tool further demonstrates his mastery, allowing him to achieve the deep textures, contours, and details that give his cedar formed figures life and meaning.
Behind the story, literally on the pole’s back, are six animals that were requested to represent the commissioner’s family. Seahawk, bear, sea otter, wolf, shark, and beaver totems only add to the cultural significance the pole represents in the heart of Coast Salish territory. Through artistic vision, James and his fellow master carvers are creating a future in which our culture thrives and inspires. They are connecting the past, present and future through an enduring art form – storytelling in wood.
A young kiddo, dressed as the Amazing Spider-Man, eagerly led his mom and younger sibling into an animal kingdom unlike any other. Filled with wonderment and excitement, the boy carefully perused the multitude of animals until he found his perfect companion, a tie-dye teddy bear.
Taking in the entire experience with a bright smile, the young Spidey then brought his new bestie to life by personally filling the plushie with stuffing and inserting a little heart into the bear. Next, he got to pick out an outfit for his tie-dyed friend. Looking through hundreds of outfits, including everything from first responder uniforms to monkey and ducky pajamas, his choice was a no-brainer when his eyes landed upon the superhero section. After dressing his new teddy in an identical Spider-Man costume, a special moment took place as the kiddo looked at his new creation with adoration that could melt your heart and gave him the biggest hug of all time.
“That’s what it’s all about,” exclaimed the owner of the new business venture, Marvin Velasquez. His wife and business partner, Dana Higgins, agreed with that sentiment and ranks those specific moments as her all-time favorite thing about their new storefront, Build an Animal Buddy & Tasty Treats.
Nestled in between the Kate Spade New York Outlet and Ecco footwear, Build an Animal Buddy & Tasty Treats held their grand opening on the afternoon of November 6. Donning a cedar hat and traditional beadwork, Marvin felt it was important to incorporate his Tulalip heritage and culture into the opening of the store, encouraging his children to rock their beads at the grand opening as well. He also enlisted culture bearer, Tony Hatch, to lead the ribbon cutting ceremony where he offered a song and prayer on the historic day.
“This is all kind of surreal, I will admit that,” Marvin expressed. “The outlet mall has been here going on 20 years, I was quite surprised to find out that I am the first Tulalip tribal member to have a storefront here. I believe we might’ve had a Tribal member-owned kiosk before, but to be the first to open a store is a good feeling. It’s also something that I think my parents, who have both passed now, would be very proud of.”
Marvin and Dana made headlines locally for bringing the first axe throwing establishment to our area. Tomahawk Axe, which is located in Smokey Point next to the McDonalds, has been a success over the past three years.
Though busy with the daily operations of Tomahawk Axe, the family somehow found time to start a side hustle in which they traveled to local events and fairgrounds with the Build an Animal Buddy mobile trailer. The side hustle was such a smash hit amongst the kids, that they decided to add it into the fold at Tomahawk Axe. And from there, Animal Buddy blossomed, growing in popularity by the day, to the point where they decided they needed a bigger space.
Said Marvin, “Adding Animal Buddy to Tomahawk Axe was such an overwhelming success, we decided to try to build upon that. We scouted the Seattle Premium Outlet Mall and were able to negotiate a spot here. It is nice because it’s close to home, it’s on our reservation, and it’s a closer location for our people to come in. I will tell you though, it’s not an easy task. It’s very expensive to be here because there’s a lot of high-end products here. But there’s not a whole lot to do for the little ones at the outlet mall. This gives them a venue to come in to and get their own little treat and an animal buddy to carry along with them as they’re here shopping with their parents.”
Upon walking into Build an Animal Buddy & Tasty Treats, you are met with a clean, welcoming, and organized space. And when checking out the storefront, many parents are surprised to see how budget-friendly it is, in comparison to the retail chain that most people think of when it comes to creating your own plushie.
“Animal Buddy brings a more affordable experience to a lot of kids whose families can’t afford the other,” Dana stated. “We wanted to put something together for those kids because it’s fun and it’s an experience I think every kid should be able to have. We have over 90 animals to choose from, in addition to our Christmas line as well. The most pleasing thing for me is seeing that excitement when they get to choose their animal, give it a name, dress it, and take it home.”
For only $25, the kids get to pick out any animal or character in the store, fill it with stuffing, make a wish and place either a heart or star inside their plushie. They also get to choose between either a whimsical-themed box or backpack to carry their new friend home. All the outfits in the store come at an additional cost, but are reasonably priced, with their most expensive outfit ringing up at about $13. And for just $5 extra, the customer can purchase a voice box to record a personal message to place inside their stuffed animal.
All of the animals sit high on their top shelves along the walls of the storefront. Below the plushies there is a large variety of sweet and salty snacks on display all throughout the space, including several popcorn mixes and highly sought after candy bars. In fact, in their first week of business, there have been multiple customers who traveled to the store to purchase the infamous Dubai chocolate bars, that are currently all the hype on TikTok.
In the short amount of time that Build an Animal Buddy & Tasty Treats has been open, they have had a wide array of customers visit the store, whose ages ranged from babies to elders.
A couple examples of their adult clientele make for some great heartwarming stories, such as a gentleman in his 70s who purchased a stuffy identical to his dog, who is about to transition to the afterlife. He took the voice box home and recorded his dogs bark, immortalizing the voice and memory of his four-legged pal before it’s passing. Another example was when an auntie, whose niece lives in a different state, came in to buy a plushie. Before sealing the gift up, the aunt recorded a few messages for her niece, telling her how much she loved and missed her.
“It’s things like that that really make us happy and proud,” Dana shared. “A lot of people don’t think about things like that. They might think, ‘oh this is just a place to make stuffed animals for a child’, but it’s so much more. Like when a mom can record her voice for her child, or vice versa, they’ll have that for years to come. And they can listen to it whenever and however many times as they want. We have just about every idea of a stuffy you can think of, there’s something for everybody here. I think that’s pretty neat.”
Earlier, we mentioned how important it was for Marvin to incorporate his culture into this business. His ultimate hope is to pass on those values, along with any lessons learned while operating two businesses, to his children. Which of course aligns with the Tulalip tradition of passing on their teachings to the next generation.
He said, “The Native dream is alive. We have five kids between the two of us who are all involved in the business. My three kids are Tribal members, and they were here for the grand opening. They’re super excited because they love this business. My eleven-year-old, Quinn, is always willing to help customers and she can ring people up on the cash register. My sixteen-year-old, Catherine, is very good at that as well. She’s going to be working here part time. And my son Marvin Jr., he’s excited too, but I think he’s more fond of the tasty treats. It’s pretty amazing for us to be able to teach our kids entrepreneurship. And also, it’s amazing how we really are going to be able to carry our legacy on through our kids by making sure they’re involved, so they know how to keep our businesses going and can contribute to the family businesses.”
Build an Animal Buddy & Tasty treats are gearing up for a busy holiday season. They already have numerous Christmas-themed plushies available for purchase, including Santa Claus, Frosty the Snowman, the elf on the shelf, and Rudolph the red-nosed reindeer. Thanks to the large space of the store, Marvin and Dana are also able to host birthday parties and other get togethers. And if you are unsure which animal to pick for a Christmas or birthday present, they also offer gift cards, which provides the opportunity for your loved one to visit the storefront and experience the fun and joy of creating their own stuffed animal.
“We have everything from farm animals to jungle animals, you name it,” Marvin informed. “We have all kinds of different outfits such as a police officer, firefighter, captain of a ship. We even offer sports uniforms, cheerleader outfits, and shoes. It’s just so fun and the kids are always super excited to do it. And the outfits tie everything together – there’s nothing like having a Spider-Man tiger or a kung fu chicken!”
For further information, and to plan a party or order a plushie online, please visit their website at www.BuildAnAnimalBuddy.com. And be sure to give their social media pages a follow to stay up to date on any specials or events happening at Build an Animal & Tasty Treats.
On Sunday, November 10, the Tulalip Tribes hosted the heartfelt Missing from Fire Trail Road premiere, directed by Sabrina Van Tassel. The film has garnered international recognition for its sensitive portrayal of the ongoing case of Mary Ellen Johnson-Davis, a Tulalip Tribes member missing since November 2020. The event brought together the Tulalip and surrounding communities, united in support of Johnson-Davis and the broader issue of missing and murdered Indigenous women (MMIW).
As Native culture continues to gain recognition, the film highlights the urgent need to address the tragic issues affecting Indigenous communities and work toward healing. Van Tassel’s documentary delves into the deep-rooted causes behind the MMIW epidemic, examining the challenges Indigenous communities face in securing justice and support. It shines a light on the systemic issues that lead to insufficient investigation of crimes on reservations, such as jurisdictional gaps, lack of resources, and historical trauma that exacerbate Indigenous women’s vulnerability.
Deborah Parker, a respected tribal leader and advocate for Native American rights at both state and national levels, serves as the documentary’s primary interviewer, and co-producer. Her partnership with Van Tassel aims to amplify Indigenous voices and further the search for Mary Ellen. “Our hope is, one, to find our path to Mary, and two, to honor her and her life,” Parker said at the premiere.
During the Women’s Warrior Song, she led the audience in raising their hands in solidarity with Johnson-Davis’s family, marking a decisive moment of unity. After the film, Parker expressed, “As emotional as this film is, it’s also healing.”
The documentary also highlights the barriers Indigenous communities face in the legal system, including the limitations tribes face in prosecuting non-Native offenders on reservations. Van Tassel hopes to increase awareness of these injustices, explaining, “It was my goal to give [Mary Ellen] an identity.” The film advocates for enhanced tribal authority to pursue justice for crimes committed within Indigenous communities, as current jurisdictional limitations often allow non-native offenders to escape prosecution by leaving the reservation.
Carmelita Escarsega, an anti-human trafficking advocate with the Puyallup Tribes, attended the premiere and shared her perspective on the film’s impact. Her friend, and anti-human trafficking manager, Carolyn DeFord, has personally been affected by the MMIW crisis—her mother has been missing for 25 years. “This is a powerful story to get out to the public and the world and let them know what is going on and what is not,” Escarsega said. She reflected on law enforcement’s response in the documentary, “The FBI looked like he was squirming in his seat with what he was saying. I’m grateful that they did this.”
When asked how well the film represents the Indigenous community, Escarsega emphasized its impact: “It’s powerful. It shows that we are underrepresented in the media and that we are just as human as everybody else, and we deserve to be heard, seen and believed. When we say something is wrong, something is wrong. To let people get away with coming jurisdictionally onto our reservations and taking and stealing our women and our children and our people is wrong.”
This call for accountability resonates with Tulalip Chief of Police Shawn Ledford, who emphasized the importance of community support in solving Mary Ellen’s case. “If you know something or have an idea, come forward and give us a call. We want to bring Mary home,” he urged, adding, “What we do need is additional leads.”
Missing from Fire Trail Road is available to stream on Amazon and Apple TV, allowing audiences across the U.S. to engage with this important story and support the search for Mary Ellen Johnson-Davis.
Mary Ellen Johnson-Davis is still missing. If you or anyone you know has information or tips regarding her whereabouts, please call the Tulalip Police Department tip line at (360) 716-5990 or contact the FBI online at tips.fbi.gov.
Every year, in commemoration of Veterans Day, the Hibulb Cultural Center (HCC) pays tribute to those who served in the Armed Forces by offering free admission to veterans and their families. This year, the cultural center observed the holiday on Sunday, November 12, and had a special display set up in their hallway that featured military medals, patches, uniforms, and a star quilt made by the local Veterans Quilt Project, all donated by Tribal veterans.
The highlight of the day took place at noon, when the Tulalip Honor Guard entered the HCC longhouse proudly holding high an eagle staff, the US flag, the Tulalip Tribes flag, the Tulalip Veterans flag, and the POW flag. After placing the flags into weighted stands, the Honor Guard took a seat amongst their family, friends, and fellow service men and women as a few opening remarks were shared by Museum Manager, Mytyl Hernandez, and Tulalip Veterans Coordinator, William Mclean III (US Marine Corps).
Prior to the pandemic, this event packed the longhouse wall to wall as veterans from all around the state traveled to attend the gathering. This year was the official return of the presentation of colors and roll call ceremony. This was due, in part, to two years of gathering restrictions and the unveiling of the National Native American Veterans Memorial monument, a trip that took Tulalip veterans cross country to Washington D.C. on Veterans Day weekend in 2022.
The Veterans Day honoring had a smaller turnout than in years past, but this provided an intimate setting and allowed the veterans to open up more during roll call and not feel as rushed. With around 35 community members in attendance, Tribal veterans accounted for over half of the participants. And one by one, they shared their military branch, years of service, and their experience as an active-duty member of the Armed Forces. Many also felt safe enough to talk about the reason they enlisted and the positive impact of that decision to join.
“I joined to turn my life around and save myself,” said Tribal member and Army veteran, Demitri Jones-Robinson. “I was going down a bad path and wanted to change a lot of things about myself. [The Army] has changed my life completely; it’s allowed me to live a better life. Today, my daughter gets to be in my life, and I have a beautiful family. It’s an honor to be here and be a part of this with all of you. I am so grateful.”
In addition to sharing about their time in the military, the veterans also reflected on the lives of their brothers and sisters in arms who died in combat or are no longer with us today.
“I lost a lot of friends and relatives in combat,” said Hank Williams, Tulalip elder and US Army and National Guard Veteran. “The closest one was Walter Moses Jr. Him and I played football together in Marysville. He was the punter, and he was my substitute, so we’d run around together. He decided to go because his brother was there, Ray Moses. He wanted to serve alongside his brother. He went in and he was in communications, but he transferred because he wanted to be where his brother was – the front lines. He was there 30 days, and he got killed. That was something that really hit me hard, losing a friend and a relative.”
HCC presented a gift bag to each veteran during the event as well as to any veterans who toured the museum on the holiday. And following roll call, the community was invited to share light refreshments and good conversation in one of the cultural center’s classrooms.
After the ceremony concluded, member of the Tulalip Honor Guard and Army Veteran, Rocky Renecker shared, “Now that I’m a little older and have kids, I have so much more gratitude for this day. Because it’s a day to honor every man, woman, and persons who signed up and dedicated their life to their country – past, present, and future. Each year, I’m so appreciative that I get to hear these men and women. To hear their stories and about where they come from. Like our eldest veteran, Hank Williams, it was an honor to hear him speak about his time in the service and about his friend. I just have so much gratitude for all the men and women in the military service and what they have done for our country.”
Happy Veterans Day to all those who have served in the US Armed Forces. We thank you for your dedication and commitment to our country. We are grateful for your bravery and courage while defending our freedom.
Following an engaging, educational, and introspective Season of Healing, Tulalip enters November with a fresh perspective and with their hearts on the mend. It’s fitting that the community is experiencing such a grounding sensation as the leaves make their descent down to Mother Earth’s floor. And like the trees from which they fell, the people of Tulalip are preparing for a new chapter.
Speaking of new chapters, we have a few book recommendations for you to enjoy in this transitional period before the holiday rush kicks in. And since it’s Native American Heritage month, we wanted to highlight ten different Indigenous authors on this list, whose works span across multiple genres in the literary world. So, whether you’re looking for crime thrillers or children’s tales, we got you.
Bad Cree by Jessica Johns
A little bit of horror. A little bit of mystery. Extremely thrilling from beginning to end. Bad Cree follows a grief-stricken young woman, Mackenzie, who moved to Vancouver B.C. from her reservation in Alberta for a new start. However, upon getting acclimated to the city life, she begins having eerie encounters with crows and realistic nightmares about an incident from her past. Taking these as signs to return home, Mackenzie finds comfort and strength in family, while also repairing broken bonds along the way. But the closer she grows to her sisters, mom, and aunties, her nightmares seem to intensify, and they keep calling her back to that ill-fated night. There is plenty of rez humor in this page-turner and author Jessica Johns does an excellent job in incorporating her tribe’s culture, traditions, and stories into her work.
Shutter and Exposure by Ramona Emerson
Taking place in New Mexico, these two novels are collectively known as the Rita Todacheene series. As a forensic photographer for the Albuquerque PD, Rita is usually first on the scene, snapping photos of victims and the manner in which they died. As a Navajo woman, she is naturally in tune with the spirit world, for better or worse. In her line of work, she often encounters the ghosts of the victims. Many of whom she helps crossover by informing them of their passing, the others, however, seem to linger. In Shutter, things take a turn when a particular spirit haunts her every waking moment, demanding that Rita solves her case and finds her killer. But the further Rita digs, the more danger she finds herself in. Exposure is the second novel in the series and was just released in October. Early reviews have Exposure rated a notch higher than Shutter with an average of 4.5 stars on sites like Goodreads, Barnes and Noble, and Amazon. This time around, Rita is working to uncover the identity of a serial killer who is targeting Native Americans in the city of Gallup.
Project 562: Changing the Way We See Native America by Matika Wilbur
You already know we had to show some love to Matika! This book is original as it is beautiful. Filled with hundreds of stunning photos and stories, Project 562 highlights Native peoples from each of the 562 federally recognized tribes across the nation. And through their voices and portraits, she captures the perfect picture of present-day Native America. Dedicating over a decade of her life to Project 562 and traveling to each reservation, Matika put together a book that connects all of our people, while also educating the reader about our different traditions, our cultural way of life, our resilience, and the issues we face as Indigenous people in today’s society.
Red Paint: The Ancestral Autobiography of a Coast Salish Punk and Thunder Song Essays by Sasha ‘taqʷšəblu’ LaPointe
Let’s keep things local and explore the works of Sasha LaPointe (Upper Skagit/Nooksack). By reading the titles of her books alone, one could surmise that Sasha has a strong connection to music. And that love for punk rock and the lifestyle shines in her writing. First, she grabs a hold of your attention by referencing local reservations, cities, and places. Then once you’re hooked, she reels you in by speaking on the teachings she’s acquired from influential tribal leaders known throughout the Salish Nations. Her grandmother was thee Vi Hilbert after all. But what closes the deal is her lyrical prose and her ability to turn her experiences with heartbreak, transgressions, and devastation into these deep and elegantly composed sentences and poems that are drenched with the pain of generational trauma. But yet, at times, are also filled with joy, optimism, and a strong love for her culture and heritage. Both of Sasha’s books are a must-read. And if you do pick them up, be sure to have a box of Kleenex nearby because the tears are sure to fall.
Come Home Indio: A Memoir by Jim Terry
If you aren’t familiar with Jim Terry, Come Home Indio is the perfect introduction to this up-and-coming author and cartoonist. Jim’s artwork can usually be found in the horror realm, but this graphic novel is about his personal journey. Growing up as a suburban Indian, Jim struggled with his identity from a young age. This is his story about reconnecting with his Indigenous roots and consequently overcoming grief and alcoholism through that work. And what makes it all the more impressive is that it’s a comic-style memoir which features over 200 pages of his remarkable artwork.
Night of the Living Rez by Morgan Talty
This collection of short stories all occur in the state of Maine, on the Penobscot Indian Reservation. Featuring twelve Indigenous horror stories in total, Morgan explores numerous problems that Native people experience on the daily. This includes drug use, generational trauma and violence, and the numerous challenges that come with living on a reservation. Each story is relatable if you are a product of the rez. And if you aren’t, Morgan does a fantastic job at bringing attention to these issues while incorporating some humorous Indigenous dialogue. Within these atmospheric stories, he showcases the strength of our families and tribal communities. Clocking in at just under 300 pages, this book is a perfect weekend read.
Mapping the Interior by Stephen Graham Jones
What would an Indigenous book list be with the incomparable SGJ? Now, we know you are probably familiar with The Only Good Indians or the Jade Daniels trilogy, and though this story is significantly shorter in comparison, it is still packed with the same amount of unnerving energy, supernatural horror, and mystique as his heavy hitters. We don’t want to give away any spoilers about this beautifully haunting story, but we would like to note that it is centered around Junior, a young Native American man who begins to see the ghost of his late father. What happens next? You’ll have to check out this novella, which is free on Kindle Unlimited, for yourself.
Contenders: Two Native Baseball Players, One World Series by Traci Sorell, illustrated by Aarigon Starr.
Switching gears, we are going to share lighthearted books from this point on. And after reading Mapping the Interior, these next recs might be just what you need. Starting with Contenders, this brightly illustrated YA book takes us back to the year 1911and is based on a true story. Set around the World Series, this read follows the trials and tribulations of John Meyers (White Earth Band) and Charles Bender (Cahuilla Band) as they face-off against each other for the chip, becoming the first two Native American players to do so in baseball history.
Fry Bread: A Native American Family Story by Kevin Noble Maillard, illustrated by Juana Martinez-Neal
An ode to our favorite commodity creation? Kind of, but not really. What it’s really about is how the delicious food creates an opportunity for our people to connect with one another. It’s about how sharing a meal can bring families closer. It is cute, heartwarming, and speaks on the importance of keeping traditions and practices alive. The children’s book also explains how frybread was born out of necessity, after hundreds of tribal nations were relocated to reservations with little to no access to their traditional foods. Whether you are sharing this story with your children or enjoying it by yourself, this picture book is not only a fun learning opportunity, but also a great example of Indigenous representation for tribal youth and families throughout the nation. Author Kevin Noble Maillard (Seminole Nation) also included a frybread recipe for you to try at home!
Modern Native Feasts: Healthy, Innovative, Sustainable Cuisine by Andrew George Jr.
Last but not least, we have a cookbook. There are many Indigenous cookbooks out there, but very few cover the foods of the Northwest and First Nations coastal tribes. Even fewer blend tradish recipes and contemporary cuisine together. With the upcoming turkey feast that takes place on Tulalip Day Eve, this book is the perfect companion if you are looking to feed your Indian on the last Thursday of November. Might we suggest elk stew, poached salmon with white wine sauce and julienned veggies, mussels with tomato salsa, or clam fritters with a spicy sage dipping sauce? No matter your culinary background or skill, Andrew George Jr. (Wet’suwet’en Nation) created some fun and innovative dishes for you to master in the comfort of your own kitchen.
Happy Native American Heritage Month and happy reading!
At the cross-section of academia and culturally inclusive education, prevailing winds of change are sweeping though newly constructed learning centers and century’s old college campuses across the nation. Generated by Native American culture bearers focused on increasing representation and breaking down barriers by actively seeking to become mentors, school administrators and college professors. These individuals are powered by a fearless determination seven generations in the making.
The Tulalip Tribes has produced several of these illustrious education change makers; from Dr. Stephanie Fryberg and Dr. Lena Hammons to Early Learning Academy director Sheryl Fryberg and Quil Ceda Elementary vice principal Chelsea Craig. Soon, Tessa Campbell will join the ranks of those marvelous matriarchs. Proving yet again that educational pursuits, even at the highest of levels, aren’t just realistic dreams, but are attainable goals for our Tulalip people.
“The main reason I am in the Ph.D. program is because the University of Washington Information School supports Indigenous Knowledge and Indigenous Systems of Knowledge research,” explained Tessa. “There are currently three Native faculty and three Native Ph.D. students. I am pursuing my doctorate degree so I can eventually teach. I also want to be a role model for not only younger generations but others as well. It is important to see Native people in academia. Having representation of Native faculty and students is so important to see that if other Native people can survive and thrive in these programs then so can they!
“Personally, for me, education has been empowering,” she added. “It hasn’t been an easy journey though. My Ph.D. experience is so drastically different than my undergraduate experience. When I was an undergraduate student 20 years ago, there was a significant lack of Native American representation at the University of Washington. During my undergraduate years, I never saw Native American students, faculty or staff. I even took an American Indian Studies class, and it was taught by a non-Native professor. During those years, I felt unsafe and unsupported, so I remained invisible and silent.”
The now 47-year-old Tessa is anything but invisible and silent. With an extensive wardrobe of vibrant colors and bold Native designs that is often accessorized with stunning beaded earrings or cedar woven jewelry, she proclaims herself a proud Tulalip and Tlingit culture bearer in any space she occupies. A classroom in UW’s Moore Hall is one such space. That’s where her articulate voice speaks truth to power every Tuesday and Thursday afternoon as she seeks to indigenize education.
Only months away from earning her doctorate degree from the University of Washington, Tessa is working towards completing her Ph.D. program by teaching an exclusive course within UW’s school of Informatics. INFO 353 Indigenous Ways of Knowing in the Digital World is the course title.
In her pursuit to become Dr. Campbell, Tessa is indigenizing education not only by recruiting and supporting Native American educators but also integrating Native perspectives, histories, and teaching methods into her academic curriculum.
“The curriculum was originally created and developed by Dr. Sandra Littletree (Navajo/Easter Shoshone), which I have kept the foundation but have integrated material about the Tulalip Tribes into,” explained Tessa after allowing SeeYahtSub staff to attend one of her class sessions. “I asked and was granted permission from our Tulalip Board of Directors to teach about Tulalip history and culture this quarter. I believe that all tribes should have control of their knowledge and information and know where it is being disseminated.
“It’s been great having guest speakers from Tulalip, such as Aaron Jones, Ty Juvinel and Dave Sienko, come to UW this quarter and speak to the students,” she continued. “The main takeaways I want students to learn is that all tribes are not a monolith. They are so unique and diverse in their languages, cultures and histories. Since most students in the class have no previous exposure to Native American history, I want them to learn about Treaty Rights and tribal sovereignty.”
That vast majority of her 30 students are international or 1st generation American. Descending from countries like China, Thailand, India, Mexico, Armenia, Indonesia and the Philippines, Tessa’s class is one of the most diverse on the entire Seattle campus. Add-in the meticulously curated course content, various guest speakers, and the unique individual teaching and that’s a formula resulting in cross-cultural learning at its finest.
UW student Joanna Pena-Rodriguez said she was excited to learn from a fellow Indigenous person, especially one that is an enrolled Tulalip Tribes member. “I want to learn more about how Indigenous people have connections to the land and use storytelling as a way to preserve traditional knowledge for future generations,” shared the UW 4th year whose parents are both from Jalisco, Mexico. “I’m also interested in learning about building community and tying these concepts back into my own Mexican roots and traditions.”
The movement to indigenize education reflects a broader societal shift towards inclusivity and respect for diversity. As more Native Americans enter the field of education, they are redefining what it means to teach and learn in America. This effort not only empowers Native communities but enriches the educational landscape for all, creating opportunities for students to engage with the histories and cultures that shape our world.
All those Native educators working tirelessly to indigenize these historically marginalized spaces are actively dismantling colonial narratives while promoting tribal sovereignty and self-governance. For Tessa, the macro is just as important as the micro.
“Academia and education have been harmful and traumatic spaces for Native people, so creating space for ourselves and sharing our ideas and knowledge with others helps us feel stronger,” concluded Tessa. “These actions help us feel safer, building community, mentoring, uplifting and supporting each other. Any educational pursuit is empowering whether it is a training certificate program, apprenticeship program, associate’s degree, bachelor’s or whatever. We can all integrate these programs and indigenize them and bring that knowledge back to Tulalip to build a stronger and healthier community.”
What a breath of fresh air those prevailing winds of change are.
On Saturday, November 2, Washington’s Women of the Trades held their Sweet 16 annual Dream Big Dinner, celebrating men and women who excel in their careers or contribute to the advancement of women in the trades. The organization aims to promote economic equity and self-sufficiency for women by providing access to high-wage, high-skilled careers in fields like construction, manufacturing, and transportation. Among those honored this year was Aliana Diaz, a member of the Tulalip Tribes, who received the Union Activist of the Year award for her commitment to opening doors for Indigenous communities within these essential fields.
Aliana, now a third-year apprentice with Elevator Construction Local 19, is passionate about creating pathways for Indigenous individuals to build rewarding trade careers. Her journey into the field required hard work, resilience, and a focus on building a versatile skillset that would make her valuable on any job site. In her previous role in guest services at the Tulalip Casino, Aliana developed essential skills in managing diverse interactions. “Going through the different trainings the casino offered helped me set boundaries and speak up for myself when I entered a more male-dominated field,” Aliana shared.
Determined to break into the construction industry, Aliana sought guidance from professionals who emphasized the importance of specialized skills and certifications. Inspired by their advice, she joined the Laborers International Union of North America (LIUNA), where she quickly gained experience and worked her way up.
Through LIUNA, she earned certifications in OSHA 30, flagging, and welding, and even obtained her Commercial Driver’s License to enhance her value on the job. Reflecting on the importance of these accomplishments, Aliana said, “I wanted to make sure I had the skills and certifications to prove my value so no one could question my ability to contribute on any site.” These credentials helped her stand out as she transitioned to the Elevator Union.
Her commitment to community advocacy ultimately led Aliana to join her union’s outreach program, where she quickly took on the role of treasurer. Aliana engages with Indigenous communities in this leadership position, sharing information and resources about trade career opportunities. Her outreach work includes actively visiting various tribes, as well as partnering with organizations like the Chief Seattle Club, Native Action Network, and United Indians of All Tribes.
She also participates in TERO (Tribal Employment Rights Ordinance) meetings, which focus on ensuring employment opportunities for Native people. Through these connections, Aliana aims to make valuable information about trade careers more accessible to Indigenous communities, especially those who might not otherwise have the resources or guidance to enter these fields. With only about 25 women out of a thousand workers in the Elevator Union, Aliana is grateful for the supportive “sisterhood” of women who have paved the way in this challenging field. “The women before me showed that there’s space for us here, and they’ve given me the strength to keep pushing forward,” she shared.
Their example, combined with Aliana’s commitment to her craft and community, has fueled her success and earned her the Union Activist of the Year award. Her proactive approach to reaching out to Indigenous communities and advocating for pathways into the trades played a significant role in her recognition.
She hopes to inspire others to find fulfilling, sustainable trade careers, showing that these fields offer more than just a job—they provide a pathway to economic stability, leadership, and community impact. For those interested in exploring a career in the elevator industry, programs like the National Elevator Industry Education Program (NEIEP) provide the foundational education needed to succeed in this specialized trade. For more information, visit neiep.org.
