Category: Arts & Entertainment

By Micheal Rios, Tulalip News

Creatively inclined Native American students of the Marysville School District wandered through a makeshift art gala that was the Don Hatch Youth Complex on Thursday, April 18 for an always eye-captivating Art Festival. Accompanied by their families, friends and educators, emerging artists ranging from 1^st to 12^th grade wowed Festival visitors and judges with a variety of imaginative creations that centered around a shared Tulalip culture expressed via a variety of modern-day mediums.

“Our annual Art Festival is an opportunity for each Native student within the District to express themselves in a unique and creative way,” explained positive youth development lead advocate, Deyamonta Diaz. “All the work that goes on behind the scenes to make this event possible, it’s like an all-hands-on-deck effort, is so worth it for our community to witness the pride and joy every student puts into their art. 

“Each year our expectations are surpassed because we receive hundreds and hundreds of submissions,” he added. “For me, I look forward to seeing what new ways our kids find to express their Native culture or even developing their own way to retell a traditional story. There’s always something new and eye-catching that they come up with.”

For more than two decades now, Tulalip Tribes has partnered with Marysville School District to dedicate an evening to the art scene embraced by so many emerging artists from Tulalip and the surrounding area within the District. The Art Festival gives fledgling creatives an opportunity to show off their awe-inspiring talents to the community, while also getting a chance to take home a coveted 1^st, 2^nd or 3^rd place ribbon. Plus, all the bragging rights that come with them.

Such was the case with 9-year-old Tehya Robinson. She radiated pure joy while leading cousins and classmates to her five ribbon winning submissions. Then there was 13-year-old Gabe Joseph who beamed with pride as he posed for a picture with his 3^rd place winning beaded earrings and 2^nd place winning photograph.

“The photograph I took was from a family vacation to California. I was standing on the balcony and thought the view was so cool that I needed to take a picture to remember it. The sun was just right and seeing the dock and palm trees just made me feel peaceful and relaxed,” shared the St. Michael’s 8^th grader. “My aunt taught me to make beaded earrings and so I thought I’d make some purple ones to give to a friend’s mom. Now, she’ll be happy to know they are award winning earrings.”

Tehya, Gabe, and their fellow student culture bearers were able to win 1^st, 2^nd or 3^rd place, plus honorable mention, in a variety of artistic mediums. Categories included culture, drawing, painting, writing, mixed media, sculpture, digital art, and pure heart. The top four from each grade and category received a ceremonial ribbon recognizing their talents and a monetary prize.

“It’s always amazing to see just how talented our Native students are. The new ideas and concepts they come up with every year continue to surprise us judges,” shared Festival judge Doug Salinas while admiring the middle school painting section. “I think every kid has the capability to be an artist because their imagination has no limits.”

Like in years past, this year’s Festival received hundreds of submissions, with the most popular category by far being painting. There were dozens of artists who showed off their diverse talents by submitting artwork in as many categories as they could. There are also artists who continue to evolve their artwork and challenge themselves each year to claim one of those coveted ribbons in different categories.

Tenth grader Catherine Velazquez is in the midst of quite the dynastic run, having won multiple ribbons since she first started participating in the Festival as an elementary-aged student. At 16-years-old now, she’s collected more ribbons than she can remember, but admits to looking forward to the Festival each year because of the opportunity to create new pieces and, yeah, collect some walking around money for her efforts.  

“This past winter, I was at snow retreat in the mountains, it was night, the ground was completely covered in snow, and the moon casting this stunning red light. The moment was perfect for a picture. That photo won me 1^st place this year,” said the Grace Academy 10^th grader. She added ribbons from Digital Media, Mixed Media, Drawing, and Writing to her already large ribbon collection from past Festivals. “I love coming year each year and looking at all the art everyone does. Just walking around and admiring pieces that are my favorite inspires me to try new concepts and styles.”

This year’s art fest gala again offered several interactive tables, each led by an established adult artist. Representing possible career paths for the children to aspire to, or simply to have the young ones recognize art doesn’t have to stop when student life does. Tony Hatch, Tillie Jones, Ty Juvinel, and others did their best to engage Festival visitors and impart their cultural know-how through friendly, hands-on instruction.

Pure heart icon Sean-Paul Mace was on-site with his very own table to display his LEGO Star Wars collection. He dazzled with his depths of dark side knowledge and could even tell you which cinematic scenes his figures could be found in. 

Interwoven through many of the thought-provoking youth creations were both subtle and not so subtle tie-ins to ongoing social awareness campaigns, human rights issues and demands for a sustainable future. From artistic renditions on the Missing and Murdered Indigenous Women’s crisis, to declarations of Native-inspired rally cries like ‘Water Is Life’ and ‘Protect the Salmon’, to even rather imaginative way to represent heritage through a Fabergé egg.

Fifth grader Lillianna Hope was gracious enough to break down the various elements of her heritage egg. “I chose copper as the equator line because is the closest color to yellow and yellow represents happiness. I chose to the eternal line because evil spirits will look at them and memorized by them and it will trap the evil spirit and it will stay in there forever. I did yellow dots because they represent happy memories. I chose the brown, yellow, and black swirls because I think it is pretty.”

Whether it was from reading written words or interpreting the depths of color and images on display from the inspiring artists, a message being conveyed loud and clear is that yes, in fact, the youngest among us are paying attention to current events and understand how their culture is viewed, both locally and nationally. More importantly, their art demonstrates they are capable of channeling their traditional teachings and spiritual strength into pure artistry.

“When our kids create artwork for this event they are able to mix in elements of their personality, culture, family values, and what matters to them as individuals. It’s really incredible to see how even when there are twenty entries of the same type, each is different and unique in its own way because they reflect the artist who created it,” reflected Courtney Jefferson, Positive Youth Development Manager.

“Witnessing our kids get inspired from cultural pillars and advocacy movements is nice to see because that means they are learning about these foundational teachings while in school and retaining the information,” she added. “This proves how powerful it is to educate our people about our shared culture. Especially for the elementary-aged children. It’s so important they learn about the legacy of those who came before us and made it possible for us to thrive today.”

Without a doubt, the 2024 Native American Art Festival showcased a wide-range of artistic skills among our Tulalip youth. Confirming, yet again, what inspiring imaginations these artists are capable of creating when empowered to express themselves wholeheartedly and authentically, without judgement. Well, unless that judging comes with a shiny ribbon. Then it’s cool.

By Micheal Rios, Tulalip News

After three years of constant hospitalization due to acute renal and respiratory failure caused by undiagnosed lupus, acclaimed artist Jeffrey Veregge passed away on Friday, April 12, following a heart attack. He was 50 years old. He is survived by his wife Christina and their three children.

Following his passing, Christina posted on their shared Facebook account, “We’re heartbroken to share the devastating news that our beloved Jeffrey passed away, unexpectedly, this morning from a heart attack. Our family is in shock and trying to process this unimaginable pain. For 1,025 days he fought lupus like the superhero we knew him to be. The strength, determination and courage he showed while being in the hospital for a total of 925 days was an inspiration to us all. He will be missed more than words can express. This world was a better place because of him.”

A proud member of the Port Gamble S’Klallam Tribe, Jeffrey will be remembered for the remarkable imprint he made on lovers of comic books, action figures, and all things superhero related through his unmistakable, formline reimagining of iconic Marvel and DC characters.

As a Tulalip News reporter, I’m so grateful to have had two opportunities to interview and profile the self-described Salish Geek, first in 2015 at PechaKucha Seattle volume 63 and again in 2020 after his Native American heritage collaboration with Marvel Comics. Using the best parts of those previous interviews, I now share with our readers a profile on the man, the myth, the legend, Jeffery Veregge.

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Jeffrey Veregge is an award winning Native American comic book artist from the Port Gamble S’Klallam Tribe, located in Kingston, Washington. His work uses Coastal Salish and contemporary graphic design techniques that created the look dubbed ‘Salish Geek’ by his creative peers. Along with his work for IDW Publishing, he has appeared in numerous websites and publications such as Fast Company Magazine, Cowboys and Indians, and Wired Magazine. His works and commissions are part of some prestigious collections located at Yale University, Washington State University, The Burke Museum and the Seattle Art Museum. He’s also the pop and nerd culture contributor for Indian Country Today Media, where he is known as NDN Geek.

“I was raised and spent a majority of my life on our Port Gamble reservation known locally as Little Boston. Although I am enrolled there, I am also both of Suquamish and Duwamish ancestry,” said Veregge of his Native American roots. “I am an honor graduate from the Art Institute of Seattle, and I have had the privilege to study with Tsimshian master carver David Boxley for a short time, learning the basics of Salish formline design.”

Veregge has been an artist since the moment he was able to hold his first action figure and created stories of his childhood superheroes on paper with whatever art utensils were available. That creative fire and passion for superheroes and comics never faded and eventually led him to the Seattle Art Institute where he studied industrial design technology. Later, he was fortunate to study with Boxley to learn Salish formline design, a traditional style that he would blend fluidly within the Marvel and DC universes

“My most popular works are a reflection of a lifetime love affair with comic books, toys, TV and film; taking my passions and blending them with my Native perspective,” he said.

After graduating from the Seattle Art Institute, Veregge had a great job at an advertising agency for eleven years. Working in advertising allowed him to tap into his creative side, but the Native artist within wasn’t satisfied, he needed something more. He went to art school to be an artist and to have fun, not to have his inner artist constrained by the everyday politics of advertising.

For him, being an artist wasn’t just to sell art and make money; it meant having fun, it meant viewing a blank piece of paper as a magical canvas to express the imagination of a cluttered mind of a Native American who loves comics, movies, Sci-Fi, and action figures. So, he left the advertising agency and embarked on an artist’s mission to create something truly unique. The search for a new, personal and bold direction in his work resulted in Veregge remixing iconic comic superheroes with his now highly tuned hand for formline.

“For me it wasn’t just trying to create art as a geek or nerd, but as a Native I felt like I had something unique to offer,” Veregge said. “That’s my appreciation for all art and design, my passion for heroes, robots, aliens and monsters, and my pride in where I came from.

“My origins are not supernatural, nor have they been enhanced by radioactive spiders. I am simply a Native American artist and writer whose creative mantra in best summed up with a word from my tribe’s own language: ταʔčαʔξʷéʔτəν, which means get into trouble.”

Following that mantra, constantly testing his creative boundaries, and, yeah, getting into trouble a time or two ultimately led Veregge to one solo exhibition opportunity after another to showcase the wonderful world inside the mind of a Salish Geek. Multiple exhibitions of his work were held from 2009 to 2020, the pinnacle of whish was the Smithsonian’s 2018-2020 show at the National Museum of the American Indian, Of Gods and Heroes, featuring two 50-foot murals of Marvel’s heroes battling the Celestials. 

“For thousands of years, Native and non-Native storytellers have used art as a means to share the tales of their people. For me, I am carrying on a tradition that started with my ancestors by simply using the means of today and all its modern conveniences to share the tales that I love. Art evolves, tools get better, but the essence of what I do is the same as those who did it on the canvases nature provided for them to tell the stories of gods and heroes long, long ago” stated the Salish Geek on his website prior to Of Gods and Heroes grand opening. 

His explosion onto the highest levels of the art scene eventually meant his one-a-kind designs reached the game-changing creatives at Marvel Comics. It was perfect timing, too, as the comic book goliath was in the midst of developing an all-new collection titled Marvel’s Voices.

“Marvel’s Voices started and evolved from a popular Marvel podcast into a larger program within our comics,” explained Marvel Comics Editor-in-Chief, C.B. Cebulski in a press release. “Our first anthology in this program was released this past February and the reception from fans was incredible. It was clear we needed to do more to lift up more voices and talent and increase representation in and behind our stories. This is the first step of our next expansion of the program to discover new writers and artists who can bring their voices to our characters, both old and new. And this is only the beginning.”

In a cosmic shift for Native American representation, Marvel celebrated Indigenous history in November 2020 with a landmark special, Indigenous Voices #1. Written and drawn by some of the industry’s most renowned Indigenous talent, including none other than the Salish Geek himself, Jeffrey Veregge. Now a celebrated artist, he is leading this super powered movement alongside a team of creators to explore the legacy and experiences of Marvel’s incredible cast of Indigenous characters.

In addition to the Indigenous Voices comic series, Veregge illustrated Native American tribute variant covers for other popular comic titles featuring Dani Moonstar, Black Panther, Iron Man, Captain America, Hulk and others. All depicted in his signature Salish style.

“I am truly grateful for the platform that Marvel has not only provided for me and my work, but with this edition of Marvel Voices, all of Native America,” said Veregge. “This is an opportunity to share the cultural influences that we as Native artists and writers grew up with that will add more depth and dimension to the Native heroes in the Marvel Universe.”

From blockbuster movie goers, animated series streamers, and a very devout base of comic book enthusiasts, there are hundreds of millions of Marvel superhero fans globally. The exposure to the limited-edition Indigenous Voices series and the must-have Native Heritage tribute covers illustrated by Veregge offered immeasurable cross-cultural learning experiences to the traditional Native storytelling and the thriving art scene that is Salish formline. 

In a world severely lacking in authentic representation of Native American culture, Veregge reached the highest pinnacle of his craft while elevating Salish formline into the bold and vibrant worlds of comic book lore and museum quality art exhibitions.

Within the pop culture realm, there’s a saying that goes something like “There’s heroes and there’s legends. Heroes get remembered, but legends never die.” The Salish Geek is a f*cking legend.

By Kalvin Valdillez, Tulalip News

Over 60 community members helped usher in the spring season on the night of April 9, at the first Culture Night gathering of 2024. For many tribal families, this is a time of year that is dedicated to learning, practicing, engaging, and sharing in the ancestral teachings of the Tulalip people. 

With the promise of numerous fun cultural activities on the horizon, including the annual Salmon Ceremony, Canoe Journey, and Spee-Bi-Dah, the Tulalip events department is hosting the weekly Culture Night gatherings, every Tuesday at 5:30 p.m., to help prepare tribal members for the upcoming summertime events. 

Summer is filled with an abundance of teachings that are important to the tribal nation, such as harvesting traditional foods, plants, and medicines like huckleberries, cedar, salmon, and shellfish. The act of exercising their inherent treaty rights and gathering these items is a significant aspect of the Tulalip culture, which is why it is important for younger generations to learn about the preparation and work that goes into these ceremonies and gatherings, so they can in turn pass it on to the future of the Tribe in the years to come. 

At Culture Night, the community gets the chance to learn a handful of Tulalip’s songs and dances that have been passed down throughout the generations. More importantly, they do so at a slower pace, and take the time to show the little ones each step, drumbeat, and chant, so when the time comes, they are able to perform this work at game speed. 

Additionally, Culture Night has become synonymous with traditional crafting, due to the fact that many community members utilize the three-hour event to stitch and weave together regalia items for themselves and their families, including shawls, vests, headbands and more. This year, the events department teamed up with the Rediscovery Program for Culture Night. Together, they are making a strong effort to ensure that Tulalip has matching regalia for this summer’s cultural gatherings by providing regalia kits, so families have everything they need to fashion their own traditional attire.

Said Tulalip Events Manager, Malory Simpson, “We’ll be doing kits again this year, so shawl kits and vest kits. And we want to prevent waste, so we’ll be requiring them to check out their kits each week, to make sure projects are completed before they move on. We’re trying to plan, coordinate, and be more uniformed as far as our regalia style. One thing that we will provide this year is a certain color scheme for the material of our regalia. 

“I’m excited to see that cohesiveness, coming together as a tribe and representing the Tribe as a whole, overall, in our matching regalia. I really want to see that this year. And if it’s not something that community members want to use, if they want to make their own or use their family colors, they will be responsible for bringing that their selves, but we’ll still have sewing machines and materials available for them to use.”

Although the first Culture Night of the year was somewhat lowkey, there was still plenty of buzz in the air in anticipation for the weeks to come, leading up to all those exciting and important cultural events taking place this summer. 

This gathering was a great way to get the ball rolling and a wonderful opportunity for the community to share in some fun and laughter together, as well as discuss a number of upcoming events, including the 5:30 p.m. Canoe Washing on Monday April 15, at the Hibulb Cultural Center, and also Salmon Ceremony practice which begins on April 18, at 5:30 p.m., and is set to occur every Thursday at the Gathering Hall until the Salmon Ceremony takes place on June 1. The annual MMIW/P Day on May 3 is another event the community looks forward to participating in each year, and it’s in a space where they are able to put all their teachings that they’ve acquired from attending Culture Night to use, to help spread their healing medicine through that good work. 

“I’m just excited to gather again and provide a safe place for people to come, enjoy time together, share songs, dance, and learn,” Malory expressed. “This is the time to come out and learn, before we get into the bigger ceremonies. Some people are starting out from ground zero and seeing that growth throughout the weeks is exciting – being able to see that excitement on their faces when they finish their regalia and seeing them at Salmon Ceremony or on Canoe Journey dancing in their regalia, it’s really cool to see all their hard work and their pride when they get to wear it.”

Culture Night is happening every Tuesday from 5:30 p.m. to 8:30 p.m. On April 16, Culture Night will take place at the Tulalip Dining Hall once again. The following weeks, the location will change to the Kenny Moses Building – same time, same day of the week though. Be sure to join in if you would like to craft regalia or practice a few songs and dances with the community.

By Micheal Rios, Tulalip News

Hundreds hippity hopped to an early Easter Bash hosted at Tulalip’s Youth Center on Saturday, March 30. There were dyed eggs galore, coloring stations, plenty of Easter themed backdrops for pictures, and energy-inducing sugary treats. However, nothing topped the pure joy of children eager to meet their imaginary icon, the Easter bunny.

“The Easter Bash was a huge success,” said Sheena Oldham, one of the event coordinators. Serving as an activities specialist and proud mom of three kids, she was well versed in what a proper Easter party required. “I feel like our Bash brought a ton of people together. I’m proud of your Youth Services staff for all they did behind the scenes to make this happen, including wearing the bunny suit.

“The games, the food, the racing to get eggs, you could see how much everything meant to the kids who were running around endlessly from one activity to another,” she added. “Personally, my favorite aspect was seeing the competitive atmosphere from both parents and kids when it came time to the egg hunt. It was all smiles throughout and we saw so many people taking and sharing pictures of their happy kids. It’s events like this that really show how much our community appreciates getting together and having fun.” 

By Kalvin Valdillez, Tulalip News

The kids of Tulalip could not contain their excitement on the afternoon of Saturday, March 30. Many were literally jumping with joy when they spotted two life size characters strolling down their street. And though some of the kiddos were initially terrified, a few of them put on their brave faces and overcame their fear once they were gifted candy and toys from Sparky the Fire Dog and the Easter Bunny. 

A year into the COVID-19 pandemic, a local nonprofit known as Together We’re Better organized the first Easter Run for the community of Tulalip in 2021. The event was an instant success and helped raise the spirits of the entire reservation. With gathering restrictions in place, With gathering restrictions in place, and while many folks were practicing social distancing, the Easter Run brought back a sense of normalcy to the community.

At the time, Together We’re Better Founder, Malory Simpson, shared, “It was important for us to do an event. Normally, we do a huge egg hunt and multiple communities come out to celebrate, but COVID has interfered with a lot of events this year. Together We’re Better is community-driven and 100% community funded, so seeing the kids cooped up and not having anything really planned for them, we wanted to do something for them and bring Easter to the community.”

Malory drew inspiration from the Tulalip Bay Fire Department’s yearly Santa Run, in which the Fire squad escorts Santa Claus throughout Tulalip neighborhoods while collecting donations for the Tulalip Church of God Food Bank. When Malory reached out to the fire station, a partnership was quickly forged between Together We’re Better and the Tulalip Bay Fire Department. Their firehouse dalmatian mascot, Sparky, also wanted in on the fun and volunteered to distribute candy alongside the Easter Bunny. 

“When you see the kid’s faces light up, and their smiles are so big, ear to ear, when they see Easter Bunny and Sparky from across the road, it’s just the best,” expressed TBFD Captain John Carlson. “The interactions are always great; they all mean a lot to us. To make their day makes my day, because we see people on some of their worst days. I view the fire services as a family and the Tulalip community is a huge part of our family too. It’s so great to work together and make each other’s day better, it means a lot to us. It’s why we’re here.”

In addition to Sparky and the fire crew, two other local groups volunteer their time to hand out candy each year and are essential to the Easter Run – Aunties in Action and the Redrum First Nations Motorcycle Club. Every Easter Run, there are about 20 volunteers who walk numerous miles throughout the day to deliver treats and smiles to the homes of Tulalip children and their families. 

The Easter Run was such a big hit within the community that Together We’re Better decided to make it an annual occasion. Now, it is something that many kids look forward to each spring. Kids are on the lookout, peering out their windows, and as soon as they catch a glimpse of the dynamic duo, they are outside waiting to greet them.The kids shower the bunny and fire dog with hugs and high fives, and graciously accept their gifts of sugar and plastic novelties. The parents are equally as excited as the youngins, and they are sure to have their camera apps open and ready to snap a shot of their babies with the two loveable characters. 

Said Malory, “Giving back to the community always feels really good. This is all community effort; it makes my heart happy to see the community coming together to take care of each other. I just love it. The smiles and laughter make you feel really good inside. Just seeing the kids get excited is one of the best things about the event. It’s pretty fun to see all of their reactions and see how happy the kids are to spend some time with the Easter Bunny and Sparky.”

This year, the Tulalip Bay Fire Department expanded its district to include homes located in the Quil Ceda Creek neighborhood developments. As the Easter Run mirrors the fire department’s service area, this meant that the Easter Bunny and Sparky would see some new faces this year. And that they did. With the addition of three neighborhoods, Sparky and the bunny made dozens of new friends of all ages, from newborns to elders, as they spent a generous portion of their day getting to know the kids and families on the Quil. 

In total, the Easter Bunny and Sparky visited 10 neighborhoods on the reservation, walked over 14,000 steps (≈ 7 miles), and brought smiles to over 100 kids during the 2024 Easter Run. 

Natosha Gobin, the 2024 Easter Run event planner, stated, “The Together We’re Better events are so much fun to participate in because it is community driven. For the Easter Run, a lot of community members look forward to stuffing eggs, buying snacks, and doing whatever they can to help. It’s nice to take time and visit with the families and go to all the different developments. This year, we were excited to add the Quil developments as well. It feels so good to be with the community for a positive reason. And to see how much this means to the family as a whole – it just feels really good to be a part of something that is putting smiles on their faces.”

If you are looking to get more involved with the community, Together We’re Better is always accepting donations, whether that is goods, funds, or your personal volunteered time. For more information, please contact Natosha Gobin at (425) 319-4416 or Malory Simpson at (425) 905-9137.